I’m closing comments because I had a flu shot and am feeling pretty awful from it. This happened to me the last time I had one, about six years ago, and my doctor put in my chart that I was allergic (it’s not an allergy–more of an intolerance). But now with Covid, he took it off my allergy list and told me to suck it up (OK, he didn’t say that) and get it this year. So now I have the whole list of symptoms: fever, sore muscles, skin painful to touch, headache, etc. But I would still love it if you get a chance to read “Superbloom”!
A big thank you to the editors of Praxis Magazine Online for publishing my poems “The Rule” and “Your Sonnet.” Praxis is an African-based magazine for arts and literature. Check it out by reading the other stories and poems!
“The Rule” is obviously a response to the Covid pandemic. Like a lot of writers, I am torn between wanting to write about the pandemic and wanting to get away from it by NOT writing about the pandemic.
“Your Sonnet” is a poem that a lot of (particularly, but not exclusively) women can probably relate to. It makes use of the Little Red Riding Hood story, as do several of my poems in the last couple of years. I know that I have posted before about my Pinterest board for Little Red art, but now the board has over 1,300 images! I really do wonder if any secular folktale has inspired more art than Little Red: Red in the Woods
Last week I wrote about penpals and posted a link for Snail Mail Social Club. After applying by checking off my interests from a provided list, I was given two names and addresses to write to. One of them was an individual living at home. The other is a staff contact at a senior facility. The idea, apparently, is that the facilities don’t want to give out names for privacy issues so I am supposed to write as many letters as I like for these unknown people living there.
I have to admit I was disappointed. I wrote back, asking if they were going to match me up with people with my interests, but have not heard back. I can send generic letters to any senior facility–I don’t need this “finding” service to get me a staff member’s name. The reason I liked writing to Matt was because he said he was interested in war stories, so I wanted to hear his and tell him the ones I know about from my family. If someone wants to talk about books or history or art or cats, I’m all here. Or there. Or pen in hand.
Does anybody else have information about finding people to write to that I have something in common with? I think it would be more meaningful to shut-ins since I am not a 3rd grader writing with my class. Does that make any sense or do I sound nonsensical?
A big thank you to editor Susan Solomon who has published my poem “How They Fall” at Sleet Magazine.
The poem is an important part of the themes I’m working with in my new collection: flight, falling, the ups and downs of life. It’s also very cool that all of the very few poems in the issue feel connected with each other.
I haven’t mentioned the pandemic too much lately because it’s so much of the same-old-same. And I know when I mention anything on social media or Facebook to friends that some of them get depressed at any covid talk. But I thought about not posting because it’s all I wanted to talk about today–and I didn’t want to muzzle myself. Except with a 3-layer face mask, of course.
Arizona numbers are way up, and this is after I’ve been hibernating for over three months. The appointment for my daughter to look at bridal gowns is Friday, and I am supposed to go with her. It’s so so hard to develop much enthusiasm at this point.
So in the interests of our mental health (there is so little of it available currently) I will mention covid negatives that turned into positives only.
Following Julia Cameron’s The Artist’s Way. I started this program last fall and joined a local group for moral support. The group is still meeting once a month (by Zoom now), but the only thing I am writing in my morning pages is what I made for dinner each day. I have over 3 months of menus, but nothing else since the pandemic began. So what’s good about this? I like writing our dinners down. Maybe it will come in handy some day. HAHAHA And I am glad the meetings are still being held because it’s wonderful to consort with other women artist types.
I have pandemic brain. Very fuzzy and not very smart. I had to look up “consort” to make sure about the meaning. Yup. It means to “habitually associate with (someone), typically with the disapproval of others.” A lot of artistic women have experienced the disapproval of others throughout their lives, so we’re there (here?) for each other. So what’s good about this? Recognizing that we have each others’ backs.
I can’t/won’t travel, see my mother in Michigan, go out to dinner. Yes, we are being very careful. So what’s good about this? More time with my cats, especially with the oldsters, Pear and Tiger, who just want me near them all the time.
