Tag Archives: Poem

The Cat’s Way of Time

I’m still trying to stay on top of everything, but last week kicked me in the behind. If only I could clone myself. I used to like that movie Multiplicity where the man is cloned several times. Remember that? It wasn’t a great movie or a popular one, but Michael Keaton is one of my favorite actors. I am always hoping to clone myself, but that unlike the Keaton character in the movie, I can control the clones–perhaps even operate their brains ;).

Not only did I have a jam-packed week, but a lot of little stuff went wrong. My anxiety level increased as the stress did. I’m wondering if this anxiety is a byproduct of The Artist’s Way program. So far I’ve gotten some advice from a TAW Facebook group. We’ll see how it goes.

But I am happy to report that I snagged a 2020 publication this week.

Still, if only I could learn from my cats that time pools up between our paws when we let it do so. If we’re chasing after it, we’ll never catch it.

How’s about this Marge Piercy cat poem?

THE CAT’S SONG

Mine, says the cat, putting out his paw of darkness.
My lover, my friend, my slave, my toy, says
the cat making on your chest his gesture of drawing
milk from his mother’s forgotten breasts.
*
Let us walk in the woods, says the cat.
I’ll teach you to read the tabloid of scents,
to fade into shadow, wait like a trap, to hunt.
Now I lay this plump warm mouse on your mat.
*
You feed me, I try to feed you, we are friends,
says the cat, although I am more equal than you.
Can you leap twenty times the height of your body?
Can you run up and down trees? Jump between roofs?
*
Let us rub our bodies together and talk of touch.
My emotions are pure as salt crystals and as hard.
My lusts glow like my eyes. I sing to you in the mornings
walking round and round your bed and into your face.
*
Come I will teach you to dance as naturally
as falling asleep and waking and stretching long, long.
I speak greed with my paws and fear with my whiskers.
Envy lashes my tail. Love speaks me entire, a word
*
of fur. I will teach you to be still as an egg
and to slip like the ghost of wind through the grass.
What a beauty of a poem.

Let’s all remember to honor VETERANS DAY today!

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Poem Up at Dovecote

This very sweet fairly new literary journal Dovecote has published one of my poems in their 3rd issue.  Don’t you think the journal name is beautiful? A dovecote is a house for doves. I found this photo of a very old dovecote in the Utrecht province of the Netherlands on my old friend Wikipedia.

A place to house birds. A bird is often a metaphor for a poet. Because of the singing, ya know?

Well, oddly, my poem is not a singing sort of poem, but more of a shouting one. Here’s a different look at poetry than many people, especially people who don’t read a lot of poetry, hold.

POETRY IS A BIG NOISE

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Poem Up at Wilderness House Literary Review

My third fall publication is in Wilderness House Literary Review. Thanks so much to Poetry Editor Kate Hanson Foster. No relation, although Hanson is my surname of birth.

Playing Word with Adrienne Rich

Do you know the work of poet Adrienne Rich? One of my favorites. My poem originated as I meditated upon the opening line of a Rich poem. It is the 7th in a modern version of a sonnet sequence called Twenty-One Love Poems.

THE RICH POEM:

VII

What kind of beast would turn its life into words?
What atonement is this all about?
–and yet, writing words like these, I’m also living.
Is all this close to the wolverines’ howled signals,
that modulated cantata of the wild?
or, when away from you I try to create you in words,
am I simply using you, like a river or a war?
And how have I used rivers, how have I used wars
to escape writing of the worst thing of all—
not the crimes of others, not even our own death,
but the failure to want our freedom passionately enough
so that blighted elms, sick rivers, massacres would seem
mere emblems of that desecration of ourselves?

Notice how the second line says, “What atonement is this all about?” Is writing a form of atonement? This is a good time to ponder that question because Yom Kippur, the Jewish Day of Atonement begins at sundown today and lasts until sundown tomorrow.

 

 

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Poem Up at Burningword Literary Journal

It is October, which means that it is OctPoWriMo, a poetry writing month. I can’t write one a day this month, but the special month itself did encourage me to write one this weekend using inspiration from the Plath Poetry Project.

