When we visited New York in October, we saw this sculpture:
I didn’t really understand what it was, although there was a sign that said it was the Merchant Mariners’ Memorial at Battery Park. I thought it was amusing because of the bird perched on the guy’s head.
Tourists were in front of it, snapping photos, and I had a hard time getting an angle I wanted.
And there was a fence around it, too.
- my dad’s uncle was one during WWI (he died in his 30s from a car accident)
- my dad’s friend when I was a kid was one (he was a very sweet guy but used to get drunk and in bar fights when he was on leave)
- Daniel Keyes, the author of Flowers for Algernon (run to library if you haven’t read it), joined the Merchant Marines at age 17 and practiced medicine on the sailors
Daughter has been visiting (and has to leave today BIG SOBS). She’s packing right now. I just ran across these pix and wondered more about the sculpture. A lot of effort and money goes into these public art projects, so what is this one about?
Apparently, it’s supposed to look like THIS:
American Merchant Mariners’ Memorial, designed by the sculptor Marisol Escobar, is located just south of Pier A on a rebuilt stone breakwater. It is a representation in bronze of four merchant seamen with their sinking vessel after it had been attacked by a U-boat in World War II
These men were drowning after a Nazi U-boat attacked their ship. And look how powerful it is. Why is it so blocked now that you can’t get the effect of this drama? A beautiful work of art, but because the “setting” or “context” is no longer correct for it, much of the meaning and beauty is lost.
Like a diamond needs the right setting and a painting needs the right placement, does writing need the appropriate context, too? Are there ways that the full expression of a book, story, or poem is lost because the context has changed? Or is writing something that we can always access in just the way someone did 20 years before? or 200? What do you think?