The different ways that family history and genealogy intersect with other aspects of the culture is growing. But I think this project might be a first for family history. Broad Street Magazine, which publishes nonfiction narratives in a variety of genres, has begun a six-week series of feature articles on six poems from my family history […]
Category Archives: Literary Journals
A few years ago Six Hens published my story, “Boundaries,” about my experience of sexual molestation by a minor. In light of the past week, and after reading the stories of so many women, I thought I would re-post the link here.
If all women tell their stories, the world is bound to change for the better.
What would happen if one woman told the truth about her life? The world would split open.
The other day my blogger buddy Merril posted an article by Brian Geiger, editor of Vita Brevis, about publishing your poetry: Publishing Poetry is Like Arranging a Marriage. If you write poetry, take a glance at it.
I’ve been thinking quite a bit about what Geiger wrote. The main point is that you need to read journals before sending your work. You want to find a good “fit,” like a good marriage. I was heading down that same thought road when I published the article From Creation to Publication in The Review Review. I wrote it in 2014, so a lot has happened with my writing since then. Maybe that means it contains some good advice ;)!
But I did a bit of what Geiger does in his article, and that is to assume that if we read the journals we will automatically see which ones are good fits for us.
Hmm. Yes, as I mention in my article, I did discover that a journal I really wanted to be published in was selecting highly experimental (in an unpleasant way) pieces. So I crossed them off my list. But, in general, (I would argue that) there are similar types of poems in the majority of journals.
So what does it mean to find a good fit besides knowing if you want a journal with traditional or experimental writing?
You have to be honest about your own writing to begin with, and I’m not sure any of us is fully capable of doing that. We are too emotionally invested, having written the dang thing and perhaps having lived through all the ins and outs that are found in the poem. But we need to know if our work is fledgling or some point (what point?) beyond that.
If you are incredibly prolific and are looking for high numbers of publications, send it everywhere if you like (I do mention this in the article), but personally I don’t see the point in being able to say my work was published in over 500 journals and magazines. Who cares? I think the quality of the work is most important–and then hopefully you do find a “matching journal,” but it doesn’t always happen that way.
What I am saying is that part of finding a good fit is that the journal and the poem are a similar level of “quality.” This is one of those statements that seems judgy, elitest, you name it. But there are elements of the truth in it, too. The fact that the statement seems kind of ICK is why people don’t really come out and say that is part of why you should read lit journals before submitting.
Another reason to read journals is for the LOVE OF POETRY. If you don’t love to read it, why are you writing it? To do that is just a form of narcissism and maybe also self-aggrandizement. (Yes, you see the bitchy tone creeping in more and more–I’m going to blame the emotional burnout I talked about in last week’s post haha. I no sooner got the daughter off to NYC than my car needed repair and that sucked up a whole day. Then a slew of other home repairs ate up another. However, the good news is that I DID take a couple of naps and focused on my yard and cats instead of the hubbub).
None of these three reasons has anything to do with the implication articles like Geiger’s gives us, which is that we will read journals and have epiphanies in the middle of the pages of some of them when we see exactly the type of style, subject, and form of poems that we write. HAHAHA. Being completely honest here. Never had that feeling in my life.
The closest I have come to it is, for example, when I read the museum of americana and thought of the material and theme of the magazine as perfect for my Kin Types poems based on history, in particular American history. That is because the journal looks for art “that revives or repurposes the old, the dying, the forgotten, or the almost entirely unknown aspects of Americana.” There have been a few such times, but they are rare because most journals have a broader focus. Most of them just want “YOUR BEST WORK.” Um, ok.
Brand new issue of museum of americana issue 15 is up as of last night!
So I was thinking that when I write a blog post I can ALWAYS write #amwriting since I just wrote a blog post. That kind of makes my day.
Aqua blue West Virgina slag glass
Today begins the Jewish holiday of Rosh Hashanah, the beginning of the new year. I’m wishing you a good (and sweet) year, whether you celebrate or not.
If you were reading my blog three years ago, you might remember that spring and summer were the seasons of the hummingbird mother and babies, my father’s illness and death, and the passing of my oldest cat Mac.* These events swirled together, as life’s events often do, and I ended up writing a lyrical essay called “Ordering in Four Movements.”
