Category Archives: #writerslife

“Tuesday Afternoon at Magpie’s Grill”

This post was originally published when I was thrilled to have a new poem up at Nine Muses Poetry. This poem was written about my occasional time spent writing poetry at Magpie’s and named, appropriately, “Tuesday Afternoon at Magpie’s Grill.” The journal is long-since out of business, but before that happened the editor, Annest Gwilym, nominated this poem for Best of the Net.

I decided to open my book Rooted and Winged with the poem because it fit so well my theme of the tension between the metaphorical desire to fly and our earth-bound lives.

Since the poem can no longer be found at the site of the journal, here it is:

Tuesday Afternoon at Magpie’s Grill

Flickering afternoon light slatted and parsed.

At 3PM, the booths empty except for me

and my notebook.

Would I notice if not for my companion,

my need to recognize and remember?

Without a record, will I hear the ice crashing

into the sink, the Dodger talk at the bar

at the end of the room under the Miller Lite

neon confident and beckoning?

My mother used to say about me,

In one ear and out the other, as if the words

flowed through me without stopping,

without truly entering me, leaving little

effect, as if I had no memory

of all the little parental transgressions.

Why am I not under the sycamore I spot

through the blinds in this Tuesday sunshine

listening to the very song with the shady tree?

What have I done with my life? When

I should have written a poem, I didn’t.

When I did, I didn’t get it quite right.

How can a poem do so many things:

wishing for the shade and thirsty for a beer,

feeling an urge to move my pen and noting

the tiny feet and brush of cuticle,

the solitary fly on my bare arm, while

imagining the chattering of the birds that swoop

from sycamore to jacaranda as if the parking lot

and dumpsters and broken bottles don’t exist.

No matter what I notice,

no matter what I record, I will never

capture the ease of wind-filled wings,

tail feathers a translucent backlit fan,

as my hollow bones jettison the detritus

to fly upward against the source.

21 Comments

Filed under #AmWriting, #writerslife, Poetry, Publishing, Writing

Synonym Haiga #TankaTuesday

This week’s #TankaTuesday by Colleen Chesebro is to write a syllabic poem using synonyms of the words “quiet” and “seek.” I decided to try a haiga, although that is a little dangerous.

A haiga, in its original form, is a Japanese painting with a haiku in it. The text and image work together. The reason I think it’s “dangerous” for me to try this form is that my mixed media fun leans more abstract, so some people might not think this is a haiga. However, I am experimenting here because I like the idea of blending text and image.

I used “silence” for quiet (as a noun) and “pursued” for seek.

There’s a lot of truth in this haiga: we never really had a monsoon season this year, and yet it’s now September. How will we get to fall if we don’t have monsoons to shift the balance? We have to actively pursue fall by decorating with pumpkins and eating pumpkin ice cream.

pile of pumpkin
Photo by Ylanite Koppens on Pexels.com

70 Comments

Filed under #AmWriting, #writerlife, #writerslife, art journaling, Poetry, Writing, Writing prompt

Impressionistic #TankaTuesday

This week’s #TankaTuesday by Colleen Chesebro is to write an ekphrastic syllabic poem inspired by a Berthe Morisot painting shared by Rebecca Budd on her blog Chasing Art. The painting is https://en.wikipedia.org/wiki/Eug%C3%A8ne_Manet_on_the_Isle_of_Wight.

This Impressionist painting is in a French museum. I grew up going to the Art Institute in Chicago several times a year. While I’ve seen amazing Impressionist paintings at the Louvre and at the Courtauld in London, the Art Institute also has a gorgeous collection. My favorite painting there is by Caillebotte. Impressionism used to be my favorite style. Now my taste leans more toward Surrealism and Symbolism. Since I have been immersing myself in Surrealism by writing ekphrastic stories inspired by Remedios Varo, I really needed to zap myself into a different mentality first. So I ate some Ruffles and French onion dip. Get it? French chip dip, French painting.

