Category Archives: Vintage American culture
I’ve been remembering wrap-around skirts. If you’re from my era, you probably remember them. They were large circles of cloth, open on one side. You wrapped the cloth around yourself and tied, buttoned, or buckled it at the waist. The overlap was in the back, so you had to keep smoothing the back of the skirt to make sure part of it wasn’t stuck up on the cloth underneath. If you don’t know what I mean and do a google search you will find a lot of skirts that end in the front, but I remember around 1970 ours were always ending in the back, like in this image.
These skirts were very easy to sew because you didn’t have to worry about fit. But they did tend to accentuate what we called a stick-out butt, which I had. I sure hated that feature, never knowing it would come into fashion when I no longer had it hahaha.
I am planning to make my daughter a junk journal for her wedding. I haven’t made a bound journal before, so I experimented by making a bound version to use for my regular arty junk journaling. I took an old adolescent lit textbook (I used to teach it to college students who were in the secondary ed program) and took out the “signatures” inside. Signatures are groups of sheets folded in half that are put into the binding as a unit. Each book is comprised of several signatures. Then I decorated the cover with old fabrics from my teen years, buttons from Grandma’s collection, and some doodads I found. I created three signatures of about 7 folded pages and bound these signatures into the cover.
For the wedding journal I got the idea of knitting a cover for it, and Marie Bailey at 1WriteWay gave me a lot of help. I haven’t knitted since I made a basketweave baby blanket for my son ahemahem years ago!
Make it a good, safe, productive, and peaceful week!
Over seven years ago, I posted “How and Why I Don’t Know Science,” which was “Freshly Pressed” by WordPress. I’m going to paste it here so you can read it if you like and if you didn’t at that time. Why am I posting it all over again?
I am reading All the Light We Cannot See by Anthony Doerr. This is how the book is described on Goodreads:
From the highly acclaimed, multiple award-winning Anthony Doerr, the stunningly beautiful instant New York Times bestseller about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II.
Werner, the German boy, is a genius at science, math, engineering, mechanics. I am not quite 1/3 of the way into the book and the two main characters have separate threads. Werner’s thread makes science, especially applied sciences, sound so fascinating that it makes me regret that I never learned much science in school. Thinking about this reminded me of my post all those years ago. The post explains how it came about that I didn’t learn science.
Once in awhile I like to go back and look at something I wrote a long time ago. I’ve had seven years of writing experience after composing that blog post. I’ve also changed as my life has evolved over time. Since I wrote it I have become more involved with my writing and more involved with cat rescue. And I’ve gotten farther away from my childhood.
The main reason for feeling that I am further from my life (and me) as a child is that because I have written so much about my childhood since then I have been able to let some of it go. Once I write about an event, I unpin it from deep inside me and it begins to float away. Very useful way to get rid of bad memories.
Until one goes back and reads a memory, of course ;).
Here is HOW AND WHY I DON’T KNOW SCIENCE.
After I heard we had to dissect the body of a cat in tenth grade biology class, I requested to take a replacement course instead. Today many school districts are sensitive to this issue and students can opt out without creating a stir. But back in 1971, school administrators at my Michigan school had never heard of a college-track student requesting to skip the foundation of high school science classes—and all over a dead cat. (How and Why the cat would die wasn’t divulged). Although they were surprised by my request, they allowed me to switch over to a course called Earth Science, but the only connection it had with its name was interminable dullness like dirt.
At fifteen I saw the world through a lens like a microscope and never from the top of a cliff. My father often said, “You can’t see beyond your own nose. It’s the bigger picture that counts.” My father, though, only saw the world as if it were a coloring book—large geometric blanks to be colored in by him, sloppily, with loops passing wildly beyond the black lines.
My view worked well for the science projects I had performed at home for years. When I was nine, my mother had bought me a How and Why book with scientific experiments kids could do at home. I grew mold on potatoes, made a weather station, something different every week.
But Earth Science class turned out to be a playpen for students who would not much longer be called students, kids who had troubles at home and troubles at school. Because I didn’t have the capacity to look at the longer range consequences, I didn’t realize that by not taking biology I’d left science behind. I wasn’t able to study physics or chemistry as all the science classes were lined up like the begetters in the Bible—biology begat chemistry which begat physics.