That fall the essay was published in Phoebe (45.1), a beautiful print journal. If I ever put together a collection of prose pieces, maybe this one will find a “book” home. In the meantime, though, I wanted to share it with more readers via an online journal, so I submitted it as a reprint to Ginosko Literary Journal where it was subsequently accepted. This weekend the journal went live. I hope you will enjoy this piece. It means a great deal to me since it covers emotional issues that preoccupied my mind at the time.
Ginosko Literary Journal — “thumb through” to page 33
* The links in the first paragraph are to the original posts I wrote about these events. The one about Mac tells his life story ;).
I’m still working on my gun essay, but I was challenged to try it from a different angle, which has taken me down a muddy and tangled garden path. Oh boy.
May you have a sweet week ahead. And a happy birthday to poet Mary Oliver!
Last week I wasn’t feeling too hot, so I published some photos from my Alaska visit in Light and Color in Alaska. If you take an Alaskan cruise or visit southeast Alaska, here are my suggestions in bullet points.
- Bring a good camera that will work almost telescopically. That is the only way to capture the eagles in the trees and the seals floating on the icebergs. Really be comfortable with it.
- Bring a backup camera of some kind that will actually work (and that doesn’t have a defective SD card). (Sniff)
- Get a waterproof pouch or dry bag for kayaking and rafting so you can bring your camera or iPhone.
- Bring a nice thick hoodie with deep pockets.
- Bring all the outdoor and clothes layering necessities, but don’t bring any extra clothes. If you plan to dress up you are taking the WRONG CRUISE SHIP.
- Invest in a good rain hat. Consider bringing full rain gear unless you don’t mind being wet. You might use an umbrella occasionally, but the hat is much more important. It was all I used–and we had a lot of rain.
- Go beyond your comfort zone. Cross some stuff off your bucket list. Mine included kayaking, riding a river raft in 60 MPH winds, seeing glaciers up close, frolicking with bears (well, sort of haha), taking pix from the outside platform on a mountain train, and seeing the other wildlife and landscapes of Alaska.
- Be happy if you don’t have cell phone access for long periods of time. It means you’re having a real vacation.
I have been too tired to post until now. First I was recovering from my illness and then my daughter’s new boyfriend came to visit. The best part of that sentence is the new boyfriend part because he was her best friend. In fact, they have been friends for twelve years, so it was pretty exciting that they finally figured out what everybody else already knew. And it was fun being around lovebirds for a few days.
Also, I am working on a new memoir piece that has to do with guns, as well as working on some proofing of pieces going out, as well as writing poetry reviews. I have several coming out this fall and winter.
Here are a few more Alaska photos. Have a great week.
from the train platform
a peek at the blue sky
An excerpt from Writing & Selling Short Stories & Personal Essays: The Essential Guide to Getting Your Work Published
Writing short stories and personal essays is a marketable skill in publishing. These types of short pieces are submitted and accepted every week. And the great news about this kind of writing: Writers don’t need a literary agent to participate in the process. We can independently market our prose and land bylines that make us proud. It just takes sending our work to the right editor, at the right time, and in the right way.
In 2009, I founded the Market Coaching for Creative Writers program to help writers get their short stories and personal essays published in magazines. In that program, I teach writers how to create targeted cover letters, professionally format their manuscripts, and find hundreds of perfect markets to match their voice. They study magazine guidelines and submission etiquette, learn the difference between copyright and the rights available to sell, and set up a system for keeping their submissions organized. By the end of a Market Coaching session, writers are not only able to submit their work to viable magazine editors with confidence; they’re able to repeat the process for every piece of short writing they produce in the future.
Writing & Selling Short Stories & Personal Essays is going to teach you all of those things, too and more. This book is a complete conversation on the topic of publishing short works.
THE SHORT STORY
A short story is a short work of fiction. Many of the same craft techniques used to write novels are used to write short stories, but the short story stands apart as a separate form of prose—one delivered with concise language. The use of compression and microscopic storytelling makes short stories unique. A short story isn’t a chapter from a book but a complete experience delivered in a small package.
Besides length, short stories are unique because the action usually revolves around a single dramatic event. It is a glimpse of a character’s life—perhaps one year or even one hour. Every moment in the story is a dance between action and reaction that is related to a single dramatic event. These stories begin as close to the main conflict as possible, giving an unmistakable immediacy to the prose.
