Category Archives: Book Review

Interview to Forgiveness to Weather to Tanka to Book Review

One of the very top creative nonfiction journals is Hippocampus Magazine. I was pretty jazzed to be interviewed for them by Rudri Patel, the co-founder and co-editor of The Sunlight Press about Scrap. 

Link below:

HIPPOCAMPUS INTERVIEW

Here’s a sample Q&A:

RBP: Forgiveness is a complicated theme that you present in your work. As you learned about your father’s backstory, how were you able to navigate your feelings toward understanding him better. Did the writing help you forgive him in real time, or did you have a complete understanding of his perspective before you wrote Scrap?

LC: From the first moment I began to write my memories about my relationship with my father, I was beginning to heal. Every memory written out was a burden released. For me, writing was the best form of therapy, better than therapy visits, although I used the material from those for crafting the middle section of Scrap.

During the time my father was sick and then dying, I jotted down notes and rough drafts of events. But my focus was his daily phone calls and talking him through his illness and our past. It felt as if the barriers between us were melting away, and I just kept my mind open. I didn’t realize I was finally forgiving him until later, after he died.

As I’ve mentioned too many times, I worked on this project for eighteen years. I’ve been blogging for FOURTEEN of those years. In the past I posted quite a few memoir reviews because I was reading a lot of memoir to learn from them. What I didn’t do during most of that time was ever once think about forgiveness and my story.

Funny how life has a way of tracking its own path, separate from one’s mind.

You know what I won’t forgive? This hideous heat in Arizona. It’s disgusting, and it’s making my neurological system go haywire. Constant feelings of vertigo, seared sinuses, all kinds of symptoms. The minute I leave for another climate I’m better.

This week I was in southern California where the air was so tender. I’m working on tanka sequences for my Sunflower Tanka submissions, trying to write about the difference in weather, and all I could think of was tender air.

Speaking of Sunflower Tanka, Editor Colleen Chesebro wrote a wonderful review of Scrap. Thanks, Colleen!

5.0 out of 5 stars A Flash Fiction Memoir!

Reviewed in the United States on August 10, 2026

Format: Kindle

This is a hybrid flash memoir called Scrap: Salvaging a Family, which explores the author’s journey through childhood into adulthood and how she reconciled her emotions with an aging or dying parent.

Written in chapters or flashes, the author shares her memories of growing up in Kalamazoo, Michigan, from the 1950s onward.

From her memories, we meet the Wolf, the author’s father. It doesn’t take long to realize that the author has experienced mental and physical abuse. At one point, the author questions why her mother let this abuse go on. The writing is raw and grabs you in the heart. There were several emotional moments in the book.

I love flash fiction, and this was my first time reading a flash-memoir. At times, I felt like I was going through a photo album featuring the memories of the author’s life. Secrets are revealed, and like a murder mystery, the clues are scattered for the reader to find.

This memoir helped me reflect on my own childhood. This was a memorable read!

 

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Filed under #ScrapSalvagingFamily, #TankaTuesday, Arizona, Book Review, forgiveness, Interview, Syllabic Poetry

My Review of Deborah Brasket’s This Sea Within

Deborah Brasket blogs at Writing on the Edge of the Wild

This Sea Within, Deborah Brasket’s new novel is not a departure from When Things Go Missing in writing quality as both books are obviously written by a skilled craftsperson or in the search for identity at the heart of the stories, but in every other respect it is a vastly different book. This Sea Within is driven by passion and courage.

The protagonist Lena, a sheltered American college graduate, travels to the fictional country of San Balanque to learn more about herself. Soon after arriving, she discovers that she will jump into life feet first without looking back as she throws her lot in with the freedom fighters based largely on her passionate love for Raoul, the leader of the rebels. It seems like quite the leap to transform from the pacifist to a cult figure of the movement, but the reader witnesses Lena making that move step by step.

Brasket keeps the reader in suspense throughout as the secret of who Lena’s mother is hangs over her head throughout much of the book. The writing style features gorgeous descriptions of the beauty of the jungle, and the opening scene describing Lena and the ocean as she is surfing is a knockout. I can only imagine the extensive research Brasket had to do to write this story.

