Tag Archives: Remedios Varo

The Past Holds No Reality for Me at Masticadores USA

Editor Barbara Harris Leonhard has published my Remedios Varo inspired flash fiction story, “The Past Holds No Reality for Me,” at Masticadores USA. More surreal fun!!!

I would love it if you comment over there, if you have time. Turning off comments here. Hope you are having your best kind of weekend!

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Flash Boulevard: Three Stories, Art Inspirations

The famous-for-flash Flash Boulevard has published three of my flash fiction stories. A big thank you to Editor Francine Witte, who is a well-known flash fiction writer.

I’m very excited to have my stories published at Flash Boulevard because they publish the best flash fiction writers, so to think that my stories are keeping company over there is dreamy.

The first two stories are inspired by Remedios Varo stories. The third was written after seeing Frida Kahlo’s “Wounded Deer” painting, although the story is not itself ekphrastic. Instead, it is about living with a variety of illness and health conditions. They are all surreal and yet relate to matters of the human heart. Please feel free to comment at the site. I will close comments here.

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The Shadow’s Man at Masticadores USA

Editor Barbara Harris Leonhard has published my Remedios Varo inspired 100-word story The Shadow’s Man at Masticadores USA. Hope you like another fun time in Varo’s surreal world.

Here’s an image of the Varo:

By Kati Horna - Original publication: unknownImmediate source: http://www.femmespeintres.net/peintres/mod/varo.htm, Fair use, https://en.wikipedia.org/w/index.php?curid=62799123

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Kimos with Kigos: #TankaTuesday

This is the 2nd week of the  Heavy Snow (December 7 – 20) season for Colleen Chesebro’s #TankaTuesday challenge based on the 24 Japanese seasons.

The challenge this week is to write three kimos, which are an Israeli form of haiku. Colleen suggested three kigo phrases to use in the three. A kimo has 10, 7, 6 lines and is fairly static. Here are the kigo phrases:

  • #1:“buying a new calender” (7 syllables)
  • #2:“winter desolation” (6 syllables)
  • #3:“trimming the Christmas tree” (6 syllables)

Here are my kimos:

almost at the end of a painful year

buying a new calendar

brings me hope for healing

***

remembering his proposal to her

on the twelfth of December

winter jubilation

***

on my mother’s floor they gather around

to celebrate together

trimming the Christmas tree

The first poem is obvious. This has been a pretty bad year on a global scale.

The second poem is about my daughter and SIL’s engagement several years ago. It was on December 12. Then they married in the courthouse on March 12 during Covid and had a big wedding on February 12 almost two years ago. As Colleen points out in her #tankatuesday post, this is the 12th season. We are also in the 12th month by our calendar. Notice that I turned the kigo “winter desolation” around, making it “winter jubilation.” I wanted to write about daughter’s love of twelve and didn’t want it negative.

The third poem is about my mother’s retirement community.

Lit Christmas tree ornaments

On Sunday, the journal Roi Fainéant Press and its EIC Tiffany M. Storrs published my new Remedios Varo-inspired tiny story, Mimesis. This one is just as weird as the others, and it does have a cat as an important character. https://www.roifaineantpress.com/post/mimesis-by-luanne-castle?fbclid=IwAR0J2DQ4KmcmG_l1Iw8te2MYMXtAw6ydZfm11MEr68lrlFXVBZIJgVMv0Wk

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Remedios Varo Micro Stories Published by The Ekphrastic Review

I am very excited to see five of my Remedios Varo inspired micro stories published at The Ekphrastic Review! A huge thank you to EIC Lorette C. Luzajic for this and more. Each tiny story is accompanied by the art that inspired it. Some of these, like the one last week in Bending Genres, are about poets. I am pretty proud of all my Varo stories and think they are some of my best work. Whether or not they are to your taste is another matter. They tend toward the sarcastic. I hope you do like them, though!

https://www.ekphrastic.net/the-ekphrastic-review/five-microfiction-after-remedios-varo-by-luanne-castle

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Micro Story Published by Bending Genres

As I have been pursuing my new passion of microfiction, I have also been having fun with ekphrastic writing, and my favorite artist to work with is the surrealist Remedios Varo. The amazing journal Bending Genres has published a story I wrote based on a Varo painting; it concerns the idea of writing or art muses that are not complacent “nice” creatures. This story also happens to be completely indebted to Sylvia Plath and her poem, “The Disquieting Muses.” My story is called “Disquieting Muses with Pets and Fruit: A Still Life.”

https://bendinggenres.com/disquieting-muses-with-pets-and-fruit-a-still-life/?fbclid=IwAR2MK7lOqXuXP9O4SEuYeTZ9MyJ8mzRxAMc5jv2p5zsYe_8nrm9xxrCOpAs

The Varo painting is called “Vegetarian Vampires.” Here is the Plath poem:

The Disquieting Muses

Mother, mother, what illbred aunt
Or what disfigured and unsightly
Cousin did you so unwisely keep
Unasked to my christening, that she
Sent these ladies in her stead
With heads like darning-eggs to nod
And nod and nod at foot and head
And at the left side of my crib?

Mother, who made to order stories
Of Mixie Blackshort the heroic bear,
Mother, whose witches always, always,
Got baked into gingerbread, I wonder
Whether you saw them, whether you said
Words to rid me of those three ladies
Nodding by night around my bed,
Mouthless, eyeless, with stitched bald head.

In the hurricane, when father’s twelve
Study windows bellied in
Like bubbles about to break, you fed
My brother and me cookies and Ovaltine
And helped the two of us to choir:
“Thor is angry: boom boom boom!
Thor is angry: we don’t care!”
But those ladies broke the panes.

When on tiptoe the schoolgirls danced,
Blinking flashlights like fireflies
And singing the glowworm song, I could
Not lift a foot in the twinkle-dress
But, heavy-footed, stood aside
In the shadow cast by my dismal-headed
Godmothers, and you cried and cried:
And the shadow stretched, the lights went out.

Mother, you sent me to piano lessons
And praised my arabesques and trills
Although each teacher found my touch
Oddly wooden in spite of scales
And the hours of practicing, my ear
Tone-deaf and yes, unteachable.
I learned, I learned, I learned elsewhere,
From muses unhired by you, dear mother,

I woke one day to see you, mother,
Floating above me in bluest air
On a green balloon bright with a million
Flowers and bluebirds that never were
Never, never, found anywhere.
But the little planet bobbed away
Like a soap-bubble as you called: Come here!
And I faced my traveling companions.

Day now, night now, at head, side, feet,
They stand their vigil in gowns of stone,
Faces blank as the day I was born,
Their shadows long in the setting sun
That never brightens or goes down.
And this is the kingdom you bore me to,
Mother, mother. But no frown of mine
Will betray the company I keep.

This Plath poem is also an ekphrastic poem, inspired by the Giorgio de Chirico painting, also called “The Disquieting Muses.”

How is that for a chain of art inspiration?

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