Tag Archives: Writing

When I Got Kicked Out of Girl Scouts

Last week Liz Gauffreau posted a story from her childhood with an image of herself in Girl Scout uniform. Wow, did that ever send me back in time! If you’re familiar with the Girl Scouts, you know that the first level is Brownies. My mother bought me a cute little brown uniform, lightly worn. I remember swinging in the swings at school, pumping my legs as hard as I could, looking down at my mocha brown skirt. My friend and I were singing, “K-I-S-S-I-N-G.” 

Skip forward to fourth grade at a new school. I remember walking down the hall from the art room to the Girl Scouts meeting room. I was carrying money to give to our leader, Mrs. Norton. When I handed it over, she counted it and then accused me of stealing some pennies. I will admit that when I was a teenager I engaged in some shoplifting and paid the price. But as a nine-year-old? I wouldn’t even have thought of it. I was scared of authority, too.

What I learned from the experience is that even if you’re not guilty, once you are publicly accused you have been publicly shamed. Nothing was worse to me as a kid than shame. The look Mrs. Norton laid on me was pure hatred and disgust. She kicked me out of the troop, and I never went back. But I lived with that feeling of shame (and the stomach aches it helped cause) for years afterward.

Did anything positive come from the experience? I think it made me more sensitive to other children and then to other people in general. I never liked to see anyone bullied and would try to support people I saw bullied. This has continued throughout my life and has even included “mom groups” on social media where I defended the picked-upon. So I guess it was worth it, but it wasn’t the only problem I had at that new school. Luckily, I was only there for 1 1/2 years before we moved elsewhere.

About my new book, Rooted and Winged: it went into pre-orders last Monday. Why would you want to pre-order it instead of waiting until the release in September? In part, to be nice to me hah. The thing is, the number of pre-orders the book gets determines the royalty percentage that I will receive, as well as where the book will get marketed. So I can’t stress enough how much I would appreciate you pre-ordering instead of waiting (if you are able to, of course). AND, if you pre-order, you will be helping the wildlife in the Phoenix area as I am making a $5 donation for each pre-order! Info that I posted last week is copied below. If you want a donation slip, please let me know you pre-ordered and what your email address is.

PRE-ORDER HERE

Release date: September 9

Book description:

The poems of Rooted and Winged explore the emotional and physical movement of flight and falling. They are of the earth, the place of fertile origins, and of the dream world we observe and imagine when we look upward. Golems and ghosts that emerge from the ground, as well as the birds and angels that live above us, inhabit the collection. We will always be striving for flight, even as we feel most comfortable closest to the earth.

There are poems about Arizona, California, and the lakes of Michigan. My maternal grandparents are the characters that most inhabit this book.

Cover art: Leonard Cowgill

If you pre-order . . .

I would love it if you could pre-order the book, if you can swing it. For the pre-order period, I am donating $5 in the name of each person who pre-orders the book to Liberty Wildlife, a wildlife rehabilitation center.  Two months into the pandemic, we had a red-tailed hawk in our yard. She was unable to fly, and a volunteer from Liberty Wildlife came out to rescue her. I wrote a poem about the incident, which was published in The Orchards Poetry Journal and is in Rooted and Winged. The gardener and I have brought many smaller injured and orphaned birds to Liberty Wildlife over the years.  Some of the poems in the book are about the wildlife in our area.

If you place an order for the book, please let me know with your name and email address. That way I can keep track of the pre-orders to make sure my list matches that of the publisher. When the pre-order period is over, I will give the list of names and emails to Liberty. You will then receive an acknowledgement by email of your donation for the birds and bunnies.

As always, I am available for blog interviews and guest posts.

 

all my ghosts and angels become each

other and then me with a hinted outline of wings.

from “The Shape of Me”

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Filed under #AmWriting, Book promotion, Books, Creative Nonfiction, Poetry, Poetry book, Poetry Collection, Publishing, Research and prep for writing, Writing

Cover Reveal of Rooted and Winged

Finishing Line Press has revealed the new cover of my full-length collection Rooted and Winged.

PRE-ORDER HERE

Release date: September 9

Book description:

The poems of Rooted and Winged explore the emotional and physical movement of flight and falling. They are of the earth, the place of fertile origins, and of the dream world we observe and imagine when we look upward. Golems and ghosts that emerge from the ground, as well as the birds and angels that live above us, inhabit the collection. We will always be striving for flight, even as we feel most comfortable closest to the earth.

