Category Archives: Poetry

Organization and Happy Cat Tails

For two years, Tanman and Louise have lived at the shelter. They were born, along with their sister Thelma, in a laundry room, and received very little human attention in the first months of their lives. This means that they came to the shelter in the no-cats-land of not being feral because they had never been outside for a second in their lives and not being socialized either. At the shelter, we discovered that they are great with other cats and love to play. But they are afraid of humans getting too close.

In this photo you can see it says they were at the shelter 600 days, but that was printed in December. Thelma is the tabby and Tanman is, that’s right, the tan and white.

This story takes a good turn, I promise.

A couple of weeks ago, they were adopted together by “Catification Couple,” a couple who have a lot of cats and devote their lives to taking care of them. Their house is designed for cats, in fact.

If you want the fun of seeing Tanman and Louise warm up to humans you can follow their stories on Instagram or Facebook. They do post, as well, but to really see what goes on with these two kitties you have to watch the stories.

So I have been spending a lot of time (that I don’t have) going through files and files of old paperwork–writing drafts, academic papers, business “dead files,” and personal business out-of-date stuff. So far I have 8 banker boxes of shredding :/.

What motivated me is that I am missing a list of items that I know are just misplaced. When you have too much stuff, you can’t find what you really want to find.

But I am reading a few things before I toss them.

 

Audre Lorde is one of my favorite poets. My dissertation (gosh, that feels like such ancient history now–and it really is) is structured on one type of identity for each chapter. Then I focused on one poet for each identity. A chapter I was excited about, but never got to was “the performance of economics,” using Lorde’s poetry. She so often uses images and metaphors of money and math. I suspect it meant that she dealt with feelings about worth.  Reading this poem made me remember how disappointed I was to exclude the proposed chapter from my dissertation, but I already had enough word count and just wanted to graduate.

Going through all this stuff is making me wonder what other writers do to organize all their work. It seems an ongoing time-consuming project to organize well. Right now I have a binder of published poems and a binder of published prose with lists for each. But the binders are full and they seem a bit disorganized. Then I have a binder for all the paperwork related to Doll God and one for Kin Types. Maybe it’s my habit of losing things that make me want to use binders instead of just file folders.

There is still much to be gone through, but I am losing my passion for it. My allergies are in an uproar over the dust I’ve stirred up, and I’m tired of the same project. And have started to feel overwhelmed by how many incomplete poem drafts I’ve found!

Do you do intense organizing like this? If so, how often do you engage in it? I sort of think this is my first time . . . .

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Moms on Poetry: Tricks

Moms on Poetry has reprinted a poem from my first collection Doll God.

Thrilled to be in good company. One of the other poems is by Karen Paul Holmes from her book No Such Thing as Distance.  I reviewed that book for Pleiades. You can find more about it here.

Here is the poem up at Moms on Poetry:

Tricks by Luanne Castle

###

Chewy.com called my girl Kana “furdorable” on Twitter the other day!

Are they right?

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Sacrifice and Service

Sorry not sorry for blowing up your readers and/or email with my posts in the past week or so. I’ve never had so many poems published online in such a short space of time. It was just a fluke.

Today I’ll say Happy Memorial Day, but give you a sad Memorial Day poem. It’s by James Tate (1943-20150) whose father was a pilot in WWII. His father was shot down and killed in combat on 11 April 1944. Tate was only a few months old, so he never knew his father. Thus are the sacrifices magnified through families and other loved ones.

The asterisks between stanzas are mine. I placed them there because WordPress wouldn’t keep the spaces between stanzas otherwise. Sigh.

for my father, 1922-1944

*

Your face did not rot
like the others—the co-pilot,
for example, I saw him
*
yesterday. His face is corn-
mush: his wife and daughter,
the poor ignorant people, stare
*
as if he will compose soon.
He was more wronged than Job.
But your face did not rot
*
like the others—it grew dark,
and hard like ebony;
the features progressed in their
*
distinction. If I could cajole
you to come back for an evening,
down from your compulsive
*
orbiting, I would touch you,
read your face as Dallas,
your hoodlum gunner, now,
*
with the blistered eyes, reads
his braille editions. I would
touch your face as a disinterested
*
scholar touches an original page.
However frightening, I would
discover you, and I would not
*
turn you in; I would not make
you face your wife, or Dallas,
or the co-pilot, Jim. You
*
could return to your crazy
orbiting, and I would not try
to fully understand what
*
it means to you. All I know
is this: when I see you,
as I have seen you at least
*
once every year of my life,
spin across the wilds of the sky
like a tiny, African god,
*
I feel dead. I feel as if I were
the residue of a stranger’s life,
that I should pursue you.
*
My head cocked toward the sky,
I cannot get off the ground,
and, you, passing over again,
*
fast, perfect, and unwilling
to tell me that you are doing
well, or that it was mistake
*
that placed you in that world,
and me in this; or that misfortune
placed these worlds in us.
***
James Tate, “The Lost Pilot” from Selected Poems. Copyright © 1991 by James Tate. Reprinted with the permission of Wesleyan University Press.
Source: Selected Poems (Wesleyan University Press, 1991)
###
I tried doing a photo shoot with Kana when she wasn’t in the mood. At first she didn’t actively argue about it.
Then she got crabby.

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Debris and Its Inspiration at The Ekphrastic Review

The Ekphrastic Review has reprinted another poem from my first collection Doll God. As I mentioned last week, the journal is a very unique literary magazine. The emphasis is on publishing writing that responds to visual art. Thus the name of the journal. Check out this article for explanation: Ekphrasis

Thank you to editor Lorette C. Luzajic for choosing my poem “Debris.” There is a strong connection between the poem and my mother-in-law’s art.

