Colleen at Wordcraft poetry suggested this prompt today: to write a syllabic poem using this 19th century painting as inspiration. She mentioned how it looked like the girl is on her cell phone. For a time it was hard to unsee that cell. But then, after I saw something hanging down from the “cell phone,” I realized how important our own world views are to how we see something. As I researched, I read that Hitler loved the paintings of this artist, Ferdinand Georg Waldmüller, and made his work Nazi favorites. But the artist (blessedly) never lived long enough to see the Nazis come to power or to know the name Adolf Hitler. All these different perspectives are where my poem today comes from and it is what complicates the form, creating an ekphrastic contrapuntal tanka string with haiku.
I’m sorry that the poem had to be a screenshot as I couldn’t make it stay on the screen otherwise. If you click on the poem image a couple of times you might be able to make it larger. Please let me know if you can read it or if I need to figure out something else. Any ideas would be appreciated.
The beautiful South 85 Journal has published my essay, “Family History,” in the new issue. This creative nonfiction piece is about a violent crime that occurred within my extended family. Writing this has been so difficult, but also necessary. I just couldn’t wrap my head around what happened, so I explored it in this way. I hope you read this piece because the sharing of it also helps me process it all. But a warning: it is about violence and family.
Today is Memorial Day, a day to honor those who sacrificed their lives in our military. I am sharing a poem from my chapbook Kin Types about a sister who awaits word from her brother who is a soldier in WWI.
Once and Now
His letter, once wet and now dry, once
wrinkled now smoothed against her breast,
once a receptacle for all he could not say,
the lone poppy in the field, the striped sky, not
the mud, men, horses, bullets, shovels.
Definitely not, but she suspects as much.
She listens to her husband outside the church
door, reads the casualty lists, hovers around
those waiting. Now her big brother’s letter
like his touch on their dying mother’s cheek,
is enough. He’s been long a soldier, the bachelor
patriarch. In the early days he wrote pages
of the trembling sweep of the Pacific,
ancient trees and reeds poking like magic
sticks from the water, a field of buttercups
near the Presidio, a borrowed horse he rode.
Given their immigrant circumstances, the career
had seemed wise until now, with Huns like red
devils leering down from propaganda posters
jeering them with their German names,
a town friend’s Dachshund ripped from her arms,
his brains smashed on the pavement, onto
her shoes. Shoes she showed Clara, pointing,
See, see how dangerous they are in their hate!
The knock sneaks up on her from behind.
She has turned to put the letter in the ribbon-
tied stack, so standing between fourteen years
of letters and the knock, she knows that this
is not the paperboy coming for his coin.
She knows what a ridiculous leap her mind
has made, but still she is certain about the paper,
and it is a paper telegram. Without opening it,
she slips the Western Union under the grosgrain.
Once busy, she has all the time in the world now.
Clara Mulder née Waldeck
Caledonia, Michigan, United States
Clara has received the dreaded telegram that will validate her worst fears--that her laughing, vibrant brother will not be coming home.
I chose a very mild–in this case British–stamp with WWI propaganda.
Just wanted to share a post I published today over at The Family Kalamazoo. I wrote about my great-uncle Charles Mulder, Jr. (Chuck). He was the leader of a small group in the U.S. Army Signal Corps in Europe during WWII. He was with the 119th Infantry Regiment, which was a part of the 30th Infantry Division. According to Wikipedia, “The 30th Infantry Division was a unit of the Army National Guard in World War I and World War II. It was nicknamed the ‘Old Hickory’ division, in honor of President Andrew Jackson. The Germans nicknamed this division “Roosevelt’s SS.” The 30th Infantry Division was regarded by a team of historians led by S.L.A. Marshall as the number one American infantry division in the European Theater of Operations (ETO), involved in 282 days of intense combat over a period from June 1944 through April 1945.
Uncle Chuck was a lovely person whose life was changed because of his war service and an incident of friendly fire. Read about it here:
I’ve been remembering wrap-around skirts. If you’re from my era, you probably remember them. They were large circles of cloth, open on one side. You wrapped the cloth around yourself and tied, buttoned, or buckled it at the waist. The overlap was in the back, so you had to keep smoothing the back of the skirt to make sure part of it wasn’t stuck up on the cloth underneath. If you don’t know what I mean and do a google search you will find a lot of skirts that end in the front, but I remember around 1970 ours were always ending in the back, like in this image.
These skirts were very easy to sew because you didn’t have to worry about fit. But they did tend to accentuate what we called a stick-out butt, which I had. I sure hated that feature, never knowing it would come into fashion when I no longer had it hahaha.
