Tag Archives: family history

10 Real Life Home Fashion Choices from the 1970s

Part of research for writing can be mining one’s own past environment.  I made a list of the early 70s fashion items which impressed themselves most indelibly in my memory. Maybe you even have some of these goodies in your own home today. (I admit that I have two of these items).

  1. The fork and spoon on the kitchen wall. Ours came from an interior designer who rented an old house from my dad for her business. When she couldn’t pay the rent and wanted to move out, she gave him some merchandise in lieu of the back rent. These items included the big wooden eating implements. I couldn’t find a photo of ours when I wanted them, but there are images all over Google.
  2. The long, low brown, tan, or gold couch with the beige drapes. The sample here is from my in-laws’ house. Being Canadian, my MIL still called the couch a chesterfield. Also please note the Stiffel lamp and the leggy houseplants.
  3. The small, light-colored television set. In the following photo, once again we have a long, low brownish couch–this time it’s in my parents’ living room. The same beige drapes that my in-laws had. To watch our TV you had to sit in one of the two arm chairs that were facing the couch. Remember that these couches were not for lying down to watch TV. Most people weren’t couch potatoes. This couch was “Swedish modern,” and it was very uncomfortable. Photo shows Dad, brother, and me at one of our usual pastimes, Monopoly.
  4. The odd hotel-like artwork on walls. In this case, we have a rug in a fake design (as opposed to a real hooked design). Bland paintings and posters were other common wall hangings, as were macrame plant hangers. Notice that the following image also features a couch of the time period–in this case, there is a pattern. The lamp and shade are similar in shape to the Stiffel.
  5. The table/lamp combination. Here is my MIL at another relative’s home. We all had these lamps.
  6. Large feathers, even peacock, or pampas grass stuck in vases or baskets to decorate corners of rooms. In the following photo, the chair is a mini version of the couches, and the lamp once again has the same shape.
  7. Paneling on the walls. Wood paneling was particularly popular in living rooms, family rooms, and basement rec rooms. This one is a rec room, and my brother is trying to keep from being stabbed with a dart.
  8. Another favorite for walls was flocked wallpaper. Which was worse: the wallpaper or my perm?
  9. Long strands of beads instead of draperies. In the window behind Uncle Frank we have a “wall” of green beads on our kitchen window. Also, please note the strange plastic “canisters” for storage, both on the counter and hanging from the cabinet.
  10. The large, free-standing microwave on its own cart. Good grief. As if it’s a kitchen altar. I must mention the gold wall phone. That cord was always tangling up dishes, food, and pens.Make it a great week, everyone!

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Nonfiction Picks from Joy Neal Kidney and Gwen Wilson

I’ve been reading instead of writing lately. Today I want to share two of the nonfiction books I’ve enjoyed.

Book #1 is biographical and historical nonfiction based on the author’s family history.

A year and a half ago I reviewed Joy Neal Kidney’s nonfiction book Leora’s Letters: The Story of Love and Loss for an Iowa Family During World War II. That book opened my eyes to the “home front” during WWII—what the war was like for some American families. Joy’s family, in particular, suffered great loss as three of her grandparents’ sons died in battle.

Joy has a new book out called Leora’s Dexter Stories. The subtitle, “The Scarcity Years of the Great Depression,” gives an idea of what story lies inside. It’s also an understatement. This book uses a variety of sources, such as journals and family stories to piece together a heart-breaking account of the poverty experienced by the Wilson family during the Depression.

Too bad this book can’t be required reading of every American and every student in American schools so that we learn not only what hardships people went through during that time but also how hardworking, clever, and resilient they could be. Our ideas of recycling and repurposing today are a joke compared with what Leora, Clabe, and their children did to survive. For awhile the only thing that kept them from being homeless was when the two oldest sons joined the Navy and sent money home to the family. The family endured criticism and gossip from others because of the need to sometimes be on a form of relief, although they worked very hard as tenant farmers or in other jobs. I managed to hold off crying until daughter Doris, Joy’s mother, an amazing basketball star, had to leave her full-scholarship business college because she couldn’t afford rent. This book is a powerful tribute to the Wilson family.

