Last week I went to see three grande dames of literature at Arizona State University: Joy Harjo, Rita Dove, and Sandra Cisneros, hosted by Natalie Diaz. These are writers whose works I taught to college students for years, but this was the first opportunity I had to hear them talk in person. They were seated on stage in a conversation area–a couch and armchairs. What I hadn’t realized was that they are all graduates of the Iowa Writers’ Workshop, which has long been considered to be the top place to earn an MFA in writing. These women all know each other–and Harjo and Cisneros were friends in grad school. I felt I was eavesdropping on their conversation with each other.
Since these women are all poets, but have published prose as well, I was fascinated to hear what they had to say. Their voices come from disenfranchised groups–Harjo is Native (Muskogee Creek), Cisneros Chicana, and Dove African American–so it’s important to listen carefully and sympathetically in order to hear things from a variety of perspectives. They were also talking about timing, and how timing was very helpful to them in achieving the level of success they have had. You can look them up if you want the deets. In fact, Dove mentioned that when she was a grad student she didn’t know the work of a lot of poets who were mentioned in her classes. She would surreptitiously write down the names so she could find them in the library and read their work. In that way, she was partially self-taught.
I’m leading up to something here.
Of all the wonderful ancedotes and tips I heard that Saturday afternoon, the one that stood out the most to me is one from Harjo. She said she teaches a course about poetry ancestry. It’s studying the genealogy of your poetry writing. You look at the poets who most influenced your own writing. Then you see who influenced them. And go back as far as you can, studying the work that turns up in your research!
I wanted to see where I could go with this, but it will take time. I’ll just start by mentioning some of my poetic influences. Keep in mind this is NOT an exhaustive list by any means.
- Sylvia Plath: there is no doubt that I found her big mouth and aggressive imagery very liberating
- Emily Dickinson: her spare and sometimes wry writing appeals to me, but the downside is she keeps herself out of most of her poems, and that is too convenient for me
- A. R. Ammons: I so admire his oneness with nature and spirit and his very smart use of language
- Gerard Manley Hopkins: his spirituality and fresh imagery speak to my heart
- Linda Hogan: like Ammons, her oneness with nature and spirit inspires me
- Adrienne Rich: she broke the ice at the top of the ocean she dove into in Diving into the Wreck
- Edna St. Vincent Millay: maybe the first poem not written for children that captivated me was Millay’s “Renascence.” When I was a kid, I took an LP record out of the library and listened to her read it over and over and over and over and over again.
- classic children’s poetry of the 20th century, as well as nursery rhymes: these are what first instilled a love for poetry
Do you notice anything about my little list? Lots of women, not too much diversity (except Hogan who is Native and Rich, a Jewish lesbian). But what else? The poems I read that first inspired my writing were written mainly before 1980 all the way back to Dickinson who was writing before and during the Civil War! Of course, I’ve read a lot of contemporary poetry over the years, but poets who first influenced me were not my contemporaries or even those just a little ahead of me. They were considered masters when I read them, except for maybe Hogan.
I’m thinking I need another list of poets whose works next influenced me–people writing after the poets listed above. That might then offer more of a platform for the “family research.”
Do you know who your first influences were for your own writing? Have the type of influences changed over time? For instance, if blogging is your main writing format, who were your first influences?
