Category Archives: Literary Journals

An excerpt from Writing & Selling Short Stories & Personal Essays: The Essential Guide to Getting Your Work Published

by Windy Lynn Harris (guest blogger)

 

Writing short stories and personal essays is a marketable skill in publishing. These types of short pieces are submitted and accepted every week. And the great news about this kind of writing: Writers don’t need a literary agent to participate in the process. We can independently market our prose and land bylines that make us proud. It just takes sending our work to the right editor, at the right time, and in the right way.

In 2009, I founded the Market Coaching for Creative Writers program to help writers get their short stories and personal essays published in magazines. In that program, I teach writers how to create targeted cover letters, professionally format their manuscripts, and find hundreds of perfect markets to match their voice. They study magazine guidelines and submission etiquette, learn the difference between copyright and the rights available to sell, and set up a system for keeping their submissions organized. By the end of a Market Coaching session, writers are not only able to submit their work to viable magazine editors with confidence; they’re able to repeat the process for every piece of short writing they produce in the future.

Writing & Selling Short Stories & Personal Essays is going to teach you all of those things, too and more. This book is a complete conversation on the topic of publishing short works.

 

THE SHORT STORY

A short story is a short work of fiction. Many of the same craft techniques used to write novels are used to write short stories, but the short story stands apart as a separate form of prose—one delivered with concise language. The use of compression and microscopic storytelling makes short stories unique. A short story isn’t a chapter from a book but a complete experience delivered in a small package.

Besides length, short stories are unique because the action usually revolves around a single dramatic event. It is a glimpse of a character’s life—perhaps one year or even one hour. Every moment in the story is a dance between action and reaction that is related to a single dramatic event. These stories begin as close to the main conflict as possible, giving an unmistakable immediacy to the prose.

Short stories can be enjoyed in one sitting, but that time frame varies from story to story. Short stories can be as simple as six words or run eighty pages long. Most short stories published today fall somewhere between one-thousand and seven-thousand words, but longer stories and shorter stories can still find homes. There is no hard rule to follow with word count.

The terms “flash fiction” and “microfiction” refer to the very shortest of stories. Microfiction is a story that tops out at one hundred words. Flash fiction is anything between one-hundred to one-thousand words. Anything above one-thousand words (and up to twenty-thousand words) is simply called a short story.

Well-written short stories are highly desirable pieces of prose. There are plenty of markets to place this type of work. You’ll find short stories in literary magazines (The Literary Review, Black Warrior Review, Passages North, etc.), genre magazines (Ellery Queen Mystery Magazine, Asimov’s Science Fiction, Lightspeed, etc.) children’s magazines (Cricket, Highlights, Ladybug, etc.), and commercial magazines (The New Yorker, The Saturday Evening Post, Reader’s Digest, etc.). Some are even sold as digital shorts on Amazon or other digital retailers.

I mention the caveat “well-written short stories” because even though there are many outlets for short stories, the competition to earn a space on the pages of a journal is quite stiff. For any writing project, you must create, revise, and polish your work until it meets the standards of the market to which you’re submitting, and in the world of short stories, that standard is skyscraper tall. Short stories are some of the most clever, experimental, urgent, and fresh prose being written today.

Part of the reason is the long-respected history of great storytellers and their iconic short stories, such as Raymond Carver’s “Cathedral,” Ernest Hemingway’s “The Killers,” Flannery O’Connor’s “Greenleaf,” and William Faulkner’s “A Rose for Emily.” I could go on for quite some time before running out of names, but the point I’m making is that short-story writers still aspire to equal the masters. This category’s authors and publishers will always hear the echo of notable writers in the distance. So today, editors search for contemporary yet barrel-aged stories that have been given enough careful crafting to mellow into greatness.

PERSONAL ESSAYS

Personal essays are appealing first-person stories often found in magazines and newspapers. They’re true stories told by people willing to share their intimate thoughts and feelings about life. They are incredibly popular to read, with plenty of submission opportunities for writers.

These stories are nonfiction, but they stand apart from other nonfiction pieces because of their purposeful use of storytelling. We’re not talking about self-help, how-to, or informational articles, which all require the writer to slip into an invisible narrator’s voice. Essays bloom well beyond that informational tone. Well-written essays harness cadence, individuality, a narrative arc, and creativity.