There are poems about Arizona, California, and the lakes of Michigan. My maternal grandparents are the characters that most inhabit this book.

Cover art: Leonard Cowgill

If you pre-order . . .

I would love it if you could pre-order the book, if you can swing it. For the pre-order period, I am donating $5 in the name of each person who pre-orders the book to Liberty Wildlife, a wildlife rehabilitation center.  Two months into the pandemic, we had a red-tailed hawk in our yard. She was unable to fly, and a volunteer from Liberty Wildlife came out to rescue her. I wrote a poem about the incident, which was published in The Orchards Poetry Journal and is in Rooted and Winged. The gardener and I have brought many smaller injured and orphaned birds to Liberty Wildlife over the years.  Some of the poems in the book are about the wildlife in our area.

If you place an order for the book, please let me know with your name and email address. That way I can keep track of the pre-orders to make sure my list matches that of the publisher. When the pre-order period is over, I will give the list of names and emails to Liberty. You will then receive an acknowledgement by email of your donation for the birds and bunnies.

As always, I am available for blog interviews and guest posts and would particularly love to set things up for fall when the book is in our hands!

all my ghosts and angels become each

other and then me with a hinted outline of wings.

from “The Shape of Me”

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Filed under #AmWriting, Book promotion, Books, Creative Nonfiction, Poetry, Poetry book, Poetry Collection, Publishing, Research and prep for writing, Writing

Find a Pandemic Pen Pal

The other day a friend of mine posted some photos from a nursing home in Texas. Some of the residents were looking for penpals. Their facility is locked up because of the pandemic, so the people are presumably getting lonely. Each person holds a white board with their first name, listing a few items they like. In a few moments of spontaneity, I wrote to one of the residents. I chose Matt because he simply wrote that he is interested in war stories. He reminded me of my dad a bit, and my dad loved war stories when he was living in the nursing home. Also, I am researching my great-uncle Chuck’s military history because my uncle asked me to do so. He told me that there is a story there, one that I had never heard before. I don’t have all the info yet, but when I do I plan to reveal it on my family history blog. I’ll probably link to it here.

Anyway, I wrote to Matt about my dad being in the Korean War and Uncle Chuck in Germany during WWII. I really hope he writes back, but he might get a lot of mail. I felt happy just writing to him, even if I don’t hear back.

I wondered if other nursing homes are doing the same. I mean, it didn’t take long to write the letter and it cost me a stamp. I found this article by AARP: Pen Pals Share the Joy of Letter Writing. The AARP article led me to this website: Snail Mail Social Club. For this “club,” you end up writing to individuals in “facilities,” as well as to the staff at the facilities. I think this is a chance to thank people who are taking care of our elders. I filled out a very brief form for Snail Mail Social Club. I put down my interests as animals, art/crafts, history, and reading. You have to choose from the choices on the list. I will be sent a list of people to write to by email.

Letter writing is strictly old school, not like what bloggers do. To blog we need the power of the internet and the power that goes into our computer electrical cord (or battery). It felt good to send out a letter. Now I better write one to my aunt!

Kind of ironic that I am posting about letter writing when the USPS is in trouble, but then maybe it is meant to be that I write about this now.

I told my mother about writing to Matt and asked if the nursing home at her campus offers something like this. She asked me to please call and give them the idea. I left a message on the voice mail of the appropriate person, but I have not yet heard back.

If we all, adults and children alike, wrote to just one pen pal, that would give light and color to the lives of so many people who are cooped up from Covid, unable to even see their own relatives in person. Imagine how it feels to be locked in, wondering if you will die before you can go for a car or bus ride or see your relatives again.

This photo is from my father’s U.S. Army photo album from his time in the military. Interesting that he seems to be posing in front of the quartermaster school. He was not a quartermaster, but he was a supply sergeant, so it’s likely that (unless I have this confused) he worked for a quartermaster. He isn’t wearing a uniform in all of his photos. In some of them he is even wearing a bathing suit. I chose this one because I like his jazzy sweater.

I’m going to close comments because it’s been a super busy week, and I need to catch up with comments and the blogs of others. Make it the best week you can (considering haha).

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More Scrapping Scraps

I finished another story scrap for my SCRAPS scrapbook–finally.