I am planning to make my daughter a junk journal for her wedding. I haven’t made a bound journal before, so I experimented by making a bound version to use for my regular arty junk journaling. I took an old adolescent lit textbook (I used to teach it to college students who were in the secondary ed program) and took out the “signatures” inside. Signatures are groups of sheets folded in half that are put into the binding as a unit. Each book is comprised of several signatures. Then I decorated the cover with old fabrics from my teen years, buttons from Grandma’s collection, and some doodads I found. I created three signatures of about 7 folded pages and bound these signatures into the cover.
For the wedding journal I got the idea of knitting a cover for it, and Marie Bailey at 1WriteWay gave me a lot of help. I haven’t knitted since I made a basketweave baby blanket for my son ahemahem years ago!
Make it a good, safe, productive, and peaceful week!
While I rarely write about fiction, I do read a fair amount of the genre. Today I am sharing a review of a unique novel by blogger Anneli Purchase.
The engrossing story Julia’s Violinist, by Anneli Purchase, shows destruction by war through the eyes of one woman and her family. Julia is a Sudeten German, living with three million other ethnic Germans in what is now the Czech Republic. When Hitler’s Germany is defeated, suddenly Julia’s people are vulnerable. At the start of the story, Julia is a young widow with two daughters. Because she is a German woman amongst the Czechs, she is immediately thrust into danger. The Czech military wants to rid the country of the Germans, so they herd them into barracks where they are starved and many women raped. Julia manages to stay with her daughters, her parents, and one sister in the holding facility. She stays strong for the sake of the others, especially her daughters. Eventually Julia and her family move to Germany and from there to Canada.
Before I read this novel, I did not know about Sudetenland or Sudeten Germans, so I knew nothing of their plight when, first they were taken over by the Czechs after WWI, and then their country became Czechoslovakia after WWII. I had assumed that what is now the Czech Republic was always peopled by mainly Czechs. In a similar vein, until more recent years, although my maternal grandmother’s people emigrated from Prussia, I did not realize that Prussia was in what is now Poland or that all the ethnic Germans in Prussia were made to leave their homes after WWII. Their experience was similar to that of the Sudeten Germans. I have discovered that my accountant was a Sudeten German toddler when his family was made to live in refugee camps, just as Julia lived in the barracks, with little food. He told me that he did not have enough to eat at that age and that it affected his health.
Julia’s Violinist threads a love story throughout the historical tale. Although the story is not chronological, it is told in clearly-identified sections, so it is very easy to understand. This structure places the reader immediately in the dangerous world of post WWII, but then goes back in time to before the war, a time when Julia was just maturing and falling in love with Michael, a violinist, who also loves her. But his father dies as they are to begin courting, and Michael has to take over the family bakery. He has no time for dating. Julia’s life goes off in another direction when she marries and has children. But Michael will come back into her life. Read the book to find out what happens with the star-crossed lovers and to follow the twists and turns in the lives of Julia and her children.
Characters are so well-drawn. Julia is a very likable woman. She’s heroic, but also very human. Some of her decisions can be second-guessed, but considering her circumstances, they are understandable. I particularly admire the development of the complex and less-than-heroic character of Karl. I found myself trying to analyze him as if he were someone I knew in real life. When I finished reading the story, I felt as if I had to leave behind a hometown or community.
Although this is a minor point, the editing of Julia’s Violinist is impeccable, making it a special pleasure to read. Since Anneli Purchase is a professional editor, this makes sense. I am often sidetracked when reading by typos that I can spot at thirty paces, but this book is a smooth read. My deep involvement with the characters and their stories wasn’t broken by distractions.
Whenever I read a book from the perspective of someone from an overlooked group, I learn so much–and this novel is no exception. I feel privileged to have “met” Julia and her family.
GREAT NEWS. Anneli Purchase is offering a 99 cent sale on Julia’s Violinist and all her other books until the end of December.
I asked Anneli if she would please talk a bit about Julia’s Violinist. What she told me seems to explain why this book feels so important and so close to the heart of the writer.
When I was growing up, I often helped my mother in the kitchen. As we cooked and baked, my mother talked about “the old days” and I asked her many questions. She told me how the southeast part of Germany she lived in (Sudetenland) suddenly came under Czech rule with the stroke of a pen at the end of WWI. Three million Germans were to be ruled by a Czech government. When WWII came along, these people had hoped to shed the yoke of the oppressors, but as we all know, for better or worse, Germany lost the war.
As a child, I thought that this amazing story was one that happened only to my mother, that she and her family were the only ones who were driven out of their homes. But as I grew up and learned more about history, I realized that this was far more widespread than I had imagined. After the war, with the blessing of the Allies, the victors, especially the Czechs and Russians who had scores to settle, swarmed through Sudetenland, killing and raping thousands, and driving them out of their land.