Burningword Literary Journal has published my poem “Elegy.” This poem is on a solo ride with emotion and maybe shows a bit of my love of Sylvia Plath poetry (it is not the poem I wrote this weekend) and for fairy tales.

ELEGY

 

For those who don’t realize, an elegy is a type of poem. It is a lament for someone who has died or something that is lost. Anything described as elegiac is mournful.

Are you going to write a poem or more this month?

In honor of OctPoWriMo, I am offering HALF PRICE on any poetry consulting  that begins in the month of October.

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Poem Up at Thimble Literary Magazine

It’s fun that a wonderful new lit mag called Thimble has published my poem “Behold the Needle.” Isn’t that a perfect fit, though?

BEHOLD THE NEEDLE

I hope that it speaks to people who have lived in more than one place and to those of us who feel a part of the place that they live. How much a part of you is your hometown, the state or the country you have made your own, or all the places you ever touched down in?

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Shore Perspective

I don’t often write super short poems. To send them out I really need to put several teenies together, but this is an only. So I will share it here.

Shore Perspective

After the storm,
blossoms sway upside down
on the lake skin,
looking like tiny sailboats.
Without me they are debris.

 

The poem and image remind me of time spent on Lake Coeur d’Alene this summer. I love boating and lakes. My daughter said she could tell I was really in my element at the lake.

***

Felix was completely constipated last week as a side effect of the pain killer he was on for his cystitis. He had to get an enema at the vet. Poor Felix. One thing after another for him.  I hope he is getting better now.

Happy Labor Day!

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From Anne Lamott’s Pen

Following a writing prompt requiring the poet to pull words from a published book, I ended up with this poem. I wish I could remember which prompt I used–and how much I varied or not from it, but it was a couple of months ago. And these months have been full of work stress, so my memory looks moth-eaten.

The book I used was Anne Lamott’s Bird by Bird, a popular “writing text.” The subtitle is “Some Instructions on Writing and Life,” and I would say that the instructions are more on point for life–and maybe that’s why it is so popular!

 

WHAT TO NAME A CAT

(in the voice of Anne Lamott)

 

Find God

Propmaster

On Loan

Crazy Clocks

Special Effects

This Effect

Ring True

One Door Shut

R&B

Therapy

God’s Home

Samuel Beckett

Dirty Feet

Tiny Word

Redemption

One Leaf

Wordsworth

Rumi

Personal Drama

Delusion

Gorgeous

Pure Radiance

Way to the Truth

Present Moment

Home

Each one of these names resonates for me with what cats mean to me. Gosh, that sounds like an essay assignment for fifth grade. A fun assignment!

Maybe you can find a name for your next cat from my list haha.

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An Elegy for a Beloved Friend

On May 6 I posted about a poem I wrote for a friend who recently passed away. I had written the poem during #napowrimo. Today I am sharing the poem with you. I don’t plan to send it out. Writing it was the most important experience.

However, it has been shared with others. It turns out her husband loved it and published it as the poem for the pamphlet at Nancy’s Celebration of life. The title refers to Nancy’s way of saying goodbye, whether in person or on phone or by email. And for cards and gifts she used to wish “light and love.”

You Are Loved

 

We were sketches

you colored in with

your box of Crayolas

You were the model

we studied for vision

You were a guidebook

we the letters in line

You were music we

turned up on the dash

You were a disciple

You were the doyen

You were walks with

trees and caterpillars

You were the one

whose arms reached

around the universe

and whispered in one

word sentences because

each one was enough

light

love

###

Live this life in light and with love. No comments please.

I’ll see you next week.

 

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Organization and Happy Cat Tails

For two years, Tanman and Louise have lived at the shelter. They were born, along with their sister Thelma, in a laundry room, and received very little human attention in the first months of their lives. This means that they came to the shelter in the no-cats-land of not being feral because they had never been outside for a second in their lives and not being socialized either. At the shelter, we discovered that they are great with other cats and love to play. But they are afraid of humans getting too close.

In this photo you can see it says they were at the shelter 600 days, but that was printed in December. Thelma is the tabby and Tanman is, that’s right, the tan and white.

This story takes a good turn, I promise.

