Tag Archives: vintage American culture

A Review, A New/Old Bowl, and a Poem

This new WordPress editor really stinks. It’s slow and awkward. I can’t figure out how to get “classic” back. It figures that they would do this in the year 2020.

Three things today. First a book review. Then a new purchase :). And, finally, a new publication.

I wrote a review of Jennifer Givhan’s gorgeous poetry collection Rosa’s Einstein. Her poetry and prose is providing a wonderful new Latina voice to American literature. Here is a copy of the journal that published the review–the Winter 2020 issue of The Main Street Rag.

 

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Now for my new purchase. An item that has lurked in the shadowed corners of my memory is the green glass bowl my grandmother used to pour her potato pancake batter from. She cooked the type of potato pancakes they made where she was born in the Rhineland area of Germany: the batter was smooth and looked closer to that of flour pancakes than of latkes. I loved those pancakes more than any other food, and I have always associated them with the bowl.

I’m pretty sure that my parents got rid of the bowl when Grandma moved to the nursing home. They held a garage sale of her belongings. I had a lot of feelings about that at the time.

When I finally decided to Google the darn bowl, guess what? It’s a “vintage” Anchor Hocking jadeite Fire King batter bowl! It’s not some random thing that just happened to become engrained in my mind. It’s a collectible! So what did I do? I bought one, of course!

Now I am looking for recipes for German-style potato pancakes. Do you have one?

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Shot Glass Journal has published one of my poems. “Fiction” is another Little Red Riding Hood poem. You can read it here:

FICTION

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More Scrapping Scraps

I finished another story scrap for my SCRAPS scrapbook–finally.

As a reminder this is the first post. Click the photo to read it.

 

When I was a preteen, my grandmother sewed me shorts sets from cotton blend prints. She made the tops and shorts out of the same material, but the tailoring was fairly sophisticated, so the end product had more in common with a summer dress than a romper. I don’t know where she got the idea from or if it was in style in the sixties. At least one fabric was made into matching mother-daughter shorts sets for Mom and me.

 

But my favorite set was in a fabric that I found very cheering. Balloons in varying shades of spring greens, both solids and prints, float on a white field. The shorts were mid-thigh, and the top had a fairly high neckline. Because Grandma made it for me, the outfit fit perfectly. It was comfortable, and I felt good wearing it.

 

Not that I didn’t love to wear my denim shorts and short-sleeved sweatshirt. But Grandma’s short sets were lighter weight than my other play clothes and much more convenient than dresses.

In this photo I am posing alone–to see the one with my mother look at the finished pages at the bottom of the post.

In our old photos, I found myself wearing the balloon set on two different dates. The summer photo came first. It was on the occasion of our trip to Canada to attend Expo 67. In fact, in a scrapbook, Mom labeled the picture, “Mother and daughter enjoying a rest.” A body of water is behind us. Below that photo, my mother had pasted another photo and labeled it, “Sawmill at Upper Canada Village.”  There is another image of just me in the same spot but without my mother (the one above). From examining the few photographs I could find online, I do think these photos of me are also from Upper Canada Village.

 

In the photos, I am wearing the shorts set, with its matching triangle headscarf tied at the nape of my neck. I also wear a blue ¾ length sleeve cardigan that Grandma knitted for me. On my feet are navy blue Keds-type shoes.

 

I’ve written before about our Expo 67 visit, but we also went to other tourist sites in Canada during our trip. Upper Canada Village was one of the places we visited. Niagara Falls was another.

 

My grandmother must have made this outfit for me in the spring of 1967 when I was finishing up elementary school (6th grade). I started junior high in September.

The other photo revives vivid memories. It was taken 31 October 1967, Halloween, probably around 6 PM. I remember my mother posing me in front of the living room fireplace. I have very few memories of actual picture taking, so this is very special to my heart.

I am wearing a heavenly sheer green silk flapper dress that had been owned by my grandfather’s cousin Therese Remine. It was heavily beaded, and over time, the silk had weakened, and the beads were too heavy for the thin fibers. By the time I got home that night, the dress had already begun to rip. You might wonder why my mother would allow me to ruin an expensive vintage dress by wearing it one night for Halloween. I wonder that myself, but my mother’s value system is limited. To sum it up: she didn’t have any interest in the dress, so she didn’t care what I did with it.