 You can find Joy here: JOYNEALKIDNEY.COM

Book #2 is a coming-of-age and family dysfunction memoir, set in Australia.

Australian Gwen Wilson, writer of the blog Garrulous Gwendoline, has published a memoir called I Belong to No One. On the cover it also reads: “One woman’s true story of family violence, forced adoption and ultimate triumphant survival.” I wasn’t sure what I would find when I started to read, but I was immediately hooked by Gwen’s storytelling voice. As you might expect from a woman who bills herself on WordPress as “garrulous” and says in the memoir that one of her favorite words is loquacious, Gwen’s voice expertly tells her story and imparts her personality. Her voice is strong, confident, and positive because so is the woman telling the story of her childhood and youth. She also comes across as humble and sincere. This is the successful, mature adult looking back at her upbringing. And while she was clearly always very emotionally strong and generally positive, she was not always confident because the life experiences she went through from a young age tried to grind her down. But Gwen didn’t let them keep her down. Whenever she could catch a lucky break, she would run with it. Finally, she caught one in the form of a job in the shipping world and was able to move forward with her adult life.

Nevertheless, with Gwen’s muscular and straightforward prose, the majority of the story details what she had to overcome. Legally, she was raised by a single, mentally ill mother who was not capable of parenting her. But in reality, Gwen was raised by her older brother Steve and a series of surrogate moms in the form of neighbors, aunts, and friends’ mothers. This patched-together group of “moms” are where Gwen learned how to be a woman. The topics covered from Gwen’s first person perspective include domestic abuse, illegitimacy (in a time when that really mattered), forced adoption, child neglect, poverty, and rape. The rape scene and how it was handled afterward should be mandatory reading for anyone who is unsure of the #metoo movement. It reminds me of how things were when I was young (so we need to remember that we have made some improvements in society and law regarding rape). Gwen truly had nobody to turn to—and no rape crisis centers as they hadn’t been invented yet.

Gwen’s descriptions of her homes and the people in her life are carefully and wonderfully drawn. I find it difficult to move from under the spell of her story and back into my own life. Gwen was born the same year as memoirist Mary Karr. There are similarities in topics, but Australia in the 60s and 70s was much different than the United States. And Gwen had less advantages than Mary Karr had. But anybody who found The Liar’s Club or Jeannette Walls’ The Glass Castle fascinating will find Gwen’s book just as hard to put down.

I hope to have reviews of a couple more books next week!

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Felix update: First we went through the exact same disappointment at a different ultrasound facility on Tuesday–it was another screw-up and they sent us home. However, the next day he had his ultrasound. It showed a liver tumor, enlarged lymph nodes in his abdomen, and other smaller issues. I haven’t been able to talk to his regular vet after she got a copy of the report but we did speak briefly and hypothetically. It’s unlikely that we will put him through more testing as it would be traumatic to him and probably to no avail. But a decision has not yet been made. If we don’t do more testing, we will provide hospice for him at home. I have started giving him subq fluids (under the skin with a needle) once a day, as well as several meds. The internist who performed the ultrasound was so impressed with Felix’s chill personality. He really is the epitome of a “good boy.”

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Filed under #writerlife, Book Review, Cats and Other Animals, Family history, History, Memoir, Reading

The Babies and the Stories

Hummingbirds make such wonderful mothers. Six years ago, the hummingbird who raised two nests right outside my door was a good example. When one of her babies turned out to find it more difficult to learn to fly, she spent hours one afternoon patiently teaching the little one. The green hummingbird raising her babies in our oleander right now is another good example. First, before she ever laid her eggs, she completely moved her nest from the windchime/mobile to the oleander tree when she realized the first place was not safe. Now we’ve noticed that because the sun beats relentlessly on the babies in the mornings, she sits on them for protection even though they are now big kids. We expect them to fly away any day now. Here she is shielding them from the sun.

Last week I told you that Kana was enjoying a manuscript box, but Tiger would lie down in it when Kana wasn’t there.

