After reading Robin’s post about her granddaughters and the new Cinderella movie the other day, I was thinking about how I’ve always been influenced by fairy tales and folk tales. The Disney version of Sleeping Beauty was my earliest film-version fairy tale–and I loved both Flora and the music passionately. Not to mention how the colors changed! I mentioned Flora’s influence here.
When my daughter was little I had mixed feelings about the movies and illustrations of these old tales because I began to see the stories through my Korean daughter’s eyes. I’ve written both on this blog and on our adoption blog about these subjects in the past. The story of race in fairy tales was here where I wrote about my daughter’s notion of Cinderella as a blonde.
There are over 700 versions of Cinderella from around the world. The only countries that didn’t have true Cinderella stories were African countries, but there have been more contemporary Cinderella stories remedying that “deficit.” The oldest version of Cinderella is Chinese and developed when people still lived in caves. The size of the shoe was added in when foot binding entered the culture. Lots of icky little cultural “shoulds” like foot binding or fetishizing the size of women’s feet enter our stories without us realizing what we are teaching our children.
The tales, particularly the European ones, feature cannibalism, dismemberment, incest, and other immoral activities. Stepmothers are usually nasty creatures out to, at best, neglect their charges and, at worst, to murder them. Of course, there is a reason for mean stepmothers. There were a lot of stepmothers in the days when many women died in childbirth. And with limited incomes or primogeniture, women wanted to ensure the inheritance (and therefore survival) of their own children, not the older children of first wives. In my own family, over 150 years ago in the Netherlands, my great-great-grandfather and his brother were sent by their stepmother to live in the orphanage when their father died.
We can deny the horrors and sometimes the violence or we can delete it as Disney did, but the old tales spring from difficult lives. Does the grit and nastiness deter me from reading them? Hah. No. And, like most of us, there are certain tales that have stuck with me. Become part of who I am. I’ve written about the role of “The Princess and the Pea” in my life here and the role of Little Red Riding Hood here.
In Doll God I explored some of the tales that influenced me in my life. Not all, by any stretch, but some. Snow White, for instance. I had no idea she did influence me, but for some reason she showed up in two poems in my book! “Snow’s Locked Box” was just published in Grist Journal, which is mainly a print journal, so you would need to get a copy to read it at this time. The poem features Snow White in her coffin out in the woods. There is also a poem in the book about the Japanese tale of the stone cutter, relating it to the artist wishing to be both art and artist.
The older I get, the more I dislike violence and unhappy endings. I’d rather see Ariel end up with her prince than see the Little Mermaid as mere foam on the ocean, as Andersen first wrote her ending. I haven’t seen the new Cinderella movie or Frozen because I’m always behind in my movie viewing. But I loved Tangled and Puss in Boots, which reminds me of my cat Mac.
Nevertheless, the older tales, with all their horrors, have their grip on me. Once read, I can’t unread them. And there is no doubt that they have shown me a more complex world than Disney ever could.
What tales influenced you?
