Category Archives: Memoir

Cats and Art Journals Help with Anxiety

All the babies in the yard are grown up, and every so often a hummingbird or dove swoops past me that looks a little familiar ;).

I am winding up the physical therapy now. I had two problems: rotator cuff calcification tendinitis and frozen shoulder. The PT has cured the frozen shoulder at least to 85% usage. The other will take much longer as I need to keep exercising. Eventually, the calcification is supposed to be absorbed by the body.

My brain is a little zapped right now. I’m concerned about health problems my daughter is having, and I am feeling stunned over the condo collapse in Florida. When I’m feeling like I am right now I am convinced that the greed and arrogance of humanity is going to take us down.

Also, I have claustrophobia so I spent days worrying about the people in the collapse.

Trying to cheer myself up, I made this page in my smallest journal. Fabrics from my childhood, and the button belonged to Grandma.

Notice that I’m making a little fun of myself, too, as 19-year-old me thought that big-a** hat looked stylish.

Putting the finishing touches on the first draft of the newly “remodelled” Scrap. 

I’m focused on being a good nursing home nurse for Pear Blossom. She’s doing well getting up and down from the couch with that one seat cushion removed. But sometimes she chooses to lie on the cool floor near her water bowl. Pee pads and water bowl are very near the couch for her convenience. She is still such a pleasure all the time. She’s my little nurse, too. She’s the one who got me through my one-year-plus foot surgery recovery and the Valley Fever. She used to take care of our last dog when he didn’t feel well. Imagine my surprise when I walked into the room and found her in Perry’s blue cube.

Pear wants you to have a wonderful week!

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Poetic Book Tours: Review of Sherry Quan Lee’s Septuagenarian by Luanne Castle

Today I am participating in Serena Agusto-Cox’s Poetic Book Tours hoopla for Sherry Quan Lee’s new poetry collection Septuagenarian. The title is not a word I am familiar with, but I looked it up and it means a person who is from 70-79 years old. How many times have you heard a collection “boast” that the poet is an older person, especially a woman? Not very darn often.

The summary provided by the poet gives a good idea of her focus in the book: “Septuagenarian: love is what happens when I die is a memoir in poetic form. It is the author’s journey from being a mixed-race girl who passed for white to being a woman in her seventies who understands and accepts her complex intersectional identity; and no longer has to imagine love. It is a follow-up to the author’s previous memoir (prose), Love Imagined: a mixed-race memoir, A Minnesota Book Award finalist.”

In the case of Sherry Quan lee, the term “mixed-race” means that her father was Chinese and her mother was African-American or, more accurately, 3/4 AA and 1/4 white. Quan Lee’s mother preferred to pass as white, and she tried to get her children to do so as well. This wasn’t always easy because it created secrets and lies “Mama said, / cover yourself with lies“), such as seen in the poem “Silence”:

one of us had thick curly hair like Mother’s, one of us

had silky straight hair like Father’s; and, yes, one was

beauty and one shame/hotcombs and gas flames and

it was complicated pretending

Quan Lee’s father also wanted to be white, she asserts. Sadly, her father abandoned the family when Quan Lee was five years old.

One of the most poignant poems is “Mother’s and Mine,” which writes about bruising from 28 different perspectives. Tellingly, she writes in #19, “When I stopped wanting what I couldn’t have, I bruised less often.”

This book appears to have been written during the pandemic. It contains some pieces from previous work published by the poet, as well as new work responding to a “woke” perspective. (In fact, she uses that expression to describe how she has learned from living to be 72 in the poem “I Woke to This Place”). It’s sort of a cobbling together of her past with her now-experienced outlook.  I love that she included photographs, especially her adorable cover photos, as well as her birth certificate. It really adds to the authenticity by helping document what Sherry Quan Lee’s life has been like. Reading the experiences of a woman who has gone through life differently than myself was fascinating. Because the poetic style is more literal and less figurative than I usually choose to read, I read this book more as an engaging and inspirational memoir than a poetry collection. Sherry Quan Lee’s story needed to be documented and shared, and I am so blessed that I was asked to read her book.