I think I forgot to mention that my daughter gave me Storyworth for Mother’s Day. I had never heard of it before. Every week for a year I get a story prompt mailed to me. The idea is these stories are all about my life. As soon as I email one back, my kids get the story dumped in their inboxes. I am allowed to include photos if I like. And if I hit send and regret something I can easily edit it. At the end of the year, the kids will get books of “the story of my life.” Why is this different from creative nonfiction and memoir writing? These stories are geared for my kids and (hopefully someday) their kids. Some of the stories are already part of family legend, but now they will be written down in a permanent form. If I don’t like a particular prompt, I can change it out, but so far each one (I’ve done four) have been fruitful lines of enquiry ;). I’ve written about my first memory, most memorable birthday, favorite trip, and a time when I was brave. I’m not saying I wouldn’t share any of these on this blog, but not today, folks.

It’s a genius idea that I wish I had thought of before these people did hah. The reason it’s genius is that it’s got to be a money maker as it’s pricey. But I kind of think it’s worth it because who does this anyway? And keeps it up for a year? You could do this completely on your own. But will your loved ones keep writing those stories every week? They will if they know you paid for the subscription!

Make it a fine week!!!!

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Growing Things

On Friday we planted new pentas, vincas, coleus, and marigolds. Daughter and her fiance helped MUCH. We left a lot of the old flowers, although they were a bit leggy, mainly because of the cost and also because we have been so busy that we didn’t have time to do more.

When the pandemic began, I was eager to be a pioneer woman and even froze eggs and lemons in case we had a shortage. Now I am very ragged around the edges, having been overworked by all the dealings with the government and business-in-the-time-of-coronavirus. I am used to always being busy, usually thrive on it, and yet I will say that I am too exhausted at this point. And I don’t see a letup. Plus, when I get this tired, my legs and feet swell miserable (from my primary lymphedema). That aggravates my “hip-leg.” I have a painful condition with my left leg up near the groin that I refer to as my hip-leg. It feels like a twisting nerve and is particularly and suddenly painful when I put my foot down on the ground. The swelling makes it worse. And the exhaustion and work-work-work makes it worser yet.

But I don’t have the virus. And neither does my family. And my kitties are a lot of work, but so cute. And I have new flowers. So there you go.

We also have lizards galore this year. And the quail couple with their single file of bobbing babies. You see, I can keep finding cool stuff to distract myself!

My friend who wrote this very popular essay years ago (Lake Erie) teaches creative writing to seniors. Because of the pandemic, her classes now are on Zoom, and my mom is taking one! I am so happy she is doing so because it’s good for her to interact with others, although it’s on phone Zoom (no video) and not in person. Also, she is a reporter for the community newspaper (used to be an editor for it), but with the pandemic she can’t interview people in person. My mother’s community has a big apartment complex, a nursing home, an assisted living, a rehab facility, and garden homes (duplexes). She lives in a garden home, so she has more space and more freedom than if she lived in one of the other buildings.

I call my mother regularly, but it’s hard to find new things to talk about when you’re not out doing new stuff! And she’s not going to doctors or seeing friends, so she doesn’t have that to talk about. She does read my genealogy blog The Family Kalamazoo, so that makes her happy because I am almost always yapping about her family. Most recently I’ve been working on my 3x great-grandfather who was a “prosperous celery farmer” (according to his obit) in Kalamazoo. I had no idea when I was growing up there that my ancestor was one of the farmers who raised Kalamazoo’s “famous” crop. The thing that interested me most about him was discovering that as a widower he married and divorced a woman after he immigrated to the U.S. It almost looks like he married her so she would help raise his six children. I wonder what he discovered he didn’t like. How I would love to see the divorce papers! I have all kinds of fictional scenarios popping up in my head.

When I was growing up, my dad planted a plum tree in our backyard in Michigan. He used to take pix of us next to the tree, watching the tree and us kids growing, I guess. After my father passed away five years ago (last Thursday), my mom had a plum tree planted on the edge of the woods behind her house at the senior complex.

