SCRAP: SALVAGING A FAMILY

Beautiful new review of Scrap: Salvaging a Family was publishing by Smokelong Quarterly  and written by D.E. Hardy, the founder of the journal Claudine. She calls it “What Can I Do with the Anger He Leaves Behind?”

She has some real gems in her review. One is that she calls flash the scrappiest of literary genres. I LOVE that. Flash is so scrappy!  She also makes a case for a genre called nonfiction-fiction based on the stories that I have to imagine about my father’s life and my grandmother’s life.

READ REVIEW HERE

Please pass the word on about Scrap and its excellent reviews!

Luanne Castle’s new hybrid flash memoir, Scrap: Salvaging a Family (ELJ Editions 2026), has earned a starred Kirkus review and is a finalist for the Next Generation Indie Book Awards. The book is now available to purchase on Amazon and ELJ Editions.

Scrap: Salvaging a Family explores the stain of childhood fear and anxiety on the adult spirit and the experience of reconciling with an aging or dying parent. A daughter has grown up in a household with an angry and abusive father. He keeps the secret of his own biological father’s identity from his daughter for decades. Can this family be salvaged?

 

PURCHASE ON AMAZON

PURCHASE ON ELJ EDITIONS

PRAISE FOR ‘SCRAP: SALVAGING A FAMILY’

“…a powerful, painful family saga that slowly gives way to hard-won understanding. A richly detailed, harrowing account of household mayhem and the struggle to forgive.”

—Kirkus Reviews, Starred Review

“Spare, precise, and quietly devastating, this is the kind of memoir that stays in the body long after the reading is done.”

The Book Revue

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My Review of Deborah Brasket’s This Sea Within

Deborah Brasket blogs at Writing on the Edge of the Wild

This Sea Within, Deborah Brasket’s new novel is not a departure from When Things Go Missing in writing quality as both books are obviously written by a skilled craftsperson or in the search for identity at the heart of the stories, but in every other respect it is a vastly different book. This Sea Within is driven by passion and courage.

The protagonist Lena, a sheltered American college graduate, travels to the fictional country of San Balanque to learn more about herself. Soon after arriving, she discovers that she will jump into life feet first without looking back as she throws her lot in with the freedom fighters based largely on her passionate love for Raoul, the leader of the rebels. It seems like quite the leap to transform from the pacifist to a cult figure of the movement, but the reader witnesses Lena making that move step by step.

Brasket keeps the reader in suspense throughout as the secret of who Lena’s mother is hangs over her head throughout much of the book. The writing style features gorgeous descriptions of the beauty of the jungle, and the opening scene describing Lena and the ocean as she is surfing is a knockout. I can only imagine the extensive research Brasket had to do to write this story.

The top layer thread of the book is the relationship between Lena and Raoul which is a torrid love affair with beautifully written sex scenes. But perhaps the most hidden layer of the story I only realized after I finished the book. It pertains to what happens when we connect our lives with someone else and how that can change us. No spoiler alert here: you’ll have to read the book for yourself!

ORDER HERE

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A Hugely Talented Friend

If you’re a blogger you might know Marie at 1 Write Way (this recent blog post of hers was a reposting of her fantabderful (yup, needed a portmanteau word) review of my poetry book Doll God) who has been blogging for a long time. You will know that she is a woman of many talents. Most recently she has been putting her skills into some very serious knitting.

Marie and I go way back. In fact, she was a beta reader for Scrap and wins the award for reading the most versions. She helped me figure out how to go about a very very intro level knitting project. I could go on, but I popped on here to share with you Marie’s knitting talent.

Yesterday I received a package in the mail. It was in a plastic UPS type bag and inside that was a brown bag and inside that was a beautiful package wrapped in different colored tissues with a net bow. Just lovely. Then such a sweet card that I’ll keep it forever.