 

Imprint:  Modern History Press
Author:  Sherry Quan Lee
ISBN-13:  PB 978-1-61599-568-4 / HC 978-1-61599-569-1 / eBook 978-1-61599-570-7
List Price:  PB $ 17.95 / HC $ 25.95 / eBook $ 4.95
Trim:  6 x 9 (100 pp)
Audience:  General Adult
Pub Date:  03/01/2021
BISAC:  Poetry/Women Authors
Poetry/American/Asian American
Social Science/Ethnic Studies/Asian American Studies

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The Babies and the Stories

Hummingbirds make such wonderful mothers. Six years ago, the hummingbird who raised two nests right outside my door was a good example. When one of her babies turned out to find it more difficult to learn to fly, she spent hours one afternoon patiently teaching the little one. The green hummingbird raising her babies in our oleander right now is another good example. First, before she ever laid her eggs, she completely moved her nest from the windchime/mobile to the oleander tree when she realized the first place was not safe. Now we’ve noticed that because the sun beats relentlessly on the babies in the mornings, she sits on them for protection even though they are now big kids. We expect them to fly away any day now. Here she is shielding them from the sun.

Last week I told you that Kana was enjoying a manuscript box, but Tiger would lie down in it when Kana wasn’t there.

I think I forgot to mention that my daughter gave me Storyworth for Mother’s Day. I had never heard of it before. Every week for a year I get a story prompt mailed to me. The idea is these stories are all about my life. As soon as I email one back, my kids get the story dumped in their inboxes. I am allowed to include photos if I like. And if I hit send and regret something I can easily edit it. At the end of the year, the kids will get books of “the story of my life.” Why is this different from creative nonfiction and memoir writing? These stories are geared for my kids and (hopefully someday) their kids. Some of the stories are already part of family legend, but now they will be written down in a permanent form. If I don’t like a particular prompt, I can change it out, but so far each one (I’ve done four) have been fruitful lines of enquiry ;). I’ve written about my first memory, most memorable birthday, favorite trip, and a time when I was brave. I’m not saying I wouldn’t share any of these on this blog, but not today, folks.

It’s a genius idea that I wish I had thought of before these people did hah. The reason it’s genius is that it’s got to be a money maker as it’s pricey. But I kind of think it’s worth it because who does this anyway? And keeps it up for a year? You could do this completely on your own. But will your loved ones keep writing those stories every week? They will if they know you paid for the subscription!

Make it a fine week!!!!

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My Past Week Minus Work and Physical Therapy

Let me say this up front: have a thoughtful Memorial Day. You might want to read posts from blogger Joy Neal Kidney who writes about her grandparents who lost three  beloved sons during WWII. As Joy reminded on Instagram the other day, Memorial Day is to honor and remember those who died serving the United States. Veteran’s Day is for those who served and came home.  We do tend to blur this distinction. Since so many who die in battle are young, they often leave no children behind. In part for this reason, more of us have veterans in our families or are veterans ourselves, and it is left to nieces and nephews to mourn the fallen family member. In my own family, only one person died during war for the United States (my ancestors arrived in the 1800s, so it’s possible that some siblings of my ancestors perished in war for their countries. This young man was the younger and newly arrived from the Netherlands brother of my great-grandmother’s brother-in-law. That doesn’t sound like a close relation, but our family was small and close and I knew Aunt Jen very well until she passed away when I was twelve. After being in the United States for less than a year, Gerrit Leeuwenhoek volunteered for this country in the Spanish-American war and was shipped to Cuba where he died of malaria. This letter was sent to Uncle Lou and Aunt Jen.

Later, Uncle Lou had Gerrit’s remains moved to the cemetery in Kalamazoo.

***

The dove kids are thriving. We see them hanging out on the railing near the plant that held their nest.

The hummingbird mama is doing well taking care of her twins. She feeds them regularly. Here she is sitting on them.

May is when the saguaros blossom. This year has been a little bit different, though, because they are blossoming more generously. Usually they bloom off the “top of their heads.” But this year the flowers trail down the sides as if there are so many they are spilling over. Nobody seems to know why, though they have made guesses. The gardener says it’s because we didn’t have much rain this year. Click on the image and you can see the flowers growing out of the sides of the tree.

I’ve been reading a novel manuscript, and Kana has been spending her time in the manuscript box, even as it gets filled up with the just-read pages.

My sweet Pear (the 21-year-old) seemed to be unwell, but now I think that she was having trouble getting up and down from the couch–and that in the early morning hours Perry was traumatizing her with his attention. I tried putting things in front of the couch so that she would have a “stairs” of sorts, but she is too fragile to learn something like that at this point. Finally, I had an epiphany. I needed to subtract from the couch instead of adding to it. I took out one of the seat cushions. Now she can step down to the couch without the cushion and then on to the floor. And Perry is now locked in our bedroom at night. What is surprising is that he’s being so good although he can’t roam the house.