Short stories can be enjoyed in one sitting, but that time frame varies from story to story. Short stories can be as simple as six words or run eighty pages long. Most short stories published today fall somewhere between one-thousand and seven-thousand words, but longer stories and shorter stories can still find homes. There is no hard rule to follow with word count.
The terms “flash fiction” and “microfiction” refer to the very shortest of stories. Microfiction is a story that tops out at one hundred words. Flash fiction is anything between one-hundred to one-thousand words. Anything above one-thousand words (and up to twenty-thousand words) is simply called a short story.
Well-written short stories are highly desirable pieces of prose. There are plenty of markets to place this type of work. You’ll find short stories in literary magazines (The Literary Review, Black Warrior Review, Passages North, etc.), genre magazines (Ellery Queen Mystery Magazine, Asimov’s Science Fiction, Lightspeed, etc.) children’s magazines (Cricket, Highlights, Ladybug, etc.), and commercial magazines (The New Yorker, The Saturday Evening Post, Reader’s Digest, etc.). Some are even sold as digital shorts on Amazon or other digital retailers.
I mention the caveat “well-written short stories” because even though there are many outlets for short stories, the competition to earn a space on the pages of a journal is quite stiff. For any writing project, you must create, revise, and polish your work until it meets the standards of the market to which you’re submitting, and in the world of short stories, that standard is skyscraper tall. Short stories are some of the most clever, experimental, urgent, and fresh prose being written today.
Part of the reason is the long-respected history of great storytellers and their iconic short stories, such as Raymond Carver’s “Cathedral,” Ernest Hemingway’s “The Killers,” Flannery O’Connor’s “Greenleaf,” and William Faulkner’s “A Rose for Emily.” I could go on for quite some time before running out of names, but the point I’m making is that short-story writers still aspire to equal the masters. This category’s authors and publishers will always hear the echo of notable writers in the distance. So today, editors search for contemporary yet barrel-aged stories that have been given enough careful crafting to mellow into greatness.
Personal essays are appealing first-person stories often found in magazines and newspapers. They’re true stories told by people willing to share their intimate thoughts and feelings about life. They are incredibly popular to read, with plenty of submission opportunities for writers.
These stories are nonfiction, but they stand apart from other nonfiction pieces because of their purposeful use of storytelling. We’re not talking about self-help, how-to, or informational articles, which all require the writer to slip into an invisible narrator’s voice. Essays bloom well beyond that informational tone. Well-written essays harness cadence, individuality, a narrative arc, and creativity.
Studying the craft of writing is essential to creating publishable personal essays. Writing the truth is important, but great storytelling holds equal weight. Personal essays have rising tension, compelling characters, and mini-plotlines that push the reader toward a conclusion or a realization. A personal essay isn’t simply an anecdote but an in-depth exploration of a subject.
Essay categories include travel, parenting, grief, humor, satire, nostalgia, divorce, friendship, personal growth, and much more. Essays can cover a trip with your mother-in-law to Las Vegas or a midlife moment in the mirror. They can explore the injustice of racism or the beautiful healing nature of butterflies. They can be filled with hope, anger, or angst. Essays have that delicious inclusion factor that grabs readers by the heart and makes them feel something.
Personal essays whose style strongly emphasizes literary elements (symbolism, setting, style, tone, theme, characterization, etc.) find homes in literary magazines like Tin House, The Sun, The Paris Review, etc. Reported essays—an essay that contains a personal narrative with some degree of reporting and statistical analysis—are found in news sources and lifestyle magazines like The Washington Post, Aeon, The Guardian, etc. All other essays, including well-written prose with any degree of literary emphasis, are found in nearly every other print and online publication.
Many places that publish personal essays will state clearly that they are looking for creative nonfiction. Creative nonfiction is an industry term that includes literary essays along with other creative nonfiction, including travel essays, parenting essays, and pieces of inspired reportage, among other things. Outlets looking to acquire creative nonfiction are advertising, essentially, that they publish personal essays on a variety of topics that contain a large amount of scene development.
The key to well-written creative nonfiction is in the use of scenes to convey the story. Creative nonfiction essays use less narrative and more scene-by-scene storytelling—a technique that pushes the sensory experience for readers. When readers feel the action of an essay, they can make inferences, judgments, and emotional connections. They can experience the events with personal investment. Readers can then examine their own experiences in comparison.