What was inside the package? This absolutely gorgeous wrap!!!! Have you ever seen anything so beautiful? I have not. Look at the intricate pattern! And I love the colors. Some of my favorites mixed together and changing from the ends to the middle. It’s so soft and generously long.

I spent some time prancing around the house in the wrap haha. Omigoshes flying through the air.

Since I hate posting pix of myself I was going to post a pic of the wrap just lying there, but I soon realized it didn’t do it justice. It needs an appreciative person inside it, so here I am modeling this gorgeousness!!!!

Thank you sooooooooo much, Marie, for your beautiful gift and your friendship and your cats 🙂 and your essence.

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Art Journaling Update

Have you ever heard of Feedspot?

They compile databases to save you time from researching. This includes bloggers, influencers, and journalists.

“Feedspot is an RSS Reader that lets you subscribe to blogs, news sites, and any website you want to keep up with.”

But they are pretty aggressive, and I don’t know how great their assessment is. Ahem!

I only know about them because I’ve gotten a couple of emails from the founder letting me know that my blog, THIS blog, is listed as one of the TOP TEN ART JOURNALING BLOGS. How long has it been since I have posted about art journaling? Ugh, too long. My blog is listed as #9. Seriously?

#1 is Everyday Art, Kasia Avery’s WONDERFUL art blog. I’ve studied with her and also with the amazing Amy at Mindful Art at #5. So because of their presence I’m going to post a link to the list: TOP TEN ART JOURNALING BLOGS

And so that I can bring you up to date, I’ll post today a little something about mixed media collage because I found it through art journaling. Art journaling is what allows you to experiment with new products and just have fun, make a mess even. I try to bring that joy into working on my collages.

I haven’t been able to work on my collages or Hudson’s baby art journal as much as I would like because of working on Scrap promo and the Doll God reprint.

I recently had four new mixed media collages accepted by one of my favorite journals, Anti-Heroin Chic for the fall issue.

Collages come in almost as many types and styles as there are collage artists, and it sometimes shocks me how quickly I found my collage style.

“Found Sound” was nominated for Best of the Net by RAW LIT in 2025

Notice how my collage style is to use cuttings from vintage Life magazines and to place them on neutral backgrounds prepared with mixed media, such as acrylics, pastels, and use of gel plates and stencils.

I particularly love working with soft pastels and pan pastels because of how they work with water and smudging. I like to burn, rip, and stitch things.

As I collect my clippings to arrange on the background themes float through my mind and often times the final result has more of an “edge” than I dreamed of at the beginning.

Have you tried an art journal yet? I have a feeling you will love it!

 

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Almost the End of July and Gonna Need to Take a Breath!

So much has happened lately. I went to the Wisconsin Dells with my family for a week and just got back. I took a tumble while I was there. My third one, hitting my head as usual. I’m ok. Hudson had his best life (for now) there.

On his first plane ride

At the lakeshore, on boats, at deer park, and especially the WAWEE PARK!

We had a baby mourning dove (so cute) rescue at the house before we left for Wisconsin. I hope he’s doing well at Liberty Wildlife!

Kathryn Kulpa of Cleaver Magazine interviewed me about Scrap. 

A CONVERSATION WITH LUANNE CASTLE, AUTHOR OF SCRAP: SALVAGING A FAMILY by Kathryn Kulpa

And LatinosUSA-English Edition has published two of my ekphrastic tanka sequences.

Tanka —02 by Luanne Castle

Tanka —01 by Luanne Castle

I still have lots of unpacking and email catching up and I am SO TIRED. Living with a 2-year-old for a week hahahahahaha.

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Fabulous Review

I am going to be off blogging this week and spending time with Hudson but want to share Gwen Wilson’s fabulous review of SCRAP! It provides another important perspective. She and I share a key sociological factor in real life.

https://gwenwilson.com.au/2026/07/19/scrap-salvaging-a-family/

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Tornado Salvaging

Sharing a few more photos I found scanning.