Sorry for annoying you with some of my journal pages, but I am enjoying it so much and you can always skip :).

This one is in a very small book. The quote is from a poem called “Sisters” by James Lineberger.

And this one is all about the memories. 

I’m moving forward on the memoir, and I would definitely call it a hybrid at this point. I hope a few people like it when I’m done because I feel better writing this version than any of the previous 18 versions. (No, not kidding). I really hope it works this time. Needless to say.

I’m not sending too much out right now, but just thought I’d let you know I have a new poetry book in the works!!! (Shhh) Yeah, but publication date will be in 2022. That sounds so far away! More info to come.

Make a happy week!

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May Flowers

Continue reading

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What I’m Doing for National Poetry Month

Happy National Poetry Month! Are you doing anything special to celebrate? Even if you’re not a poet, why not try reading a poem a day? For something new, try this site for Vandal Poem of the Day: https://poetry.lib.uidaho.edu/ I start out the day reading 2-3 poems all year around, but I have four new books of poetry to read this month as well.

Rather than writing a draft a day as I have some Aprils, I am working on Scrap, my hybrid memoir. Each piece is the size of a prose poem, so I am trying to write 5/week. Because it’s more difficult than writing new poem drafts, I can’t challenge myself to 7/week. I need a little off-time. Also, my stupid snakes and birds eye needs a break. That’s what happens now for the most part to my vitreous detachment plagued eye: undulating snakes over the eye’s surface and bird swarms in the sky.

WordPress’ new upgrade has made it even more difficult to use the classic editing feature. It’s a bummer to me because I don’t like the other blogging sites nearly as much, but I don’t want to learn something new that is this complicated. When I first started my blogs in 2012, the process was completely intuitive. This stupid new WP setup is non-intuitive.

Are you learning to sucessfully use the block editing madness? If so, do you have any tips?

The weather is gorgeous right now in Phoenix. It is very summery with that soft morning air that makes me think I’m living in a resort climate (I guess I am). Add all the gardener’s winter flowers to the vision, and it’s just lovely. But April leads to May, which means that we need to change out the flowers next month for summer flowers.

Check out Amy Bess Cohen’s new book based on her family history. I wrote a review and posted it on The Family Kalamazoo: https://wp.me/p2K45r-22h You can find the link for the book over there. The story is very unique as it’s about her great-great grandfather, a young Jewish immigrant from Germany around the time of the Civil War, and how he moves to Santa Fe, becoming one of the pioneers of that city.

I called the Southwest Wildlife place again on the bobcat. The woman who takes the questions is not very helpful. Her attitude is that he belongs in our yard. My thought is that since I DON’T want him trapped and removed, she ought to be more helpful. The way she acts, a lot of callers would just hang up and call a trapper. She said, “We’re a WILDLIFE place.” Yeah, that’s the point. Don’t you want to help people with wildlife so that the wildlife is helped?

Leaving you with some cute pix from my kids.

The baby hummingbirds are from son and daughter(IL) in Orange County, CA. These chubbies who were hatched on the balcony left the nest on Friday.

This next pic is from daughter and her fiance. My fur grandkids who live in Arizona.

Follow me at: https://www.instagram.com/catpoems/

Let’s go make it a great week (and be helpful to others while we’re at it haha). XOXO

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Palimpsest of Scraps

The more time I spend with my art journal(s), the more I am realizing what appeals to me and what I like to work on. I am beginning to see a connection with my writing. 

The word palimpsest carries great meaning for me. Here is the Merriam-Webster definition:

palimpsest

noun

pa·​limp·​sest | \ ˈpa-ləm(p)-ˌsest  pə-ˈlim(p)-  \

Definition of palimpsest

1writing material (such as a parchment or tablet) used one or more times after earlier writing has been erased

2something having usually diverse layers or aspects apparent beneath the surface

The following image is my latest two pages. I call it a palimpsest because it was created with many layers, and bits of each layer show in the finished pages, whether by eyesight or touch. For instance, there are pieces of poems: “It Would Be Easier to Stop Talking to Your Ghost” by Stella Li and “Triptych in Black and Blue” by Tatiana Johnson-Boria, published by Pleiades.

I’m also using my love of the reality and concept of scrap (title of my memoir-in-scrap), as well as a poem I’ve recently shared. I also love scrapbooking and used to love to design and make stained glass. I haven’t worked with quilting at all and not with mosaics since I was a kid, but those are other scrap arts and crafts that I love. 