Studying the craft of writing is essential to creating publishable personal essays. Writing the truth is important, but great storytelling holds equal weight. Personal essays have rising tension, compelling characters, and mini-plotlines that push the reader toward a conclusion or a realization. A personal essay isn’t simply an anecdote but an in-depth exploration of a subject.

Essay categories include travel, parenting, grief, humor, satire, nostalgia, divorce, friendship, personal growth, and much more. Essays can cover a trip with your mother-in-law to Las Vegas or a midlife moment in the mirror. They can explore the injustice of racism or the beautiful healing nature of butterflies. They can be filled with hope, anger, or angst. Essays have that delicious inclusion factor that grabs readers by the heart and makes them feel something.

Personal essays whose style  strongly emphasizes literary elements (symbolism, setting, style, tone, theme, characterization, etc.) find homes in literary magazines like Tin House, The Sun, The Paris Review, etc. Reported essays—an essay that contains a personal narrative with some degree of reporting and statistical analysis—are found in news sources and lifestyle magazines like The Washington Post, Aeon, The Guardian, etc. All other essays, including well-written prose with any degree of literary emphasis, are found in nearly every other print and online publication.

Many places that publish personal essays will state clearly that they are looking for creative nonfiction. Creative nonfiction is an industry term that includes literary essays along with other creative nonfiction, including travel essays, parenting essays, and pieces of inspired reportage, among other things. Outlets looking to acquire creative nonfiction are advertising, essentially, that they publish personal essays on a variety of topics that contain a large amount of scene development.

The key to well-written creative nonfiction is in the use of scenes to convey the story. Creative nonfiction essays use less narrative and more scene-by-scene storytelling—a technique that pushes the sensory experience for readers. When readers feel the action of an essay, they can make inferences, judgments, and emotional connections. They can experience the events with personal investment. Readers can then examine their own experiences in comparison.

Creative nonfiction is the fastest-growing area of nonfiction, with opportunities for writers in magazines and newspapers across the country. The genre allows for experimentation in a way that appeals to readers of fiction and nonfiction alike. Not every magazine is looking specifically for creative nonfiction, but if that’s the direction your work takes you, know that you will have many opportunities for publication.

Author Susan Pohlman has written creative-nonfiction essays for a variety of print and online outlets. She likens these essays to fiction, in terms of technique: “Creative nonfiction is an umbrella term. It is an easily accessible genre encompassing a multitude of forms such as the personal essay, the profile essay, participatory journalism, memoir, features, travel essays, biography, and inspired reportage on almost any subject. In short, creative nonfiction is the art of applying storytelling techniques to nonfiction prose. They are true stories that read like fiction.”

That’s right—they read like fiction. Don’t let that confuse you. They feel like fiction because they employ such a big dose of scene development, but creative-nonfiction essays are all accurate depictions of people’s lives. They are true stories crafted to elicit an emotional response.

Want to learn more? Grab a copy of Writing & Selling Short Stories & Personal Essays, available in bookstores everywhere.

My bio: Windy Lynn Harris is the author of Writing & Selling Short Stories & Personal Essays: The Essential Guide to Getting Your Work Published (from Writer’s Digest Books) and the founder of Market Coaching for Creative Writers, a mentoring program that teaches writers how to get their short work published in magazines. She’s a prolific writer, a trusted mentor, and a frequent speaker at literary events. Her long list of short stories and personal essays have been published in literary, trade, and women’s magazines across the U.S. and Canada in places like The Literary Review, The Sunlight Press, and Literary Mama, among many other journals. She is also a developmental editor-for-hire, specializing in short stories and personal essays. She teaches the craft of writing in person and online. More about Windy at her website: www.windylynnharris.com.

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Note from Luanne: I posted a review of Windy’s book here: Write Short First. Please direct your comments to Windy as I am entertaining Mom this week!