I decided to write a tanka about the man in the painting who is the husband of the painter. I discovered that he was a painter himself, and the brother of the more famous Manet. He apparently was very supportive of his wife’s career as well as that of his brother. I found that to be very inspiring, especially since I am reading a novel about Varo’s life and how the male Surrealists treated the female painters. Not as colleagues.

Topic: Supportive Husband

My view is lovely

from our holiday quarters.

Better is this man

who places his career last

after his brother and moi.

53 Comments

Filed under #AmWriting, #writerlife, #writerslife, Poetry, Writing, Writing prompt

Summer Daisies #TankaTuesday

It’s been a long time since I wrote posts based on Dawn Raffel’s memoir, The Secret Life of Objects. The idea is to write about an object that evokes memories. 

I’ve blogged a couple of times about the vacation trip I went on with my parents when I wasn’t even four years old yet. We drove from Michigan south and visited Louisiana and Texas, among other states. Some of my most vivid memories from the time period were in New Orleans. I will always associate the city with sidewalk painters seated at their easels, the brushes that were extensions of their hands, and of course their fascinating canvases.

When I visited my mother in April to help her pack up some items before her move into the apartment building at her retirement village, I discovered this painting, long forgotten and gathering dust in Mom’s basement. My parents purchased it on that trip to New Orleans, and it hung for years in their living room. I shipped it home to myself, and now it hangs in my living room, reminding me of that vacation and the colorful, exciting world that existed outside Kalamazoo.

Colleen Chesebro’s prompt for #TankaTuesday is to use at least one kigo word in a syllabic poem for the current season, which in Arizona is summer. Colleen explains a kigo: 👉🏻 What is a KIGO? A kigo is a season word used in haiku and haibun (the haiku portion).

She provides a possible list of kigos. Daisies are not on the list, perhaps because many think of them as spring flowers. However, daisies are also summer flowers! So many types: Chrysanthemum*, Marguerite, English, Gloriosa, Shasta, Cape, Oxeye, and Gerbera. I prefer Gerbera because unlike the other varieties they are completely non-toxic to cats! *this variety is on Colleen’s list

Here is my haiku:

50 Comments

Filed under #AmWriting, #writerlife, #writerslife, Poetry, Writing, Writing prompt

Robbie Cheadle’s Guest on Treasuring Poetry

I’m excited to be author and blogger Robbie Cheadle’s May guest for her monthly Treasuring Poetry article on Writing to be Read. She had some wonderful questions for me about writing, and I enjoyed answering them! You can find the publication here: https://writingtoberead.com/2023/05/17/treasuring-poetry-meet-poet-and-blogger-luanne-castle-and-a-review-poetry-poetrycommunity-bookreview/. Robbie has also posted a beautiful review of both Rooted and Winged and Our Wolves.

With son and DIL living here, we have their dog Theo here as well. He’s such a little goofy guy, and I get to let him out when his mom and dad are both gone for three hours or more. I can’t physically handle walking him on a leash, although in a pinch I can take him on the driveway on a leash because he’s very good for me. But I like to let him roam the backyard, which is fenced. He’s very loved and what’s rewarding for me is that he loves his Grandma! In his photo you can see a very typical expression he gets on his face as he is always trying to figure out what’s going on.

35 Comments

Filed under #OurWolves, #poetrycommunity, #writerlife, #writerslife, #writingcommunity, Book Review, Interview, Our Wolves, Poetry, Poetry book, Rooted and Winged, Writing, Writing Talk

Review of Ken Gierke’s Glass Awash

The new poetry collection of poet Ken Gierke, who blogs at https://rivrvlogr.com/, is called Glass Awash. I wrote a review of it and hope it inspires you to buy a copy!

Ken Gierke’s debut poetry collection, Glass Awash (Spartan Press 2022), is about making art, connections between inhabitants of the planet, and the voices that attach and sustain us. These inhabitants can be human, animal, plant, or mineral. In the poem that titles the book, “Glass Awash,” a piece of glass is tumbled in the waves at the shore where it dries under the sun. Then, “From swaying reeds, / a red-wing remarks on / its beauty, soon consumed / / by a frost, a reminder / of each kiss found / in grains of sand.” In this case the connections seem to be between animal (bird), plant (reeds), and mineral (glass and sand). However, the human is implicit as it is the human who records the event.

