No poet could ever suffer from writer’s block when she has access to any of Diane Lockward’s phenomenal craft books. Now she has published her fourth, The Strategic Poet. The book is a #1 New Release in Poetry Writing Reference on Amazon. Click on the following image to find the book.
The back of the book lists the poets whose work appears inside as either prompt poems or sample poems.
One of my poems is featured in the book. It’s a formal poem, a triolet, but rather than being a single triolet, I made it a triple!
The description in the book of a triolet:
I accepted the challenge to use the form for a significant topic as I based the poem on a cat hoarding situation we had in Phoenix last year where 133 cats were found in one apartment lived in by a couple with children. Here is the very beginning of the poem. To read the entire poem you would need to purchase Lockward’s book.
Although I haven’t mentioned my arty junk journals in awhile (other than using supplies for my cat nicho), I am still working on them. Here’s the latest completed double page where I jumped all in with purple.
Speaking of my cat nicho, look who decided to check it out from behind. Tiger Queenie Princess Mimi Josefina. I don’t know if she realizes that I made it for the cats or not, but she never goes in my study and then yesterday she did, only to investigate the nicho.
I don’t know why, but there are always a handful of things I’ve misplaced. They are rarely items needed for everyday life. When I find one, I soon find I am missing something else.
One of the items I’ve been missing for a couple of years has been MaryGold, the doll on the cover of Doll God.
How long has she been missing? I believe she was lost, then found, then lost again. Here is a post from December 2015 where I mention her disappearance and the discovery of her sister, Pinkie: On the Trail of MaryGold
Well, she’s found again! I discovered her in tissue paper inside a box in a dresser drawer in the guest room. She’s been so quiet!
I really enjoyed taking her on adventures. She doesn’t look bad for a girl who has been up to so much, including lying in a tidepool for her photographer, my daughter. I hope I don’t lose her again. If not, I’ll probably discover another missing object. (Does everyone do this or am I the only person who always has to be missing a few items?)
In honor of MaryGold’s reappearance, I’m offering Doll God for $7 each which includes shipping (if it’s in the continental United States only) through October 2021. The list price is $14 at Kelsay Books. Yesterday it was over $52 on Amazon (good grief). I’ll sign the book and address it to whomever you like. Be SURE to write in $7 so it doesn’t charge you $10 by mistake!
You might think from the post title that fall has come to Phoenix. Not. It’s still hot. And, yet, there is something of fall here, if only in our minds. Today is a holiday in the United States. We celebrate Labor Day because the lives of laborers in the 19th century (and early 20th century, too) were often horrible and sometimes horrific. If you want to read more about what it was like through fiction, try Upton Sinclair’s The Jungle or Rebecca Harding Davis’ Life in the Iron Mills. Although many workers in this country have reaped the benefits of unemployment insurance for some or much of the pandemic, before 1935 no such assistance existed. I was thinking that Labor Day 2021 ought to be dedicated to medical–as well as the whole chain of food delivery–employees since they have been our front lines against covid.
Last month I participated in The Sealey Challenge, reading poetry every day. For the first half or more, I read a book a day. Then I chose more complex books and gave myself 3-4 days each. I’ve never read so much poetry in one month in my life. Well, maybe in grad school, but I mean I’ve never enjoyed so much poetry in one month in my life hahaha.
I also participated in an Instagram mixed media challenge called #seekgathercreate. It was a lot of fun. You start off by collecting four different objects each week to use for the page. The rest is up to the art journaler. Here are a couple of pages I made for it.
This month I am participating in Genealogy Photo a Day on Instagram. There are assigned topics for each day, so my job is to post an image, generally from my own family, that fits the topic. What I like about this besides the interactions with people on Instagram is that it makes me think about my family history from a different perspective. I think it makes the old new for me.
I’ve been revising my memoir. I was going to join #pitmad on Twitter, but then I realized that my manuscript might not be a good match for finding an agent that way. I also realized how short my memoir is now. A few years ago it was too long, but the new version is significantly shorter. Too short for a traditional publisher, most likely. Nevertheless, after some finishing touches I am doing this week, I doubt I will try to lengthen the manuscript. If I like it the way it is, then I want to publish it the way I like it. Of course, this is what I am thinking today!
Pear is hanging in, but I had to up her pain meds a bit so that her leg doesn’t bother her. I’m taking it one day at a time. Tiger is now drinking way too much water. She is 17.5, so she is not a spring chicken either! I worry about her kidneys, plus there is something going on with her liver. Here is Perry lying next to Pear. Maybe he hopes he can comfort her.