Creative nonfiction is the fastest-growing area of nonfiction, with opportunities for writers in magazines and newspapers across the country. The genre allows for experimentation in a way that appeals to readers of fiction and nonfiction alike. Not every magazine is looking specifically for creative nonfiction, but if that’s the direction your work takes you, know that you will have many opportunities for publication.
Author Susan Pohlman has written creative-nonfiction essays for a variety of print and online outlets. She likens these essays to fiction, in terms of technique: “Creative nonfiction is an umbrella term. It is an easily accessible genre encompassing a multitude of forms such as the personal essay, the profile essay, participatory journalism, memoir, features, travel essays, biography, and inspired reportage on almost any subject. In short, creative nonfiction is the art of applying storytelling techniques to nonfiction prose. They are true stories that read like fiction.”
That’s right—they read like fiction. Don’t let that confuse you. They feel like fiction because they employ such a big dose of scene development, but creative-nonfiction essays are all accurate depictions of people’s lives. They are true stories crafted to elicit an emotional response.
Want to learn more? Grab a copy of Writing & Selling Short Stories & Personal Essays, available in bookstores everywhere.
My bio: Windy Lynn Harris is the author of Writing & Selling Short Stories & Personal Essays: The Essential Guide to Getting Your Work Published (from Writer’s Digest Books) and the founder of Market Coaching for Creative Writers, a mentoring program that teaches writers how to get their short work published in magazines. She’s a prolific writer, a trusted mentor, and a frequent speaker at literary events. Her long list of short stories and personal essays have been published in literary, trade, and women’s magazines across the U.S. and Canada in places like The Literary Review, The Sunlight Press, and Literary Mama, among many other journals. She is also a developmental editor-for-hire, specializing in short stories and personal essays. She teaches the craft of writing in person and online. More about Windy at her website: www.windylynnharris.com.
The gardener and I have been married for ever so many years (vagueness is mandatory here), and this month we had our anniversary. We ate at a wonderful Lithuanian restaurant (I thought it was Ukrainian, but I was wrong). We also decided to choose our own anniversary gift. This is what I chose for myself.
A gorgeous light catcher custom-designed and crafted by Pauline at The Contented Crafter. I wanted something for my office, which is coral and black on ivory. When it arrived last week, I was ecstatic. Such a classy presentation, too. Pauline had the light catcher in a gauzy bag with the top of the piece tied to the bag so that it can just slip out and not be tangled.
I laid it out in a tray because the gardener wanted to hang it himself. (He doesn’t trust me with picture hangers, but the truth is that unless it involves a molly I think I am better at them).
My mother has arrived for a few weeks, and we had to put her in Perry’s room (my daughter’s room). Perry had to be moved into my office. He sleeps in there and also has his time-outs in that room now. So we decided to hang the light catcher in our living room instead.
As I inspected it on the tray I was thrilled to see how much of my personality Pauline imbued the piece with. As she describes it: “pinks and oranges and coppery hues; sea jasper beads, tiny coral beads, seashell pieces and masses of crystals.” The charms are a Russian nesting doll, a cat, an “I love cats,” a tiny book called “A True Story.” There are hearts and stars. Imagine!
And here is a close up of the top of it.
See the doll (for Doll God) and “I love cats” above?
Since my photos suck, Pauline sent me some better shots of the lovely! Click through the slideshow to see up close!
Why did I want a light catcher?
Well, for one thing I had seen some of the photos of Pauline’s work and thought it beautiful.
Also, one of my favorite movies as a kid was Pollyanna, and the most memorable scene was the one about the prisms at Mr. Pendergast’s house. If you want to cut to the chase, start the video at exactly 2:40.
The light catcher is certainly living up to its name. It throws brilliant rainbows all around the room.
I love having my home filled with rainbows!
Also, I got the new issue of Tab in the mail. It’s quite an innovative literary magazine. It’s a series of beautifully designed postcards with poems and art. My photo is sort of upside down, but I don’t think it matters because the idea is that you pick up a card and read them one at a time. I have been carrying them around with me.
Here’s what I have to say about #amwriting. Before Mom got here I had completely restructured the memoir. It still needs a lot of revision, but the structure is radically different. Marie Bailey really helped me with her comments. Thank you, Marie! Check out her story, “Rapunzel, A Different Kind of Fairy Tale.” Extremely enjoyable and found at the new lit mag, The Disappointed Housewife. When I restructured, it was easy to see what scenes to get rid of. I jettisoned about 23,000 words and wrote another 3,000 so far. This means that I have now written about 310,000 words for this project. But it’s only 66,000 words right now. Good grief, get on with it and finish it, woman!