Before, during, and after these atrocities were committed, the story of Julia takes shape. She is one person, but various versions of her story happened to hundreds of thousands at that time, and therefore, it needed to be told.
The story is fictional, but it is based on a lot of research, and while the personal story of Julia cannot be verified, I have tried to stay true to the historical facts as they happened then, hopefully without prejudice.
Anneli Purchase has lived and taught in various parts of British Columbia, including the Queen Charlotte Islands and Vancouver Island where she works as an author and a freelance copy-editor. Her articles on coastal life have appeared in Canadian and UK magazines. She has published five novels (The Wind Weeps and its sequel Reckoning Tide, Orion’s Gift, Julia’s Violinist, and Marlie).
Anneli with Emma (as a puppy)
To find out more about Anneli’s novels, you can visit her website:
This news has been in process for some time, but I’m thrilled to share an essay I wrote about the loss of retail business, featuring my hometown Kalamazoo, Michigan. I am so thankful to editor Wesley R. Bishop and the journal North Meridian Review for publishing this essay. NMR is a super cool journal hosted by academics from several Indiana Universities and specializing in interdisciplinary scholarship, culture, and art. In other words, NMR is a hybrid entity, straddling the creative and academic worlds.
“A Long Time from Burdick Street” is named thus because Burdick Street was an important artery for retail in days past–and still is the heart of the downtown. In fact, Kalamazoo was known for building the nation’s first outdoor pedestrian mall. Time changed, and eventually the downtown section of Burdick had to be reopened to traffic, but I grew up with the mall. Further south on Burdick Street my grandfather grew up–his family home and parents’ businesses were on Burdick–and he stayed there and raised his own family, running a Sunoco gas station at the corner of Burdick and Balch.
Disclosure: I used a fake name for the gardener because he’s such a private person. I keep changing his identity in my writing. Maybe he won’t be able to find himself that way. 😉
Here is a link to the issue–you can find my essay starting on page 104:
My MIL painted the mall when the gardener and I were first going out. It had been commissioned by Irving Gilmore, of the department store family. She used to sit in her burnt orange Opel hatchback, painting. When she picked me up from work her car smelled like oil paints.
I’ve written in the past on this blog about the loss of retail: RIP Dreamland. At that time, I was focused on the loss of Marshall Field (“Field’s”) and shared a photo of the location of my family’s 19th century retail business in the Netherlands.
Part of research for writing can be mining one’s own past environment. I made a list of the early 70s fashion items which impressed themselves most indelibly in my memory. Maybe you even have some of these goodies in your own home today. (I admit that I have two of these items).
The fork and spoon on the kitchen wall. Ours came from an interior designer who rented an old house from my dad for her business. When she couldn’t pay the rent and wanted to move out, she gave him some merchandise in lieu of the back rent. These items included the big wooden eating implements. I couldn’t find a photo of ours when I wanted them, but there are images all over Google.
The long, low brown, tan, or gold couch with the beige drapes. The sample here is from my in-laws’ house. Being Canadian, my MIL still called the couch a chesterfield. Also please note the Stiffel lamp and the leggy houseplants.
The small, light-colored television set. In the following photo, once again we have a long, low brownish couch–this time it’s in my parents’ living room. The same beige drapes that my in-laws had. To watch our TV you had to sit in one of the two arm chairs that were facing the couch. Remember that these couches were not for lying down to watch TV. Most people weren’t couch potatoes. This couch was “Swedish modern,” and it was very uncomfortable. Photo shows Dad, brother, and me at one of our usual pastimes, Monopoly.
The odd hotel-like artwork on walls. In this case, we have a rug in a fake design (as opposed to a real hooked design). Bland paintings and posters were other common wall hangings, as were macrame plant hangers. Notice that the following image also features a couch of the time period–in this case, there is a pattern. The lamp and shade are similar in shape to the Stiffel.
The table/lamp combination. Here is my MIL at another relative’s home. We all had these lamps.
Large feathers, even peacock, or pampas grass stuck in vases or baskets to decorate corners of rooms. In the following photo, the chair is a mini version of the couches, and the lamp once again has the same shape.
Paneling on the walls. Wood paneling was particularly popular in living rooms, family rooms, and basement rec rooms. This one is a rec room, and my brother is trying to keep from being stabbed with a dart.
Another favorite for walls was flocked wallpaper. Which was worse: the wallpaper or my perm?
Long strands of beads instead of draperies. In the window behind Uncle Frank we have a “wall” of green beads on our kitchen window. Also, please note the strange plastic “canisters” for storage, both on the counter and hanging from the cabinet.