These free verse poems are spare with a minimum of words so that the images are not cluttered with less important language. The poems protest against “[o]ur growing world of disconnect,” but notice the “invisible connections” within the natural world (“The Intent of Moonlight and Ethereal Synapses”). Although poems are titled “Words without Voice” and “Thoughts without Voice,” the struggle seems to be to bring voices into being. In “Other Voices,” the persona tries to find a stone at the water’s edge “that speaks to you,” and then the stone with other stones will also speak. These stones, much like the tumbled glass, speak to us only if we listen carefully.

Some of the poems within this collection are elegies for the poet’s mother during her final illness and after she is gone. These are beautiful and while still sparely constructed vibrate with love and loss. These are a few of my favorite lines: “Hidden / in the pockets of my mother’s dreams, / surrounded / by the accumulated lint / of a faded lifetime, are dusty memories / sharper / than this morning’s breakfast.” Gierke uses the uneven line lengths to give emphasis to certain words.

Because the poems are short and not great in number, you can read this book very quickly. But you will want to read it again and again to really explore meaning in this lovely collection.

You can purchase the book on Amazon. Here for the U.S.: https://www.amazon.com/Glass-Awash-Ken-Gierke/dp/1958182222/

Here for the UK: Glass Awash: Amazon.co.uk: Gierke, Ken: 9781958182222/

I presume it’s also available in Canada and other countries.

Ken Gierke is retired and has lived in Missouri since 2012, when he moved from Western New York, where the Niagara River fostered a love for nature. He writes primarily in free verse and haiku, often inspired by hiking and kayaking, while his fondness for love poetry may be explained by the fact that he moved to Missouri to be with the woman he eventually married. His poetry has been published or is forthcoming both in print and online in such places as Ekphrastic Review, Amethyst Review, Silver Birch Press, Trailer Park Quarterly and The Gasconade Review, and it has appeared in several print anthologies, including three from Vita Brevis Press and easing the edges, edited by d. ellis phelps. His first collection of poetry, Glass Awash, has been published by Spartan Press. His website: https://rivrvlogr.com/

Ken can be reached on Facebook. Ken Gierke | Facebook

He has video poetry at https://www.youtube.com/@kengierke

18 Comments

Filed under #writerlife, #writerslife, #writingcommunity, Book Review, Poetry, Poetry book, Poetry Collection, Reading, Writing

Irony, Heartbreak, Depression

I’ve become obsessed with a 1966 hit by The Statler Brothers: “Flowers on the Wall.” A bluegrassy-sounding song, it won a Grammy that year, and yet it’s weird and chockful of irony. I can’t stop listening to it. See if you think it’s one of the most ironic and sad songs you’ve ever heard:

(Take a look at those Mad Men outfits!)

Anyway, do you know the song or did you just listen? Here are the lyrics:

I keep hearin’ you’re concerned about my happiness
But all that thought you’re givin’ me is conscience I guess
If I were walkin’ in your shoes, I wouldn’t worry none
While you and your friends are worried about me, I’m havin’ lots of fun

Countin’ flowers on the wall
That don’t bother me at all
Playin’ solitaire ’til dawn with a deck of 51
Smokin’ cigarettes and watchin’ Captain Kangaroo
Now don’t tell me, I’ve nothin’ to do

Last night I dressed in tails, pretended I was on the town
As long as I can dream it’s hard to slow this swinger down
So please don’t give a thought to me, I’m really doin’ fine
You can always find me here, I’m havin’ quite a time

Countin’ flowers on the wall
That don’t bother me at all
Playin’ solitaire ’til dawn with a deck of 51
Smokin’ cigarettes and watchin’ Captain Kangaroo
Now don’t tell me, I’ve nothin’ to do

It’s good to see you, I must go, I know I look a fright
Anyway my eyes are not accustomed to this light
And my shoes are not accustomed to this hard concrete
So I must go back to my room and make my day complete

Countin’ flowers on the wall
That don’t bother me at all
Playin’ solitaire ’til dawn with a deck of 51
Smokin’ cigarettes and watchin’ Captain Kangaroo
Now don’t tell me, I’ve nothin’ to do

Don’t tell me, I’ve nothin’ to do

Source: Musixmatch

Songwriters: Lewis Dewitt

Flowers On the Wall lyrics © Unichappell Music Inc.

