I’m closing comments because I had a flu shot and am feeling pretty awful from it. This happened to me the last time I had one, about six years ago, and my doctor put in my chart that I was allergic (it’s not an allergy–more of an intolerance). But now with Covid, he took it off my allergy list and told me to suck it up (OK, he didn’t say that) and get it this year. So now I have the whole list of symptoms: fever, sore muscles, skin painful to touch, headache, etc. But I would still love it if you get a chance to read “Superbloom”!
A big thank you to the editors of Praxis Magazine Online for publishing my poems “The Rule” and “Your Sonnet.” Praxis is an African-based magazine for arts and literature. Check it out by reading the other stories and poems!
“The Rule” is obviously a response to the Covid pandemic. Like a lot of writers, I am torn between wanting to write about the pandemic and wanting to get away from it by NOT writing about the pandemic.
“Your Sonnet” is a poem that a lot of (particularly, but not exclusively) women can probably relate to. It makes use of the Little Red Riding Hood story, as do several of my poems in the last couple of years. I know that I have posted before about my Pinterest board for Little Red art, but now the board has over 1,300 images! I really do wonder if any secular folktale has inspired more art than Little Red: Red in the Woods
Last week I wrote about penpals and posted a link for Snail Mail Social Club. After applying by checking off my interests from a provided list, I was given two names and addresses to write to. One of them was an individual living at home. The other is a staff contact at a senior facility. The idea, apparently, is that the facilities don’t want to give out names for privacy issues so I am supposed to write as many letters as I like for these unknown people living there.
I have to admit I was disappointed. I wrote back, asking if they were going to match me up with people with my interests, but have not heard back. I can send generic letters to any senior facility–I don’t need this “finding” service to get me a staff member’s name. The reason I liked writing to Matt was because he said he was interested in war stories, so I wanted to hear his and tell him the ones I know about from my family. If someone wants to talk about books or history or art or cats, I’m all here. Or there. Or pen in hand.
Does anybody else have information about finding people to write to that I have something in common with? I think it would be more meaningful to shut-ins since I am not a 3rd grader writing with my class. Does that make any sense or do I sound nonsensical?
A big thank you to editor Susan Solomon who has published my poem “How They Fall” at Sleet Magazine.
The poem is an important part of the themes I’m working with in my new collection: flight, falling, the ups and downs of life. It’s also very cool that all of the very few poems in the issue feel connected with each other.
“Finally Going to Tell You about the Staircase Ghost” was published today by editor Lisa M. Hase-Jackson at Zingara Poetry Review. This poem relates a couple of the “super”natural experiences I have had.
As befitting Mother’s Day, one of them occurred when I was a new mom. The other is a ghost story.
Superstition Review is a literary journal from Arizona State University, and I am so tickled that they published two of my poems. Also, they posted an audio clip of my reading of both poems. Follow this link:
So you don’t even have to read them yourself, just put up your feet and listen for two minutes.
The first poem is called “One of Her Parents was a Float.” It’s a poem inspired by adoption. Until the poem I published with Plath Poetry Project a few months ago and this one I hadn’t written an adoption poem in a long time. I feel really pleased with the originality of this way of looking at the subject.
The second poem was inspired by seeing a photo online of a little girl named Minnie Rae PREGNANT in 1871 San Francisco.
In those days, there weren’t any services to help girls like this. Charity and all the baggage that came with it was all anyone could hope for. What baggage? Demands about doctrine, religion, and lifestyle, all the while not providing enough to live on.
But if you think nothing like this has happened in a long time, I’ll give you an anecdote from the late 70s. That is a long time ago now, but it has teemed in my head since then. The gardener’s cousin was married to a wonderful man who taught in an inner city school in a very poor area of NYC. One of his students was 8 years old and pregnant. He struggled with how to deal with the horrors he faced every day in the classroom.
Is stuff like this still going on today? Let me know what you think!
Editor Lisa M. Hase-Jackson has published my poem “Maybe It was Spring” at Zingara Poetry Review. This poem is very different from the one also published a few hours ago at North of Oxford. That one is a dark story, a poem that reveals the real Medusa and what happened to her. You can find “Medusa’s #Metoo” in my previous post.
But “Maybe It was Spring” is a “risen” poem. It’s about all the possibilities of rebirth, renewal, and the hope of a miracle. It’s also a true story.
Click the image below to get to “Maybe It was Spring”:
If you have a WordPress blog, try following Zingara Poetry Review so you can be first to read the Zingara Poetry Picks!
So thrilled that my poem “Medusa’s #Metoo” has been published at North of Oxford. Most of my life, I took the myth of Medusa as I had been fed it: that she was a monster who turned men into stone when they looked at her. Perseus was the hero of the story for cutting off her head. But look further. Medusa was a beautiful woman who was raped by Poseidon in Athena’s temple. For Poseidon’s crime, Athena blamed Medusa and turned her into the deathly face framed by serpents instead of hair that we know her by. Surely Medusa’s #metoo story is an important one.
I am tickled that my poem “Noah and the Middle School Marching Band” has been published by the wonderful journal Entropy for their BIRDS series, and it’s accompanied by art by my friend Mary Stebbins Taitt, artist and naturalist. Mary and I met through Cowbird, a site where we both used to publish stories.
When I asked Mary if she would like to have one of her pieces accompany my poem, I was amazed at how many birds she had worked on.
Noah is my favorite Bible character.
“Noah and the Dove” by Judith Klausner
MY GOODREADS REVIEW OF A NEW POETRY COLLECTION, Mesmerizingly Sadly Beautiful by Matthew Lippman:
I am writing my feelings and thoughts about Lippman’s new collection while they are still fresh, but when I don’t have time to write a thorough review that does it justice. This is a mesmerizing (and sadly) beautiful book. These poems are the epitome of Lippman’s big-hearted writing. I could imagine him with his big aching heart carried outside his body while he wrote these poems. Nobody creates FEELING from a poem like he does. Feelings of love and sadness are all intertwined here. You can’t have love without sadness and you can’t have sadness without love. Read this book, everyone! This is a book that can save us from our over-thinking and our despair.
I will be taking a blog break for a week or so (therefore, I closed comments here). See you when I return and stay safe, healthy, and calm in the meantime!
Founder and co-editor Christine Butterworth-McDermott really knows her way around a fairy tale. She understands their flexibility, responsibilities, and opportunities. So it was thrilling that she took one of my Red Riding Hood poems for the new issue of Gingerbread House Literary Magazine.
You can read it here and see the beautiful artwork that was paired with the poem: Interrogation