Monthly Archives: October 2023

Poem Published by Blue Heron Review & #TankaTuesday

Cristina M. R. Norcross, Founding Editor of Blue Heron Review has published one of my new poems in the new issue of the journal. The theme is Heart Source & Haven. In these dark, anxiety-ridden days, what a wonderful issue to read. My poem is about a magical place I found when I was a kid. It was in the woods across the narrow rural road near Caledonia, Michigan.

You can find the issue here: https://blueheronreview.com/bhr-issue-17-fall-2023/ You will love these poems!

Here is mine:

A Very Specific Opening in the Woods Near Caledonia

The road lilts through the thick woods on either side.
There are no mailboxes to denote location, but
that heart-shaped patch of lupines marks the entry
if I remember to balance across the moss-covered log
and bend down to pass under the sugar maple leaves.
Follow the burbling creek down past the grasses
nestling the tree trunks and saplings and when
I’m lulled into the rhythm of the path, it appears
in front of me—an open meadow sparkling with
sunlight on the kaleidoscopic array of poppies,
Sweet William, and phlox—hummingbirds
and butterflies—even dragonflies—rising amidst
the motes of pollen and seed, a bluebird’s chest
pumping its song, and an alert squirrel scolding.
At the top of my basket is the tablecloth—red
and white checkered, natch—and I lay out the wine
and chocolates, the ginger cake and oranges.
Later, I drowse with my head on my doubled sweater.
That’s when they arrive in their gossamer tutus
and green tights, with their silvery voices. In the haze
of my half-opened eyes, I watch them for memory’s
sake. I will paint them later, as if they are a dream.

I wrote a tanka with Dia de Los Muertos as the kigo word for #TankaTuesday.

[Topic: First Frost]

Before winter’s here

on Dia de Los Muertos

we remember ones

we have lost to the Reaper

and celebrate life and love.

Although we are not in danger of a frost in Phoenix, the days and nights are cooler than they were. When I wake up in the morning, we are in the low 50s. I’ve been walking in the morning to take advantage of cooler air.

woman in a a costume and makeup for the day of the dead in mexico
Photo by Oscar Damián Jiménez on Pexels.com

BONUS: to use Trick or Treat. Here is my lune:

Trick or treat, smell my

feet, give me

something good to eat.

(stolen from the childhood jingle)You can’t improve on a classic!

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First Frost, Week 1: #TankaTuesday

This is the 1st week of the “First Frost” season for Colleen Chesebro’s #TankaTuesday challenge based on the 24 Japanese seasons.

Although we don’t have a first frost in October ever in Arizona, and some years no frost at all, there are other aspects of the season that we do share with the rest of the Northern Hemisphere, as Colleen points out. She mentions Halloween and All Saints. I, of course, think of Día de los Muertos or Day of the Dead. Two years ago I created a nicho to celebrate the day and the lives of my kitties who had passed over the rainbow bridge. https://writersite.org/2021/10/06/making-after-loss/

This year I bought a Count Dracula costume for my black cats. I wanted to capture Meesker’s little white fangs, but unfortunately, he is not a model. My daughter had to add in the fangs for me. Meet Count Meeskula!

My old lady Kana, on the other hand, is quite the ham. She loves dressing up. She does not have fangs, though. Meet Countess Grannyula!

So when I saw that black cats for luck is a kigo I knew I would write about them!

MEESKER AND KANA

We’ve entered

a time to ponder

new darkness,

more shadows,

and celebrate the season

of lucky black cats.

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Meet Dame Edith Sitwell

The gardener and I went to a lovely Halloween costume party. I wanted to go as Edgar Allen Poe with a raven on my shoulder. That would have been soooo cool. The gardener would have been my editor, which would have fit him just fine hahaha. But after looking at all the photos of Poe with that high tight collar I knew this hot-blooded person could not wear an outfit like that in Arizona.