 

Because the dress was sheer, I had to choose clothes to wear underneath, and the only thing that seemed to my 12-year-old mind to “go” was the balloon shorts set because both outfits were green.  I made myself a flapper headband to match and carried a handbag that must have belonged to Therese, although I am not positive about that. You see, I used to collect old discarded fancy wear and had quite a collection from a few women.

 

It had been my mother’s idea to make a headband. I don’t know how much I knew about the 1920s, and I probably needed her suggestion to visualize the whole outfit. I have mulled over the question: where did I first learn about flappers with their bobbed hair and short skirts? Their narrow flat outlines so like my own. I don’t remember what movies or books might have shaped whatever image I had by age twelve.

 

An essential part of my costume that night was the large diamond-shaped earrings. I’m not sure where those dangly earrings came from. I hope I didn’t lift them from the dime store at the plaza.

 

While I stood in the middle of our living room, smiling into the camera, my mother pulled her face out from behind the camera and pinned me with her gaze. “This will be your last year trick-or-treating. You’re getting too old.” So that was that. I felt compelled to enjoy myself this one last time.

 

The living room accessories in the photo were accumulated from various places, generally from other people. The big brass candlesticks were heavy. The painting was not a copy, but an inexpensive original painting. The Don Quixote figures had been displayed at a home décor shop. My father had purchased an old house on Westnedge on a land contract and rented it to an interior decorator who opened the shop. When she went out of business, she gave my father some small furnishings in lieu of back rent. That was how we ended up with the large wood fork and spoon that hung on our kitchen wall for years (yes, like in Marie’s kitchen on  Everybody Loves Raymond).

 

I look so young in these photos, and yet poised on the brink of burgeoning womanhood. I remember how I felt wearing that flapper dress. The twenties was my era, and I felt as if I belonged.

 

As my photograph was snapped, the bell rang. My friends had arrived so we could begin the house-to-house process. That’s when I realized I had to wear my wool coat over my costume. Or rather, my mother informed me I had to.

 

We trudged from front door to front door, but the knowledge that this was my “last time” weighed on my mind. My fingers grew chilled from the cold that had arrived early to Michigan. That’s where this memory ends.

 

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Scrapping Scraps

In September I posted photos of the fabric scraps I still have from my childhood. The inspiration for ruminating on what to do with them came from a couple of sources. One was Dawn Raffel’s book The Secret Life of Objects.  The other was Swedish death cleaning–getting rid of stuff so my kids are not one day burdened with it.

I promised I would do something with the scraps, and I have not forgotten. I am far from the point of actually getting rid of the fabric, but did start a project that was suggested by sarahsouthwest.

I’m making a scrapbook of scraps! For each page I plan to include a fabric remnant, a story or description of the memory it stirs up, and, if possible, a photograph of the garment made of the fabric. So far I’ve only made the cover and one page, but thought you might want to follow along with the process. I’m not very good at crafts, but hey, it’s mine, baby, all mine.

 

 

First, I chose an ugly on-sale scrapbook and then padded it and covered it. I selected a print corduroy from the late 1960s for the front cover and a gingham from the early 1960s for the back.

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You can see what my first page looks like in the slideshow above. I decided to keep the page very plain and even left the raw edge of fabric visible. In the photograph you can see me wearing the sleeveless tent dress that my grandmother made for me. It has a high yoke decorated with large embroidered white daisy appliques. I loved that dress. It was so comfy and very pretty. The type of fabric was called “whipped cream,” and was lightweight, airy, with a little texture to it. My mom’s cotton or cotton/poly fitted dress, also sewn by Grandma, was very Barbie-style.

This is the story I wrote about what the dress and the photo remind me of:

 

In this photo, my parents and I are in Canada, seated at a restaurant in the 1967 International and Universal Exposition.

 

The summer I turned 12 is the one I will always remember as a peaceful and memorable week with my parents. We left my 4-year-old brother with my grandparents in Kalamazoo and drove to Montreal for Expo ’67, the World’s Fair.

 

We stayed in Montreal at the winter (city) home of my grandfather’s 2nd cousin, Harold Remine, the Chief Engineer of Quebec Hydroelectric. It was a beautiful and elegant brown brick row house. The dining room was complete with all the requisite china, crystal, and silver. But the house was not large, and I had to share a bedroom with my parents.