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Filed under Book promotion, Books, Essay, Fiction, Flash Nonfiction, Literary Journals, Nonfiction, Novel, Reading, Research and prep for writing, Writing, Writing Talk, Writing Tips and Habits

Rainbows Everywhere

The gardener and I have been married for ever so many years (vagueness is mandatory here), and this month we had our anniversary. We ate at a wonderful Lithuanian restaurant (I thought it was Ukrainian, but I was wrong). We also decided to choose our own anniversary gift. This is what I chose for myself.

A gorgeous light catcher custom-designed and crafted by Pauline at The Contented Crafter. I wanted something for my office, which is coral and black on ivory. When it arrived last week, I was ecstatic. Such a classy presentation, too. Pauline had the light catcher in a gauzy bag with the top of the piece tied to the bag so that it can just slip out and not be tangled.

I laid it out in a tray because the gardener wanted to hang it himself. (He doesn’t trust me with picture hangers, but the truth is that unless it involves a molly I think I am better at them).

My mother has arrived for a few weeks, and we had to put her in Perry’s room (my daughter’s room). Perry had to be moved into my office. He sleeps in there and also has his time-outs in that room now. So we decided to hang the light catcher in our living room instead.

As I inspected it on the tray I was thrilled to see how much of my personality Pauline imbued the piece with. As she describes it: “pinks and oranges and coppery hues; sea jasper beads, tiny coral beads, seashell pieces and masses of crystals.” The charms are a Russian nesting doll, a cat, an “I love cats,” a tiny book called “A True Story.” There are hearts and stars. Imagine!

And here is a close up of the top of it.

And here:

See the doll (for Doll God) and “I love cats” above?

Since my photos suck, Pauline sent me some better shots of the lovely! Click through the slideshow to see up close!

 

This slideshow requires JavaScript.

Why did I want a light catcher?

Well, for one thing I had seen some of the photos of Pauline’s work and thought it beautiful.

Also, one of my favorite movies as a kid was Pollyanna, and the most memorable scene was the one about the prisms at Mr. Pendergast’s house. If you want to cut to the chase, start the video at exactly 2:40.

 

I’ve written about Pollyanna twice before haha! The Glad Game, or Happy Birthday, Pollyanna and Path to Gratitude

The light catcher is certainly living up to its name. It throws brilliant rainbows all around the room.

Mini rainbows on the floor

I love having my home filled with rainbows!

Also, I got the new issue of Tab in the mail. It’s quite an innovative literary magazine. It’s a series of beautifully designed postcards with poems and art. My photo is sort of upside down, but I don’t think it matters because the idea is that you pick up a card and read them one at a time. I have been carrying them around with me.

Here’s what I have to say about #amwriting. Before Mom got here I had completely restructured the memoir. It still needs a lot of revision, but the structure is radically different. Marie Bailey really helped me with her comments. Thank you, Marie! Check out her story, “Rapunzel, A Different Kind of Fairy Tale.” Extremely enjoyable and found at the new lit mag, The Disappointed Housewife. When I restructured, it was easy to see what scenes to get rid of. I jettisoned about 23,000 words and wrote another 3,000 so far. This means that I have now written about 310,000 words for this project. But it’s only 66,000 words right now. Good grief, get on with it and finish it, woman!

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More information on Pauline at The Contented Crafter

A little about me: For a start, I’m a baby-boomer – you do the math – the number keeps changing and so do I!

I’ve had many incarnations as wife, mother, student, teacher, teacher trainer and mentor, curriculum writer and advisor, community hub developer, new worker trainer, and [whew!] life coach.  In between I painted, crafted, hand worked, gardened and generally tried to create beauty around me where ever I went.  Oh, I forgot to mention ‘world traveller’!

These days I’m [mostly] a very contented crafter and pursuer of serenity.  And of course, I live with Orlando, a now elderly Maine Coon cat of great distinction and forbearance and a most delightfully joyful pup who goes by the name of Sid-Arthur [yes, a play on Siddhartha for those of you who picked it up].  They feature prominently throughout this blog.

I’m retired now and happily spend my days doing whatever it pleases me to do.  Sometimes, in between my crafting projects, I still coach now and again, gratis, as a thank you for this blessed life I’ve been given.