The SAT didn’t require any scientific knowledge, and somehow, with my intuitive test taking abilities, I managed an eighty-something percentage on the science portion of the ACT. The next year I attended a college chosen for its proximity to my boyfriend and satisfied the lone science requirement by taking a course called “The History of Science,” which taught no science.
Today I don’t know much about science, but my conscience is clear where my four cats are concerned. Too bad I couldn’t have a clear conscience and science both.
Obviously seven years ago I had four cats. But now I have six!
Kana says, “Have the best week possible!”
Kana is next to my cardboard standing work desk
and the painting on the wall behind her was by my MIL;
the table is one we call “kitchen” but actually functions as cat feeding station
This past week the lit mag North of Oxford posted a list of the 10 most read poems from their magazine from January-July 2020. It was exciting to see my poem “Medusa’s #Metoo” make the list!
After writing about my kitty Toby in No Goodbye: A Cat Story I decided to write about my other childhood pets, as well as other animals I encountered in life. Sort of clearing my head about my upbringing with animals. So this isn’t a story, per se, like the one about Toby. It’s more of a list of animals.
The first memory that comes to mind that involves animals I actually already wrote about on this blog almost eight years ago. You can find it here: A Ride with Memory. It’s about my earliest scary memory, and I wasn’t even three-years-old yet. This story involves a horse.
When I was in kindergarten my grandmother babysat me every day before school and all afternoon until almost dinner time. My aunt and her springer spaniel Sandy lived with my grandparents. I was repeatedly warned not to touch Sandy. I needed to stay away from Sandy because Sandy was a biter. Actually, the only person Sandy had ever bitten was me, when I was a baby. She bit my eyelid off, and at the hospital, a doctor sewed it back on. I didn’t remember that trauma, and I still insisted on making a meat pie to celebrate Sandy’s birthday.
When I was five or six, the neighbor’s Dalmatian bit me in the leg, but it wasn’t too serious.
Before we got Toby the cat, we had a bowl with goldfish a couple of times, but they always died. I think I overfed them, and it polluted the water. I had small turtles, but they invariably walked away out of our yard and never came back. Once my father brought home baby ducks at Easter time. Not chicks, ducks. I don’t know what happened to them, but I was terrified of how fragile they were and that I could hurt them. We had chicks one year, too.
I am starting to see the thread here. My father bringing pets home for the family. I’m sure it irritated my mother. Then he brought home a big cage with two guinea pigs. My mother made us keep them in the basement. I’ve written a little story about this for my never-finished memoir, but to sum up: the guinea pigs were unfixed male and female. My dad helped me through the crisis that ensued.
A few months later, he brought home a puppy. A man he worked with had found the puppy at a lake where someone had tried to drown the entire litter. I suspect Perky was the only one left alive, and my father brought her home to us. My mother named her Perky after the man who found her: Mr. Perkins.
Here’s a scrapbook page my mom made for me of some childhood pets. The photo in the upper right is an example of how I always loved feeding the animals. But I still remember being bitten by a llama at Deer Forest Park. Perky is the dog with the collie-type coloring.
Yup, that’s me and the gardener in the center, bathing Perky. She was already getting old there. In the lower left she was playing on the beach at our lake cottage with a “local” puppy. My brother is almost eight years younger than me. At some point, Perky really became his dog because Perky could hang around him while he was playing outside. The gardener and I were out of town when Perky had to be “put to sleep,” and my father and brother went together to the vet and stayed with Perky. That was as it should be.
In 7th grade, the girls and I cut through a vacant lot and someone’s backyard to get home from school. We didn’t notice the white German Shepherd in the dog house. He lunged at us, incensed at our audacity. We ran like crazy, but he was on a chain (poor thing, no wonder he was crabby) and so we were safe. Or so I thought. I slowed down just a moment too soon. He could still reach me, s0 he took a chunk out of my ankle. After that, I was scared of German Shepherds until I became an adult.