The top layer thread of the book is the relationship between Lena and Raoul which is a torrid love affair with beautifully written sex scenes. But perhaps the most hidden layer of the story I only realized after I finished the book. It pertains to what happens when we connect our lives with someone else and how that can change us. No spoiler alert here: you’ll have to read the book for yourself!

ORDER HERE

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Filed under #amreading, Book Review, Fiction

The Women Before Us: My Review of Amy Bess Cohen’s Latest Family History Novel

The Women Before Us is the fourth family history novel by Amy Bess Cohen. Like the three previous books, this one is very loosely based upon Cohen’s ancestors. As a genealogist and family history blogger, Cohen has completed the mountains of research necessary to delve into the lives of these people. But Cohen doesn’t leave it at the usual pedigrees and timelines. Her research leads her to explorations of personality and motivation. She does this in her books and on her blog.

Brotmanblog: A Family Journey

This time, Cohen focuses on the lives of the women of three generations of Jewish women and how their lives are determined by who they marry. This can lead to happiness or it can lead to misery. The book is shaped by the experience of 18-year-old Edna Schwartz who travels from her home in Santa Fe to Philadelphia to visit her aunt in 1922. Against her mother’s hopes, Edna meets her future husband so far from home.

Within Edna’s story we learn the stories of her mother Harriet, Harriet’s German mother Hava, both who left their mothers behind to move with their husbands. We also learn the story of Edna’s (future) mother-in-law Mae who experienced the same displacement. As readers, we witness what these women learn from leaving behind their support systems.

Throughout the book, as suspense builds, there is subtle but consistent foreshadowing that perhaps Edna’s marriage will not be as successful as those of the women who came before her. There is a Jewish tradition to bestow the name of a deceased ancestor on a new baby. Edna and her husband break that tradition, and it seems another clue that things will go wrong. Is it the new age? The mores of a brash young country versus their religion training? That Edna and James are too reckless? That James is spoiled? Ultimately, the true damage to Edna’s marriage is something out of anyone’s control.

The brains of this book is the way it demonstrates how dependent women were on their marriages. These women were not Orthodox Jews, but like all women of their time, they had little chance of a life outside of marriage. And who they married dictated whether their lives would be hard or less so, happy, or even unsafe. The heart of this book is Edna’s mother-in-law Mae. I finished the book, hoping that in the fictional future of the story, one of Edna’s children will name their child after Mae, a strong, kind, maternal, industrious, intelligent woman who does what she must do for her family.

I finished the last page at night and fell asleep soon after. All night I dreamed about the book, the characters inhabiting every dream I had. Edna, Mae, James, Harriet, and the others. It’s hard to believe that these are not Cohen’s actual relatives, but these fictional people were touched with the magic of Cohen’s sympathetic understanding of her own grandmothers and great-grandmothers.

ORDER THE WOMEN BEFORE US

Amy Bess Cohen’s other books:

Amy Bess Cohen Books

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Filed under #amreading, Book Review, Family, Family history, History, Novel

Scrap’s Ebook Now on Amazon!

Great news about Scrap! You can now order the ebook on Amazon!

Sorry for shouting! I’m just excited. Here’s the link:

ORDER SCRAP IN EBOOK

ORDER SCRAP IN PAPERBACK

If you haven’t read Scrap: Salvaging a Family I hope you will. And if you have, I hope you like it and will share with others who might like it or find it helpful, especially with generational trauma, family dysfunction and abuse, or writing outside the boundaries of genre.

If you’ve written a review for Scrap and are on BookBub, the book will show up there soon–it’s pending approval. I’d appreciate it if you could copy your review over there!

Years ago I was writing posts inspired by the Dawn Raffel book The Secret Life of Objects.  My magical music box, one of the objects, has shown up in Scrap. I still own it, too! Actually I wrote about it twice on this blog. The first time was to introduce the music box. At that time I didn’t know what music it plays. The second time was after I discovered the song it plays: La Paloma.

Magical Music Box

The Origin of Poetry

You know what I just realized? I’ve never let Hudson hear or even see the music box. He spent the night last weekend and then was here all day yesterday because school was closed. He’s almost 2.5. Can you believe it?!

I’ll have to share the music box with him. He loves music, and I want him to experience it as I did.