The song was written by Statler Brothers tenor Lew DeWitt. The lyrics are astonishing with irony (and the sound of a ripping heart) just dripping out of every line. What an amazing description of deep depression.

Do you think the irony makes the story even more tragic?

Can you think of other songs that are equally ironic and yet heartbreaking?

Irony works the same way in poetry (of course). My top choice of an ironic poem is probably Elizabeth Bishop’s “One Art,” a villanelle that is one of my favorites.

One Art

The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.

—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.
playing card deck
Photo by Israel Garcia on Pexels.com

44 Comments

Filed under #writerlife, #writerslife, #writingcommunity, Vintage American culture, Writing Talk

Is it Real Life or is it Fiction?

Six years ago, I published a piece of flash fiction at The Story Shack called “Parking Lot Superhero.” I posted a link on this blog and yadda yaddaed about fiction giving me more freedom for structure. The story was one of the first flash pieces I wrote.

Here’s a confession. I don’t even know why I wrote that about freedom because the truth is that this story is completely true except for the names. So maybe the freedom actually came from changing the names. And by changing the names I was able to change the structure and how I ended up structuring it made all the difference. So, yes, I submitted nonfiction as fiction by changing the names.

colorful cars on parking lot
Photo by Erik Mclean on Pexels.com

Is this a character defect? Or is it just a genre, like a roman à clef (novel where real people occur, but their names are changed)?

Have you ever written nonfiction and disguised it as fiction?

If you have read this blog for a long time, you might remember the story, but here it is: https://thestoryshack.com/flash-fiction/drama/luanne-castle-parking-lot-superhero/

This story is not one of my most well-written (and at some point I might revise it), but it’s still one of my favorites because the hero of the story (not me) was such a larger-than-life character in real life.

Going back to my title–Is it Real Life or is it Fiction?–maybe fiction is often real life, just many different aspects of real life glued together in a different combination and order.

One more thing. Why did I want to come clean about this story being true? Although I published it as fiction to protect “Jack” and his family story, I have felt guilt at not giving him credit for being a hero. I still won’t publish his name, but I feel better letting you know that he is a real living hero.

48 Comments

Filed under #writerlife, #writerslife, #writingcommunity, Fiction, Flash Fiction, Publishing, Short Stories, Writing

Distant Flickers Book Review

Distant Flickers: Stories of Identity & Loss is an anthology of engaging short fiction that varies in subject, style and tone. As the subtitle suggests, explorations in identity and the different faces of loss provide a thematic focus for the collection. After each story, an extended bio, author perspective on the story, and information about the author’s other publications is provided, and I really like that. So often in an anthology I don’t feel that I “meet” the writers of the short stories or poems. Here, I am asked to slow down and get to know them a bit.

Every story in the book is special, but I will write about just a few of my favorites. In “1975: East Ocean View,” Elizabeth Gauffreau develops a character study of a young woman whose childhood has been ended by the birth of a baby. The girl, unexposed to early feminism, hasn’t had a chance to grow up on her own, but instead must negotiate a life of poverty with an immature husband and a baby. Gauffreau’s skill with deft understatement and deep understanding is clear in this piece. “1975: East Ocean View” serves as a reminder to me of the best of the short story genre—and what I love about it. No big splash, but lots of dangerous undercurrents. In her second story in the book, “Diary Omissions: The House on Edgewood Road,” Gauffreau demonstrates a flair for dry humor even as she writes poignantly of a family tragedy.

“Two Boys,” by Carol LaHines, is a thought-provoking look at a mother’s loss. The approach to the subject, as well as the writing style, reminds me of Shirley Jackson’s delightful and unsettling “domestic” stories.