For the initial layer of these pages, I used scraps from many sources, including graph paper, music, poetry, a story, a piece of an envelope flap that has the Hallmark logo embossed, and ripped up practice runs with art materials. I even included a hunk of the glued bottom of a brown bag. 

I skimmed through my pages in order of when I made them, and I discovered that at first my collaging was on the “top” of the page, so to speak, whereas now I am using collage as a base and then a bit more in one or two other stages. I learned the value of collage underneath because of all the interest it provides. My first pages look very flat in comparison.

Onward to more improvement LOL. I do see a connection (first noticed by Sheila Morris) between these art pages and my poetry. The layering, complexity, and happenstance, for one–er, three–things.  

I’m going to start PT for my shoulder/arm. And now I have vitreous detachment of my only reading eye. One of my eyes is to see distance, and the other is for reading. Seriously. That’s why I can’t wear bifocals and rarely wear glasses just wandering around. I wear glasses to read, another pair for driving, and then I have a computer pair made out of some really old and ugly frames. But my eyes (sort of) don’t work together, so having a really blurry reading eye kind of sucks.

Saturday I walked outside into the blue-blue sky, and I was attacked by swarms of birds from every direction. It was like a remake of the Hitchcock movie. But they weren’t real birds. They were one of the entertainments my eyes are providing me right now :/.

In other news, the puffballs are out! Technically, they are called Sweet Acacia trees, but we call them the dang puffballs. There isn’t a human alive who isn’t allergic to these things. They smell super sweet and, at first, you will think they are roses. But then the scent goes on and on and becomes sickening and you realize it isn’t roses at all. But they do signify home after all these years.

In the close-up you can see that this tree has two little puffballs growing from the trunk itself.

Announcements:

Pear Blossom’s 21st birthday is tomorrow!!! And Tiger Queenie’s 17th is April 1. Happy birthday, sweet girls.

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Three Micros in MacQueen’s Quinterly

A huge thank you to editor Clare MacQueen for publishing my three micros in the new issue of MacQueen’s Quinterly. This journal is very special because of how it is organized on the website. It’s a very creative and thoughtful design. These pieces are a sample of what I am working on for my memoir. You might think of them as a hybrid–sort of a cross between micro nonfiction and prose poems. I hope you like them.

Three Linked Micros

Toasting myself (virtually) with a glass of bubbly ;). Non virtually, we had a little family celebration the other day and drank this special prosecco. It’s called Blumond, and it’s made with blue curaçao.

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Poetic Book Tours: Review of Arisa White’s Who’s Your Daddy

Today’s post is on Tuesday instead of Monday because I am participating in a pre-publication book tour of poet Arisa White’s Who’s Your Daddy through Poetic Book Tours.

Here is a synopsis of the book

Who’s Your Daddy is a lyrical genre-bending coming-of-age tale featuring a young, queer, black Guyanese American woman who, while seeking to define her own place in the world, negotiates an estranged relationship with her father.

After my review, I will share advance praise for the book, as well as information about the author, Arisa White. Then there is a list of blog tour links, including interviews and guest posts so you can learn more about Arisa White.

 

This hybrid is specifically memoir, but Who’s Your Daddy? shapes itself as a prose (and lyric) poem collection. I don’t know why we don’t have more books available to us that are a long narrative told in poetry. They are rare and yet so compelling, perhaps because poem series elicit more complex mixtures of emotions from readers than linear traditional memoirs do.

 

What attracted me to the book before I read it was the feeling of connection (my memoir-in-progress has to do with my father’s estranged relationship with his father) and the ping of curiosity about White’s life as a “young, queer, black Guyanese[-] American woman” since I fit only one of those descriptives.

 

From the first page I was captivated by the story. In the first section, the writing is succinct with a smattering of specifics that bring White’s childhood to life. She imagines or fills in what she can’t remember—the ride to the hospital for her birth, what life was like in the first few years. She grows up without her father, Gerald, a married man. She does experience love from her mother and her uncles, but life is still difficult. The book skips ahead to White at the time of her post-graduate studies. She has difficulties with relationships, but manages to forge one with Mondayway. White feels there is something missing. Halfway through the book, she realizes she has been running from something.

 

Deep breaths open my

tight chest, and I feel how running has taken more than

given. I rub my heart with the heel of my palm, and my

heart stays voicing,

 

Find your father

                   Find what’s missing there

                   Find what is enough

                   Find yourself whole

                   Forgive and be forgiven

 

In the second half of the story, White tries to get to know her father. He has been deported back to Guyana from the U.S. for participation in a crime. White and Mondayway visit Guyana to spend time with Gerald, but also to get to know White’s roots. Her movement toward acceptance and growth is a bit back and forth which feels realistic and painful. Again, powerful words that mark another epiphany are set apart from the prose poem form:

 

I got her back,

who I abandoned

in his going.