As a reminder this is the first post. Click the photo to read it.

 

When I was a preteen, my grandmother sewed me shorts sets from cotton blend prints. She made the tops and shorts out of the same material, but the tailoring was fairly sophisticated, so the end product had more in common with a summer dress than a romper. I don’t know where she got the idea from or if it was in style in the sixties. At least one fabric was made into matching mother-daughter shorts sets for Mom and me.

 

But my favorite set was in a fabric that I found very cheering. Balloons in varying shades of spring greens, both solids and prints, float on a white field. The shorts were mid-thigh, and the top had a fairly high neckline. Because Grandma made it for me, the outfit fit perfectly. It was comfortable, and I felt good wearing it.

 

Not that I didn’t love to wear my denim shorts and short-sleeved sweatshirt. But Grandma’s short sets were lighter weight than my other play clothes and much more convenient than dresses.

In this photo I am posing alone–to see the one with my mother look at the finished pages at the bottom of the post.

In our old photos, I found myself wearing the balloon set on two different dates. The summer photo came first. It was on the occasion of our trip to Canada to attend Expo 67. In fact, in a scrapbook, Mom labeled the picture, “Mother and daughter enjoying a rest.” A body of water is behind us. Below that photo, my mother had pasted another photo and labeled it, “Sawmill at Upper Canada Village.”  There is another image of just me in the same spot but without my mother (the one above). From examining the few photographs I could find online, I do think these photos of me are also from Upper Canada Village.

 

In the photos, I am wearing the shorts set, with its matching triangle headscarf tied at the nape of my neck. I also wear a blue ¾ length sleeve cardigan that Grandma knitted for me. On my feet are navy blue Keds-type shoes.

 

I’ve written before about our Expo 67 visit, but we also went to other tourist sites in Canada during our trip. Upper Canada Village was one of the places we visited. Niagara Falls was another.

 

My grandmother must have made this outfit for me in the spring of 1967 when I was finishing up elementary school (6th grade). I started junior high in September.

The other photo revives vivid memories. It was taken 31 October 1967, Halloween, probably around 6 PM. I remember my mother posing me in front of the living room fireplace. I have very few memories of actual picture taking, so this is very special to my heart.

I am wearing a heavenly sheer green silk flapper dress that had been owned by my grandfather’s cousin Therese Remine. It was heavily beaded, and over time, the silk had weakened, and the beads were too heavy for the thin fibers. By the time I got home that night, the dress had already begun to rip. You might wonder why my mother would allow me to ruin an expensive vintage dress by wearing it one night for Halloween. I wonder that myself, but my mother’s value system is limited. To sum it up: she didn’t have any interest in the dress, so she didn’t care what I did with it.

 

Because the dress was sheer, I had to choose clothes to wear underneath, and the only thing that seemed to my 12-year-old mind to “go” was the balloon shorts set because both outfits were green.  I made myself a flapper headband to match and carried a handbag that must have belonged to Therese, although I am not positive about that. You see, I used to collect old discarded fancy wear and had quite a collection from a few women.

 

It had been my mother’s idea to make a headband. I don’t know how much I knew about the 1920s, and I probably needed her suggestion to visualize the whole outfit. I have mulled over the question: where did I first learn about flappers with their bobbed hair and short skirts? Their narrow flat outlines so like my own. I don’t remember what movies or books might have shaped whatever image I had by age twelve.

 

An essential part of my costume that night was the large diamond-shaped earrings. I’m not sure where those dangly earrings came from. I hope I didn’t lift them from the dime store at the plaza.

 

While I stood in the middle of our living room, smiling into the camera, my mother pulled her face out from behind the camera and pinned me with her gaze. “This will be your last year trick-or-treating. You’re getting too old.” So that was that. I felt compelled to enjoy myself this one last time.

 

The living room accessories in the photo were accumulated from various places, generally from other people. The big brass candlesticks were heavy. The painting was not a copy, but an inexpensive original painting. The Don Quixote figures had been displayed at a home décor shop. My father had purchased an old house on Westnedge on a land contract and rented it to an interior decorator who opened the shop. When she went out of business, she gave my father some small furnishings in lieu of back rent. That was how we ended up with the large wood fork and spoon that hung on our kitchen wall for years (yes, like in Marie’s kitchen on  Everybody Loves Raymond).