Not only is it Labor Day today, but this evening begins the Jewish New Year, Rosh Hashanah. Shana tova! Happy New Year! XO
Although I won’t be reviewing most of the poetry books I read in August for #thesealeychallenge, I have a review to share of a book that I read at the end of July. I know the poet from our experience as the mothers of children through international adoption, as well as being the mothers of musical theatre daughters.
Poetic Expressions in Nursing: Sharing the Caring, by Susan J. Farese MSN, RN, is from the perspective of a nurse who writes poetry to express her feelings and as a stress-reliever.
After her careers in military and civilian nursing, Susan is self-employed in the communications field. Susan has taught seminars encouraging nurses to use poetry as another form of communication. I relish this stanza for how it exemplifies the encouragement:
Brave and famous poets we need not be
but writing from the heart, that sets us free
Through poems we tell our stories
Share pain, grief, caring, glories
Regardless of our nursing specialty.
Susan’s poetry collection tells the family history stories of where her desire to be a nurse originated. In particular, the decline and death from Alzheimer’s of Grandma Ann, described in “Ann’s Zest Ends,” was very poignant. Another poem tells the tragic story of Grandpa Joe who died of an asthma attack in his own kitchen. These family reminiscences really spoke to me.
In many of her poems, Susan gives nurses a voice. Very often nurses are relegated to background status (to the doctors and the system), so Susan allows the reader to appreciate nurses and what they do for us. She also gives a voice to some patients who died too young. One of the themes that runs through some of the poems is that of intuition. She wants nurses to use their intuition and to value the intuition of patients or the family of patients.
The book has a bonus section of haikus paired with Susan’s beautiful photography. Susan has made haiku her own poetic specialty, but most of the book is in various forms of free verse. Susan creates forms that work best for each individual poem.
This collection, with its very accessible poems, would make a lovely gift for nurse or patient in your life.
Because I started #thesealeychallenge yesterday and am still going to vet visits and sorting things out for my sick kitties, Susan Farese will be acting as host for this blog post. Here’s your chance to ask her any questions about her book or the “marriage” of nursing and writing.
Are you ready for the challenge of your life? How about reading a poetry book a day for this entire month (August)? Before you get too overwhelmed, let me explain. Chapbooks count. If you read a Collected Works book, you can count it as as many books as are collected within. You can read the old guys, the classics of the 20th century, or contemporary poetry–or any combination. You can reread books that you really want to read again. Then, if you want to, share somewhere: image, title, whatever you want to share. On your blog, your social media, or keep a log for yourself.
This is the first year I am participating in #thesealeychallenge. Here is a little info about it and an interview of founder Nicole Sealey: The Rumpus on #thesealeychallenge
The way I chose my books was to grab a lot of poetry books from my shelf that I have not yet read! But I could do it through the library on my Kindle, if I chose.
Are you up to joining me? I’d love to follow your progress!!! And come follow mine: Luanne’s #thesealeychallenge on Instagram at CATPOEMS and Twitter at WRITERSITETWEET.
I’ve been reading more than usual lately. For one thing, all my Ann Cleeves (Vera, Shetland, 2 Rivers) books on the wait list at the library have been coming available. Then I’ve got a few fiction and nonfiction books I’m rarin’ to read. Additionally, I’m reading a couple of brand new poetry books that I plan to review for journals or this blog. The best way to understand a poetry collection, for me, is to prepare for writing a review. So reviewing is actually a benefit to me, not just to the poet who wrote the collection.
Something new that I am starting to do is to read the new issues of journals that are emailed to me. It’s not that I didn’t read any of them before, but sometimes I would hit delete if I felt like I had too much going on and plenty to read. But I’ve decided that that is not good because without all these wonderful lit journals a lot of writers, including myself, would be screwed. Then I am choosing one of my favorite pieces from the journal and sharing it on social media.
I have a belief that underlies these endeavors. Too many poets (I can’t speak for creative nonfiction and fiction writers because I know a lot more poets) are so involved with their own writing or maybe the writing of their “big star” inspirations that they do not put enough back into the poetry community. Of course, I include myself in this number. There are certainly plenty of exceptions to this phenomenon, including the work that lit mag editors and small press editors and owners do, especially those that continue long past the “it will help my career” period. Two special names that immediately spring to mind when I think of helping the poetry community are Trish Hopkinson whose website is a treasure for poets and Neil Silberblatt who runs the Facebook group Voices of Poetry. I’ve talked about Diane Lockward’s craft books on here several times. Her books, monthly newsletter, and press (Terrapin) are all important to the poetry community. In fact, she has a new craft book coming out soon. It’s called The Strategic Poet. I’m super blessed to have a poem in the tome (that rhyme is how you can tell I’m a poet hahahaha). The poem is called “After the Call from the Animal Welfare Office: A Triple Triolet,” and it’s a response to a horrific cat hoarding situation in Phoenix last year.