I have had a most interesting life, from traumatic beginnings through the highs and lows of self discovery – learning to take responsibility for my thoughts and actions, learning to forgive and let go, learning to trust, learning to ‘be’.

I adopted this as my motto many years ago, it still fits:  Life is a school room and everything is a lesson to be learned.  Lessons will be presented in many ways and many forms until they are learned.  When a lesson has been successfully mastered, another lesson will be presented.  You will be tested.

What I have come to see is that some lessons will be tough, some will be fun. The secret is to maintain a sense of equilibrium with them all, no matter how they make you feel.

And in the end, it’s all been about learning how to be a ‘successful’ human being – and by ‘successful’ I don’t mean in a material way.  I mean in terms of understanding who and what I am and why I am here and what is the meaning of it all………. you know, all that existential stuff.

I consider myself to be counted amongst the most fortunate of people despite the fact that I live without much of the material wealth and supports that so much of the western world considers necessary. I enjoy to keep it simple these days!

CLICK THROUGH FOR PAULINE’S GIFT SHOP

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Filed under #AmWriting, #writerlife, #writerslife, Art and Music, Literary Journals, Memoir, Writing, Writing goals, Writing Talk

Write Short First

So you want to be a writer? Are you planning on working on the book-length manuscript for as long as it takes? And then market it to agents for as long as it takes?

How about being published in the meantime? Nothing is better experience for the novelist or memoirist than writing and publishing short stories or personal essays along the way. If you don’t have what it takes to go through the process successfully with short pieces, what makes you think you can do it with a longer story? Additionally, earning bylines along the way may help get your first book published.

Windy Lynn Harris has written the definitive book to help you get started. Writing & Selling Short Stories & Personal Essays: The Essential Guide to Getting Your Work Published provides valuable guidance for crafting and fine-tuning those shorter pieces, as well as providing a step-by-step plan for getting published. This system includes finding markets, preparing your manuscript, and how to submit those pieces to magazines. She even gives pointers for how to deal with rejection, an inevitable part of every writer’s life.

After you follow the advice in this book, I suspect you will have acceptances, too, as Harris’ information is practical and grounded in the realities of the publishing industry. I suggest purchasing a paperback copy and keep it at hand and well-notated on your desk.

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I posted the above review for Windy‘s book on Amazon and Goodreads. But I’d like to expand on the idea of going short before going long. I know I’m going to step on some toes here. A huge number of writers go straight to writing book-length manuscripts. That’s great. They often self-publish and tend to learn from the experience and the books improve with practice. I’ve greatly enjoyed many books that developed from these origins.

But my philosophy is that the best way to learn craft is to start by writing short stories or essays and revising them until they shine. Then send them out and get some publications under your belt. While you are doing this read like crazy. Revise like crazy. Find experienced beta readers who aren’t crazy. I think this is what takes good stories and turns them into literature.

Don’t throw things at me now!

 

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Filed under #AmWriting, Book Review, Books, Essay, Fiction, Flash Fiction, Literary Journals, Publishing, Writing, Writing Talk, Writing Tips and Habits

Find Poems Here!

Two copies of the new issue of CopperNickel arrived in my mailbox. This beautiful journal is housed at the University of Colorado, Denver.

I have a prose poem in it about a woman getting a divorce in 1895. It is based on, among other information, two newspaper articles. The woman was my great-great-grandfather’s sister.

 

A feature of this journal that is particularly special is that they ask all contributors to recommend other books of poetry. I recommended Marci Calabretta Cancio-Bello’s book Hour of the Ox. Her collection won the prestigious Donald Hall Prize for Poetry in 2015–a well-deserved honor. Her book seems to me to be an excavation into what was, what would have been, what could be and could have been, and what isn’t. Marci, who in the past has published a poem called “Origin / Adoption,”  is a Korean-American poet who might be inventing a family in her first book. I find that all interesting because of my sympathies for adoptees and for anybody searching for their origins.

Here is a little taste of her lines:

Counting the breaths in the dark, my fingers crept lightly

across the floor and against my father’s calloused palm,

willing his lifeline to grow long as a stream

of tea poured green and steaming and smelling of herbs.

(from “The Last Supper”)

I’ve also recently read other books of poetry I want to recommend.