When I was fifteen I bought myself a cage with two finches: a brilliant scarlet one and a beautiful green. Of course, the green one managed to get herself egg-bound and although I held her over the steam like the book said to do, she still couldn’t pass the egg and eventually died from the exertion. I kept finches for years, but they were all gone before my kids entered my life. Good thing, or my babies would have been eating birdseed off the floor. Finches are lovely to look at, but very messy because when they eat they hurl the hulls of the seeds across the room.
As an adult I’ve had dogs, cats, the finches, hermit crabs, and a rat. (She was the best pet). I’d like to have donkeys, but it’s looking doubtful that that is going to happen.
Lots of sad times with the animals. And some painful ones when I was bit (three dogs and one llama). But none of it deterred me from being an animal lover–from fish to horses, I love all the species I encountered.
In this pandemic I am so grateful to have my six cats. But last night Felix had to go to the ER. He had diarrhea, wouldn’t eat, and hadn’t peed in 38 hours. The vet said his bladder was small, so that was a mystery, but I was glad he wasn’t blocked. I hope he gets better fast and that it’s not something bad. Poor baby.
Here’s Kana to say HI and BYE!
Perry hasn’t said HI in awhile, so he wanted to hop in here, too. Cutie pie.
Five years ago, when the gardener and I adopted Kana, our black cat, I wrote a little bit about my first cat who also happened to be black. I thought I’d tell you the whole story this time. Here is TOBY’S STORY (and I’m sorry, but it’s not a pretty one):
The cat that lived with the Cuban brothers across the street had kittens the year I was seven. My parents had never shown an interest in animals, but because I was an only child and begged so desperately, they gave in and let me choose an all-black kitten. My mother named him Toby. The only other interest I remember her taking in him was when he had a hairball, and she read up about how to care for cats with hairballs.
Toby spent most of his time hiding under my bed or in the basement. Mom would tell me to take him outside to go potty, but he would refuse to come out. I had to find him in a dark corner downstairs or slide under my narrow bed and grab him so that he wouldn’t make a mess in the house. I wonder if Toby and I were afraid of the same things in that house.
One day my mother screamed. “Look what that cat’s done to my drapes!!” I ran into the living room. Tears streamed down her cheeks. The silk drapes had dozens of snags on them. Unfortunately, the drapes were the most elegant furnishing in our bungalow. They were cast-offs from one of my grandmother’s wealthy clients, and she had altered them for my parents. I realized then that my secretive cat ventured out to the living room when everyone was asleep or not home.
A few months later, we picked up the baby brother I had been waiting for from the adoption agency office. Ted was a 6-week-old infant with a red rash covering his face. My mother hadn’t taken care of a baby for many years, and she became nervous and worried, imagining dangers.
One day that spring, when I got off the school bus, my father met me in front of the house. I was not used to seeing him home during the day. He sat me down and explained that Toby was gone. “Toby had to go away because of your new baby brother.” He told me he took Toby to a house in the country where he could live with more freedom. I don’t remember particularly believing him, but grief welled up in me like bile. Up to that point in my life, the only other serious loss I had encountered was three years before when I accidentally saw my mother cramming my white blankie into the garbage. Later, my mother would tell me, “Cats are dangerous to babies, Luanne. Toby could accidentally smother Ted.” But in those moments after I arrived home, only my father was there for me.
I still feel ashamed about what happened next. To stop my tears, Dad offered to take me to the store right then to pick out any toy I wanted. I had never in my life been able to pick out a toy. A Golden Book, yes, but not a toy. When I did receive something lovely, it was usually a hand-me-down or a gift my grandmother had sewn. We always had enough food to eat, but we were upwardly mobile poor, and my parents never bought me trendy, name-brand toys. While my friends had Barbie dolls, I had a Miss Suzette doll from Grant’s basement.
Although I continued to cry, I followed Dad to the car, and we drove to a fancy children’s store I had only seen from the outside. Once inside, my tears and confusion made it difficult to concentrate. I tried to focus my eyes, and the first item I noticed was a black imitation patent leather Barbie doll case. It epitomized the type of toys I could never dream of owning, so I pointed at it.
On the way home, I clutched the case in my hand, knowing I had betrayed Toby. I had begged to have him, which altered the course of his life. Then I accepted an empty plastic box with a handle in exchange for his silky fur and beating heart.