This weekend I found out I got the Volunteer of the Month award for April at the shelter. Yes, well, so many of the other volunteers couldn’t do their jobs because the shelter has been closed to volunteers for the pandemic. However, my work increased because I make the adoption calls (more adoptions!) and do data entry for those. I also took on the shelter’s Twitter account, which is a challenge right now because just as soon as I get info on a new dog it gets adopted :)! The reason this is occurring is in part because people are stepping up to adopt during this period. But it is also for another reason. Our shelter is a no-kill that functions largely by rescuing e-list dogs from the county kill shelter. (The cats seem to magically appear at our shelter, by the way). Our shelter is only bringing in a limited number of animals because without volunteers, the staff can only take care of just so many hungry mouths.

Take care of yourselves, peeps. If you have Instagram, be sure to check out Bobthewritingcat! That big-hearted curmudgeon makes me happy and teary. As Bob always says, go wash your hands!!!

 

 

 

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Filed under #writerlife, #writerslife, Arizona, Family history, Flora, Garden, and Landscape, Memoir, Nonfiction

More Scrapping Scraps

I finished another story scrap for my SCRAPS scrapbook–finally.

As a reminder this is the first post. Click the photo to read it.

 

When I was a preteen, my grandmother sewed me shorts sets from cotton blend prints. She made the tops and shorts out of the same material, but the tailoring was fairly sophisticated, so the end product had more in common with a summer dress than a romper. I don’t know where she got the idea from or if it was in style in the sixties. At least one fabric was made into matching mother-daughter shorts sets for Mom and me.

 

But my favorite set was in a fabric that I found very cheering. Balloons in varying shades of spring greens, both solids and prints, float on a white field. The shorts were mid-thigh, and the top had a fairly high neckline. Because Grandma made it for me, the outfit fit perfectly. It was comfortable, and I felt good wearing it.

 

Not that I didn’t love to wear my denim shorts and short-sleeved sweatshirt. But Grandma’s short sets were lighter weight than my other play clothes and much more convenient than dresses.

In this photo I am posing alone–to see the one with my mother look at the finished pages at the bottom of the post.

In our old photos, I found myself wearing the balloon set on two different dates. The summer photo came first. It was on the occasion of our trip to Canada to attend Expo 67. In fact, in a scrapbook, Mom labeled the picture, “Mother and daughter enjoying a rest.” A body of water is behind us. Below that photo, my mother had pasted another photo and labeled it, “Sawmill at Upper Canada Village.”  There is another image of just me in the same spot but without my mother (the one above). From examining the few photographs I could find online, I do think these photos of me are also from Upper Canada Village.

 

In the photos, I am wearing the shorts set, with its matching triangle headscarf tied at the nape of my neck. I also wear a blue ¾ length sleeve cardigan that Grandma knitted for me. On my feet are navy blue Keds-type shoes.

 

I’ve written before about our Expo 67 visit, but we also went to other tourist sites in Canada during our trip. Upper Canada Village was one of the places we visited. Niagara Falls was another.

 

My grandmother must have made this outfit for me in the spring of 1967 when I was finishing up elementary school (6th grade). I started junior high in September.

The other photo revives vivid memories. It was taken 31 October 1967, Halloween, probably around 6 PM. I remember my mother posing me in front of the living room fireplace. I have very few memories of actual picture taking, so this is very special to my heart.

I am wearing a heavenly sheer green silk flapper dress that had been owned by my grandfather’s cousin Therese Remine. It was heavily beaded, and over time, the silk had weakened, and the beads were too heavy for the thin fibers. By the time I got home that night, the dress had already begun to rip. You might wonder why my mother would allow me to ruin an expensive vintage dress by wearing it one night for Halloween. I wonder that myself, but my mother’s value system is limited. To sum it up: she didn’t have any interest in the dress, so she didn’t care what I did with it.

 

Because the dress was sheer, I had to choose clothes to wear underneath, and the only thing that seemed to my 12-year-old mind to “go” was the balloon shorts set because both outfits were green.  I made myself a flapper headband to match and carried a handbag that must have belonged to Therese, although I am not positive about that. You see, I used to collect old discarded fancy wear and had quite a collection from a few women.

