Monthly Archives: August 2023

Micro Story Published by Paragraph Planet

Today (August 31, UK time) I have a new microfiction up at Paragraph Planet. The daily stories are 75 words each–and that includes the title.

This story is about the creative spirit that only can die out with the person.

Caregiver, carer hand holding elder hand woman in hospice care. Philanthropy kindness to disabled concept.Public Service Recognition Week

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Impressionistic #TankaTuesday

This week’s #TankaTuesday by Colleen Chesebro is to write an ekphrastic syllabic poem inspired by a Berthe Morisot painting shared by Rebecca Budd on her blog Chasing Art. The painting is https://en.wikipedia.org/wiki/Eug%C3%A8ne_Manet_on_the_Isle_of_Wight.

This Impressionist painting is in a French museum. I grew up going to the Art Institute in Chicago several times a year. While I’ve seen amazing Impressionist paintings at the Louvre and at the Courtauld in London, the Art Institute also has a gorgeous collection. My favorite painting there is by Caillebotte. Impressionism used to be my favorite style. Now my taste leans more toward Surrealism and Symbolism. Since I have been immersing myself in Surrealism by writing ekphrastic stories inspired by Remedios Varo, I really needed to zap myself into a different mentality first. So I ate some Ruffles and French onion dip. Get it? French chip dip, French painting.

I decided to write a tanka about the man in the painting who is the husband of the painter. I discovered that he was a painter himself, and the brother of the more famous Manet. He apparently was very supportive of his wife’s career as well as that of his brother. I found that to be very inspiring, especially since I am reading a novel about Varo’s life and how the male Surrealists treated the female painters. Not as colleagues.

Topic: Supportive Husband

My view is lovely

from our holiday quarters.

Better is this man

who places his career last

after his brother and moi.

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Summer Daisies #TankaTuesday

It’s been a long time since I wrote posts based on Dawn Raffel’s memoir, The Secret Life of Objects. The idea is to write about an object that evokes memories. 

I’ve blogged a couple of times about the vacation trip I went on with my parents when I wasn’t even four years old yet. We drove from Michigan south and visited Louisiana and Texas, among other states. Some of my most vivid memories from the time period were in New Orleans. I will always associate the city with sidewalk painters seated at their easels, the brushes that were extensions of their hands, and of course their fascinating canvases.

When I visited my mother in April to help her pack up some items before her move into the apartment building at her retirement village, I discovered this painting, long forgotten and gathering dust in Mom’s basement. My parents purchased it on that trip to New Orleans, and it hung for years in their living room. I shipped it home to myself, and now it hangs in my living room, reminding me of that vacation and the colorful, exciting world that existed outside Kalamazoo.

Colleen Chesebro’s prompt for #TankaTuesday is to use at least one kigo word in a syllabic poem for the current season, which in Arizona is summer. Colleen explains a kigo: 👉🏻 What is a KIGO? A kigo is a season word used in haiku and haibun (the haiku portion).

She provides a possible list of kigos. Daisies are not on the list, perhaps because many think of them as spring flowers. However, daisies are also summer flowers! So many types: Chrysanthemum*, Marguerite, English, Gloriosa, Shasta, Cape, Oxeye, and Gerbera. I prefer Gerbera because unlike the other varieties they are completely non-toxic to cats! *this variety is on Colleen’s list

Here is my haiku:

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Should You or Should You Not Attend Your High School Reunion?

Photo is Detroit sunrise from Windsor, Canada.

My #TankaTuesday is at end of the post.

This past week I was in Michigan and Ontario (Canada). I got to see my mother, as well as some other relatives who I also saw in April. The main reason we chose last week to travel was to attend our high school reunion. Have you ever done that? This was my first one. The gardener and I went to the same high school, although he had been with those classmates for elementary and junior high, whereas I was the new girl in 10th grade.

Our reunion was put together sort of last minute by mainly one person who was helped by a few others. It was casual, held at a lakeside park. And maybe 15-20% of graduates attended. Although it would have been fun to have a big dressup party, I think this turned out best because people could move around easily–and best yet, we could hear each other talk. A dinner-dance isn’t the best place to catch up with people.

Although everyone there (except for two people who looked as if they have a nasty portrait of themselves hidden in the attic) looked older and in some cases unrecognizable, in general, I think my class has done pretty well with their appearances. It was really fun to catch up with some old friends and to talk to others I wasn’t as close to. In high school, it seems people rarely talk except to close friends.

An upside of going was that it was fun to “catch up,” and I realized I really care about the welfare of everyone I went to school with. We had a good time, and it was especially fun for the gardener to see people he went to school with for so many years. We also had a memory board with names and a memory candle so we could spend some brain and heart cells on those who are no longer with us.