There are many more poetry helpers, too. The work that I am doing for the community is miniscule compared to that of others, but I am trying to keep #poetrycommunity at the forefront of my decisions as much as possible.
It’s probably not surprising that I’ve gotten myself really tired, especially by adding in 3x week physical therapy appointments for my shoulder. Therefore, I’m going to keep it short today.
Pear, who recently turned 21, has some lumps growing on her left front leg. I took her to the vet when it began, back in January, and on Friday I took her back, this time to the owner vet. He said it wasn’t cancer and it appeared to be dead tissue. He also said it was funky and not something you see on cats. Then he said if it becomes intolerable to her, he can do a very quick surgery, even at her age. It’s a matter of quality of life. Pear heard the word “surgery,” and when she got home she started working on it. On Saturday I found one of these “furry grapes” lying loose on her blanket. I’ll spare you the photos hah.
I was cleaning out a drawer and found a broadside poem I kept from 2016, written by Megan Snyder-Camp. It’s called “The Gunnywolf,” and it’s the title poem from one of her collections. I realized I had never read the collection, though I really love this poem, and checked it out on Amazon. Temporarily Out of Stock!!!
The more time I spend with my art journal(s), the more I am realizing what appeals to me and what I like to work on. I am beginning to see a connection with my writing.
The word palimpsest carries great meaning for me. Here is the Merriam-Webster definition:
pa·limp·sest|\ ˈpa-ləm(p)-ˌsest, pə-ˈlim(p)-\
Definition of palimpsest
1: writing material (such as a parchment or tablet) used one or more times after earlier writing has been erased
2: something having usually diverse layers or aspects apparent beneath the surface
The following image is my latest two pages. I call it a palimpsest because it was created with many layers, and bits of each layer show in the finished pages, whether by eyesight or touch. For instance, there are pieces of poems: “It Would Be Easier to Stop Talking to Your Ghost” by Stella Li and “Triptych in Black and Blue” by Tatiana Johnson-Boria, published by Pleiades.
I’m also using my love of the reality and concept of scrap (title of my memoir-in-scrap), as well as a poem I’ve recently shared. I also love scrapbooking and used to love to design and make stained glass. I haven’t worked with quilting at all and not with mosaics since I was a kid, but those are other scrap arts and crafts that I love.
For the initial layer of these pages, I used scraps from many sources, including graph paper, music, poetry, a story, a piece of an envelope flap that has the Hallmark logo embossed, and ripped up practice runs with art materials. I even included a hunk of the glued bottom of a brown bag.
I skimmed through my pages in order of when I made them, and I discovered that at first my collaging was on the “top” of the page, so to speak, whereas now I am using collage as a base and then a bit more in one or two other stages. I learned the value of collage underneath because of all the interest it provides. My first pages look very flat in comparison.
Onward to more improvement LOL. I do see a connection (first noticed by Sheila Morris) between these art pages and my poetry. The layering, complexity, and happenstance, for one–er, three–things.
I’m going to start PT for my shoulder/arm. And now I have vitreous detachment of my only reading eye. One of my eyes is to see distance, and the other is for reading. Seriously. That’s why I can’t wear bifocals and rarely wear glasses just wandering around. I wear glasses to read, another pair for driving, and then I have a computer pair made out of some really old and ugly frames. But my eyes (sort of) don’t work together, so having a really blurry reading eye kind of sucks.
Saturday I walked outside into the blue-blue sky, and I was attacked by swarms of birds from every direction. It was like a remake of the Hitchcock movie. But they weren’t real birds. They were one of the entertainments my eyes are providing me right now :/.
In other news, the puffballs are out! Technically, they are called Sweet Acacia trees, but we call them the dang puffballs. There isn’t a human alive who isn’t allergic to these things. They smell super sweet and, at first, you will think they are roses. But then the scent goes on and on and becomes sickening and you realize it isn’t roses at all. But they do signify home after all these years.
In the close-up you can see that this tree has two little puffballs growing from the trunk itself.
Pear Blossom’s 21st birthday is tomorrow!!! And Tiger Queenie’s 17th is April 1. Happy birthday, sweet girls.
Luanne Castle Reading Doll God on Morning Scramble Television Show My Review Click cover to purchase from Amazon. Doll God, Luanne Castle’s award-winning debut poetry collection, can best be described in terms of the water imagery that appears throughout. Some poems lap at the lakeshore of sensory experience, while others plumb the ocean depths of […]