And, Yes,

                   she is enough.

 

Arisa is enough. She doesn’t need her fantasy of a father to fulfill her identity.

 

There is so much I could write about this book, but I just want to give you an idea of why you would want to read it. The prose poems are short. The organization is helpful, as are the brief Guyanese proverbs and quotes from thinkers. I found references to even an old standby like the Bible and Shakespeare or Eliot (the pearls that are his eyes from The Tempest or The Waste Land—I wasn’t sure which one she was referencing, maybe both). But much of the book is punctuated with more contemporary thinking, such as the context of toxic masculinity. Gerald is a tragic example of that phenomenon. In fact, near the end of the book I realized that I can’t stand Gerald. I was willing to try to get to know him “while” Arisa did, but when he continued to do harm to her through his selfishness and misogyny, I could no longer try to tolerate him.

 

The book can be read in two sittings, but you will want to mark passages and go back to them. You will be thinking about Arisa White’s story for days afterward.

***

Those of you who know I have been working on my memoir for 1,000 years might be interested to hear that I found White’s format super inspiring. I’m trying out writing my memoir in prose poems instead of traditional prose. In some ways, I feel that I am going back to the beginning of my project a bit, when I was writing in “scraps,” but it’s a world away from what I’ve done before, too.

***

Advance Praise:
“…absence breeds madness, an irreconcilable relationship you know is there but can’t call it by its name…” In these crisply narrative poems, which unreel like heart-wrenching fragments of film, Arisa White not only names that gaping chasm between father and daughter, but graces it with its true and terrible face. Every little colored girl who has craved the constant of her father’s gaze will recognize this quest, which the poet undertakes with lyric that is tender and unerring.
-Patricia Smith, Incendiary ArtArisa White channels the ear of Zora Neal Hurston, the tongue of Toni Cade Bambara, and the eye of Alice Walker in the wondrous Who’s Your Daddy. She channels Guyanese proverbs, Shango dreams, games of hide and seek, and memories of an absentee father to shape the spiritual condition. What she makes is “a maze that bobs and weaves a new style whenever there’s a demand to love.” What she gives us are archives, allegories, and wholly new songs.
-Terrance Hayes, American Sonnets for My Past and Future AssassinsSomewhere nearing its end, Arisa White says of Who’s Your Daddy, it’s “a portrait of absence and presence, a story, a tale, told in patchwork fashion…” This exactly says what Who’s Your Daddy is, though it doesn’t say all it takes to do justice to the mythic paradox an absent parent guarantees a child, young or grown, or what it takes to live with and undergo such birthright. There’s not only a father’s absence and presence, there’s a mother who says you raise your daughters, and love your sons, there are stepfathers, uncles, aunts, cousins, a grandmother, brothers, lovers, all of whom leave their marks and give and take love. Surrounding the whole book hovers the questions do I forgive him, and is forgiveness possible? This beautifully, honestly conceived genius of a book shook me to the core.
-Dara Wier, You Good ThingHow does a lyric memoir—a queered-up autobiographical hybrid of prose and poetry—become a real page-turner? Well, for one thing, its speaker uses her authenticity and open-heartedness to generate a rib-cracking amount of courage to look for, find, and emotionally confront a missing Guyanese father who ends up being the “unhello” of a “nevermind.” What’s so moving about this discovery is the speaker’s lyric response. It’s a shrug that’s a song that’s the speaker telling it experimentally-straight about how it feels to have “arms free of fathers.” It’s a story that’s a song that’s the speaker’s “gangster swagger” that beautifully tells of how to confront one’s relation to “a culture of deadbeats, wannabes, has-beens, what-ifs, [and] can’t-shows” without succumbing to despair. One really wants to quote Plath’s line here about “eat[ing] men like air.” Oh, I love the courage of this book. The whole “black heart” and love-strength of it. And you will too!
-Adrian Blevins, Appalachians Run AmokA lyric anthem for the fatherless, for seekers of the places and people that made us, for the artists ready to unearth and reshape their own stories. I gulped this exquisite manual like precious medicine, a spell that made me more myself.
-Melissa Febos, Abandon MeCollaborative, interactive, this work of poetry and memoir offers life as a recurring question. Who’s Your Daddy is a study of how power and loss work on the intimate scales of daily living and queer loving. Read this with compassion for your own defining questions and the raw texture they have left upon your heart.
-Alexis Pauline Gumbs, Dub: Finding Ceremony