“Where Secrets Go to Hide” by Keith Madsen is a charming and humorous exploration of what makes a secret a secret. An undercurrent of darkness occasionally breaks the surface and shows itself, thus providing tension and suspense to the story.

I enjoyed all the stories in the collection immensely. You couldn’t ask for a more satisfying variety of approaches to both identity and loss. The protagonist in “1975; East Ocean View” has lost her future even as she has lost her past. In this way she is in danger of losing her self. In “Two Boys,” the loss affects the mother’s and the child’s sibling’s identities. Madsen’s story is about the loss of innocence, which affects the identity of the protagonist and his family.

You can purchase the book through your favorite book seller here: https://books2read.com/-distantflickers?format=all

18 Comments

Filed under #amreading, #writerlife, #writerslife, #writingcommunity, Book Review, Fiction

My Wacky Migraines

Note: if you have trouble posting a comment on this blog or any other, here is something I learned from blogger Marian Beaman: If you use the back arrow after the error message appears, fill in your email address and name again. Then your comment should go through, and WordPress will recognize you in the future. 

I was recently diagnosed with something called vestibular migraine. Or hemiplegic migraine. Or maybe both. There is a difference because vestibular is awful, but hemiplegic can be dangerous. Apparently there is no way to tell for sure, but I am not going to accept that answer. Story unfinished. But let me back up.

For twenty-four years, I have been plagued by something that was called “complicated migraines” by the neurologists I had seen. After Loma Linda mistakenly diagnosed me with TIAs (mini-strokes), UCLA and, later, Barrows in Phoenix, diagnosed these episodes as complicated migraines.

They are a migraine disorder, but they are not migraine headaches. I used to get the headache version until they turned into this other sort of migraine. In fact, I had some horrific migraines when I was a kid–seven to ten years old. The version I’ve been getting for 24 years is generally without headache. The symptoms include sudden severe vertigo, heaviness, inability to stand or sit, weakness, burning through the sinuses, widely fluctuating body temperature, brain fog, squinched up face on one side only, numbness of limbs, nausea, vomiting, falling asleep at the tail end of the acute episode, etc. It’s very difficult to go anywhere by myself, and this is why I don’t travel alone any longer. I can’t attend concerts or sporting events with lots of lights. I had to leave daughter’s wedding reception early once the goofy lights came out. Although we had planned ahead, what the DJ thought was mild was not. That’s ok because her friends all had a wonderful time, and I was tired anyway.

When I moved to Arizona, the complicated migraines got worse in that I felt sick every day and had acute episodes every couple of days. I had to go on preventative medication in the form of a blood pressure med. The meds kept the acute episodes from happening so frequently.

I would say my migraines have been under control for a dozen years until this spring when I started feeling sick (sore eyes, nauseous, slight vertigo) all the time. So I went back to Barrows, to their headache clinic. That’s where I was diagnosed with vestibular and/or hemiplegic migraines. No such thing any longer as complicated migraines.

My worst trigger is light, especially flickering artifical light. Fluorescents always have a flicker, even if you can’t see it. But LED can be bad, too. And fluorescents that have a noticeable flicker are the devil. When I have to go under artificial lights, such as the doctor’s office or grocery store, I wear a brimmed hat and sunglasses. Other triggers are sleep disturbance, stress, too much paperwork where I have to look down instead of across (computer better than paper on the desk or table).

Another thing that happened in the last few years is that I occasionally get migraines with very traditional aura in the form of sickle-shaped kaleidoscope images. And, yes, it is as vivid as in the image below.

I am going to try to continue to search for answers. My symptoms are consistent with having both conditions at the same time, but I haven’t been able to find anyone yet with my regular set of symptoms. There are rare individuals who have both vestibular and hemiplegic, but the forms occur at different times. Some of my regular symptoms apply to vestibular, and some apply to hemiplegic (especially the one-sided face squinch). So onward. And in the meantime, please hand me the hat and sunglasses!

25 Comments

Filed under #amreading, #writerlife, #writerslife, #writingcommunity, Arizona, Nonfiction, Writing