 

It had been my mother’s idea to make a headband. I don’t know how much I knew about the 1920s, and I probably needed her suggestion to visualize the whole outfit. I have mulled over the question: where did I first learn about flappers with their bobbed hair and short skirts? Their narrow flat outlines so like my own. I don’t remember what movies or books might have shaped whatever image I had by age twelve.

 

An essential part of my costume that night was the large diamond-shaped earrings. I’m not sure where those dangly earrings came from. I hope I didn’t lift them from the dime store at the plaza.

 

While I stood in the middle of our living room, smiling into the camera, my mother pulled her face out from behind the camera and pinned me with her gaze. “This will be your last year trick-or-treating. You’re getting too old.” So that was that. I felt compelled to enjoy myself this one last time.

 

The living room accessories in the photo were accumulated from various places, generally from other people. The big brass candlesticks were heavy. The painting was not a copy, but an inexpensive original painting. The Don Quixote figures had been displayed at a home décor shop. My father had purchased an old house on Westnedge on a land contract and rented it to an interior decorator who opened the shop. When she went out of business, she gave my father some small furnishings in lieu of back rent. That was how we ended up with the large wood fork and spoon that hung on our kitchen wall for years (yes, like in Marie’s kitchen on  Everybody Loves Raymond).

 

I look so young in these photos, and yet poised on the brink of burgeoning womanhood. I remember how I felt wearing that flapper dress. The twenties was my era, and I felt as if I belonged.

 

As my photograph was snapped, the bell rang. My friends had arrived so we could begin the house-to-house process. That’s when I realized I had to wear my wool coat over my costume. Or rather, my mother informed me I had to.

 

We trudged from front door to front door, but the knowledge that this was my “last time” weighed on my mind. My fingers grew chilled from the cold that had arrived early to Michigan. That’s where this memory ends.

 

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Scrapping Scraps

In September I posted photos of the fabric scraps I still have from my childhood. The inspiration for ruminating on what to do with them came from a couple of sources. One was Dawn Raffel’s book The Secret Life of Objects.  The other was Swedish death cleaning–getting rid of stuff so my kids are not one day burdened with it.

I promised I would do something with the scraps, and I have not forgotten. I am far from the point of actually getting rid of the fabric, but did start a project that was suggested by sarahsouthwest.

I’m making a scrapbook of scraps! For each page I plan to include a fabric remnant, a story or description of the memory it stirs up, and, if possible, a photograph of the garment made of the fabric. So far I’ve only made the cover and one page, but thought you might want to follow along with the process. I’m not very good at crafts, but hey, it’s mine, baby, all mine.

 

 

First, I chose an ugly on-sale scrapbook and then padded it and covered it. I selected a print corduroy from the late 1960s for the front cover and a gingham from the early 1960s for the back.

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You can see what my first page looks like in the slideshow above. I decided to keep the page very plain and even left the raw edge of fabric visible. In the photograph you can see me wearing the sleeveless tent dress that my grandmother made for me. It has a high yoke decorated with large embroidered white daisy appliques. I loved that dress. It was so comfy and very pretty. The type of fabric was called “whipped cream,” and was lightweight, airy, with a little texture to it. My mom’s cotton or cotton/poly fitted dress, also sewn by Grandma, was very Barbie-style.

This is the story I wrote about what the dress and the photo remind me of:

 

In this photo, my parents and I are in Canada, seated at a restaurant in the 1967 International and Universal Exposition.

 

The summer I turned 12 is the one I will always remember as a peaceful and memorable week with my parents. We left my 4-year-old brother with my grandparents in Kalamazoo and drove to Montreal for Expo ’67, the World’s Fair.

 

We stayed in Montreal at the winter (city) home of my grandfather’s 2nd cousin, Harold Remine, the Chief Engineer of Quebec Hydroelectric. It was a beautiful and elegant brown brick row house. The dining room was complete with all the requisite china, crystal, and silver. But the house was not large, and I had to share a bedroom with my parents.

 

Harold and Lillian also had a lovely lake home, which we visited. Harold introduced me to curling, a sport I had never heard about before, by taking us to a curling club.