 

Harold and Lillian also had a lovely lake home, which we visited. Harold introduced me to curling, a sport I had never heard about before, by taking us to a curling club.

 

The Expo itself excited and exhausted me. It had some elements in common with a state fair or Disneyland, a place I had not yet visited. There were snow cone and cotton candy booths, hot dog and burger stands. A caricaturist drew my likeness holding a book. I was disappointed afterward that I hadn’t given him a better hobby. Reading seemed so nerdy. But the truth was that I read more than I did anything else.

 

Each participating country sponsored a magnificent pavilion that was supposed to reflect the national personality. The U.S. pavilion was a huge geodesic dome—this is a sphere that is built of short struts that follow geodesic lines (the shortest line between two points on a sphere) and form an open framework of triangles or polygons. There were very, very long escalators that seemed to hang in “thin air,” and the park’s elevated minirail ran through the structure. The effect of being inside the pavilion was of being suspended in space. I believe I saw a doll collection and space race memorabilia, but since I was afraid of heights, I mainly remember my fear.

 

My favorite pavilion was the Burmese one. Under its appealing multi-roofed pagoda design, a gigantic golden Buddha dominated the interior lobby. I suspect that the restaurant in the photo is the Burmese one. To this day, it is my favorite type of food. If you haven’t been lucky enough to eat it, it is a cross between Thai and Indian food.

 

Habitat 67, a futuristic housing development, was situated near the edge of the fairgrounds. It reminded me of photos of Anasazi dwellings for some reason. I was both repelled by the makeshift quality and fascinated by a new way to conceptualize living quarters.

 

I guess my parents had decided not to bring my brother because he was too young to appreciate the cultural opportunity or even to go on the fair rides. But when we got home to Kalamazoo and stopped at Grandma and Grandpa’s to pick him up, he was flushed with a high fever. He sat on someone’s lap, and somebody else snapped a pic a second before he leaned over and threw up on the floor. That’s when I started to feel guilty that we had left him behind.

 

Habitat 67 from Wikipedia

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Memory Remnants Redux

Last week I posted some photos of fabric scraps leftover from my childhood. You guys (as my Michigan roots instruct me to phrase it) helped me with ideas of what to do with the scraps, ranging from giving them to a church to quilters to sewing cat beds to making a scrapbook. You also gave me an idea of how to get rid of the smell of mothballs (thanks, Michelle).  I put them into the dryer, and the smell turned flowery!

I now have plans for the scraps, but it is going to take some time before I can get started. In the meantime I have two more bags of scraps to put through the dryer and leave to air out. So don’t expect to hear back on the scraps for a couple of months!

When I began the process of putting the first bag of scraps into the dryer I discovered that there were a few pieces of unfinished clothing in the lot.

I think all these items were begun during 7th grade, before I had really learned to sew, but was beginning to experiment. These goofy pants crack me up. Were they meant to be pants or pajama bottoms? Judging by the darts, I’d say pants! Thinking back to that first year of junior high, we still had to wear skirts to school. What a different world.

Then there was this top–meant to be strapless, like a tube top in a way. But it turned out to be beyond my ability.

Is this stuff just a hoot? Well, here is a skirt I made and didn’t finish.

Not finishing this skirt did not stop me from wearing it at home. I was halfway through 7th grade, and desperate for new clothes. I also wanted to experiment with styles. So I sewed together the two sides of the skirt and put it on! Then I dressed it up with other pieces. Thought I was the coolest thing ever. And here I am.

I was such a weird kid. But note my bow tie (either my little brother’s or my grandfather’s tie from his Sunoco uniform) and the oxford shirt. I made the vest out of a pillowcase. That turquoise bow on my thigh? PJ bottom peeking out

That table and chairs? Pretty sure it came from Polk Brothers in Chicago. Anybody remember that store? Oh my gosh, I just realized that the napkin holder on the table? I made that that year at home on my father’s lathe. I still have it. OK, weird kid, weird adult. I must save everything the least bit sentimental. I made that thing for my mother on my own on that big piece of equipment. Painted it yellow and slapped on some decals. A few years ago, my mom gave it back to me. I guess she was finished with it ;).