Yesterday we went to storytime at the library (lots of exercise for Grandma as story is more like “story” called movement), got lunch with chocolate milk, swam (with Grandpa), played with Mickey Mouse playdough (his favorite character is not the usual for kids today–it’s Minnie Mouse!), played the piano, and painted. Of course painted. He insisted and kept bringing it up. He paints with acrylics on canvas so it’s quite a mess. But another beautiful painting was added to his portfolio.

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Filed under #seekgathercreate, Art and Music, Book Review, Family, Family history, flash memoir, Flash Nonfiction, Grandparenting, hybrid memoir, Memoir, Nonfiction, SCRAP: SALVAGING A FAMILY

Review of Louisa, a Powerful Historical Novel about Being Born a Woman

My book review of Gwen Wilson‘s new novel Louisa. You might know Gwen as The Reluctant Retiree blogger. Her new novel is a great read!

After reading Australian writer Gwen Wilson’s memoir I Belong to No One, I was eager to read her new historical novel, Louisa, based upon the life of her great-grandmother. I certainly can see how Gwen inherited traits of a desire for independence, strength, and a fierce spirit from her ancestor.

Louisa was born in England in 1855 to a successful Anatomical Bootmaker and his wife. When her father passed away, Louisa was 17 years old. She was inspired by her mother’s insistence on running the family business herself, even though it was frowned upon for a gentlewoman to do so. Louisa herself had dreams of independence and turned down two marriage proposals before shocking her family by emigrating. The new land of Australia beckoned her.

All Louisa’s idealistic plans for herself to become a teacher with no need to marry come crashing down around her as circumstances and cultural norms constantly dictate her woman’s place in society. Her life is very difficult, and at times it seems that Louisa will never be happy because as a woman she has no legal rights.

This theme is brought home at the first job she takes. She signs on as a so-called governess in a remote outpost where she witnesses how powerless a married woman could be, living under the thumb of her husband. The tragedy that occurs foreshadows later events in Louisa’s life.

The book addresses marriage, love, romance, domestic abuse, hypocrisy, single mothers, “illegitimate” children, and the role of women—all under the umbrella of Victorian Australia and England. I found the book to be well-written and very engaging. I didn’t want to put the book down and eagerly looked forward to “what comes next.” I find myself still going back to the book, thinking about feisty Louisa and the other women in her life. You will not want to miss this book.

I understand we are going to get a sequel to Louisa, Florence & Lucy, based upon the lives of Louisa’s daughters and focusing on what it was like to be of illegitimate birth. Gwen Wilson is also promising a companion nonfiction work where we will learn where Wilson’s research of her family history intersects with the novels. I can’t wait to read them!

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After I read Gwen’s memoir years ago I knew we had stories that intersected. What I didn’t realize was that “illegitimate” births were a pattern in her family. My memoir Scrap: Salvaging a Family and Louisa might be different genres, different settings, and different stories, but they both center on the generational trauma of “illegitimate” birth.

CLICK THE BOOK COVER IMAGE ABOVE TO PURCHASE LOUISA!

 

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Filed under Book Review, Family history, Fiction, History, Novel, Writing

The Economy of a Poet

Like so many, I feel a real affinity for the poetry of Sylvia Plath. She’s my favorite poet as Shirley Jackson is my favorite prose writer and Remedios Varo is my favorite artist.

For my MFA explication I wrote about the Plath poem “Fever 103.” I still love that poem which so well captures that feeling of having a high fever without really talking about fever or being ill.

For my PhD dissertation, each chapter was focused on one female poet and one type of identity. For my Plath chapter I wrote about performing gender.

Later, when I began to write more poetry, I could feel the influence of Plath’s poetry on me.

Most inspirational for me was how candid and direct her poetry sounds. And under the surface, I suppose, was her search for who her father was and how he connected to her. These features really guided me in writing Scrap: Salvaging a Family. But they also helped in creating this collage for Raw Lit, Issue 9. The Making of a Daddy which relies upon the imagery from two poems Plath wrote about her father: “Daddy” and “The Colossus.”

***

“Spare, precise, and quietly devastating, this is the kind of memoir that stays in the body long after the reading is done.”

That’s what the editorial review at The Book Review calls my memoir.