A downside for me was that I didn’t know so many of the people we went to high school with. High school is not the best time to really get to know a large group of people. It’s also hard to see how old we have all become, although that is also an upside because it made me realize that these people are no longer the 17-year-olds I remember, but have had full lives with ups and downs just as I have had.

I’m not sure if this is a positive or negative, but I learned something about myself. Maybe that is really good, although it feels sad. When I was in school, I was quite shy, though not in a classic “quiet” way, but rather I found it very difficult to have poise in social situations. I didn’t have the confidence to participate in the activities I would have liked to, such as yearbook, journalism, and auditioning for plays. I would be too quiet when I should be more open to talking to others, and I would be noisy when with close friends. When I had openings or opportunities to do more, I assumed deer-in-headlights stance. Starting a new high school was very difficult for me, and add to that I had a lot of problems at home with my father during that time.

So what did I learn about myself from attending the reunion? Although I’ve gained in maturity, compassion, and confidence, I am still the same dummy in social situations. Too scared to initiate conversations, mind empty when I should have spoken, etc. Ugh. So, no, I guess people don’t really change although I thought I had.

My high school was known for being very cliquish, and we had a fair share of “mean girls” (not one of them was at the reunion). I only bring that up because my mother has her own social situation. She lives in a retirement community, in a large independent apartment building, and it too is cliquish. My mother is also an introvert (I think this gene is rampant on my maternal side). Is this what tends to happen in large social groups? Is it only the women or do men feel this, too?

On another note, I have a micro up at Scribes *MICRO* Fiction, thanks to Managing Editor Edward Ahern . It’s a surreal drabble (100 words). This link is for the whole issue, which is full of fun stories and poem. https://www.fairfieldscribes.com/issue-32.html/ My story is about 3/4 through the issue–if it were in pages it would be page 10 out of 13.

Here is how it begins:

These Days
​by Luanne Castle

​​​​I look over at the white Waymo as it pulls up next to us. The giant stuffed bear in the driver’s seat, its googly eyes stubbornly facing forward, refuses to glance at me.

For Colleen Chesebro’s weekly #TankaTuesday prompt about sunflowers, I offer this shadorma. The prompt includes a beautiful photo, but I couldn’t download it to use over here.

Garden Protection

Old-fashioned

gardens with bean plants,

corn, and squash,

tomatoes,

bloom with sunflower beauty,

cunning insect traps.

sunflowers and trees
Photo by Luca Barth on Pexels.com

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Remedios Varo Micro Stories Published by The Ekphrastic Review

I am very excited to see five of my Remedios Varo inspired micro stories published at The Ekphrastic Review! A huge thank you to EIC Lorette C. Luzajic for this and more. Each tiny story is accompanied by the art that inspired it. Some of these, like the one last week in Bending Genres, are about poets. I am pretty proud of all my Varo stories and think they are some of my best work. Whether or not they are to your taste is another matter. They tend toward the sarcastic. I hope you do like them, though!

https://www.ekphrastic.net/the-ekphrastic-review/five-microfiction-after-remedios-varo-by-luanne-castle

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Micro Story Published by Bending Genres

As I have been pursuing my new passion of microfiction, I have also been having fun with ekphrastic writing, and my favorite artist to work with is the surrealist Remedios Varo. The amazing journal Bending Genres has published a story I wrote based on a Varo painting; it concerns the idea of writing or art muses that are not complacent “nice” creatures. This story also happens to be completely indebted to Sylvia Plath and her poem, “The Disquieting Muses.” My story is called “Disquieting Muses with Pets and Fruit: A Still Life.”

https://bendinggenres.com/disquieting-muses-with-pets-and-fruit-a-still-life/?fbclid=IwAR2MK7lOqXuXP9O4SEuYeTZ9MyJ8mzRxAMc5jv2p5zsYe_8nrm9xxrCOpAs

The Varo painting is called “Vegetarian Vampires.” Here is the Plath poem:

The Disquieting Muses

Mother, mother, what illbred aunt
Or what disfigured and unsightly
Cousin did you so unwisely keep
Unasked to my christening, that she
Sent these ladies in her stead
With heads like darning-eggs to nod
And nod and nod at foot and head
And at the left side of my crib?

Mother, who made to order stories
Of Mixie Blackshort the heroic bear,
Mother, whose witches always, always,
Got baked into gingerbread, I wonder
Whether you saw them, whether you said
Words to rid me of those three ladies
Nodding by night around my bed,
Mouthless, eyeless, with stitched bald head.