 

I look so young in these photos, and yet poised on the brink of burgeoning womanhood. I remember how I felt wearing that flapper dress. The twenties was my era, and I felt as if I belonged.

 

As my photograph was snapped, the bell rang. My friends had arrived so we could begin the house-to-house process. That’s when I realized I had to wear my wool coat over my costume. Or rather, my mother informed me I had to.

 

We trudged from front door to front door, but the knowledge that this was my “last time” weighed on my mind. My fingers grew chilled from the cold that had arrived early to Michigan. That’s where this memory ends.

 

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Scrapping Scraps

In September I posted photos of the fabric scraps I still have from my childhood. The inspiration for ruminating on what to do with them came from a couple of sources. One was Dawn Raffel’s book The Secret Life of Objects.  The other was Swedish death cleaning–getting rid of stuff so my kids are not one day burdened with it.

I promised I would do something with the scraps, and I have not forgotten. I am far from the point of actually getting rid of the fabric, but did start a project that was suggested by sarahsouthwest.

I’m making a scrapbook of scraps! For each page I plan to include a fabric remnant, a story or description of the memory it stirs up, and, if possible, a photograph of the garment made of the fabric. So far I’ve only made the cover and one page, but thought you might want to follow along with the process. I’m not very good at crafts, but hey, it’s mine, baby, all mine.

 

 

First, I chose an ugly on-sale scrapbook and then padded it and covered it. I selected a print corduroy from the late 1960s for the front cover and a gingham from the early 1960s for the back.

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You can see what my first page looks like in the slideshow above. I decided to keep the page very plain and even left the raw edge of fabric visible. In the photograph you can see me wearing the sleeveless tent dress that my grandmother made for me. It has a high yoke decorated with large embroidered white daisy appliques. I loved that dress. It was so comfy and very pretty. The type of fabric was called “whipped cream,” and was lightweight, airy, with a little texture to it. My mom’s cotton or cotton/poly fitted dress, also sewn by Grandma, was very Barbie-style.

This is the story I wrote about what the dress and the photo remind me of:

 

In this photo, my parents and I are in Canada, seated at a restaurant in the 1967 International and Universal Exposition.

 

The summer I turned 12 is the one I will always remember as a peaceful and memorable week with my parents. We left my 4-year-old brother with my grandparents in Kalamazoo and drove to Montreal for Expo ’67, the World’s Fair.

 

We stayed in Montreal at the winter (city) home of my grandfather’s 2nd cousin, Harold Remine, the Chief Engineer of Quebec Hydroelectric. It was a beautiful and elegant brown brick row house. The dining room was complete with all the requisite china, crystal, and silver. But the house was not large, and I had to share a bedroom with my parents.

 

Harold and Lillian also had a lovely lake home, which we visited. Harold introduced me to curling, a sport I had never heard about before, by taking us to a curling club.

 

The Expo itself excited and exhausted me. It had some elements in common with a state fair or Disneyland, a place I had not yet visited. There were snow cone and cotton candy booths, hot dog and burger stands. A caricaturist drew my likeness holding a book. I was disappointed afterward that I hadn’t given him a better hobby. Reading seemed so nerdy. But the truth was that I read more than I did anything else.

 

Each participating country sponsored a magnificent pavilion that was supposed to reflect the national personality. The U.S. pavilion was a huge geodesic dome—this is a sphere that is built of short struts that follow geodesic lines (the shortest line between two points on a sphere) and form an open framework of triangles or polygons. There were very, very long escalators that seemed to hang in “thin air,” and the park’s elevated minirail ran through the structure. The effect of being inside the pavilion was of being suspended in space. I believe I saw a doll collection and space race memorabilia, but since I was afraid of heights, I mainly remember my fear.

 

My favorite pavilion was the Burmese one. Under its appealing multi-roofed pagoda design, a gigantic golden Buddha dominated the interior lobby. I suspect that the restaurant in the photo is the Burmese one. To this day, it is my favorite type of food. If you haven’t been lucky enough to eat it, it is a cross between Thai and Indian food.

 

Habitat 67, a futuristic housing development, was situated near the edge of the fairgrounds. It reminded me of photos of Anasazi dwellings for some reason. I was both repelled by the makeshift quality and fascinated by a new way to conceptualize living quarters.