More information on Pauline at The Contented Crafter
A little about me: For a start, I’m a baby-boomer – you do the math – the number keeps changing and so do I!
I’ve had many incarnations as wife, mother, student, teacher, teacher trainer and mentor, curriculum writer and advisor, community hub developer, new worker trainer, and [whew!] life coach. In between I painted, crafted, hand worked, gardened and generally tried to create beauty around me where ever I went. Oh, I forgot to mention ‘world traveller’!
These days I’m [mostly] a very contented crafter and pursuer of serenity. And of course, I live with Orlando, a now elderly Maine Coon cat of great distinction and forbearance and a most delightfully joyful pup who goes by the name of Sid-Arthur [yes, a play on Siddhartha for those of you who picked it up]. They feature prominently throughout this blog.
I’m retired now and happily spend my days doing whatever it pleases me to do. Sometimes, in between my crafting projects, I still coach now and again, gratis, as a thank you for this blessed life I’ve been given.
I have had a most interesting life, from traumatic beginnings through the highs and lows of self discovery – learning to take responsibility for my thoughts and actions, learning to forgive and let go, learning to trust, learning to ‘be’.
I adopted this as my motto many years ago, it still fits: Life is a school room and everything is a lesson to be learned. Lessons will be presented in many ways and many forms until they are learned. When a lesson has been successfully mastered, another lesson will be presented. You will be tested.
What I have come to see is that some lessons will be tough, some will be fun. The secret is to maintain a sense of equilibrium with them all, no matter how they make you feel.
And in the end, it’s all been about learning how to be a ‘successful’ human being – and by ‘successful’ I don’t mean in a material way. I mean in terms of understanding who and what I am and why I am here and what is the meaning of it all………. you know, all that existential stuff.
I consider myself to be counted amongst the most fortunate of people despite the fact that I live without much of the material wealth and supports that so much of the western world considers necessary. I enjoy to keep it simple these days!
So you want to be a writer? Are you planning on working on the book-length manuscript for as long as it takes? And then market it to agents for as long as it takes?
How about being published in the meantime? Nothing is better experience for the novelist or memoirist than writing and publishing short stories or personal essays along the way. If you don’t have what it takes to go through the process successfully with short pieces, what makes you think you can do it with a longer story? Additionally, earning bylines along the way may help get your first book published.
Windy Lynn Harris has written the definitive book to help you get started. Writing & Selling Short Stories & Personal Essays: The Essential Guide to Getting Your Work Published provides valuable guidance for crafting and fine-tuning those shorter pieces, as well as providing a step-by-step plan for getting published. This system includes finding markets, preparing your manuscript, and how to submit those pieces to magazines. She even gives pointers for how to deal with rejection, an inevitable part of every writer’s life.
After you follow the advice in this book, I suspect you will have acceptances, too, as Harris’ information is practical and grounded in the realities of the publishing industry. I suggest purchasing a paperback copy and keep it at hand and well-notated on your desk.
I posted the above review for Windy‘s book on Amazon and Goodreads. But I’d like to expand on the idea of going short before going long. I know I’m going to step on some toes here. A huge number of writers go straight to writing book-length manuscripts. That’s great. They often self-publish and tend to learn from the experience and the books improve with practice. I’ve greatly enjoyed many books that developed from these origins.
But my philosophy is that the best way to learn craft is to start by writing short stories or essays and revising them until they shine. Then send them out and get some publications under your belt. While you are doing this read like crazy. Revise like crazy. Find experienced beta readers who aren’t crazy. I think this is what takes good stories and turns them into literature.
Don’t throw things at me now!
Two copies of the new issue of CopperNickel arrived in my mailbox. This beautiful journal is housed at the University of Colorado, Denver.
I have a prose poem in it about a woman getting a divorce in 1895. It is based on, among other information, two newspaper articles. The woman was my great-great-grandfather’s sister.
A feature of this journal that is particularly special is that they ask all contributors to recommend other books of poetry. I recommended Marci Calabretta Cancio-Bello’s book Hour of the Ox. Her collection won the prestigious Donald Hall Prize for Poetry in 2015–a well-deserved honor. Her book seems to me to be an excavation into what was, what would have been, what could be and could have been, and what isn’t. Marci, who in the past has published a poem called “Origin / Adoption,” is a Korean-American poet who might be inventing a family in her first book. I find that all interesting because of my sympathies for adoptees and for anybody searching for their origins.