Who’s Your Daddy is striking and gorgeous. “I’m born into a bracket of boys,” White writes, framing a portrait of fatherhood that shutters and aches; it enthralls. I wanted to lap it up. A reflection on family that permeates via knitted prose with deep verse—my favorite kind. White’s work is sonic, lyric, and important. I can’t wait for y’all to read this book.
-Emerson Whitney, Heaven

ARISA WHITE is a Cave Canem fellow, Sarah Lawrence College alumna, an MFA graduate from the University of Massachusetts, Amherst, and author of the poetry chapbooks Disposition for Shininess, Post Pardon, Black Pearl, Perfect on Accidentand “Fish Walking” & Other Bedtime Stories for My Wife won the inaugural Per Diem Poetry Prize. Published by Virtual Artists Collective, her debut full-length collection, Hurrah’s Nest, was a finalist for the 2013 Wheatley Book Awards, 82nd California Book Awards, and nominated for a 44th NAACP Image Awards. Her second collection, A Penny Saved, inspired by the true-life story of Polly Mitchell, was published by Willow Books, an imprint of Aquarius Press in 2012. Her latest full-length collection, You’re the Most Beautiful Thing That Happened, was published by Augury Books and nominated for the 29th Lambda Literary Awards. Most recently, Arisa co-authored, with Laura Atkins, Biddy Mason Speaks Up, a middle-grade biography in verse on the midwife and philanthropist Bridget “Biddy” Mason, which is the second book in the Fighting for Justice series. She is currently co-editing, with Miah Jeffra and Monique Mero, the anthology Home is Where You Queer Your Heart, which will be published by Foglifter Press in 2021. And forthcoming in February 2021, from Augury Books, her poetic memoir Who’s Your Daddy.

Blog Tour Schedule:

Oct. 12: Diary of an Eccentric (Guest Post)

Oct. 21: Review Tales by Jeyran Main (Review)

Nov. 20: CelticLady’s Reviews (Interview)

Nov. 23: Unconventional Quirky Bibliophile (Review)

Jan. 19: Allonge and emzi_reads (Review)

Feb. 23: Luanne Castle’s Writer Site (Review)

March 12: Anthony Avina Blog (Guest Post)

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What Gave and Took from My Energy Supply Last Week?

The high point was Saturday when I attended the Barrelhouse writers’ conference, Conversations and Connections, via Zoom. I attended sessions by Tommy Dean (micros), Randon Billings Noble (lyric essays), and Claudia Gary (villanelles). It was a comfy way for me to attend a conference. Even so, I get a little overstimulated. Plus, I had to feed the cats their very complicated breakfast during the micro segment, so I couldn’t do the writing. I learned some interesting stuff, and if I ever get a clear head again I plan to make use. If they offer the conference online again, I highly recommend it. The cost was not high, and we get a couple of free books.

Also this week, I did the following:

  • worked (from home)–the usual crap–no more, no less
  • cleaned the living room and my daughter’s old bedroom (even got rid of stuff nobody is going to want)
  • was frustrated because of the pandemic and because I am tired and don’t feel so great (Valley Fever)
  • was in pain, particularly my arm and shoulder
  • wrote a review of Beth Ruscio’s poetry collection Speaking Parts for Main Street Rag
  • played with my art journal
  • worked on the beginning of the new draft of the memoir
  • got frustrated working on the beginning of the new draft of the memoir
  • cleaned up cat puke from several cats and wet litter dragged through the house by my old girl, Pear
  • groomed Pear every day and worried about her
  • was annoyed by the gardener worrying about the covid variants and the vaccines (he’s an overthinker)
  • was annoyed by an identity theft issue and the stupid bank it occurred at
  • attended a telehealth appointment and made more medical appointments
  • talked to my mother less than usual, but was glad to hear she got her second vaccine dose (I also owe phone calls to two relatives and a text to my brother–I can’t seem to want to communicate with people lately–maybe that’s why Perry chatted with you last week hahaha)

Almost everything this week, other than the conference and the art journal were energy sucks. I can’t stress enough how therapeutic the art journaling is for me (you too?). I know I suck, but I am learning techniques. I have to remember that I am starting from absolutely ground level.

Looking forward to an energy sprouting week ahead. Who’s with me?!!!!

 

 

 

 

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