Nandini Dhar’s Lullabies Are Barbed Wire Nations is packed with lively and vivid prose poems. I found their form to be a great choice because of the narrative energy of the book. Lots of stories in here!

The Well Speaks of its Own Poison, by Maggie Smith, follows in the path of poets like Anne Sexton who explore the dark shadows of the fairy tale world to create magical poems.

I fell in love with Wendy Barker’s One Blackbird at a Time because every poem is about teaching literature. They re-created a world for me that I once knew so well. Anybody who has ever taught English or anybody who majored in English will probably feel the same way. You have to have a little familiarity with some of the more well-known texts read in the classroom: Whitman, Thoreau, Dickinson, Williams, Stevens, and Elizabeth Bishop, are a few of those mentioned. These are the opening lines of a poem that is a tribute to Bishop and her poem “One Art” (the formatting is completely off here; I can’t get WordPress to do it properly!!!):

It’s a perfect poem, I say, and though no one

In the class is over twenty-five, everybody

nods. They ‘ve all lost: the Madame

Alexander doll fallen into the toilet, silky

hair never the same, the friend who

moved away to Dallas, a brother once again

in juvie. So many schools—thirteen in

a dozen years—I lost each friend I made

till grad school.

 Notice the doll, too. That leads me back to–wait for it–Doll God ;).

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Filed under Book Award, Book Review, Books, Doll God, Literary Journals, poems about dolls, Poetry, Poetry book, Poetry Collection, Poetry reading, Reading, Writing

Finding a New Cozy Series

The gardener and I visited our local used bookstore and loaded up a box. I know, I know. I’ve said I have a shelf and a half of unread books. I have a lot of want-to-read books on my Goodreads list. I’ve promised people their books will be read in the next phase. But the gardener was out of his books to read. He reads hardcover-only historical fiction, preferably in Asian settings.  Nothing too specific hahaha. I didn’t happen to have any of those on my shelf, so off we went.

Can you imagine me waiting around in a bookstore with discounted and sale prices and twiddling my thumbs?

All of this is to say It’s Not My Fault.

I thought I’d check out mysteries and poetry. I don’t even bother to look for memoirs because our store rarely has any in stock. Maybe people don’t give up their memoir copies as quickly?

In the somewhat lame poetry section, I found a Billy Collins book, so I grabbed that. But most of the rest were obviously cast-off textbooks/the classics–and I already have those.

In mysteries I had better luck. I prefer cozies. And of cozies I most prefer theatre (those are hard to find) and cats (those are easy to find) and retail shops (antique, book, etc.). What I never thought I’d find would be dolls!

And here they were: 4 wonderful mysteries of the Dolls To Die For series by Deb Baker. The entire short series right in front of me. And guess where they take place? Phoenix! (aka home)

So I brought them home where they are right at home.

When I lined them up with the doll buggy, I was reminded of a poem in Doll God. “Vintage Doll Buggy” was originally published in The Antigonish Review, a Canadian literary journal. I wrote this poem about war and innocence, focusing on a green doll buggy I’d seen in an antique store. But I happen to have two versions of that buggy–one pink and blue; the other red and white. In the poem you will see why I used the green buggy instead of mine.

 

Vintage Doll Buggy

 

 

“Every Boy Wants a Pop Gun”

— the company’s slogan. And

not just guns, but air rifles,

clicker pistols, caps.

They specialized in the arms

industry for boys in striped Ts.

 

How this paean to fertility

flowered in that factory, it’s hard

to figure.  Pre-war, maybe 1930s.

Pressed from Ford plant

scrap metal, like the guns.

 

The inside cups like a clam shell.

Like an embrace.  A sheath.

With a satin pillow, it’s a rolling

coffin, a time capsule.

 

When the fighting began,

the government banned metal

for toys.  The war effort claimed

even the green paint.  At the factory

they pressed en bloc clips

for the M1 Garand rifle.

 

Now its wheels bow out,

the green paint

chipped and dulled.

The yellow canopy still reverses.

A calm lingers inside as when

one fingers past a peony’s petals.