Then I must have decided to match a gold and white stripe knit top with the skirt. When one of my parents tried to take a picture of my designer-wannabe endeavor, I fled out of embarrassment (my usual state at this age).

That was the end of my designing career.

How’s about that ladder in my tights?

Or, who was that person?

A couple of pieces of fabric in the bag had prices still attached. Look at this seersucker. I bought it at Thrifty Acres, which eventually became Meijer’s.

Joann’s is still selling seersucker, although I’ll bet the quality is not the same. Those old fabrics were excellent, which is why these scraps are 50 years old and look like new.

Now it’s $9.99/yard. It looks like I paid $1.18/yard. I guess the most astonishing thing is that people are still buying seersucker!

My original seersucker was from a time period where we were looking back to the 1920s Gatsby look. What would it be used for today?

Make it a great week!

 

 

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Memory Remnants

It’s been months since I’ve written about the Secret Life of an Object (credit due to Dawn Raffel’s book). The other day I needed to make room in a closet and felt I should confront 3 vacuum-seal bags of old fabric scraps.

My paternal grandmother was a marvelous seamstress and tailor. I wrote in the posts, The Love Factor of Dolls and RIP Dreamland, that she was Head Fitter of the 28 Shop at Marshall Field’s flagship store in Chicago. When I was eleven, she moved to Kalamazoo, just down the block from us, and spent her early retirement years sewing clothes for us–especially my mother and me. In junior high, I learned to sew in  Home Ec class, and I began to sew my own clothes as well.

The motivating factor for me to sew was that my father wouldn’t buy clothes for me, but would buy fabric for me any time I wanted it. So if I wanted a new skirt, top, jumper, dress, or scooter-skirt (mini culottes), I needed to make it myself.

I think of the remnants of all this sewing Grandma and I did as Grandma’s fabric scraps.

I decided to unpack one vacuum bag and air them out. You see, some dummy (that would be me) put mothballs in the bag.

Anybody have an idea how to get out the smell of mothballs without having to wash the scraps?

What I found was that a great many of the scraps in this bag were either leftover from items sewn by me or items evoking memories.

In the above pile, you can see a navy gingham and a red gingham. I remember working with these fabrics; at least one item was a smocked top. Either the top or another item used both ginghams together. I wish I could remember it better. The orange floral in the middle was a granny dress with a red border at the bottom. The kelly green with tiny white flowers in the bottom left Grandma used for clothes for my mother and me.

This bright fabric on top with the sunbursts I made into a scooter skirt. It was actually wide-leg shorts with a panel on the front and one on the back that buttoned on.

The hat lady fabric was my absolute favorite. I bought it on sale and made a little flip skirt and bell sleeve top. I wore it all the time. The fabric was jersey, so very comfy and flattering.

Aren’t these fabrics a blast from the past though? Retro, vintage, and ancient haha.

In this pile are fabrics that I remember as well, although most of them were ones Grandma purchased for someone other than me–herself or my mother or my mother’s windows.

Maybe the biggest discovery in this bag, though, was a remnant of the fabric from the curtains of my bedroom when I was very young.

The walls of my room were painted a pale gray. isn’t this fabric great? Maybe these kittens imprinted themselves on me. They could be why I love cats to this day.

Do you have any old fabric scraps?

Since I no longer sew, what should I do with these scraps to give them new life?

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Speaking of cats, the shelter I volunteer at hosted a 10 year anniversary gala. The gardener and I went with our daughter and her boyfriend.

I had to dress up for this shindig! Guess what? Jumpsuits are in style! So I bought a black jumpsuit, wore it with ankle boots  (for my crummy feet), and was good to go. But some people looked great, including the rest of my family.

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Magical Music Box

I forgot about writing posts based on Dawn Raffel’s memoir, The Secret Life of Objects. Joey over at Joeyfully Stated reminded me, so I’m happy to be back at it. I’ve written about the magical bowls of my childhood snacking and the name sign from my grandmother’s mailbox, as well as some jewelry that holds meaning for me.

Maybe the object that I still have that carries my earliest memories is the music box I have had since I was a baby. I know it’s weird, but I am a person with very early memories. I apparently inherited this ability from my grandfather. If you wonder what toddler memories are like, they are exactly like memories from all the other times of your life: vivid and realistic.