There are two micro stories in Scrap: Salvaging a Family about the May 13, 1980 tornado in Kalamazoo, Michigan (pp 90-92 in paperback). It’s sort of a transition period in the book where I am now an adult, albeit young, whereas what had come before in the book was focused on coming-of-age. It’s also foreshadowed by an earlier scene of being a kid in the basement during a tornado warning. Scrap is comprised of three parts, and the tornado is the end of part I.

I mention how my father bought up storefronts that nobody else seemed to want and tried to fix them up just enough to rent them as he had little money to invest in remodelling. I describe a wooden “canvas” hanging on the wall of my father’s store:

What I think is that he makes something usable that wasn’t. He doesn’t have the money to make them beautiful. But every once in a while, he recognizes something that is. Inside the luggage store, he’s hung a board that a painter used to clean his brushes. He calls it his Jackson Pollack (sic).

Weirdly, even though I remember looking up the correct spelling of the artist’s name, I still misspelled it in the book. For some reason, I want it to be spelled Pollack instead of Pollock. Maybe it’s because for all its interesting details it’s still a fake. (If you read Scrap you might realize why the theme of “fake” resonates with me).

Dad’s “Jackson Pollock” on the wall

Here are a couple of photos of the tornado that day.

Gilmore Brothers department store–the entire back wall of the 5 story building was blown off

ISB Bank building–all the windows were blown out

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Thank you, Beetley Pete!

Beetley Pete has let me take a space on his blog today to share a story a bit related to Scrap: Salvaging a Family. It’s a story my father and uncle told me (together) when they were 85. My uncle and my parents were visiting me at the same time, and they were getting into unearthing memories. This one is about the 1920s, 30s, 40s, and there are photos from the early days.

POST ON PETE’S BLOG

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Catching Up with The Times

My first book Doll God was published eleven years ago and won the New Mexico-Arizona Book Award. DG has caught up with the times as of today. NOW AVAILABLE IN EBOOK! And there are additional poems added to the collection.
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If you were reading my blog at that time, you will remember a certain character from the book. MaryGold! Named by blog readers, she is the doll on the book cover (and she’s lurking inside, too).
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Since the book is catching up with the times, maybe I need to make MaryGold an updated outfit and get her a toy cell phone!
MaryGold or not, the book is more about art and nature (and ghost and angels) than it is about dolls although there are certainly doll poems in the collection!
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I have a request for friends who reviewed Doll God at the time it was published. Would you consider copying your same review and posting it over on the ebook on Amazon (hoping that Amazon won’t stop that process!!!). UPDATE: as of this morning, it appears Amazon put the reprint ebook with the original paperback. If it stays that way, it means all the reviews are together, which is good. We we will see.
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However, if you are on Goodreads, I would love if you would post your review on Goodreads. And if you’re on Bookbub, there too. Whew. I know it’s asking a lot. I would appreciate it so much.
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Here’s the why: the book was originally published by Aldrich Press, a division of Kelsay Books. In order to release in ebook I had to wait unti my contract was up and self-publish the reprint so that an ebook would be available. Because of that I can’t combine the original publication on Amazon with the new reprint.
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Amazon review link: Doll God
Goodreads review link: Doll God
BookBub review link: Doll God
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By the way, if you are on BookBub and I have reviewed your book and not put it on BookBub please let me know so I can do so. 
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If you haven’t read Doll God, please consider buying the ebook (new paperback with the new poems should also be out soon).

In Doll God, award-winning poet Luanne Castle invites readers into a haunting and beautifully imagined world where dolls become vessels of memory, nature speaks with quiet wisdom, and ordinary objects reveal extraordinary spiritual truths.

Blending mythology, folklore, family history, dreams, wildlife, and art, these poems travel through landscapes both physical and emotional. A Japanese doll, a hummingbird, a palo verde tree, forgotten keepsakes, ghosts, lakes, birds, and the desert become companions in an exploration of identity, love, grief, healing, and transformation.