 

castle promotional cover

Click through to Amazon

Nancy Ann Storybook doll with pre-war doll buggy

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Filed under Arizona, Books, Doll God, Dolls, Fiction, Literary Journals, poems about dolls, Poetry, Poetry Collection, Writing

Nonfiction Published in In Parentheses

A lovely magazine called In Parentheses published my piece “The Weight of Smoke” in their Summer 2016 issue. This piece falls somewhere between prose and poetry as it alternates between direct quotes from a 1902 article from the Kalamazoo Gazette and my creative interpretation after researching the story.

In “The Weight of Smoke,” my great-great-grandmother Alice Paak’s only brother’s house is on fire. His wife had passed away two years before. He and his children each have their own reactions to the loss of their home (which is not insured).

You can purchase a print copy of the magazine at the following link for $9.80. You get a free digital issue with that. Or you can purchase a digital issue for $2.00.

Volume 4 In Parentheses

Photo from thefamilykalamazoo.com

George Paake

“The Weight of Smoke”: The story of George and his children and the house fire of 1902

I’ve been gone for quite awhile and am now back. Woohoo! So glad to be home. I’ll tell you more about my travels later, but I can tell you that the five kitties are thrilled we are home. Kana was kept in her own room so she wouldn’t bother Tiger, and this morning she and Pear kissed. That was so nice to see because Pear used to be a little hissy to her. But not any more :)!

Can’t wait to get back to blog reading once I plow through a couple (10, 20) piles of paper that were deposited in my mailbox in my absence. UGH.

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Filed under Creative Nonfiction, Family history, Flash Nonfiction, Literary Journals, Nonfiction, Poetry, Publishing, Writing, Writing Talk

Two Poems in Tin Lunchbox Review

Two of the poems I started during the Tupelo Press 30/30 challenge were published in the first issue of a new magazine called Tin Lunchbox Review. I love that name. It reminds me of the old tin lunchboxes kids used to take to school.

“Tennessee Valley” is on page 15, and “Uncrossing the Strait of Georgia” is on page 31. The first poem was sponsored by a blogger for her friend who lost her young daughter. The second poem was in celebration of our trip to Vancouver Island last summer.

Tin Lunchbox Review 1.1

Yup, I’m still resting on my laurels, as I think Marie put it. #amnotwriting

Hope your week is a wonderful one. I expect mine to be busy and sweaty because for some reason even in the air conditioning I feel the heat of the weather outdoors. Disclaimer: we do have a pool. But the water is hotter than a warm bath.

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Filed under Literary Journals, Poetry, Publishing, Tupelo Press 30/30 Poetry Project, Vintage American culture, Writing, Writing Talk

“And So It Goes”

I mentioned some time back that I had a flash nonfiction piece coming out in a journal called Toasted Cheese. There aren’t a lot of places that publish flash nonfiction (as opposed to flash fiction like my “Parking Lot Superhero” story). At least I haven’t found too many.

Here is the latest issue of Toasted Cheese, and in it is my story “And So It Goes.” I believe that if my name was taken off this and Superhero that nobody would guess the same person wrote both of them.  The only thing in common is that both have an experimental quality to them. In the Story Shack piece, I used a structural twist to get to the essence of the story. In this new story, I begin at both the beginning and the end and then move through the story forward and backward.

“And So It Goes” is about my great-great-grandfather Pieter Mulder and my great-great-grandmother Neeltje Gorsse Mulder.

You can find the story here at “And So It Goes.”

 

“And So It Goes” is prose, but it will be in my chapbook collection based on my genealogical research. I expect to have two or three prose pieces, as well as poetry and prose poems.

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Remember that Toasted Cheese provides writing prompts and creative blog posts about writing.

On February 29, I posted this sample from December 15, 2015. You can find April’s writing prompts here.

What Do You Recommend?

 

By Baker

  1. Recommend on social media at least one thing you’ve read this year. If you don’t use social media, recommend in person. Independent authors are particularly grateful for recommendations.
  2. Create some recommendation business cards and leave them with your favorite works in the bookstore. You can print them at home. They could be as simple as the word “recommended” with a thumbs-up or a shelf card that lists why you recommend the book. Don’t put stickers on or in the books.
  3. Ask for recommendations at a used book store and/or independent bookstore. If you’re lucky, your local chain bookstore will have fellow book lovers who are well-versed enough to recommend as well.
  4. Recommend a book to a friend on Goodreads.
  5. While you’re there, write a recommendation of a book. If you’re stuck for one, think of a book you discovered on your own and write the review as though you’re speaking to your younger self.