The Book Revue – 5 Star Review

Here’s another favorite paragraph:

“Her prose has the economy of a poet who knows exactly which word is doing the work and which ones can be cut. She has a remarkable ability to locate enormous emotion inside small, specific objects and moments, a trait that is genuinely rare and that gives the book its distinctive texture.”

ORDER SCRAP IN EBOOK OR PAPERBACK

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Filed under #ScrapSalvagingFamily, Art and Music, Book Review, coming of age, ELJ Editions, Family, Family history, flash memoir, Flash Nonfiction, hybrid memoir, Memoir, Nonfiction, Scrap:Salvaging a Family, Writing

Lily at the Vet

Scrap: Salvaging a Family garnered a couple of beautiful new reviews over the past few days.  I am so grateful for the readers for their reviews.

The book’s reviews have been excellent, but they are coming in very slowly. I don’t think readers realize that even a one sentence review on Amazon helps the algorithms immensely.

It’s tough going to sell a book, even one with good reviews. And then the path to the reviews is kind of tortuous (medical term hah). I like how Ellen Morris Prewitt describes it in her blog post The Kindness of Strangers. She says:

This authoring business is a Blanche DuBois undertaking. Like the heroine in A Streetcar Named Desire, authors must depend on the kindness of strangers. First, an author asks people to come to their event. Then, when the guests arrive, you want them to buy a book. After that, you’re hoping they crack open the book and read it. Once they’ve read it, here comes another ask: will you tell people you like the book? That’s four things you’re asking of a person. Four. That seems like a lot to me.

You can translate that first one, the event, in my case as to read my social media, blog posts, substack notes, etc. So I am humbly asking for those other three things if you’re reading this post: a) buy the book, b) read the book, c) review the book with even one sentence. Actually I am pleased if you do a, and thrilled if you do b. I am downright relieved if you do c.

Anyway, here’s a little pic of the darker side of Scrap as a reward for reading through the above words (mine, not Ellen’s). Then I want to update you about Lily.

Hah, isn’t that cool? Playing around with Book Brush, as you can see.

So Lily. She had stopped eating and I had to bring her to the vet last week. She then had a dental procedure because she had a big resorbing tooth that had to be removed. After the surgery on Thursday, she ate and then Friday she seemed as if she was recovering well. She ate and took her meds.

But then yesterday, Saturday, she did not eat all day. She didn’t act like herself.

Today she still wasn’t eating, and I had to take her to the vet. This new vet is open Sundays, but not Saturdays. Her meds got changed around and she got fluids because she was dehydrated again. Tomorrow I have to take her in for fluids again. I won’t do them myself as I did that with Felix years ago for some time, and it drove a wedge between us as he hated it.

I hate making this about myself (instead of Lily) but actually I’m getting PTSD over my cats.

I don’t want Lily to be part of the prevailing pattern.

For instance, from July 2021 to June 2022, I lost four cats. Three of them were from July to September!

Then in 2024 I lost Kana. Not part of a pattern.

However, in February of this year I lost Meesker and then on June 28 the King of All Cats, Perry.

I wonder if Lily is doing what Pear Blossom did when Mac died in 2015. She stopped eating completely. I tried desperately to get her to eat, but she would not. Our vet thought she was going to die. Then one day she just started eating again.

However, I do think I must have gotten a bit of nourishment down her somehow. Lily is refusing ANYTHING.

What if Lily just doesn’t start eating in time? Cats can only go for a short time without food or they get a life-threatening condition called hepatic lipidosis (fatty liver disease).

Please send healing vibes and prayers for Lily.

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Filed under #ScrapSalvagingFamily, Book Review, Cats and Other Animals

A Fedora Stand and Antique Photographs

Anthony Avina has published a guest post on his blog. I wrote about the time period of my memoir Scrap: Salvaging a Family and included anecdotes and photographs (antique or nearly so) not found in the book. Fedora stand explanation is found in the guest post!

GUEST POST BY LUANNE

I hope you enjoy reading about some of what didn’t make it into the book itself.

###

Perry’s ashes were hand delivered to us by the cremation company. I cleared off a shelf to store them, his photo, and the picture book I used to read him every day when he was in the shelter.