Although I wrote a few poems near the beginning of the “lockdown,” I no longer even want to write a poem. Or if I do, it’s a little tiny flicker, not a flame. Certainly not enough to sustain me through a whole poem. So what’s good about this? I took the time to organize my poems into one chapbook, then another chapbook, then I put both chapbooks together into a full-length collection. It might still keep morphing, but at least I feel like I’m doing something! I’ve been working on titles, too ;).
Because of the pandemic I am beyond exhausted and have way too much work to do. This happened because 1) I have way more work-work than I did before, 2) I have no occasional help as I did before, and 3) all that damn cooking. So what’s good about this, you might ask?! OK, this is a little convulated. Maybe I’m pushing it. But I think it’s true. I don’t want to give up on my genealogy research, no matter what. But I really am too pandemic-brained and tired to do anything mentally taxing. So instead, I am doing a mindless fill-in-the-gaps project for my direct ancestors (I think I’ve mentioned this before) AND I am organizing my genealogy documents on my computer. Um, they were a mess. So I am pretty happy that I am making some structure out of chaos.
I miss hugging my kids. You got me there. Nothing good about that.
This probably doesn’t have much to do with covid, but I am only one journal away from meeting my publication goal for 2020! There are still four due to publish throughout the summer. Waiting on that one more acceptance . . . 🙂
Wear your masks, please. Wash your hands. Carry sanitizer with you. And if you need to travel and you’re female, get one of those pee funnels. If you’re male, get one of those portable urinals. That will save you from some restroom covid germs. I guess since I can’t hug my kids, I am trying to “mom” everyone else!
“Finally Going to Tell You about the Staircase Ghost” was published today by editor Lisa M. Hase-Jackson at Zingara Poetry Review. This poem relates a couple of the “super”natural experiences I have had.
As befitting Mother’s Day, one of them occurred when I was a new mom. The other is a ghost story.
Superstition Review is a literary journal from Arizona State University, and I am so tickled that they published two of my poems. Also, they posted an audio clip of my reading of both poems. Follow this link:
So you don’t even have to read them yourself, just put up your feet and listen for two minutes.
The first poem is called “One of Her Parents was a Float.” It’s a poem inspired by adoption. Until the poem I published with Plath Poetry Project a few months ago and this one I hadn’t written an adoption poem in a long time. I feel really pleased with the originality of this way of looking at the subject.
The second poem was inspired by seeing a photo online of a little girl named Minnie Rae PREGNANT in 1871 San Francisco.
In those days, there weren’t any services to help girls like this. Charity and all the baggage that came with it was all anyone could hope for. What baggage? Demands about doctrine, religion, and lifestyle, all the while not providing enough to live on.
But if you think nothing like this has happened in a long time, I’ll give you an anecdote from the late 70s. That is a long time ago now, but it has teemed in my head since then. The gardener’s cousin was married to a wonderful man who taught in an inner city school in a very poor area of NYC. One of his students was 8 years old and pregnant. He struggled with how to deal with the horrors he faced every day in the classroom.
Is stuff like this still going on today? Let me know what you think!
Editor Lisa M. Hase-Jackson has published my poem “Maybe It was Spring” at Zingara Poetry Review. This poem is very different from the one also published a few hours ago at North of Oxford. That one is a dark story, a poem that reveals the real Medusa and what happened to her. You can find “Medusa’s #Metoo” in my previous post.
But “Maybe It was Spring” is a “risen” poem. It’s about all the possibilities of rebirth, renewal, and the hope of a miracle. It’s also a true story.
Click the image below to get to “Maybe It was Spring”:
If you have a WordPress blog, try following Zingara Poetry Review so you can be first to read the Zingara Poetry Picks!
If we keep National Poetry Month in mind throughout April maybe it will take the edge off social distancing through April 30. As for Arizona, we were put on a stay-at-home order on Monday that is to last through April.
So: National Poetry Month. For the second year in a row, I like the poster. For years I couldn’t stand the posters, then last year they had a contest and chose a design by a high school student. And it was great.
They did the same thing this year, and I love the result. The assignment was to submit artwork that incorporated line(s) from the poem “Remember” by current U. S. Poet Laureate Joy Harjo that “reflected a celebration of the art of poetry.”
This poster was designed by Samantha Aikman, a 10th grader.