 

I’d like to remind you that today is Holocaust Remembrance Day (began last evening) and Cinco de Mayo. Two completely different events to ponder, both related to war.  Look at how much one day can contain. It reminds me that in writing it’s important to think small to go big.

 

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Filed under #AmWriting, Creative Nonfiction, Essay, Family history, Flash Nonfiction, History, Literary Journals, Nonfiction, Poetry Collection, Writing

Where to Find a Parking Lot Superhero

Just realized that my flash fiction piece “Parking Lot Superhero” was published by Story Shack two weeks ago! Yikes, how did I lose track of time? Speaking of time, the magazine gives an estimate of five minutes to read it ;).

PARKING LOT SUPERHERO

The story was illustrated by artist Hannah Nolan.

Thanks so much to the editor Martin Hooijmans and to Hannah.

This is my first attempt at flash fiction.  I like how fiction gives me more freedom with structure than nonfiction does, and the flash length is fun to work with. It’s challenging to be concise but also rewarding to complete a story that is this short.

Do you read and/or write flash fiction that isn’t serialized? Where the whole story has to be read in five minutes? Do you prefer flash fiction or the traditional short story length and why?

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Pic of a vintage police car found just outside the Grand Canyon. With a character like Jack (in my story), the protagonist and her friend didn’t need the police.

 

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Filed under Fiction, Flash Fiction, Literary Journals, Publishing, Reading, Writing

Talkin’ Poetry

Talkin’ trash here is more like it. So. You know how I’ve been working on poems and flash prose based on my research into my family history? Well, I have been. I’m working toward a chapbook–maybe 25 pieces.

One of my favorites was taken by a new magazine that looked great. They had one issue out with some excellent and even well-known poets, and I loved what I read, so I was excited for the 2nd issue with my poem in it. It was due out in December.

It’s now April and has not yet been published. And they don’t respond to my emails or my tweets.

If they had to fold, I feel bad for them, but it’s so unprofessional to accept work for an issue that will never be and not to notify the writers. I did send an email accepting their acceptance, so am I stuck now with a poem I can’t send out elsewhere?

I say NOT THE CASE. They seem to have broken any possibly contract that could have existed. But I was happy to have half my already-written pieces accepted and now this sets me back. I need another acceptance to catch up to that halfway point ;).

If I’m not going to name the offending journal, I guess I’m not even talkin’ trash, right? I’m just talkin’ poetry.

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In 2004 I wrote a poem that took honorable mention in a competition that had an interesting reading venue. The poems that placed or were awarded honorable mentions netted their poets invitations to read at Carnegie Hall.  That impressed me. I always wanted to play Carnegie Hall, but I thought you had to be a musician! I was not able to attend, sadly, and that meant that somebody else read this poem on my behalf.

Super Nova

 

After the fires came mudstorms

Bulldozing bodies into the mix.

Weeks spent crumpling like dying stars,

Families’ children into science,

Into candlelit commiseration.

Pressure builds in a cauldron

With boiling tar, the three virtues tied

To a wheel and beaten with rods.

Small skulls of infants and bonobos

Commix in the pasteurized fields.

These offerings burst into flame

Larger than Santorini.

Rebuilding over brick, concrete, bones.

And the moon moves farther from us.

The event that inspired the poem was a horrific mudslide in San Bernardino County on Christmas 2003. Nine children and five adults were killed as they ate their holiday luncheon.

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Weirdly, although it’s National Poetry Month, I picked my memoir manuscript back up last week. I feel a little split down the middle . . . .

Handsome (and mild-mannered) Rex dreams of a loving home in Arizona

@ Home Fur Good

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Filed under #AmWriting, Flash Nonfiction, Literary Journals, Memoir, Nonfiction, Poetry, Poetry reading, Publishing, Writing, Writing Talk