I don’t know what ever really happened to Toby. I think it’s probably true that he went to live in the country because my father knew a lot of people and could have easily made that happen. But was he safe in his new home? That I don’t know. I hope he was happier than at our house. My father yelled too much, and that probably scared Toby. Since he would hide under my bed, I have to assume he wanted me to protect him. But I couldn’t protect him while I was at school. My parents would have never intentionally hurt Toby, but they didn’t make his life any easier. While I think it’s a likely story about Toby going to live in the country, I have never actually asked my parents if that is what really happened.
Alternative end to memory: I asked one of my parents, and he/she lied to me because they know I love animals and freak out about any harm to them.
I really can’t remember. What do you think?
This new WordPress editor really stinks. It’s slow and awkward. I can’t figure out how to get “classic” back. It figures that they would do this in the year 2020.
Three things today. First a book review. Then a new purchase :). And, finally, a new publication.
I wrote a review of Jennifer Givhan’s gorgeous poetry collection Rosa’s Einstein. Her poetry and prose is providing a wonderful new Latina voice to American literature. Here is a copy of the journal that published the review–the Winter 2020 issue of The Main Street Rag.
Now for my new purchase. An item that has lurked in the shadowed corners of my memory is the green glass bowl my grandmother used to pour her potato pancake batter from. She cooked the type of potato pancakes they made where she was born in the Rhineland area of Germany: the batter was smooth and looked closer to that of flour pancakes than of latkes. I loved those pancakes more than any other food, and I have always associated them with the bowl.
I’m pretty sure that my parents got rid of the bowl when Grandma moved to the nursing home. They held a garage sale of her belongings. I had a lot of feelings about that at the time.
When I finally decided to Google the darn bowl, guess what? It’s a “vintage” Anchor Hocking jadeite Fire King batter bowl! It’s not some random thing that just happened to become engrained in my mind. It’s a collectible! So what did I do? I bought one, of course!
Now I am looking for recipes for German-style potato pancakes. Do you have one?
Shot Glass Journal has published one of my poems. “Fiction” is another Little Red Riding Hood poem. You can read it here:
I finished another story scrap for my SCRAPS scrapbook–finally.
As a reminder this is the first post. Click the photo to read it.
When I was a preteen, my grandmother sewed me shorts sets from cotton blend prints. She made the tops and shorts out of the same material, but the tailoring was fairly sophisticated, so the end product had more in common with a summer dress than a romper. I don’t know where she got the idea from or if it was in style in the sixties. At least one fabric was made into matching mother-daughter shorts sets for Mom and me.
But my favorite set was in a fabric that I found very cheering. Balloons in varying shades of spring greens, both solids and prints, float on a white field. The shorts were mid-thigh, and the top had a fairly high neckline. Because Grandma made it for me, the outfit fit perfectly. It was comfortable, and I felt good wearing it.
Not that I didn’t love to wear my denim shorts and short-sleeved sweatshirt. But Grandma’s short sets were lighter weight than my other play clothes and much more convenient than dresses.
In our old photos, I found myself wearing the balloon set on two different dates. The summer photo came first. It was on the occasion of our trip to Canada to attend Expo 67. In fact, in a scrapbook, Mom labeled the picture, “Mother and daughter enjoying a rest.” A body of water is behind us. Below that photo, my mother had pasted another photo and labeled it, “Sawmill at Upper Canada Village.” There is another image of just me in the same spot but without my mother (the one above). From examining the few photographs I could find online, I do think these photos of me are also from Upper Canada Village.
In the photos, I am wearing the shorts set, with its matching triangle headscarf tied at the nape of my neck. I also wear a blue ¾ length sleeve cardigan that Grandma knitted for me. On my feet are navy blue Keds-type shoes.
I’ve written before about our Expo 67 visit, but we also went to other tourist sites in Canada during our trip. Upper Canada Village was one of the places we visited. Niagara Falls was another.
My grandmother must have made this outfit for me in the spring of 1967 when I was finishing up elementary school (6th grade). I started junior high in September.
