Category Archives: #thesealeychallenge

Follow Me: #TankaTuesday

August is the month of The Sealey Challenge. Started by poet Nicole Sealey in 2017, the challenge is to read a book of poetry every day for the month of August. In the past, I have used this time to read poetry books that were sitting unread on my bookshelf. While I know I can’t read a book a day as I have other things going on, I am still going to try to read more than usual this month. Want to join me?

If you join the challenge and need an idea, I would love it if you wanted to add one of my books to your list. Here is a link to all four books. https://www.luannecastle.com/bookstore/ Additionally, if you are interested in a copy of my first collection Doll God, for this month I am offering you a copy for $5 that includes shipping if you have it delivered in the United States. If you are not in the U.S. contact me and let’s see if we can figure it out. Think of it in honor of the Barbie movie. Email me at luanne.castle which is at gmail.com.

Two of my Doll God poems have been republished this month in Verse-Virtual. You can find them here: https://www.verse-virtual.org/2023/August/castle-luanne-2023-august.html

Colleen Chesebro’s #TankaTuesday poetry prompt for this week is to use synonyms for the words flow and wave. I used runs and beckons and wrote an American cinquain.

Follow Me

The doe

in the pasture

sees me and runs away,

slips between trees, white tail, a sail,

beckons.

The turn is found in line five because while the deer runs from me, it seems as though she also beckons me to follow her with her communicative tail.

Not sure if this is a male that shed its antlers or a female

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Review of Grief Songs by Elizabeth Gauffreau

Congratulations to Elizabeth Gauffrau on the publication of her new book. I’ve reviewed it below, and Liz will be responding to comments today!

Her new poetry collection, Grief Songs, is a deeply personal and yet universally appealing memoir in poems and photographs. The focus is on the nuclear family that Gauffreau was born into: her mother, father, brother George, and herself. Most of the poems are tankas.

Click on the cover image to purchase at Amazon.

 

A tanka is a Japanese syllabic poetry form consisting of five lines, 5/7/5/7/7. Like Haiku, these poems use economy of language to create an image, often from nature, and usually express emotions of love or loss. Because of the way phrases and images are “set” one after another in tankas and the short length of the poem, tankas create an impressionistic art that requires an active, rather than passive, reader.

The title plays upon the meaning of tanka as “short song,” as well as the elegiac aspect of the project. After the epigraph, Gauffreau lists the names and dates of her three relatives in headstone fashion. In this way, the reader understands the others have all passed. The book’s structure is remarkable in that each tanka is mirrored by a family photograph. Photos really are a perfect pairing with tankas because they provide another dimension to an elliptical form.

In “Boy Scout Badge,” we see a photo on the left of George and Daddy standing together on a dirt road. The tanka to the right reads:

walk a dusty road
distance meritorious
no badge without proof
Daddy matched him step for step
hot August sun beating down

We meet here a father who is partially responsible for his son’s success. He has to walk that same long distance as his son in the heat so that George can prove he deserves his merit badge.

Later on, in “Yearbook,” a teen George with the long hair of the 70s leans against the Coke machine at school. On the next page, we

see George strike a pose
Coke machine, casual lean
no caption needed
George Gauffreau enjoys a Coke
classmate, friend, brother, deceased

The succinct nature of the tanka only gives away the poet’s grief at her brother’s early death with that one word “deceased” piggybacked onto “classmate, friend, brother.” Also notice the long O sound repeated in the first four lines. Then that fifth and devastating line differs markedly in sound.

“Family Reunion,” the penultimate poem of the collection, shows a family group photo paired with:

we did not expect
Indian summer so soon
early morning sun
haze lifts, mountain range appears
but only for a moment

In classic tanka style, this poem focuses on a season, a glimpse, one image, but in so doing tells us a lot about love and loss. The mountain range appears “but only for a moment,” just as our families are together for what seems later on to be merely a “moment” in time. We are lucky to have these reunions when we can because before too long, we will have family members to mourn.

Elizabeth Gauffreau’s heartfelt poetry can be enjoyed by poetry newbies and aficionados alike.

You can find Liz here:

WEBSITE: https://lizgauffreau.com
FACEBOOK: https://www.Facebook.com/ElizabethGauffreau
LINKEDIN: https://www.linkedin.com/in/liz-gauffreau
TWITTER: https://twitter.com/LGauffreau
GOODREADS: https://www.goodreads.com/egauffreau

Elizabeth Gauffreau writes fiction and poetry with a strong connection to family and place. Recent publications include Woven Tale Press, Dash, Pinyon, Aji, Open: Journal of Arts & Letters, and Evening Street Review. Her debut novel, Telling Sonny, was published in 2018. Learn more about her work at http://lizgauffreau.com.

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