Tag Archives: #amreading

Bits and Pieces of Living

At least October’s poetry writing month is over so I don’t have to feel guilt about not writing much. We are now into the big novel writing month, which I don’t participate in, having NO clue how to write a novel. I’m still spending more time revising, organizing, and submitting than I am writing anything original.

I’m also reading several new-to-me poems a day. I’m reading at least one novel, two memoirs, and one children’s book right now.

And I’m getting my morning pages done by bedtime.

But I also am juggling work-work, home-work, and cat-work, as well as trying to fit in the other bits and pieces of The Artist’s Way.

And I cannot stop my hit or miss exercising, which mainly consists of stationery cycling, some stretches, and a few weights.

It sounds like a lot, and it is, so can I keep it up? Through the holidays? HAHAHAHA.

All this and worries about what recipe to use for gluten free stuffing.

I almost forget the most exciting thing. I discovered Christopher Buckley’s poetry. I guess there is a political person with that name, but this is Christopher Buckley the poet. Here’s a sample.

Getting There

Time to give up
grieving my mother’s loss,
faulting my father and
his Neolithic moral certitude
about every detail
on the evening news,
his general absence
hanging like the gray
sheets on the line.
Never mind how
mismatched in the heart,
I should be grateful
they were there at all,
for that moment
that childhood stretched
like fog, the beach empty
and unmarked.
It comes to little now
who I forgive, mourn,
or thank. The dust shifts
and we are barely
suspended in the light.
I know this little thing:
there’s a boy somewhere
in a station where
the trains still run,
wearing scuffed brown shoes,
gray overcoat, and cap;
someone has neatly parted
and combed his hair.
He is waiting
to be taken by the hand
and told where we are going,
to hear we are headed home—
though I can see nothing
beyond the smoke
and midnight haze
at the far end
of the platform,
where I am not
even sure of the stars.
Poetry (May 2012)
I do love how this poem speaks to the importance of our childhood experiences of family and place.
For the week ahead: Go get ’em, Tiger! (Haha, does that date me or what?) And, no, dear Tiger is not involved in that expression. Tiger says hi from her outdoor playpen.

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Filed under #amrevising, Family history, Memoir, Poetry, Reading, Submissions, Writing, Writing Talk

Cats and First Sentences

This past week I have been babysitting my daughter’s cat. Isabella Rose is a sweet brown tabby. My daughter watched Perry once for a week, so Izzie knows Perry and they get along fine. At one point, I thought Perry was in love with Izzie, but that ardor has cooled and they are just “parallel play” buddies, like toddlers. The other day I let Perry go in the bedroom alone with Izzie because I was busy and thought he would babysit her for awhile. Hah!

When I went back to look for him, I couldn’t find him anywhere. I started to think the gardener had let him out of the bedroom and had forgotten. I searched the whole house. Nada. Then I remembered something. The bedroom was once his bedroom when he was new to our house. At that time, he clawed a hole in the bottom of the box springs so he could climb up in there.

Sure enough, I found him up under the bed. With the boards and the fabric bottom surrounding him, I thought he was stuck up there. If you want to see a very dark video, check out my Instagram. If you have an account, please follow me, and I will follow you back if you “like” Perry’s pic/video (so I know you’re legit haha).

Come to find out, Perry just didn’t want me to take him out of Izzie’s room. He got out of there just fine when he wanted a treat.

Before I let you go, tell me if you think this is an appalling first sentence for a chapter (because I do):

The first hint of fall filled the crisp late afternoon air.

It’s boring, but that’s not the problem I find with it. What the heck is the “first hint of fall”? Huh? WHAT specifically fills the air. I can’t imagine it. There is no image so of course I can’t imagine it. Is it a smell that fills the air? A sound? Please share it with me, writer.

I discovered this annoyance in Rita Mae Brown’s Tall Tail, one of the cat mystery series Brown writes with Sneaky Pie Brown (her tabby who MUST have passed on by now). It’s a Bantam Book and Brown is a big-ass writer. Years ago, I read her influential lesbian novels Rubyfruit Jungle and Six of One. She’s a good and prolific writer, but I’m really appalled at the poor editing (on the part of an editor?) that would allow this sentence to go to press.

Why am I sharing my frustration? I tend to think that if the book has a big publisher it’s been well edited. But I guess not. This is not my first disappointment of this nature either. Is this a new development in the world of books or have I not noticed it before?

OK, done, time to think about other things.

Perry says HAPPY HOLIDAYS TO EVERYONE!

MERRY CHRISTMAS!!

Love and light to you and yours!

Luanne

 

55 Comments

Filed under #AmWriting, Books, Cats and Other Animals, Editing, Writing

Author Kelli Donley on the Arizona Indian Schools

Recently, I read a suspenseful and engaging novel that gives context to a controversial piece of Arizona history: Counting Coup by Kelli Donley. I had met Kelli at the Phoenix MEET YOUR LITERARY COMMUNITY event in early October. I wrote about it here. My booth was right next to Kelli’s, and as we sat and chatted, I looked over her three novels. They all appealed to me, but Counting Coup is her most recent–and the first sentence grabbed my attention, as did the subject of the “Indian schools” in Arizona.

I asked Kelli to write a guest post about the Indian schools. If you are intrigued by the subject, you will want to rush to purchase a copy of Counting Coup. (If you like contemporary romance, you’ll love it, too!)