Here is a little taste of her lines:
Counting the breaths in the dark, my fingers crept lightly
across the floor and against my father’s calloused palm,
willing his lifeline to grow long as a stream
of tea poured green and steaming and smelling of herbs.
(from “The Last Supper”)
I’ve also recently read other books of poetry I want to recommend.
Nandini Dhar’s Lullabies Are Barbed Wire Nations is packed with lively and vivid prose poems. I found their form to be a great choice because of the narrative energy of the book. Lots of stories in here!
The Well Speaks of its Own Poison, by Maggie Smith, follows in the path of poets like Anne Sexton who explore the dark shadows of the fairy tale world to create magical poems.
I fell in love with Wendy Barker’s One Blackbird at a Time because every poem is about teaching literature. They re-created a world for me that I once knew so well. Anybody who has ever taught English or anybody who majored in English will probably feel the same way. You have to have a little familiarity with some of the more well-known texts read in the classroom: Whitman, Thoreau, Dickinson, Williams, Stevens, and Elizabeth Bishop, are a few of those mentioned. These are the opening lines of a poem that is a tribute to Bishop and her poem “One Art” (the formatting is completely off here; I can’t get WordPress to do it properly!!!):
It’s a perfect poem, I say, and though no one
In the class is over twenty-five, everybody
nods. They ‘ve all lost: the Madame
Alexander doll fallen into the toilet, silky
hair never the same, the friend who
moved away to Dallas, a brother once again
in juvie. So many schools—thirteen in
a dozen years—I lost each friend I made
till grad school.
Notice the doll, too. That leads me back to–wait for it–Doll God ;).
The gardener and I visited our local used bookstore and loaded up a box. I know, I know. I’ve said I have a shelf and a half of unread books. I have a lot of want-to-read books on my Goodreads list. I’ve promised people their books will be read in the next phase. But the gardener was out of his books to read. He reads hardcover-only historical fiction, preferably in Asian settings. Nothing too specific hahaha. I didn’t happen to have any of those on my shelf, so off we went.
Can you imagine me waiting around in a bookstore with discounted and sale prices and twiddling my thumbs?
All of this is to say It’s Not My Fault.
I thought I’d check out mysteries and poetry. I don’t even bother to look for memoirs because our store rarely has any in stock. Maybe people don’t give up their memoir copies as quickly?
In the somewhat lame poetry section, I found a Billy Collins book, so I grabbed that. But most of the rest were obviously cast-off textbooks/the classics–and I already have those.
In mysteries I had better luck. I prefer cozies. And of cozies I most prefer theatre (those are hard to find) and cats (those are easy to find) and retail shops (antique, book, etc.). What I never thought I’d find would be dolls!
And here they were: 4 wonderful mysteries of the Dolls To Die For series by Deb Baker. The entire short series right in front of me. And guess where they take place? Phoenix! (aka home)
So I brought them home where they are right at home.
When I lined them up with the doll buggy, I was reminded of a poem in Doll God. “Vintage Doll Buggy” was originally published in The Antigonish Review, a Canadian literary journal. I wrote this poem about war and innocence, focusing on a green doll buggy I’d seen in an antique store. But I happen to have two versions of that buggy–one pink and blue; the other red and white. In the poem you will see why I used the green buggy instead of mine.
Vintage Doll Buggy
“Every Boy Wants a Pop Gun”
— the company’s slogan. And
not just guns, but air rifles,
clicker pistols, caps.
They specialized in the arms
industry for boys in striped Ts.
How this paean to fertility
flowered in that factory, it’s hard
to figure. Pre-war, maybe 1930s.
Pressed from Ford plant
scrap metal, like the guns.
The inside cups like a clam shell.
Like an embrace. A sheath.
With a satin pillow, it’s a rolling
coffin, a time capsule.
When the fighting began,
the government banned metal
for toys. The war effort claimed
even the green paint. At the factory
they pressed en bloc clips
for the M1 Garand rifle.
Now its wheels bow out,
the green paint
chipped and dulled.
The yellow canopy still reverses.
A calm lingers inside as when
one fingers past a peony’s petals.
Click through to Amazon
Nancy Ann Storybook doll with pre-war doll buggy