 

The Expo itself excited and exhausted me. It had some elements in common with a state fair or Disneyland, a place I had not yet visited. There were snow cone and cotton candy booths, hot dog and burger stands. A caricaturist drew my likeness holding a book. I was disappointed afterward that I hadn’t given him a better hobby. Reading seemed so nerdy. But the truth was that I read more than I did anything else.

 

Each participating country sponsored a magnificent pavilion that was supposed to reflect the national personality. The U.S. pavilion was a huge geodesic dome—this is a sphere that is built of short struts that follow geodesic lines (the shortest line between two points on a sphere) and form an open framework of triangles or polygons. There were very, very long escalators that seemed to hang in “thin air,” and the park’s elevated minirail ran through the structure. The effect of being inside the pavilion was of being suspended in space. I believe I saw a doll collection and space race memorabilia, but since I was afraid of heights, I mainly remember my fear.

 

My favorite pavilion was the Burmese one. Under its appealing multi-roofed pagoda design, a gigantic golden Buddha dominated the interior lobby. I suspect that the restaurant in the photo is the Burmese one. To this day, it is my favorite type of food. If you haven’t been lucky enough to eat it, it is a cross between Thai and Indian food.

 

Habitat 67, a futuristic housing development, was situated near the edge of the fairgrounds. It reminded me of photos of Anasazi dwellings for some reason. I was both repelled by the makeshift quality and fascinated by a new way to conceptualize living quarters.

 

I guess my parents had decided not to bring my brother because he was too young to appreciate the cultural opportunity or even to go on the fair rides. But when we got home to Kalamazoo and stopped at Grandma and Grandpa’s to pick him up, he was flushed with a high fever. He sat on someone’s lap, and somebody else snapped a pic a second before he leaned over and threw up on the floor. That’s when I started to feel guilty that we had left him behind.

 

Habitat 67 from Wikipedia

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A Little Bit Like Grandpa

On one of my family history blogs, The Family Kalamazoo, I was chatting with family history blogger and blog friend Amy Cohen (check out her amazing work at Brotmanblog: A Family Journey) and I was trying to give her an idea of my grandfather’s personality. I directed her to the first poem in my chapbook Kin Types, “Advice from My Forebears.” I reminded her about two lines in it: “If they come to your door, feed them. Then send / them on their way.” This particular advice sounds exactly like my grandfather’s philosophy.

Amy said, “There’s something both soft and tough in it, probably like your Grandpa.” Amy was right. That was Grandpa.

What does it mean to be both soft and tough? In some ways I am both those things. I am uber-soft about animals, as you know, and a well-directed commercial about almost anything can leave me in tears. I am the same way about children’s issues that I am about animals–especially foster children and adoptees.

But I do have a little bit of a pull yourself up by your bootstraps iron somewhere inside, too. I lose my patience with people who I view as too soft on themselves. I don’t mean people with problems like mental illness, addictions, anything like that. I mean people who give in to their emotions excessively (IMO), but always when it is about themselves.

I didn’t intend this to turn into a vent, but I guess when you follow a thread into yourself, you find out what you don’t like, as well as what you do like.

I don’t necessarily like this aspect of myself. But I’m not sure that I don’t value it in some respect, also, because it means that I keep myself going, no matter what, I never give up trying to be a helper where truly needed, and I’m a hard worker like Grandpa.

That said, it isn’t up to me to decide when someone is being excessively about themselves. I can extricate myself from the relationship completely, or at least distance myself. But I need to stop judging or labeling and just do what I need to do. In other words, I need to send myself on my way ;).

I have a few writing goals this year. I hope I can accomplish even a quarter of what I plan haha. My submission acceptance goal remains the same as for 2019, and I already have three, so I have hopes that I will meet it once again. This year also will be a year of helping a bit with the wedding planning (for daughter and her fiance).

 

Perry and Sloopy Anne have been lying together on the bed for hours every day. So I can’t make the bed. Not a bad reason not to make a bed, huh? Sorry the lighting is so poor in there, but aren’t they cute?