The other photo revives vivid memories. It was taken 31 October 1967, Halloween, probably around 6 PM. I remember my mother posing me in front of the living room fireplace. I have very few memories of actual picture taking, so this is very special to my heart.
I am wearing a heavenly sheer green silk flapper dress that had been owned by my grandfather’s cousin Therese Remine. It was heavily beaded, and over time, the silk had weakened, and the beads were too heavy for the thin fibers. By the time I got home that night, the dress had already begun to rip. You might wonder why my mother would allow me to ruin an expensive vintage dress by wearing it one night for Halloween. I wonder that myself, but my mother’s value system is limited. To sum it up: she didn’t have any interest in the dress, so she didn’t care what I did with it.
Because the dress was sheer, I had to choose clothes to wear underneath, and the only thing that seemed to my 12-year-old mind to “go” was the balloon shorts set because both outfits were green. I made myself a flapper headband to match and carried a handbag that must have belonged to Therese, although I am not positive about that. You see, I used to collect old discarded fancy wear and had quite a collection from a few women.
It had been my mother’s idea to make a headband. I don’t know how much I knew about the 1920s, and I probably needed her suggestion to visualize the whole outfit. I have mulled over the question: where did I first learn about flappers with their bobbed hair and short skirts? Their narrow flat outlines so like my own. I don’t remember what movies or books might have shaped whatever image I had by age twelve.
An essential part of my costume that night was the large diamond-shaped earrings. I’m not sure where those dangly earrings came from. I hope I didn’t lift them from the dime store at the plaza.
While I stood in the middle of our living room, smiling into the camera, my mother pulled her face out from behind the camera and pinned me with her gaze. “This will be your last year trick-or-treating. You’re getting too old.” So that was that. I felt compelled to enjoy myself this one last time.
The living room accessories in the photo were accumulated from various places, generally from other people. The big brass candlesticks were heavy. The painting was not a copy, but an inexpensive original painting. The Don Quixote figures had been displayed at a home décor shop. My father had purchased an old house on Westnedge on a land contract and rented it to an interior decorator who opened the shop. When she went out of business, she gave my father some small furnishings in lieu of back rent. That was how we ended up with the large wood fork and spoon that hung on our kitchen wall for years (yes, like in Marie’s kitchen on Everybody Loves Raymond).
I look so young in these photos, and yet poised on the brink of burgeoning womanhood. I remember how I felt wearing that flapper dress. The twenties was my era, and I felt as if I belonged.
As my photograph was snapped, the bell rang. My friends had arrived so we could begin the house-to-house process. That’s when I realized I had to wear my wool coat over my costume. Or rather, my mother informed me I had to.
We trudged from front door to front door, but the knowledge that this was my “last time” weighed on my mind. My fingers grew chilled from the cold that had arrived early to Michigan. That’s where this memory ends.
In September I posted photos of the fabric scraps I still have from my childhood. The inspiration for ruminating on what to do with them came from a couple of sources. One was Dawn Raffel’s book The Secret Life of Objects. The other was Swedish death cleaning–getting rid of stuff so my kids are not one day burdened with it.
I promised I would do something with the scraps, and I have not forgotten. I am far from the point of actually getting rid of the fabric, but did start a project that was suggested by sarahsouthwest.
I’m making a scrapbook of scraps! For each page I plan to include a fabric remnant, a story or description of the memory it stirs up, and, if possible, a photograph of the garment made of the fabric. So far I’ve only made the cover and one page, but thought you might want to follow along with the process. I’m not very good at crafts, but hey, it’s mine, baby, all mine.
First, I chose an ugly on-sale scrapbook and then padded it and covered it. I selected a print corduroy from the late 1960s for the front cover and a gingham from the early 1960s for the back.
You can see what my first page looks like in the slideshow above. I decided to keep the page very plain and even left the raw edge of fabric visible. In the photograph you can see me wearing the sleeveless tent dress that my grandmother made for me. It has a high yoke decorated with large embroidered white daisy appliques. I loved that dress. It was so comfy and very pretty. The type of fabric was called “whipped cream,” and was lightweight, airy, with a little texture to it. My mom’s cotton or cotton/poly fitted dress, also sewn by Grandma, was very Barbie-style.
