Tag Archives: #ampublishing

Coronabub

Warning: crabby writer here.

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There are so many wonderful examples to the contrary. But they remain the minority.

What am I talking about?

Trustworthiness in humans. The coronabub (coronavirus hubbub) has made this clear to me. First there are the accounts you hear on TV and read online. Some experts say just go about your business, but wash your hands  a lot. Other reports say that those 60+ and/or with compromised immune systems (also heart or lung disease, etc.) should stay in their own homes and eschew even family events. Still other reports predict gloom and doom.

Because I am in the 60+ group and have had some lung issues in the past as an adult (also as a kid I was a magnet for every respiratory disease around), I am trying to pretend I am a crocodile that people want to stay away from (see photo below). I plan to be careful when I am out. But other people are not that careful. They still go to events where hundreds or thousands of people are attending. Even my own husband is not that careful when it comes to sanitizing and still doesn’t understand the concept of soap as necessity. He believes that big companies sold us on the idea of soap for them to reap the profits. So how does me being careful keep me safe if others I come in contact with are not careful?

The gardener calls me Howey Anne, after Howard Hughes and his infamous germaphobia. I would say that is a little extreme because I am not that paranoid. You have to consider the source. Person who thinks soap is unimportant thinks I am a germaphobe. Get it?

But I don’t like germs. I blame Oprah for an episode she filmed a long time ago about the germs in hotel rooms and your own shower head. ICK.

This coronavirus thing is causing me a lot of anxiety. I suppose it isn’t mentally healthy for me to be trying to keep my hands away from my face (an impossible task) and to be thinking about germs all the time.

I offer no comfort. Sorry if that’s what you need right now.

The gardener and I just got back from Guanacaste, Costa Rica. The first night we were there, the maid service left a tiny bottle of hand sanitizer in my room. I clung to it for the rest of the trip as if it were the last canteen of water in an unpopulated Sahara in a 1930s movie. It allowed me to fly home through two airplanes and four airports.

The trip was not the best, to tell you the truth. Coronavirus was only part of it. The worst was that the resort had accidentally cancelled our reservation back in September, but our travel agent never knew it. I am too tired from thinking about germs to tell you much about the trip, but the animals were fabulous, the Costa Ricans were nice, and the rest of it was not so great.

Then there was the driver who tried to scam us to the tune of $149 in Houston, the Houston hotel whose shuttle was out of commission but they neglected to tell us, and the bank that ripped our mortgage check and sent it back saying it was “torn in the mail” (LIE), thus dinging our credit. I mean, I could probably come up with a really long list like this. People just suck sometimes.

There are all the sad stories I read on Facebook about animals abandoned, neglected, and abused by humans. It never gets better.

The person who knowingly took his/her coronavirus ass to an event with hundreds of people.

I heard some people are stealing masks from hospitals. WTF!

Who would ever trust a human?

But without trust, where are we? We cannot live alone. It is impossible to be completely self-sufficient. What we do impacts others as well as ourselves. We can’t make it different. But we can try to do our best. In the worst of times, we need to be the best we can be.

Don’t brazen it out and go to major events and then drag your germs to other, more vulnerable people. Imagine being stuck in a nursing home right now–you can’t leave, but once coronavirus enters your facility, you would feel targeted. So be kind and think of other people.

OK, pretty sure my readers didn’t need that, but you might want to remind others!

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As far as photos of Costa Rica go, I have started (slowly) posting some on my Instagram account: catpoems.  Check them out if you’re interested!

Also, University of Chicago-based Memoryhouse Magazine has published my Whitman tribute poem, “Out of the Cradle.” It refers to “Out of the Cradle Endlessly Rocking,” and the last two words are used as the initial letters for the lines of the poem. This issue, called “Rattle,” is a good one. You can find it here.

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I hope when I check back in here next Monday for my next post, the coronabub has burst, and all is back to normal.

Crocodile on the Palo Verde River, Guanacaste, Costa Rica

 

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Poem up at Entropy: Lots of Birds Going On

I am tickled that my poem “Noah and the Middle School Marching Band” has been published by the wonderful journal Entropy for their BIRDS series, and it’s accompanied by art by my friend Mary Stebbins Taitt, artist and naturalist. Mary and I met through Cowbird, a site where we both used to publish stories.

Here is a sample from the poem:

Look at them come. Godwits

and bushtits, catbirds and black-

crested titmice, I tickle their feet​

to move them along a little faster.​

Click the poem title to read the poem and see the accompanying art: NOAH AND THE MIDDLE SCHOOL MARCHING BAND

When I asked Mary if she would like to have one of her pieces accompany my poem, I was amazed at how many birds she had worked on.