 

I guess my parents had decided not to bring my brother because he was too young to appreciate the cultural opportunity or even to go on the fair rides. But when we got home to Kalamazoo and stopped at Grandma and Grandpa’s to pick him up, he was flushed with a high fever. He sat on someone’s lap, and somebody else snapped a pic a second before he leaned over and threw up on the floor. That’s when I started to feel guilty that we had left him behind.

 

Habitat 67 from Wikipedia

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Memory Remnants Redux

Last week I posted some photos of fabric scraps leftover from my childhood. You guys (as my Michigan roots instruct me to phrase it) helped me with ideas of what to do with the scraps, ranging from giving them to a church to quilters to sewing cat beds to making a scrapbook. You also gave me an idea of how to get rid of the smell of mothballs (thanks, Michelle).  I put them into the dryer, and the smell turned flowery!

I now have plans for the scraps, but it is going to take some time before I can get started. In the meantime I have two more bags of scraps to put through the dryer and leave to air out. So don’t expect to hear back on the scraps for a couple of months!

When I began the process of putting the first bag of scraps into the dryer I discovered that there were a few pieces of unfinished clothing in the lot.

I think all these items were begun during 7th grade, before I had really learned to sew, but was beginning to experiment. These goofy pants crack me up. Were they meant to be pants or pajama bottoms? Judging by the darts, I’d say pants! Thinking back to that first year of junior high, we still had to wear skirts to school. What a different world.

Then there was this top–meant to be strapless, like a tube top in a way. But it turned out to be beyond my ability.

Is this stuff just a hoot? Well, here is a skirt I made and didn’t finish.

Not finishing this skirt did not stop me from wearing it at home. I was halfway through 7th grade, and desperate for new clothes. I also wanted to experiment with styles. So I sewed together the two sides of the skirt and put it on! Then I dressed it up with other pieces. Thought I was the coolest thing ever. And here I am.

I was such a weird kid. But note my bow tie (either my little brother’s or my grandfather’s tie from his Sunoco uniform) and the oxford shirt. I made the vest out of a pillowcase. That turquoise bow on my thigh? PJ bottom peeking out

That table and chairs? Pretty sure it came from Polk Brothers in Chicago. Anybody remember that store? Oh my gosh, I just realized that the napkin holder on the table? I made that that year at home on my father’s lathe. I still have it. OK, weird kid, weird adult. I must save everything the least bit sentimental. I made that thing for my mother on my own on that big piece of equipment. Painted it yellow and slapped on some decals. A few years ago, my mom gave it back to me. I guess she was finished with it ;).

Then I must have decided to match a gold and white stripe knit top with the skirt. When one of my parents tried to take a picture of my designer-wannabe endeavor, I fled out of embarrassment (my usual state at this age).

That was the end of my designing career.

How’s about that ladder in my tights?

Or, who was that person?

A couple of pieces of fabric in the bag had prices still attached. Look at this seersucker. I bought it at Thrifty Acres, which eventually became Meijer’s.

Joann’s is still selling seersucker, although I’ll bet the quality is not the same. Those old fabrics were excellent, which is why these scraps are 50 years old and look like new.

Now it’s $9.99/yard. It looks like I paid $1.18/yard. I guess the most astonishing thing is that people are still buying seersucker!

My original seersucker was from a time period where we were looking back to the 1920s Gatsby look. What would it be used for today?

Make it a great week!

 

 

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Memory Remnants

It’s been months since I’ve written about the Secret Life of an Object (credit due to Dawn Raffel’s book). The other day I needed to make room in a closet and felt I should confront 3 vacuum-seal bags of old fabric scraps.

My paternal grandmother was a marvelous seamstress and tailor. I wrote in the posts, The Love Factor of Dolls and RIP Dreamland, that she was Head Fitter of the 28 Shop at Marshall Field’s flagship store in Chicago. When I was eleven, she moved to Kalamazoo, just down the block from us, and spent her early retirement years sewing clothes for us–especially my mother and me. In junior high, I learned to sew in  Home Ec class, and I began to sew my own clothes as well.

The motivating factor for me to sew was that my father wouldn’t buy clothes for me, but would buy fabric for me any time I wanted it. So if I wanted a new skirt, top, jumper, dress, or scooter-skirt (mini culottes), I needed to make it myself.

I think of the remnants of all this sewing Grandma and I did as Grandma’s fabric scraps.