Let’s make this week one that really counts!!! XO

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Bits and Pieces of Living

At least October’s poetry writing month is over so I don’t have to feel guilt about not writing much. We are now into the big novel writing month, which I don’t participate in, having NO clue how to write a novel. I’m still spending more time revising, organizing, and submitting than I am writing anything original.

I’m also reading several new-to-me poems a day. I’m reading at least one novel, two memoirs, and one children’s book right now.

And I’m getting my morning pages done by bedtime.

But I also am juggling work-work, home-work, and cat-work, as well as trying to fit in the other bits and pieces of The Artist’s Way.

And I cannot stop my hit or miss exercising, which mainly consists of stationery cycling, some stretches, and a few weights.

It sounds like a lot, and it is, so can I keep it up? Through the holidays? HAHAHAHA.

All this and worries about what recipe to use for gluten free stuffing.

I almost forget the most exciting thing. I discovered Christopher Buckley’s poetry. I guess there is a political person with that name, but this is Christopher Buckley the poet. Here’s a sample.

Getting There

Time to give up
grieving my mother’s loss,
faulting my father and
his Neolithic moral certitude
about every detail
on the evening news,
his general absence
hanging like the gray
sheets on the line.
Never mind how
mismatched in the heart,
I should be grateful
they were there at all,
for that moment
that childhood stretched
like fog, the beach empty
and unmarked.
It comes to little now
who I forgive, mourn,
or thank. The dust shifts
and we are barely
suspended in the light.
I know this little thing:
there’s a boy somewhere
in a station where
the trains still run,
wearing scuffed brown shoes,
gray overcoat, and cap;
someone has neatly parted
and combed his hair.
He is waiting
to be taken by the hand
and told where we are going,
to hear we are headed home—
though I can see nothing
beyond the smoke
and midnight haze
at the far end
of the platform,
where I am not
even sure of the stars.
Poetry (May 2012)
I do love how this poem speaks to the importance of our childhood experiences of family and place.
For the week ahead: Go get ’em, Tiger! (Haha, does that date me or what?) And, no, dear Tiger is not involved in that expression. Tiger says hi from her outdoor playpen.

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Memory Remnants Redux

Last week I posted some photos of fabric scraps leftover from my childhood. You guys (as my Michigan roots instruct me to phrase it) helped me with ideas of what to do with the scraps, ranging from giving them to a church to quilters to sewing cat beds to making a scrapbook. You also gave me an idea of how to get rid of the smell of mothballs (thanks, Michelle).  I put them into the dryer, and the smell turned flowery!

I now have plans for the scraps, but it is going to take some time before I can get started. In the meantime I have two more bags of scraps to put through the dryer and leave to air out. So don’t expect to hear back on the scraps for a couple of months!

When I began the process of putting the first bag of scraps into the dryer I discovered that there were a few pieces of unfinished clothing in the lot.

I think all these items were begun during 7th grade, before I had really learned to sew, but was beginning to experiment. These goofy pants crack me up. Were they meant to be pants or pajama bottoms? Judging by the darts, I’d say pants! Thinking back to that first year of junior high, we still had to wear skirts to school. What a different world.

Then there was this top–meant to be strapless, like a tube top in a way. But it turned out to be beyond my ability.

Is this stuff just a hoot? Well, here is a skirt I made and didn’t finish.

Not finishing this skirt did not stop me from wearing it at home. I was halfway through 7th grade, and desperate for new clothes. I also wanted to experiment with styles. So I sewed together the two sides of the skirt and put it on! Then I dressed it up with other pieces. Thought I was the coolest thing ever. And here I am.

I was such a weird kid. But note my bow tie (either my little brother’s or my grandfather’s tie from his Sunoco uniform) and the oxford shirt. I made the vest out of a pillowcase. That turquoise bow on my thigh? PJ bottom peeking out

That table and chairs? Pretty sure it came from Polk Brothers in Chicago. Anybody remember that store? Oh my gosh, I just realized that the napkin holder on the table? I made that that year at home on my father’s lathe. I still have it. OK, weird kid, weird adult. I must save everything the least bit sentimental. I made that thing for my mother on my own on that big piece of equipment. Painted it yellow and slapped on some decals. A few years ago, my mom gave it back to me. I guess she was finished with it ;).