A couple of weeks ago, they were adopted together by “Catification Couple,” a couple who have a lot of cats and devote their lives to taking care of them. Their house is designed for cats, in fact.

If you want the fun of seeing Tanman and Louise warm up to humans you can follow their stories on Instagram or Facebook. They do post, as well, but to really see what goes on with these two kitties you have to watch the stories.

So I have been spending a lot of time (that I don’t have) going through files and files of old paperwork–writing drafts, academic papers, business “dead files,” and personal business out-of-date stuff. So far I have 8 banker boxes of shredding :/.

What motivated me is that I am missing a list of items that I know are just misplaced. When you have too much stuff, you can’t find what you really want to find.

But I am reading a few things before I toss them.

 

Audre Lorde is one of my favorite poets. My dissertation (gosh, that feels like such ancient history now–and it really is) is structured on one type of identity for each chapter. Then I focused on one poet for each identity. A chapter I was excited about, but never got to was “the performance of economics,” using Lorde’s poetry. She so often uses images and metaphors of money and math. I suspect it meant that she dealt with feelings about worth.  Reading this poem made me remember how disappointed I was to exclude the proposed chapter from my dissertation, but I already had enough word count and just wanted to graduate.

Going through all this stuff is making me wonder what other writers do to organize all their work. It seems an ongoing time-consuming project to organize well. Right now I have a binder of published poems and a binder of published prose with lists for each. But the binders are full and they seem a bit disorganized. Then I have a binder for all the paperwork related to Doll God and one for Kin Types. Maybe it’s my habit of losing things that make me want to use binders instead of just file folders.

There is still much to be gone through, but I am losing my passion for it. My allergies are in an uproar over the dust I’ve stirred up, and I’m tired of the same project. And have started to feel overwhelmed by how many incomplete poem drafts I’ve found!

Do you do intense organizing like this? If so, how often do you engage in it? I sort of think this is my first time . . . .

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Sacrifice and Service

Sorry not sorry for blowing up your readers and/or email with my posts in the past week or so. I’ve never had so many poems published online in such a short space of time. It was just a fluke.

Today I’ll say Happy Memorial Day, but give you a sad Memorial Day poem. It’s by James Tate (1943-20150) whose father was a pilot in WWII. His father was shot down and killed in combat on 11 April 1944. Tate was only a few months old, so he never knew his father. Thus are the sacrifices magnified through families and other loved ones.

The asterisks between stanzas are mine. I placed them there because WordPress wouldn’t keep the spaces between stanzas otherwise. Sigh.

for my father, 1922-1944

*

Your face did not rot
like the others—the co-pilot,
for example, I saw him
*
yesterday. His face is corn-
mush: his wife and daughter,
the poor ignorant people, stare
*
as if he will compose soon.
He was more wronged than Job.
But your face did not rot
*
like the others—it grew dark,
and hard like ebony;
the features progressed in their
*
distinction. If I could cajole
you to come back for an evening,
down from your compulsive
*
orbiting, I would touch you,
read your face as Dallas,
your hoodlum gunner, now,
*
with the blistered eyes, reads
his braille editions. I would
touch your face as a disinterested
*
scholar touches an original page.
However frightening, I would
discover you, and I would not
*
turn you in; I would not make
you face your wife, or Dallas,
or the co-pilot, Jim. You
*
could return to your crazy
orbiting, and I would not try
to fully understand what
*
it means to you. All I know
is this: when I see you,
as I have seen you at least
*
once every year of my life,
spin across the wilds of the sky
like a tiny, African god,
*
I feel dead. I feel as if I were
the residue of a stranger’s life,
that I should pursue you.
*
My head cocked toward the sky,
I cannot get off the ground,
and, you, passing over again,
*
fast, perfect, and unwilling
to tell me that you are doing
well, or that it was mistake
*
that placed you in that world,
and me in this; or that misfortune
placed these worlds in us.
***
James Tate, “The Lost Pilot” from Selected Poems. Copyright © 1991 by James Tate. Reprinted with the permission of Wesleyan University Press.
Source: Selected Poems (Wesleyan University Press, 1991)
###
I tried doing a photo shoot with Kana when she wasn’t in the mood. At first she didn’t actively argue about it.
Then she got crabby.

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