Lily now lives alone on the kitchen side of the house with Sloopy Anne on the bedroom side. I wonder if Lily now regrets being so mean to Sloops because she’s suffering from loneliness and grief. I had to take her to the vet yesterday (yes, she has an urgent care open on Sundays) and get her fluids and Gabapentin because she wasn’t eating or pooping. She’s doing a little better with much TLC from the Gardener and me.

It’s my turn to sleep on the couch with her tonight because last night was the Gardener’s turn.

 

 

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Filed under #poetswithcats, #ScrapSalvagingFamily, Book Review, Cats and Other Animals, coming of age, ELJ Editions, Family, Family history, flash memoir, Flash Nonfiction, hybrid memoir, Memoir, Nonfiction, SCRAP: SALVAGING A FAMILY

Still Reeling from Last Week

Last week was a tough one, not because anything bad happened. It was just a lot for me physically and even mentally.

We celebrated Mother’s Day a week late at my son and DIL’s house. Son and SIL made fish tacos and daughter made guacamole and gluten free raspberry almond cake. But all day I felt a bit off, as if I was going to get a vestibular migraine attack. In case you are coming late to this VM stuff, it’s not a headache–I used to get regular migraine headaches until they morphed into the annihilator weapon of migraines. They are all kinds of awful, and while it’s going on I am lying there covering my vision and hearing with pillows, sweating up a storm, and wishing I were dead. And vomiting. In total, there are about twenty symptoms.

But I didn’t get one that day or the next. I got it on Tuesday and wasted the whole day doing the above (pillows, sweat, symptoms, etc.). Then my daughter brought her two kitties over for me to babysit while she and hubby went to Hawaii (something wrong with this situation).

Wednesday my grandson got out of school for the summer. His camp doesn’t start until today, so guess who had him all the while I was still shaky and walking around in migraine glasses, not thinking clearly.

However, we had FUN.

On Friday, Hudson was in one of those two-year-old moods where he wanted his stuffie and binky more than just naptime. In this photo, I asked him to take out the binky for one second to have his picture taken. This is the shot he gave me.

We took him to Dairy Queen, and I told him ahead of time he had to leave the binky at home but he could take his stuffie friend. When I said it was time to go to the car he carefully tucked both items in “his” drawer and pointed out to me that he was leaving the stuffie, TOO. He was so proud of himself.

IF YOU WANT TO KNOW MORE ABOUT SCRAP: SALVAGING A FAMILY

Below is an update of the book tour for Scrap: Salvaging a Family. I am sharing a quote from each blog post in the hopes that as a whole they give a good idea of what it’s like to read the book and what you would find inside the front and back cover. Here are the links with a quote from each:

Tour Schedule for Scrap: Salvaging a Family (memoir in flash):

March 21: Joy Neal Kidney (review)

[T]he father of the author, an unpredictable, frightening, and sometimes violent man who often took out his rage on Luanne, his only daughter. What a complicated childhood, one without answers . . . . [The] answers finally seeped out later in life, with both father and daughter attempting to make sense of the complicated scraps of their shared past. The author bravely gives glimpses of early years, therapy years, and later years with candor and compassion, and amazing resilience.

March 23: Liz Gauffreau, (review)

The memoir has been structured with intention and a high level of craft in its component parts.The three sections of Scrap follow the narrative arc of a three-act play: “Early Years” as set-up, “Therapy” as confrontation, and “Later Years” as resolution. Similarly, the mode of expression for each section is well-aligned with its content: flash for “Early Years,” interrogative dialog for “Therapy,” and narrative prose for “Years Later.” There are also poems to provide even more emotional depth in key places. Some of the flash pieces are “imaginings,” when Castle puts herself in Rudy’s and her beloved grandmother’s place as another step on the path to insight and understanding.

March 24: Marie Ann Bailey, (review)

Early on in Scrap, we are introduced to Rudy’s “wolf teeth” and “wolf mask.” Later, we are horrified by bouts of his physical and emotional violence. And yet there are moments of tenderness, of love. And moments of Rudy’s pain and suffering that Luanne excavates for us. Luanne gives voice to her father’s own difficult childhood, his concerns for the starving children he came across while serving in Korea, his relationship with his grandchildren. Rudy is a complicated man but isn’t every man complicated? Isn’t every woman complicated? And don’t they become less complicated the more we understand them?