Then I must have decided to match a gold and white stripe knit top with the skirt. When one of my parents tried to take a picture of my designer-wannabe endeavor, I fled out of embarrassment (my usual state at this age).

That was the end of my designing career.

How’s about that ladder in my tights?

Or, who was that person?

A couple of pieces of fabric in the bag had prices still attached. Look at this seersucker. I bought it at Thrifty Acres, which eventually became Meijer’s.

Joann’s is still selling seersucker, although I’ll bet the quality is not the same. Those old fabrics were excellent, which is why these scraps are 50 years old and look like new.

Now it’s $9.99/yard. It looks like I paid $1.18/yard. I guess the most astonishing thing is that people are still buying seersucker!

My original seersucker was from a time period where we were looking back to the 1920s Gatsby look. What would it be used for today?

Make it a great week!

 

 

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Memory Remnants

It’s been months since I’ve written about the Secret Life of an Object (credit due to Dawn Raffel’s book). The other day I needed to make room in a closet and felt I should confront 3 vacuum-seal bags of old fabric scraps.

My paternal grandmother was a marvelous seamstress and tailor. I wrote in the posts, The Love Factor of Dolls and RIP Dreamland, that she was Head Fitter of the 28 Shop at Marshall Field’s flagship store in Chicago. When I was eleven, she moved to Kalamazoo, just down the block from us, and spent her early retirement years sewing clothes for us–especially my mother and me. In junior high, I learned to sew in  Home Ec class, and I began to sew my own clothes as well.

The motivating factor for me to sew was that my father wouldn’t buy clothes for me, but would buy fabric for me any time I wanted it. So if I wanted a new skirt, top, jumper, dress, or scooter-skirt (mini culottes), I needed to make it myself.

I think of the remnants of all this sewing Grandma and I did as Grandma’s fabric scraps.

I decided to unpack one vacuum bag and air them out. You see, some dummy (that would be me) put mothballs in the bag.

Anybody have an idea how to get out the smell of mothballs without having to wash the scraps?

What I found was that a great many of the scraps in this bag were either leftover from items sewn by me or items evoking memories.

In the above pile, you can see a navy gingham and a red gingham. I remember working with these fabrics; at least one item was a smocked top. Either the top or another item used both ginghams together. I wish I could remember it better. The orange floral in the middle was a granny dress with a red border at the bottom. The kelly green with tiny white flowers in the bottom left Grandma used for clothes for my mother and me.

This bright fabric on top with the sunbursts I made into a scooter skirt. It was actually wide-leg shorts with a panel on the front and one on the back that buttoned on.

The hat lady fabric was my absolute favorite. I bought it on sale and made a little flip skirt and bell sleeve top. I wore it all the time. The fabric was jersey, so very comfy and flattering.

Aren’t these fabrics a blast from the past though? Retro, vintage, and ancient haha.

In this pile are fabrics that I remember as well, although most of them were ones Grandma purchased for someone other than me–herself or my mother or my mother’s windows.

Maybe the biggest discovery in this bag, though, was a remnant of the fabric from the curtains of my bedroom when I was very young.

The walls of my room were painted a pale gray. isn’t this fabric great? Maybe these kittens imprinted themselves on me. They could be why I love cats to this day.

Do you have any old fabric scraps?

Since I no longer sew, what should I do with these scraps to give them new life?

***

Speaking of cats, the shelter I volunteer at hosted a 10 year anniversary gala. The gardener and I went with our daughter and her boyfriend.

I had to dress up for this shindig! Guess what? Jumpsuits are in style! So I bought a black jumpsuit, wore it with ankle boots  (for my crummy feet), and was good to go. But some people looked great, including the rest of my family.

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Filed under #AmWriting, #writerlife, #writerslife, Cats and Other Animals, Creative Nonfiction, Essay, Family history, Flash Nonfiction, Memoir, Nonfiction, Vintage American culture, Writing, Writing prompt