 

Here is the poem up at The Ekphrastic Review:

Debris by Luanne Castle

The photo above is the cover of the book that is a story of The Birdland jazz club illustrated by my mother-in-law’s Birdland murals. That is where my photos on the journal site originate from–not the actual murals themselves.

That wraps up a full week of five poem publications. I hope you’ve enjoyed them and aren’t jumping out of your tree to get away from my postings.  Closing comments, but you are more than welcome to post at the site. Thank you!

I’ll leave you with the cutie pie Perry.

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Eurydice: A Poem at Open: A Journal of Arts and Letters (3 of 3)

For the third day in a row, I have a poem published in the truly gorgeous journal Open: A Journal of Arts and Letters. Monday, they posted Imagine This Portrait. Yesterday it was Waterland.

Today is Eurydice. Check it out. It only took me five+ years to write it. This simple lil poem. Hmm. All I can tell you is that it was a hard one for me.

Eurydice

On a related topic. Hahaha, only if all topics relate to cats. Anyway, on a related topic, here is my Tiger Queenie Princess Mimi. I am starting a new hashtag that I want to try to use pretty often because I think it suits me and probably many other people: #poetswithcats

Some of you know, I am trying to reach a publication goal I set for myself for 2019.  With 7 journals already publishing my poems and a prose piece in the process, I feel that I am halfway through my goal. BUT THEN WE ARE ALMOST HALFWAY THROUGH THE YEAR. No pressure.

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My Favorite and Weirdest Poem at Open: A Journal of Arts and Letters

I have a poem published today in the gorgeous journal Open: A Journal of Arts and Letters. Yesterday, they posted “Imagine This Portrait.” Tomorrow, they will publish a 3rd poem. But today is one of my favorite and weirdest poems of all.

Waterland

This is the photo that inspired the poem.

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Imagine a Poem at Open: A Journal of Arts and Letters

I have a poem published today in the gorgeous journal Open: A Journal of Arts and Letters. 

Imagine This Portrait

Somewhat new for me, this is a love poem. Maybe I should reword that. While I write a lot of poems with love, this poem has a romantic love relationship as the guiding inspiration.

They’ve paired the poem with a piece of glorious art by Roger Camp.

Also cool is that they have provided links for Kin Types and Doll God. You can pick up the former for around $6 today, although you know that is subject to change at any moment by Big Brother Amazon.

The gardener has been hard at work.

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My Review of Punishment in Main Street Rag

Main Street Rag just published their latest issue, and in it is my review of Nancy Miller Gomez’s chapbook Punishment.

I’ve had a lot of friends who have taught in prisons around the country, and so when I heard her collection was based on her own experiences teaching poetry writing in a prison, I eagerly signed up to review it.

Here is a copy of my review (starts halfway down the page). Click on the image to read more closely.

Punishment is a Rattle Chapbook Series selection, and you can find links to poems and how to purchase the chapbook here:

Chapbooks: Punishment

I’ll leave you with the first and title poem in the book.

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Poem and Its Inspiration at The Ekphrastic Review

The Ekphrastic Review is a very unique literary magazine. The emphasis is on publishing writing that responds to visual art. Thus the name of the journal. Check out this article for explanation: Ekphrasis

I was thrilled to see the poem “Fishing” from my collection Doll God published there today. This is the first time that the poem is shown with the art that originally inspired it. It was this print that I own and is in my house that began this poem.

Here is the poem up at The Ekphrastic Review:

Fishing by Luanne Castle

Thank you for reading it! Happy weekend!

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The End of NaPoWriMo 2019 and My Subsequent Collapse

OK, well, I didn’t exactly collapse. But it was tough.

The last two poems, for days 29 and 30, were:

  • Meditation on Choler
  • You Are Loved

The very last poem was a tribute to a friend who passed away–a poem that I had promised to her husband for her memorial service. Not sure he even wants it (I haven’t given it to him yet), but she was a fan of my poetry from the very beginning. She was such a good friend that she was a fan of anything I did. Nancy was 18 years older than me and her oldest child was my age. But age meant nothing to her, and I was in college when our friendship solidified into what it would remain. She accomplished a lot in her life, moving through stages of wildness and compromise, always reaching toward a form of enlightenment. I knew I couldn’t write a poem that she deserved, but I did my best, and that would have made her happy.

Mom has gone home, and the rest of my company is now gone. It was 11.5 months of people living here, visiting, etc. This Highly Sensitive introvert can’t take another minute.

The funny thing is that Nancy was an extrovert to my introvert, but that never stopped us both from having fun.

One (sample) memory from my 20s was of us partying at a showing of Reefer Madness. She dressed as Harpo Marx, and I was Carmen Miranda (you can see that carnivalesque switching of roles, right?). I am pretty sure we ended up getting kicked out of the movie for being too loud. Not blaming here, but she had a very boisterous, contagious laugh.

I called Nancy’s poem “You Are Loved” because she always ended every conversation, even every email, by saying “remember you are loved.”

I have lots of poem drafts to go through and revise. I keep thinking NaPoWriMo should be in the summer or fall. If you write all April and revise all May, sendouts in June is a great example of poor timing since a lot of journals shut down submissions for the summer.

Have a wonderful week and remember: you are loved.

***

Spring Arizona during the day:

The bottom one is just budding.

Spring Arizona at night:

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