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Noah is my favorite Bible character.

“Noah and the Dove” by Judith Klausner

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MY GOODREADS REVIEW OF A NEW POETRY COLLECTION, Mesmerizingly Sadly Beautiful by Matthew Lippman:

I am writing my feelings and thoughts about Lippman’s new collection while they are still fresh, but when I don’t have time to write a thorough review that does it justice. This is a mesmerizing (and sadly) beautiful book. These poems are the epitome of Lippman’s big-hearted writing. I could imagine him with his big aching heart carried outside his body while he wrote these poems. Nobody creates FEELING from a poem like he does. Feelings of love and sadness are all intertwined here. You can’t have love without sadness and you can’t have sadness without love. Read this book, everyone! This is a book that can save us from our over-thinking and our despair.

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I will be taking a blog break for a week or so (therefore, I closed comments here). See you when I return and stay safe, healthy, and calm in the meantime!

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Poem Up at Gingerbread House Literary Magazine

Founder and co-editor Christine Butterworth-McDermott really knows her way around a fairy tale. She understands their flexibility, responsibilities, and opportunities. So it was thrilling that she took one of my Red Riding Hood poems for the new issue of Gingerbread House Literary Magazine. 

You can read it here and see the beautiful artwork that was paired with the poem: Interrogation

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Poetry of Loss

The Plath Poetry Project is one of the most unique poetry projects around. The central event involves writing poems that are inspired by Plath poetry. The poems are accompanied by explanations of  the inspiration. PPP published a poem I wrote once before, and now they have published one I wrote based on Plath’s “For a Fatherless Son.”

by Sylvia Plath

You will be aware of an absence, presently,
Growing beside you, like a tree,
A death tree, color gone, an Australian gum tree —-
Balding, gelded by lightning—an illusion,
And a sky like a pig’s backside, an utter lack of attention.
But right now you are dumb.
And I love your stupidity,
The blind mirror of it. I look in
And find no face but my own, and you think that’s funny.
It is good for me
To have you grab my nose, a ladder rung.
One day you may touch what’s wrong —-
The small skulls, the smashed blue hills, the godawful hush.
Till then your smiles are found money.

 

My poem is “For an Adopted Child,” and if you read the poem and the explanation you will see how I came to write a darker poem about adoption.

For An Adopted Child

My children were adopted by the gardener and me as babies. My brother was also adopted by my parents as a baby. Although my kids are vocal about the positive side of adoption, that does not mean that they haven’t been scarred by the process of adoption. Adoptees aren’t born when they join their adoptive families. They have lives before that–perhaps a week, three months, or six years. They know loss before most other people. In the case of my kids, they are transracial adoptees, so that brings some more baggage along with it.

We’ve come a long way from the days when even educated people told adoptees they are lucky they were adopted, but there are still plenty of unenlightened people out there saying stupid stuff, never fear. It’s not lucky to lose your birth family, no matter what the circumstances. It’s not lucky to know loss so young.

I hope you appreciate “For an Adopted Child”; it’s one of my favorites.

 

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The Cat’s Way of Time

I’m still trying to stay on top of everything, but last week kicked me in the behind. If only I could clone myself. I used to like that movie Multiplicity where the man is cloned several times. Remember that? It wasn’t a great movie or a popular one, but Michael Keaton is one of my favorite actors. I am always hoping to clone myself, but that unlike the Keaton character in the movie, I can control the clones–perhaps even operate their brains ;).

Not only did I have a jam-packed week, but a lot of little stuff went wrong. My anxiety level increased as the stress did. I’m wondering if this anxiety is a byproduct of The Artist’s Way program. So far I’ve gotten some advice from a TAW Facebook group. We’ll see how it goes.

But I am happy to report that I snagged a 2020 publication this week.

Still, if only I could learn from my cats that time pools up between our paws when we let it do so. If we’re chasing after it, we’ll never catch it.

How’s about this Marge Piercy cat poem?