I decided to unpack one vacuum bag and air them out. You see, some dummy (that would be me) put mothballs in the bag.

Anybody have an idea how to get out the smell of mothballs without having to wash the scraps?

What I found was that a great many of the scraps in this bag were either leftover from items sewn by me or items evoking memories.

In the above pile, you can see a navy gingham and a red gingham. I remember working with these fabrics; at least one item was a smocked top. Either the top or another item used both ginghams together. I wish I could remember it better. The orange floral in the middle was a granny dress with a red border at the bottom. The kelly green with tiny white flowers in the bottom left Grandma used for clothes for my mother and me.

This bright fabric on top with the sunbursts I made into a scooter skirt. It was actually wide-leg shorts with a panel on the front and one on the back that buttoned on.

The hat lady fabric was my absolute favorite. I bought it on sale and made a little flip skirt and bell sleeve top. I wore it all the time. The fabric was jersey, so very comfy and flattering.

Aren’t these fabrics a blast from the past though? Retro, vintage, and ancient haha.

In this pile are fabrics that I remember as well, although most of them were ones Grandma purchased for someone other than me–herself or my mother or my mother’s windows.

Maybe the biggest discovery in this bag, though, was a remnant of the fabric from the curtains of my bedroom when I was very young.

The walls of my room were painted a pale gray. isn’t this fabric great? Maybe these kittens imprinted themselves on me. They could be why I love cats to this day.

Do you have any old fabric scraps?

Since I no longer sew, what should I do with these scraps to give them new life?

***

Speaking of cats, the shelter I volunteer at hosted a 10 year anniversary gala. The gardener and I went with our daughter and her boyfriend.

I had to dress up for this shindig! Guess what? Jumpsuits are in style! So I bought a black jumpsuit, wore it with ankle boots  (for my crummy feet), and was good to go. But some people looked great, including the rest of my family.

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Magical Music Box

I forgot about writing posts based on Dawn Raffel’s memoir, The Secret Life of Objects. Joey over at Joeyfully Stated reminded me, so I’m happy to be back at it. I’ve written about the magical bowls of my childhood snacking and the name sign from my grandmother’s mailbox, as well as some jewelry that holds meaning for me.

Maybe the object that I still have that carries my earliest memories is the music box I have had since I was a baby. I know it’s weird, but I am a person with very early memories. I apparently inherited this ability from my grandfather. If you wonder what toddler memories are like, they are exactly like memories from all the other times of your life: vivid and realistic.

When my mother put me down for a nap, she would wind up the music box and set it going. I still remember standing in my crib, looking over the white iron bars, willing the music box to start up again. It didn’t, of course, as it had to be wound by someone.

I think I must have been a hard kid to settle to sleep (undiagnosed ADHD or anxiety?), and I always felt I was missing something. But then again my parents wanted me to nap AND have an extremely early bedtime. As a child I used to play shadow games or read under the covers with my flashlight.

When I became a teen, it was the sixties and incense was very popular, so I used my music box as an incense burner.

Have you ever heard that music is one of the best triggers for memory? Well, my music box–after 60+ years–still works. (Take that you plastic parts in today’s merchandise!)

I did a quick search online for a vintage round metal music box, and there are quite a few that look very similar, even to the color. They are called “powder puff” style. It’s very possible that this music box is from the 1940s and predates me. It could have belonged to my mother or grandmother well before I was born.

Question of the day: what song does the music box play?

Anybody want to play along and write about the secret life of an object? If so, please post the link in the comments here!

###

On another note, my uncle has been visiting for two weeks and the kids (daughter and BF) are still living here, so for an HSP like me it’s been Grand Central Station over here.

 

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Second Broad Street Magazine Article on Family History Literature

Week two up at Broad Street Magazine! So thrilled. How did I learn that my great-great-grandfather’s sister was an artist?

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Six-Week Family History & Poetry Series at BROAD STREET MAGAZINE — The Family Kalamazoo

The different ways that family history and genealogy intersect with other aspects of the culture is growing. But I think this project might be a first for family history. Broad Street Magazine, which publishes nonfiction narratives in a variety of genres, has begun a six-week series of feature articles on six poems from my family history […]

via Six-Week Family History & Poetry Series at BROAD STREET MAGAZINE — The Family Kalamazoo

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by | October 26, 2018 · 2:30 pm