This is the story I wrote about what the dress and the photo remind me of:
In this photo, my parents and I are in Canada, seated at a restaurant in the 1967 International and Universal Exposition.
The summer I turned 12 is the one I will always remember as a peaceful and memorable week with my parents. We left my 4-year-old brother with my grandparents in Kalamazoo and drove to Montreal for Expo ’67, the World’s Fair.
We stayed in Montreal at the winter (city) home of my grandfather’s 2nd cousin, Harold Remine, the Chief Engineer of Quebec Hydroelectric. It was a beautiful and elegant brown brick row house. The dining room was complete with all the requisite china, crystal, and silver. But the house was not large, and I had to share a bedroom with my parents.
Harold and Lillian also had a lovely lake home, which we visited. Harold introduced me to curling, a sport I had never heard about before, by taking us to a curling club.
The Expo itself excited and exhausted me. It had some elements in common with a state fair or Disneyland, a place I had not yet visited. There were snow cone and cotton candy booths, hot dog and burger stands. A caricaturist drew my likeness holding a book. I was disappointed afterward that I hadn’t given him a better hobby. Reading seemed so nerdy. But the truth was that I read more than I did anything else.
Each participating country sponsored a magnificent pavilion that was supposed to reflect the national personality. The U.S. pavilion was a huge geodesic dome—this is a sphere that is built of short struts that follow geodesic lines (the shortest line between two points on a sphere) and form an open framework of triangles or polygons. There were very, very long escalators that seemed to hang in “thin air,” and the park’s elevated minirail ran through the structure. The effect of being inside the pavilion was of being suspended in space. I believe I saw a doll collection and space race memorabilia, but since I was afraid of heights, I mainly remember my fear.
My favorite pavilion was the Burmese one. Under its appealing multi-roofed pagoda design, a gigantic golden Buddha dominated the interior lobby. I suspect that the restaurant in the photo is the Burmese one. To this day, it is my favorite type of food. If you haven’t been lucky enough to eat it, it is a cross between Thai and Indian food.
Habitat 67, a futuristic housing development, was situated near the edge of the fairgrounds. It reminded me of photos of Anasazi dwellings for some reason. I was both repelled by the makeshift quality and fascinated by a new way to conceptualize living quarters.
I guess my parents had decided not to bring my brother because he was too young to appreciate the cultural opportunity or even to go on the fair rides. But when we got home to Kalamazoo and stopped at Grandma and Grandpa’s to pick him up, he was flushed with a high fever. He sat on someone’s lap, and somebody else snapped a pic a second before he leaned over and threw up on the floor. That’s when I started to feel guilty that we had left him behind.
Last week I posted some photos of fabric scraps leftover from my childhood. You guys (as my Michigan roots instruct me to phrase it) helped me with ideas of what to do with the scraps, ranging from giving them to a church to quilters to sewing cat beds to making a scrapbook. You also gave me an idea of how to get rid of the smell of mothballs (thanks, Michelle). I put them into the dryer, and the smell turned flowery!
I now have plans for the scraps, but it is going to take some time before I can get started. In the meantime I have two more bags of scraps to put through the dryer and leave to air out. So don’t expect to hear back on the scraps for a couple of months!
When I began the process of putting the first bag of scraps into the dryer I discovered that there were a few pieces of unfinished clothing in the lot.
I think all these items were begun during 7th grade, before I had really learned to sew, but was beginning to experiment. These goofy pants crack me up. Were they meant to be pants or pajama bottoms? Judging by the darts, I’d say pants! Thinking back to that first year of junior high, we still had to wear skirts to school. What a different world.
Then there was this top–meant to be strapless, like a tube top in a way. But it turned out to be beyond my ability.
Is this stuff just a hoot? Well, here is a skirt I made and didn’t finish.
Not finishing this skirt did not stop me from wearing it at home. I was halfway through 7th grade, and desperate for new clothes. I also wanted to experiment with styles. So I sewed together the two sides of the skirt and put it on! Then I dressed it up with other pieces. Thought I was the coolest thing ever. And here I am.