MEET KELLI DONLEY, AUTHOR OF COUNTING COUP

I grew up in a suburban ranch-style home in the middle of Mesa, Arizona, just off of Alma School Road. The neighborhood was like so many others. We had a basketball hoop in the front yard, a swimming pool in the backyard, and a series of colorful goldfish in a bowl on the kitchen counter. My bookshelves were marigold, lined with precious Nancy Drews my mother had collected before I was born. My brother and I would fight over the remote on hot summer days, arguing over “I love Lucy” or “Brady Bunch” episodes. When my mother was at the point of putting us on the curb in a box marked “free,” the calendar would switch to September and we would be shuffled down the street to school.

We were Astros, attending Alma Elementary. It never occurred to me to ask any questions about Alma School Road, even though our school had a different address. But when we’d go to Phoenix to visit my grandmother in her tiny, smoky apartment, we’d drive down Indian School Road. Indian School? I saw neither Indians nor schools from the backseat of my mother’s Chevy Citation.

I remember asking my mother and receiving a brief, vague answer that brought forth images of the trailer park-ridden, dry desert reservation we’d see from the highway when traveling to Tucson to visit our other grandparents.

Indian schools were where Indian children went to school.

“But, Mom,” I persisted, smelling a mystery, “Mom, we have Indian kids at our school. Wayne is in my class. His brothers are older. You know them!”

“Oh, well those kids live in our neighborhood. Of course they attend your school.” And then she did that little toss of her hand that meant, “Don’t bother me. We’re done with this topic.”

Was the Indian school like the one I attended, with chalkboards and globes and a music room where the recorders always reeked of Pine Sol? My questions went unanswered.

Some 25 years passed. I went to college, traveled, joined the Peace Corps, wrote a couple novels, and to everyone’s surprise, married a man in my hometown. I’d found my professional passion working in public health, and loved being a wife and stepmom in Mesa.

One cold December day, I was invited by two colleagues to visit their recent project at the Phoenix Indian Steele Park in central Phoenix. They’d been awarded a grant to restore one of the remaining buildings at what was once the Phoenix Indian School. They explained the school was opened in the 1890s, and at its biggest, was hundreds of acres of farmland that students were expected to tend. The school closed in the 1990s, and the land was purchased by the City of Phoenix from the federal government. Too quickly, city officials bulldozed buildings, dug lakes, and created the modern-day park—all with very little input from the local American Indian community. Three buildings were saved from destruction.

We stood in front of one of them.

I followed the women into an adobe building so old the window panes were wavy from time. Cobwebs kept aging beams above woven together. Missing floor planks made navigating the long narrow walkway a game of hopscotch. Two steps into the doorway, taking in one long look of the now empty rooms, goosebumps rose on my arms and my stomach began to ache. I turned on my heel, retreating outside.

They followed, confused.

“What happened in there,” I asked rubbing my arms and trying to calm my breath.

“What do you mean?” one of the women asked.

“Something terrible happened in that room,” I blurted, feeling my cheeks turn red from unexpected emotion. I felt crazy, but only momentarily.

The women’s heads nodded. We sat together in a clump on the concrete stairs leading into the adobe music room. It was here, sitting next to them, I would learn that for more than 100 years, American Indian children were placed at boarding schools, and not just in Arizona, but across the United States, Canada, and Australia. The initial motivation was to break Indian culture and create new Christians. “Kill the Indian, and save the man,” was a commonly repeated refrain.

It is a complicated history, but eventually, children were no longer taken against their will to attend the schools. Instead, many attended in later years because there was no other option on their tribal lands.

One of the women shared a story about how her grandmother, from a northern Arizona tribe, had been kidnapped at age 5 by federal employees and brought to the school. She hadn’t been able to return until she graduated at age 18. By then, she no longer spoke the language of her parents. This would forever impair her ability to connect with family, tradition, and culture.

The same colleague went on to then tell me how her parents divorced when she was in junior high. Her mother struggled. She sent her two older daughters to the Phoenix Indian School until she could care for them herself. They spent two years together at the school.

I had a thousand questions. First, how could I have spent more than 30 years in Phoenix and never known about the school? This history wasn’t included in our education, or field trips. It wasn’t on any test. There was no day of honor or remembrance. In the shade of a date palm, I looked up at the haunted adobe music room, and realized the park was sacred earth. Children died here, their bones buried under the grassy lawn of today.

This chance meeting planted the seed for my latest novel, Counting Coup. This is the story of Avery Wainwright, a professor who uncovers a stack of 60-year-old letters. Written in the 1950s,

the letters tell of a year Avery’s grandmother, Alma Jean, spent teaching in the Indian school system. The ghostly yet familiar voices in the letters tell of a dark time in her grandmother’s life, a time no one had ever spoken of.

Today, the American Indian boarding school system remains, albeit voluntary. Health outcomes for American Indian children in the United States remain among the worse. These boarding schools allow children to graduate, but still keep student at a fragile age away from their families and home.

I have a thousand more questions to ask, and many more stories to write about my homeland. Thank you for reading!

For more information about Counting Coup and my other novels, visit: kellidonley.com.

Kelli Donley is a native Arizonan. She is the author of three novels, Under the Same MoonBasket Baby and Counting Coup. Inspiration for this novel was found hearing colleagues’ stories about childhoods spent at the Phoenix Indian School. Kelli lives with her husband Jason, children and small ark of animals in Mesa, Arizona. She works in public health, and blogs at www.africankelli.com.

Thank you for visiting, Kelli!

 

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Filed under Arizona, Book Review, Fiction, History, Reading