THE CAT’S SONG

Mine, says the cat, putting out his paw of darkness.
My lover, my friend, my slave, my toy, says
the cat making on your chest his gesture of drawing
milk from his mother’s forgotten breasts.
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Let us walk in the woods, says the cat.
I’ll teach you to read the tabloid of scents,
to fade into shadow, wait like a trap, to hunt.
Now I lay this plump warm mouse on your mat.
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You feed me, I try to feed you, we are friends,
says the cat, although I am more equal than you.
Can you leap twenty times the height of your body?
Can you run up and down trees? Jump between roofs?
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Let us rub our bodies together and talk of touch.
My emotions are pure as salt crystals and as hard.
My lusts glow like my eyes. I sing to you in the mornings
walking round and round your bed and into your face.
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Come I will teach you to dance as naturally
as falling asleep and waking and stretching long, long.
I speak greed with my paws and fear with my whiskers.
Envy lashes my tail. Love speaks me entire, a word
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of fur. I will teach you to be still as an egg
and to slip like the ghost of wind through the grass.
What a beauty of a poem.

Let’s all remember to honor VETERANS DAY today!

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Poem Up at Dovecote

This very sweet fairly new literary journal Dovecote has published one of my poems in their 3rd issue.  Don’t you think the journal name is beautiful? A dovecote is a house for doves. I found this photo of a very old dovecote in the Utrecht province of the Netherlands on my old friend Wikipedia.

A place to house birds. A bird is often a metaphor for a poet. Because of the singing, ya know?

Well, oddly, my poem is not a singing sort of poem, but more of a shouting one. Here’s a different look at poetry than many people, especially people who don’t read a lot of poetry, hold.

POETRY IS A BIG NOISE

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Setting and Keeping Goals, A New Thing for Me

Thank you all so much for your kindness about my uncle’s passing. It felt too daunting to respond to all your condolences, but know that I appreciate each one. I closed the comments over there.

Tiger is feeling better. All of a sudden she started eating much better, and I have not had to take her for sub q fluids lately. I hope she stays well now. Everyone seems to be feeling ok currently (knock on wood). A friend brought them all fresh catnip yesterday, so that was well appreciated by the furkids.

Remember how I posted two weeks ago that wah wah wah I might not make my publication goal for 2019, which by the way is the first time I’ve ever set such a goal for myself. I don’t typically set goals for myself. Even if I am nudged, like on Goodreads, to do so, I usually forget about them. But this one I kept in mind throughout the year. When I last reported in, I was one publication short of my goal. Miraculously, I have had three more acceptances, and I believe these poems and an essay should all be published before the end of the year which will put me two over my goal!

Full disclosure: I also  had two rejections in the same period of time!

My big news is that I have begun The Artist’s Way (TAW) program, reading through the book of the same name by Julia Cameron and doing the required and encouraged activities. The two main ones are morning pages and artist dates. Morning pages are three full pages of journaling, preferably written by hand first thing each morning. Artist dates must be done solo, and they require doing something that provides a fresh viewpoint or a burst of inspiration. Then each chapter has other assignments.

While the chapters are meant to be fulfilled in one week, I have discovered that many people take from two to four weeks to work on a chapter. I think I prefer this. I began with the one week plan, but three weeks into this project I felt that I was just scratching the surface of what I could accomplish. I joined a local support group that was just starting out, and we will meet each month to discuss our work with one chapter. So I plan to slow down and dig in deeper.

What is The Artist’s Way? The subtitle sums it up neatly: “A Spiritual Path to Higher Creativity.” It’s a way of eliminating what gets in our way to maximizing our creativity. Writer’s block? Writers who have done the program swear it can remove the block. This book has been around for twenty-five years, so there are a lot of people working the program.

One of my favorite writing theory books is Natalie Goldberg’s Writing Down the Bones. Not only did she write the foreword for my edition, but she and Cameron are friends.

I have already made progress, although the morning pages have been very difficult for me. I wake up to a lot of important emails (perhaps, in part, because I am three hours behind the east coast). In addition, my six cats won’t leave me alone until they are fed and the overnight poos scooped. And at least twice a week something “happens” in the early morning that has to be addressed: exploded water heater that has flooded a room, the early morning call I got that my uncle had passed away, a spilled cat water bowl on my alder floor. Then I want my caffeine, too. I have worked out a compromise. I will complete my morning pages before I go to bed that night. That means I will try to finish them in the AM, but if not, I will do them at some point in the PM.

Now that I have that worked out, it’s more a matter of what to write. I never have an actual writer’s block for poetry, nonfiction, or blogging, but for the morning pages I tend to write like this: “Halfway through now. What should I write about? Um, how about writing about the color red? Color should be the sixth sense. It deserves it’s own place, not just part of vision. OK, what now? I don’t want to write about red. It feels boring.”

This is an idea of what I write about. We are not “allowed” to show our morning pages to anyone.