With luminous imagery and remarkable emotional depth, Castle examines the delicate boundary between the natural world and the worlds we create through memory and imagination. Each poem uncovers traces of what has been lost while offering hope that restoration is always possible.

Winner of the New Mexico-Arizona Book Award and expanded with a selection of new poems, Doll God is an unforgettable collection that rewards slow reading and deep reflection. Rich in symbolism and lyrical beauty, it speaks to readers who appreciate literary poetry that explores spirituality, nature, resilience, and the enduring search for meaning.

Doll God is a collection that lingers long after the final page, reminding us that even what seems lost may still be waiting to be found.

 

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A Photo Update to An Old Story

In my old photo scanning I have found a photo I didn’t know existed. But I had heard about the subject of the picture. In fact, I wrote about it on this blog in 2012 and then re-blogged it in 2013. It’s in a story I wrote about spending time with my maternal grandmother. I’ll repost the story here. At the end I’ll post the photo I found because by the end of the story you will know why I thought it was such a great find.

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When I was little I stayed with my grandmother during the day while my parents were at work.  It was just Grandma and me at the house.   Grandpa worked down the block, at his Sunoco filling station.  Every day at noon, Grandma and I brought his lunch to him.  He’d climb up out of the pit where he worked under cars and smile when he saw us with his gray lunch box.

Sometimes I played with the girl up the street and other days I’d pick through the toys and books left behind in their bedrooms upstairs by my mother, Aunt Alice, and Uncle Don.  I found a giant printing set, a potholder loom and loops, and a collection of miniature furniture and animals.  In my aunt’s room, I read my first chapter book, The Bobbsey Twins.   Grandma and I fried donuts and sugared strawberries.  We sang Ethel Merman songs like “Anything You Can Do.”  I could always manage to sing louder and higher than Grandma.

Any note you can reach
I can go higher.
I can sing anything
Higher than you.
No, you can’t. (High)
Yes, I can. (Higher) No, you can’t. (Higher)
Yes, I CAN! (Highest)

Occasionally, we walked “uptown” to the bank, passing the thrift store, which fascinated me. I thought it was a combination antique store and fine dress shop.  Also en route was the home of the Purple People Eaters.  My overweight, matronly grandmother sang the song and danced right there on the sidewalk for me.  It was years before I realized the building was actually a dry cleaning establishment, painted purple.

Grandma carried the filling station’s bank deposit bag in her big pocketbook, which also held mints and pennies for me.   We stopped at the florist to say hi to some relatives and at the bakery for sugar cookies.

With all the fun Grandma orchestrated, I still got bored one time.  I was in “that mood,” the one where it seems that all is wrong with the world.  Grandma knew how to handle the situation.  She put me in an old work shirt of Grandpa’s and handed me a paint brush.

“Come outside,” she said.  On the back stoop, she’d placed an old wooden child’s chair on a spread-out newspaper. “Go to town, Luanne,” she said.  I worked hard for a long time, painting that chair, which seemed so big

When my mother picked me up after work that day, she laughed.  “Mom, you had her do the same thing you made Don do to keep him busy!”  Even today when I feel “at odds,” this example keeps me working, moving forward through the doldrums.

Grandma did her chores while I was at her house.  She cooked and baked and ran errands, which were all on foot or by bus, as she didn’t drive.  I helped her and learned at her elbow.  She ironed my parents’ clothes, too, while I played at the kitchen table and sang with her.   She didn’t waste our time cleaning too much, but everything else got done—and done well.

She devoted a half hour to herself every day, watching As the World Turns while I “napped” beside her on the couch.

Mostly, though, Grandma doted on me and made sure I could learn and use my imagination.  She sat me on her lap and told me stories “from her head.” Her attention wasn’t fragmented by a cell phone or computer.  She limited her telephone and TV usage.  She was completely there in the moment with me each day.

Can we say the same today for our children and grandchildren and the children we babysit?

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Here is the addendum to the story. A photo showing Uncle Don painting the same chair! This would have been about 1941.

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