I wanted another poet, but it needed to be somebody who lived to be as old as me, so Sylvia Plath was out. A friend suggested Edith Sitwell because she dressed eccentrically in turbans and caftans. She was a well-known British poet active in the 1910s to 1960s. She was an aristocrat and her two brothers were also poets. So I put together a costume as Dame Edith Sitwell, and the gardener dressed as Sir Osbert Sitwell. https://en.wikipedia.org/wiki/Edith_Sitwell

Of course, the gardener won’t let me post his photo on here ;). But here is an image of the vintage purse I carried (that belonged to his aunt) and the calling cards I had made! Just so you know how color-coordinated I was, the pattern of my caftan has lots of yellow from the waist down.

On the back side of the calling card it says: I will be working on my American accent this evening. [I don’t do accents.]

Here is a Sitwell poem from 1919:

At the Fair

BY EDITH SITWELL

     I. Springing Jack

Green wooden leaves clap light away,

Severely practical, as they

Shelter the children candy-pale,

The chestnut-candles flicker, fail . . .

The showman’s face is cubed clear as

The shapes reflected in a glass

Of water—(glog, glut, a ghost’s speech

Fumbling for space from each to each).

The fusty showman fumbles, must

Fit in a particle of dust

The universe, for fear it gain

Its freedom from my cube of brain.

Yet dust bears seeds that grow to grace

Behind my crude-striped wooden face

As I, a puppet tinsel-pink

Leap on my springs, learn how to think—

Till like the trembling golden stalk

Of some long-petalled star, I walk

Through the dark heavens, and the dew

Falls on my eyes and sense thrills through.

     II. The Ape Watches “Aunt Sally”

The apples are an angel’s meat;

The shining dark leaves make clear sweet

The juice; green wooden fruits alway

Fall on these flowers as white as day—

(Clear angel-face on hairy stalk:

Soul grown from flesh, an ape’s young talk!)

And in this green and lovely ground

The Fair, world-like, turns round and round

And bumpkins throw their pence to shed

Aunt Sally’s wooden clear-striped head.—

I do not care if men should throw

Round sun and moon to make me go—

As bright as gold and silver pence . . .

They cannot drive their black shade hence!

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Winter Flowers: #TankaTuesday

This is the 2nd portion of the “Cold Dew” season for Colleen Chesebro’s #TankaTuesday challenge based on the 24 Japanese seasons.

At this time every year in Arizona, we pull out the “summer flowers,” the annuals that we plant in May. We replace them with “winter flowers.” Usually red geraniums are featured, as they are this year. In the last few years we have much fewer choices than we used to have. This year, we had even less choice–and the red geraniums don’t look very good. I hope they perk up once planted. Today is the day we plant!

The topic of my tanka is our winter flowers.

Our summer flowers

have drooped and browned by the house.

Today we release

them from the earth to make room

for winter’s colors.

I made up the kigo “winter flowers” because it is such a part of this season.

On another note, I heard yesterday that my poetry collection Rooted and Winged, which was a Book Excellence winner, is Runnerup in the PenCraft Book Awards 2023. Woot!!!!

On another note, I don’t know how about anybody else, but I am feeling very drained and saddened over world events. I am also horrified by the anti-Semitism rampant on Twitter/X. I’ve joined Bluesky and am only following writers and people I know. Friends, if you want to join, I have a couple of codes. First come, first served.

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A Flash of Joy

This has been such a distressing week with all the bad news. I had a personal joy though, small as it is. My story, “Incident at Shady Acres,” is First Runnerup for the Julia Peterkin Literary Award. This is a huge honor for me. Smiling . . . .

I know I’ve been writing for quite awhile, but really only started flash and micro fiction in earnest this February, so this really tickled me. I’ll keep keeping on!

Congrats to the winner Caridad Moro-Gronlier and the other finalists.

The stories will be published in the winter issue of South 85 Journal. A thank you to them and to the judges.

So no story to share yet, but I wanted to share my news!

When the eclipse occurred the other day, we had our usual clear blue skies in Phoenix, so the phenomenon was very clearly shadowed on the ground!

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“Cold Dew” Season: #TankaTuesday

This is the “Cold Dew” season for Colleen Chesebro’s #TankaTuesday challenge based on the 24 Japanese seasons.