I was such a weird kid. But note my bow tie (either my little brother’s or my grandfather’s tie from his Sunoco uniform) and the oxford shirt. I made the vest out of a pillowcase. That turquoise bow on my thigh? PJ bottom peeking out
That table and chairs? Pretty sure it came from Polk Brothers in Chicago. Anybody remember that store? Oh my gosh, I just realized that the napkin holder on the table? I made that that year at home on my father’s lathe. I still have it. OK, weird kid, weird adult. I must save everything the least bit sentimental. I made that thing for my mother on my own on that big piece of equipment. Painted it yellow and slapped on some decals. A few years ago, my mom gave it back to me. I guess she was finished with it ;).
Then I must have decided to match a gold and white stripe knit top with the skirt. When one of my parents tried to take a picture of my designer-wannabe endeavor, I fled out of embarrassment (my usual state at this age).
That was the end of my designing career.
How’s about that ladder in my tights?
Or, who was that person?
A couple of pieces of fabric in the bag had prices still attached. Look at this seersucker. I bought it at Thrifty Acres, which eventually became Meijer’s.
Joann’s is still selling seersucker, although I’ll bet the quality is not the same. Those old fabrics were excellent, which is why these scraps are 50 years old and look like new.
My original seersucker was from a time period where we were looking back to the 1920s Gatsby look. What would it be used for today?
Make it a great week!
It’s been months since I’ve written about the Secret Life of an Object (credit due to Dawn Raffel’s book). The other day I needed to make room in a closet and felt I should confront 3 vacuum-seal bags of old fabric scraps.
My paternal grandmother was a marvelous seamstress and tailor. I wrote in the posts, The Love Factor of Dolls and RIP Dreamland, that she was Head Fitter of the 28 Shop at Marshall Field’s flagship store in Chicago. When I was eleven, she moved to Kalamazoo, just down the block from us, and spent her early retirement years sewing clothes for us–especially my mother and me. In junior high, I learned to sew in Home Ec class, and I began to sew my own clothes as well.
The motivating factor for me to sew was that my father wouldn’t buy clothes for me, but would buy fabric for me any time I wanted it. So if I wanted a new skirt, top, jumper, dress, or scooter-skirt (mini culottes), I needed to make it myself.
I think of the remnants of all this sewing Grandma and I did as Grandma’s fabric scraps.
I decided to unpack one vacuum bag and air them out. You see, some dummy (that would be me) put mothballs in the bag.
Anybody have an idea how to get out the smell of mothballs without having to wash the scraps?
What I found was that a great many of the scraps in this bag were either leftover from items sewn by me or items evoking memories.
In the above pile, you can see a navy gingham and a red gingham. I remember working with these fabrics; at least one item was a smocked top. Either the top or another item used both ginghams together. I wish I could remember it better. The orange floral in the middle was a granny dress with a red border at the bottom. The kelly green with tiny white flowers in the bottom left Grandma used for clothes for my mother and me.
This bright fabric on top with the sunbursts I made into a scooter skirt. It was actually wide-leg shorts with a panel on the front and one on the back that buttoned on.
The hat lady fabric was my absolute favorite. I bought it on sale and made a little flip skirt and bell sleeve top. I wore it all the time. The fabric was jersey, so very comfy and flattering.
Aren’t these fabrics a blast from the past though? Retro, vintage, and ancient haha.
In this pile are fabrics that I remember as well, although most of them were ones Grandma purchased for someone other than me–herself or my mother or my mother’s windows.
Maybe the biggest discovery in this bag, though, was a remnant of the fabric from the curtains of my bedroom when I was very young.
The walls of my room were painted a pale gray. isn’t this fabric great? Maybe these kittens imprinted themselves on me. They could be why I love cats to this day.
Do you have any old fabric scraps?
Since I no longer sew, what should I do with these scraps to give them new life?
Speaking of cats, the shelter I volunteer at hosted a 10 year anniversary gala. The gardener and I went with our daughter and her boyfriend.
I had to dress up for this shindig! Guess what? Jumpsuits are in style! So I bought a black jumpsuit, wore it with ankle boots (for my crummy feet), and was good to go. But some people looked great, including the rest of my family.