March 25: John W. Howell, (excerpt–below is the first section of the excerpt)

Daddy moves his workbench to the garage by hoisting the heavy counter up the stairs on a dolly. He lets me carry a leg, but when I stumble, he says I should just watch. He removes all the tools, the scrap wood, even the army sleeping bags from the basement. The space heater in the garage makes the new workshop too dangerous for me. The elves abandon us. Daddy drives home a truckload of cement blocks and carries each brick down the stairs by himself. Each brick holds a secret that I can’t share with anyone. He stacks the blocks in a quadrant-shaped domino pattern, building walls two bricks deep. Without mortar, the bricks resemble my wooden blocks. Rosemary Clooney croons for us to come to her house.

March 30: Miriam Hurdle, (companion story by Luanne–below is first paragraph)

Dad held the blanketed bundle in his arms as if it were a baby. When he unwrapped the violin, I murmured in anticipation, reaching out to stroke the reddish-brown wood. Dad urged me to be careful but nodded at my eagerness. He asked if I knew what it was.

March 31: Review Tales (review)

One of the memoir’s greatest strengths is its refusal to simplify reconciliation. Forgiveness here is not sentimental. It is gradual, complicated, and earned through insight. As the daughter learns about her father’s early life and hidden history, empathy emerges—not as weakness, but as strength. The book becomes a meditation on how knowledge reshapes memory and how understanding can soften even deeply embedded wounds.

April 2: the bookworm (review)

This was my first time reading a memoir written entirely in poetry (sic) and I was fascinated by it. Luanne Castle shares her life from childhood through present. Highlighted is her relationship with her family, her mother, her brother and in particular her father. As I read I thought how brave she is for putting these personal experiences on the page. Her poetry is beautiful and moving and I found several favorite lines.

April 9: Ashley’s Books, Cozy Home Delight (review)

It is fascinating to see how a person grows into themselves when they did not come from a perfect or even safe environment. She shows that it is possible to come from something painful and still become someone whole. That part stayed with me just as much as the harder moments did.

April 13: What’s That Book About (guest post by Luanne)

In the version of Little Red that I concocted in my head, the wolf hid inside of my father and only showed himself when my father became red-faced and angry. That’s when his big wolf teeth would pop out: “the wolf teeth inside him are shifty and unpredictable” (p. 12). When that happened, Little Red needed to look out! That I was Little Red was obvious to me as I felt small and innocent and helpless.

April 15: Tabi Thoughts(review)

Scrap is also beautifully honest and vulnerable, especially considering it addresses topics that are difficult to write about. As someone who also wants to one day write about difficult, confusing, challenging yet transformative memories, I really appreciate Luanne’s ability to share her story so openly while also exploring multiple perspectives. Luanne’s writing felt intimate, almost like reading journal entries or flipping through a scrapbook of memories which gives it a raw and reflective tone. What stood out most to me was her relationship with her father. It was powerful reading about how she navigated the pain of his shortcomings while acknowledging his own pain and how his childhood shaped him as a parent.

April 23: Lavender Orchids (review)

What stayed with me most was how the form mirrors the content. The fragments feel intentional, like the only honest way to tell this story. Childhood here isn’t softened or romanticised. It’s confusing, sometimes tender, often unsettling. The writing doesn’t over-explain, and that restraint works in its favour. You’re not told how to feel, but you feel it anyway.

April 27: The Reading Bud (review)

Scrap: Salvaging a Family by Luanne Castle is a fragmented, lyrical, and emotionally precise memoir that sifts through family memory, inherited shame, childhood fear, and the difficult work of understanding a parent without excusing the harm they caused. Written as a “memoir in flash,” the book is built out of short, vivid pieces, named as scraps of childhood, domestic scenes, remembered violence, questions, photographs, family stories, documents, and imagined reconstructions, all stitched together into something devastating and incredibly artful.

May 4: Chelsea’s Books (review)

Castle’s writing is beautiful. I love the “memoir in flash” style, each vignette is tight and succinct without an unnecessary word and yet they are so profound. I was really taken with her ability.

May 4: Smorgasbord (excerpt–below is the first paragraph of the excerpt)

In the spring, we run like besieged villagers from the DDT planes following us down the street, our parents’ warnings sirening in our heads, the nose-tingling smell of gasoline pelting our hair and our jackets. Come summer, the onslaught is more insidious as plumes chugged out by the smokestacks at the pill factory coat the sky, masking the stink of the city dump behind the houses on our side of the street.