For my artist date this week I went to the craft store and looked through every single aisle, at all the various types of craft materials sold. My favorite part of a craft store is the items that are displayed by color. I love color coordination.

I plan to keep on with the program, so that might actually be my second set of goals that I am making and will keep. Another good reason to stretch out the chapters, though, is that I don’t have to give up on what is most important. Mom is coming to visit for two weeks for Thanksgiving and her birthday. I don’t plan to do much TAW while she’s here, but rather spend as much time as I can with her. She’ll be 85 on December 2. I might not even do my morning pages on many of those days. We’ll see.

Happy Halloween! I love the fall holidays, and for Halloween I love the witches. I tell my kids this is a self-portrait. They think I’m kidding, but I’m really not.

Remember: you are loved! Make it a great week.

 

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Could A Cat Do What I Do?

I had a little upswing there with the poem publications, but I am not the most prolific poet and then there are the rejections that do stack up, too, so I am one publication short of my 2019 goal. Yes, there are still 2.5 months left, but because there is usually a bit of time between acceptance and publication, it is getting squeakingly close. How will I treat myself if I don’t make my goal? Gently, but firmly. I will wonder what I could have done differently. Write more poems? Write more better poems? Read that as “better poems,” not “more better” hahaha. Do I need to use a better system for send outs? Do I need to send out more? Do I need to target different publications? Lower my standards for publications? Count each poem and essay separately instead of the number of publications? (That would be cheating!) This is called WRITER INSECURITY. No matter what, a writer doubts herself and questions herself over and over. At least I think most writers do.

What would happen if I just let my cat Tiger write a poem? She likes to walk back and forth on my keyboard. In fact, she frequently intrudes on my emails to reader jeannieunbottled and types her own little secret messages.

 

 

Tiger just saw “herself” typing away above and got very very interested!

What if I submitted a poem written by Tiger? What would happen?

Tiger, by the way, continues to get sub q fluids administered a couple of times a week. It seems to make her feel better, and she doesn’t get upset about it. She seems to realize that it’s for her health.

My Pear, who is 19.5 years old, lies comfortably on the couch all day every day. She seems content so that makes me happy.

And frees me up to worry about the others! OK, I am purposely in denial about my dear Pear.

Friday we traded out the summer flowers with new winter flowers. I’m not impressed with the quality of flowers from the local nursery, but too late to complain as they are all planted now. For the front flower bed, we decided on a simpler color scheme this winter: red geraniums and white snapdragons. Usually we go with 5-6 colors for a more dramatic effect, but we were too lazy this year.

Make it a fabulous week!

Even if I am sitting next to Pear or Tiger or another cat, Perry plops on top of me and wiggles around until I am holding him in my arm.

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The Self WHAT?

If you are disturbed by vulgarities and crass language, feel free to skip this post, but please come back next week because I don’t make a habit of subjecting people to it.

I have a nonfiction short story out in a new anthology published by Devil’s Party Press. The theme of this collection is a bad word in the title of each story. Lest you think this is sophomoric hijinks, the writers are all over forty!

Click through the photo if you want to order a copy. My story is called “The Self-Mindf**k.” See, I can’t bring myself to spell it out in public!  As for the title of the anthology, you can read the book cover above.

Seriously, though, my story is childhood memoir, about the way the fear and anxiety of living in my parents’ home over a basement bomber shelter affected my thinking—hence, the self-mindf**k. Here is a little “teaser.”

In the summer I turned six, my father dismantled his cozy basement workshop and built a secret underground bomb shelter out of cement blocks. This intrusion into our home was my first encounter with the Cold War. Television regularly put us through tests of emergency broadcasting via CONELRAD, and at school, duck-and-cover drills were weekly rituals. The goblins in our nightmares were “Commies, Reds, and Pinkos.” The anxiety this threat gave me was palpable and made even more acute because I was supervised by nervous parents. I had to wear a cumbersome lifejacket just to play in the sand at the beach. Overprotective was an adjective created for my mother and father. I don’t know if I would have been a fearful child if I had grown up in a different environment. Maybe part of it was genetic. But a fraidy cat I was–too scared to attempt cartwheels or to ride atop someone’s handlebars. Living across the street from an intimidating dog was one more frightening aspect of life in those days.

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Thanks to Marie K. Bailey  I discovered I could post a deal on my first poetry collection Doll God on this blog. Ten bucks covers a signed copy and postage to a U.S. address I’m so sorry that I can’t offer the same deal to my friends in other countries. However, if you are interested in shipment elsewhere, please email me and let’s try to work something out.

 

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