In the hurricane, when father’s twelve
Study windows bellied in
Like bubbles about to break, you fed
My brother and me cookies and Ovaltine
And helped the two of us to choir:
“Thor is angry: boom boom boom!
Thor is angry: we don’t care!”
But those ladies broke the panes.

When on tiptoe the schoolgirls danced,
Blinking flashlights like fireflies
And singing the glowworm song, I could
Not lift a foot in the twinkle-dress
But, heavy-footed, stood aside
In the shadow cast by my dismal-headed
Godmothers, and you cried and cried:
And the shadow stretched, the lights went out.

Mother, you sent me to piano lessons
And praised my arabesques and trills
Although each teacher found my touch
Oddly wooden in spite of scales
And the hours of practicing, my ear
Tone-deaf and yes, unteachable.
I learned, I learned, I learned elsewhere,
From muses unhired by you, dear mother,

I woke one day to see you, mother,
Floating above me in bluest air
On a green balloon bright with a million
Flowers and bluebirds that never were
Never, never, found anywhere.
But the little planet bobbed away
Like a soap-bubble as you called: Come here!
And I faced my traveling companions.

Day now, night now, at head, side, feet,
They stand their vigil in gowns of stone,
Faces blank as the day I was born,
Their shadows long in the setting sun
That never brightens or goes down.
And this is the kingdom you bore me to,
Mother, mother. But no frown of mine
Will betray the company I keep.

This Plath poem is also an ekphrastic poem, inspired by the Giorgio de Chirico painting, also called “The Disquieting Muses.”

How is that for a chain of art inspiration?

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This Week’s #TankaTuesday

While reading poetry books is the heart of The Sealey Challenge, I do like to write reviews when I can.

Here is my review of Christine Butterworth McDermott’s new poetry collection that Harbor Review published. https://www.harbor-review.com/the-spellbook-of-fruit-and-flowers

Here are some reviews of poetry books I recently posted on Goodreads:

Margaret Duda’s I Come From Immigrants (note: book is similar in content to Elizabeth Gauffreau’s Grief Songs, since it is memoir-ish poetry paired with personal photographs)

https://www.goodreads.com/book/show/180625112-i-come-from-immigrants

Laurie Kuntz has two recent books out, and both of them are wonderfully personal about her relationships with husband and adult son.

https://www.goodreads.com/book/show/59748231-the-moon-over-my-mother-s-house

https://www.goodreads.com/book/show/80351487-talking-me-off-the-roof

#TANKATUESDAY

Colleen Chesebro’s #TankaTuesday poetry prompt for this week is to write a syllabic poem using collective animal nouns.

Topic: Collective animal nouns

A murder of crows

brings me stones and an earring

for feeding their young.

My dearest clowder of cats

whines all day long for their food.

**

I had to look up whether to use singular or plural for the verbs. It was hard for me to determine the correct usage, but it seems that this tanka called for a singular verb.

Cute kitties below are my daughter’s kittens, but this photo is already months old! They are playing Mouse for Cats on my iPad.

REVIEW OF ROOTED AND WINGED

Richard Allen Taylor published a review of my collection Rooted and Winged in the new issue of Main Street Rag. I think it’s a pretty funny review. Posting images of the journal pages.

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Follow Me: #TankaTuesday

August is the month of The Sealey Challenge. Started by poet Nicole Sealey in 2017, the challenge is to read a book of poetry every day for the month of August. In the past, I have used this time to read poetry books that were sitting unread on my bookshelf. While I know I can’t read a book a day as I have other things going on, I am still going to try to read more than usual this month. Want to join me?

If you join the challenge and need an idea, I would love it if you wanted to add one of my books to your list. Here is a link to all four books. https://www.luannecastle.com/bookstore/ Additionally, if you are interested in a copy of my first collection Doll God, for this month I am offering you a copy for $5 that includes shipping if you have it delivered in the United States. If you are not in the U.S. contact me and let’s see if we can figure it out. Think of it in honor of the Barbie movie. Email me at luanne.castle which is at gmail.com.

Two of my Doll God poems have been republished this month in Verse-Virtual. You can find them here: https://www.verse-virtual.org/2023/August/castle-luanne-2023-august.html

Colleen Chesebro’s #TankaTuesday poetry prompt for this week is to use synonyms for the words flow and wave. I used runs and beckons and wrote an American cinquain.

Follow Me

The doe

in the pasture

sees me and runs away,

slips between trees, white tail, a sail,

beckons.

The turn is found in line five because while the deer runs from me, it seems as though she also beckons me to follow her with her communicative tail.

Not sure if this is a male that shed its antlers or a female

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