May 6: Brotman Blog (review)

Have you ever picked up a book, not knowing what to expect, and become so wrapped up in the story and the writing that you just don’t want to put it down? That was my experience  reading Luanne Castle’s newest book Scrap: Salvaging a Family. From the first page until I finished it, I was spellbound.

May 7: The Reading Bud (interview with Luanne)

 I do love taking workshops. My husband jokingly calls me a “professional student.” The constraints involved with writing to prompts assigned by someone else stimulate my imagination and keep me focused so that I don’t have too many decisions to make. The routine is to sit in front of the computer and start writing when I can find at least a half hour. Kitchen or office, it doesn’t matter, although the kitchen is easier because I can keep an eye on what else needs doing. I’ve never really had long periods of solitude to write. Maybe that’s why I tend to write poetry and flash.

May 14: True Book Addict (guest post by Luanne)

Ten years into wrestling with Scrap, I started to write flash fiction. Flash fiction isn’t a shorter than usual short story, but its own genre. Flash fiction has as much in common with poetry as it does with short stories. After I felt comfortable with flash, I realized that flash nonfiction made more sense than chapters to me as a vehicle for my memories. And once I opened my mind to flash for memoir, I realized that a hybrid or combination of genres could also be useful. For instance, much of the reflection in Scrap is told through mini “essays” where I directly discuss certain memories and revelations.

May 15: Storyteller Poetry Review (review and excerpts)

Fellow Arizonian, Luanne Castle is a masterful storyteller so it was no surprise to me when I couldn’t put down her unique well written memoir, “Scrap: Salvaging a Family,” until I had read it from cover to cover.  With powerful and poignant poems and flash fiction she tells the story of her chaotic childhood in description and dialogue so vivid it was like watching a movie.

May 19: True Book Addict (review)

What can I say about such a wonderful and poignant memoir, and so uniquely told through flash non-fiction? I do not read many memoirs. I would read more if they were written like this one. If I ever write one, you can be sure that I will approach in a similar way.

May 20: Merril D. Smith (review)

I read it through in one afternoon. I couldn’t stop; I was so caught up in the story! The book begins with the revelation that her father was a bastard. Castle explains the several meanings of the word, and how in the time and place in which her father grew up, it was a stigma that left him shamed and angry. To me, it seems that secrecy more than illegitimacy produced generations of suffering. Castle’s father’s father was a well-respected doctor who not only had this secret family, but who also doctored his own past.

May 21: The Book Connection (review)

Wow! This memoir doesn’t tug at the heartstrings. It plucks them hard and snaps a few. Scrap: Salvaging A Family is deep, it’s emotional, it cracks open family secrets, and it explores family hardships that impact generations. Masterfully written, readers follow one woman’s examination of her childhood trauma brought on by events that occurred well before she was born.

May 26: Author Anthony Avina (review)

May 28: Author Anthony Avina (guest post)

There are also a few beautiful reviews on Goodreads and Amazon that are not part of the blog tour. I use the term “blog tour” loosely meaning if it appeared on a blog or by a bookstagrammer, then it’s part of the tour.

BUT LET ME ASSURE YOU SCRAP NEEDS MORE REVIEWS ON AMAZON AND GOODREADS AND IF THEY EVER FIX MY DISTRIBUTION CONNECTION ON BOOKBUB, TOO.

EBOOK AND PAPERBACK AVAILABLE HERE

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Filed under #poetswithcats, #ScrapSalvagingFamily, Book Review, ELJ Editions, flash memoir, Flash Nonfiction, Grandparenting, Health, hybrid memoir, Memoir, Nonfiction, Scrap:Salvaging a Family

Merril’s Review

A big thank you to Merril D. Smith for her heartfelt review of my memoir Scrap:Salvaging a Family.  

MERRIL’S REVIEW OF SCRAP

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Filed under #ScrapSalvagingFamily, Book Review, ELJ Editions, Family, Family history, flash memoir, Flash Nonfiction, hybrid memoir, Memoir, Nonfiction, Scrap:Salvaging a Family