All Northern Hemisphere Weather is Not Similar

When I was a child in Michigan I loved fall because by the end of idyllic summers I was bored and ready for a change. My neighbor had a huge garden, and he let us harvest his pumpkin patch. He would gather his corn stalks and tie them together into teepee-shaped shocks. The air began to cool and the maple trees would turn red, the oaks yellow. My father and I would rake the falling leaves into piles. Then I would jump in the crunchy heaps and pretend to be Joan of Arc burning at the stake. Before my father lit the piles, he would pull me out, shaking his head at my dramatics. As an adult, I moved out west, away from the vivid seasons of Michigan. Today I live in Arizona, where it is October 11 and still 100F degrees.

Time to carve pumpkins,

Halloween Jack O’Lanterns,

and swim in the pool.

My kigo (season) word is “pumpkin patch.” I wrote a haibun because I wanted to convey more information than I could in most syllabic forms. This is because of the contrast between the idea of the “Cold Dew” season and the reality of October 2023 in Phoenix, Arizona.

orange pumpkins on a field
Photo by Ekaterina Belinskaya on Pexels.com

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My New Dribble Published by The Dribble Drabble Review

Editor Keith Hoerner has published my 50-word story (called a Dribble, which makes me a Dribbler!) at the illustrious The Dribble Drabble Review. The story is called “Historia de La Iglesia Católica del Sagrado Corazón,” but the story itself is in English.

https://www.flipsnack.com/AB7B77BBDC9/the-dribble-drabble-review-2023-issue-viii.html My story is shown below or on page 27, but be sure to check out some of the other fabulous stories! They are all either 50 or 100 words, so quick reads.

This story was suggested to me by a story I heard when I was in Costa Rica in early 2020.

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Dog #586 Published by Six Sentences

Editor Robert McEvily has published my six sentence story at, you guessed it, Six Sentences. The story is about animal rescue and called “I Got Sick of Making Excuses for Dog #586 at Paws Perfect No-Kill Shelter.”

https://sixsentences.blogspot.com/2023/10/i-got-sick-of-making-excuses-for-dog.html

My “perfect” rescue cat Perry is in the bag.

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Carol Balawyder Reviews Our Wolves

One of my favorite novelists, Carol Balawyder, has written a loooovely review of my chapbook Our Wolves. I am so grateful for her reading!!!

Once upon a time /
Once upon a time / by Library of Congress is licensed under CC-CC0 1.0

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Week 2 of the Autumn Equinox: #TankaTuesday

This is week two of The Autumn Equinox (September 22 – October 7) Shubun 秋分 for Colleen Chesebro’s new #TankaTuesday challenge based on the 24 Japanese seasons.

My kigo (season) word is Homecoming as in high school and college Homecoming events. This is one I have made up, but for me it represents mid-Autumn, the Autumn Equinox. I have a second kigo for a second poem. I used bonfire because although we had them both summer and fall, the fall ones were the ones that seemed magical, almost mystical.

I wanted to choose a syllabic form that is new to me, and I was intrigued by one that Colleen shared last time.

From the 24 Forms/kouta:

The kouta is a popular Japanese verse form of the Muromachi Period, 14th thru 16th century. They resurrected the lyrical song as a geisha song in the late 1800s and it’s still popular today. Koutas were originally meant to be sung out loud, like many other old forms of poetry. Techniques like assonance and consonance would fit right in with the form, but they aren’t required.

The kouta has several variations, though always short in only 4 lines a 5th line is sometimes is added. Themes reflect ordinary life and often use colloquialisms and onomatopoeia. The most popular are love songs. 

We write kouta in four lines but sometimes five, that tends to celebrate the average person’s everyday life in song. 

Colleen Chesebro

The kouta lines are always an odd number of syllables, usually 5 or 7 mixed, such as 7-5-7-5- or 7-7-7-5.

(untitled)

My son in a new black suit, (7)

daughter in semi-formal, (7)

their dates the first future glimpse. (7)

All are shiny smiles. (5)

Bring on Homecoming! (5)

(untitled)

One year we had a bonfire (7)

post our winning game. (5)

The smell of woodsmoke, night breeze, (7)

the high point before (5)

the descent toward winter. (7)

###

I looked up toward to see if it is one or two syllables. Two!

blaze bonfire campfire dark
Photo by Pixabay on Pexels.com

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