The large, free-standing microwave on its own cart. Good grief. As if it’s a kitchen altar. I must mention the gold wall phone. That cord was always tangling up dishes, food, and pens.Make it a great week, everyone!
I’ve been reading instead of writing lately. Today I want to share two of the nonfiction books I’ve enjoyed.
Book #1 is biographical and historical nonfiction based on the author’s family history.
A year and a half ago I reviewed Joy Neal Kidney’s nonfiction book Leora’s Letters: The Story of Love and Loss for an Iowa Family During World War II. That book opened my eyes to the “home front” during WWII—what the war was like for some American families. Joy’s family, in particular, suffered great loss as three of her grandparents’ sons died in battle.
Joy has a new book out called Leora’s Dexter Stories. The subtitle, “The Scarcity Years of the Great Depression,” gives an idea of what story lies inside. It’s also an understatement. This book uses a variety of sources, such as journals and family stories to piece together a heart-breaking account of the poverty experienced by the Wilson family during the Depression.
Too bad this book can’t be required reading of every American and every student in American schools so that we learn not only what hardships people went through during that time but also how hardworking, clever, and resilient they could be. Our ideas of recycling and repurposing today are a joke compared with what Leora, Clabe, and their children did to survive. For awhile the only thing that kept them from being homeless was when the two oldest sons joined the Navy and sent money home to the family. The family endured criticism and gossip from others because of the need to sometimes be on a form of relief, although they worked very hard as tenant farmers or in other jobs. I managed to hold off crying until daughter Doris, Joy’s mother, an amazing basketball star, had to leave her full-scholarship business college because she couldn’t afford rent. This book is a powerful tribute to the Wilson family.
Book #2 is a coming-of-age and family dysfunction memoir, set in Australia.
Australian Gwen Wilson, writer of the blog Garrulous Gwendoline, has published a memoir called I Belong to No One. On the cover it also reads: “One woman’s true story of family violence, forced adoption and ultimate triumphant survival.” I wasn’t sure what I would find when I started to read, but I was immediately hooked by Gwen’s storytelling voice. As you might expect from a woman who bills herself on WordPress as “garrulous” and says in the memoir that one of her favorite words is loquacious, Gwen’s voice expertly tells her story and imparts her personality. Her voice is strong, confident, and positive because so is the woman telling the story of her childhood and youth. She also comes across as humble and sincere. This is the successful, mature adult looking back at her upbringing. And while she was clearly always very emotionally strong and generally positive, she was not always confident because the life experiences she went through from a young age tried to grind her down. But Gwen didn’t let them keep her down. Whenever she could catch a lucky break, she would run with it. Finally, she caught one in the form of a job in the shipping world and was able to move forward with her adult life.
Nevertheless, with Gwen’s muscular and straightforward prose, the majority of the story details what she had to overcome. Legally, she was raised by a single, mentally ill mother who was not capable of parenting her. But in reality, Gwen was raised by her older brother Steve and a series of surrogate moms in the form of neighbors, aunts, and friends’ mothers. This patched-together group of “moms” are where Gwen learned how to be a woman. The topics covered from Gwen’s first person perspective include domestic abuse, illegitimacy (in a time when that really mattered), forced adoption, child neglect, poverty, and rape. The rape scene and how it was handled afterward should be mandatory reading for anyone who is unsure of the #metoo movement. It reminds me of how things were when I was young (so we need to remember that we have made some improvements in society and law regarding rape). Gwen truly had nobody to turn to—and no rape crisis centers as they hadn’t been invented yet.
Gwen’s descriptions of her homes and the people in her life are carefully and wonderfully drawn. I find it difficult to move from under the spell of her story and back into my own life. Gwen was born the same year as memoirist Mary Karr. There are similarities in topics, but Australia in the 60s and 70s was much different than the United States. And Gwen had less advantages than Mary Karr had. But anybody who found The Liar’s Club or Jeannette Walls’ The Glass Castle fascinating will find Gwen’s book just as hard to put down.
I hope to have reviews of a couple more books next week!
Felix update: First we went through the exact same disappointment at a different ultrasound facility on Tuesday–it was another screw-up and they sent us home. However, the next day he had his ultrasound. It showed a liver tumor, enlarged lymph nodes in his abdomen, and other smaller issues. I haven’t been able to talk to his regular vet after she got a copy of the report but we did speak briefly and hypothetically. It’s unlikely that we will put him through more testing as it would be traumatic to him and probably to no avail. But a decision has not yet been made. If we don’t do more testing, we will provide hospice for him at home. I have started giving him subq fluids (under the skin with a needle) once a day, as well as several meds. The internist who performed the ultrasound was so impressed with Felix’s chill personality. He really is the epitome of a “good boy.”