When my mother put me down for a nap, she would wind up the music box and set it going. I still remember standing in my crib, looking over the white iron bars, willing the music box to start up again. It didn’t, of course, as it had to be wound by someone.

I think I must have been a hard kid to settle to sleep (undiagnosed ADHD or anxiety?), and I always felt I was missing something. But then again my parents wanted me to nap AND have an extremely early bedtime. As a child I used to play shadow games or read under the covers with my flashlight.

When I became a teen, it was the sixties and incense was very popular, so I used my music box as an incense burner.

Have you ever heard that music is one of the best triggers for memory? Well, my music box–after 60+ years–still works. (Take that you plastic parts in today’s merchandise!)

I did a quick search online for a vintage round metal music box, and there are quite a few that look very similar, even to the color. They are called “powder puff” style. It’s very possible that this music box is from the 1940s and predates me. It could have belonged to my mother or grandmother well before I was born.

Question of the day: what song does the music box play?

Anybody want to play along and write about the secret life of an object? If so, please post the link in the comments here!

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On another note, my uncle has been visiting for two weeks and the kids (daughter and BF) are still living here, so for an HSP like me it’s been Grand Central Station over here.

 

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Nothing Says Grandma Like Club Aluminum

My maternal grandmother was a good baker and a good cook of meats (usually beef) and vegetables. Her use of Grandpa’s garden vegetables in stews and ratatouilles came from being raised on a farm by a mother who was a good cook. She loved her Club Aluminum pans, and the one I most remember was the Dutch Oven. Since my grandmother’s father and my grandfather (her husband) were Dutch, as a kid, I thought it was a pot that was original to the Netherlands, not realizing that is its official name. Her pots were “silver,” the color of aluminum. My mom had Club Aluminum, too, and as I got a little older I realized that she had probably gotten the pans from her mother. She also thought they were the best type to cook in, but her pans didn’t seem to work as well as Grandma’s ;). Or, at least, more anxiety made its way into those dishes.

When I became engaged at nineteen, I had never thought about a wedding or wedding gifts. The only thing I ever imagined was a white velvet dress with a red hooded coat like Mary wore for her wedding in Babes in Toyland. Instead, to save my parents money, I wore my mother’s wedding dress that my other grandmother had made, but that’s another story. I know it sounds blasphemous to American wedding tradition, but I didn’t even register for gifts.

My bridal shower was a family affair, to which I wore my favorite outfit, a teal corduroy pantsuit. Everyone had a very similar pantsuit, but mine was special because of the color. When I arrived at my aunt’s house, I discovered that the person I most wanted at the shower, Grandma, was home sick. The whole event paled after that news, but I do remember that her gift was the biggest and splashiest–an entire set of Club Aluminum pans in yellow. Instead of a metal handle like my mother and grandmother’s Dutch Ovens had, mine had a plastic knob.

I still have my Dutch Oven and a couple of the other pans with lids.

You can see the yellow exterior is pretty banged up after all these years, but the inside is still pristine. My pot has seen some really yummy dishes, but it also was what I used to make Kraft mac and cheese in (for the kids), too, I’m sorry to admit.

This link has a little history of Club Alumimum. It explains that it is cast, not spun. So it is cast aluminum, kind of like cast iron.

Eventually, a report came out that aluminum is dangerous for cooking. If I remember correctly, it was supposed to cause some sort of brain trouble. I guess that has been mainly proven wrong at this point. But it was asserted so strongly that the gardener bought me a set of Calphalon pans. Gosh, I hate those things. Everything sticks to them. Grandma knew what was a good pot! I’ve since added some All-Clads to the mix, and those are ok. But nothing is as good as Club Aluminum.

Or a well-seasoned cast iron frying pan. Funny how much less expensive ($14.88 at Walmart) those are than all the fancy frying pan brands sold today!

By my current kitchen standards, Grandma’s kitchen was a little too small, with not enough counter space, a small persnickety stove/oven, and a ridiculously crammed smallish fridge. She didn’t have granite counters, hardwood cabinets, or stainless appliances. But to me it was a wonderland of magic commanded by my gentle, smart, warm, and loving grandmother.

More about Grandma in “Grandma and the Purple People Eaters.”

 

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My Past in Costume Jewelry

Remember when I wrote about feeling inspired by Dawn Raffel’s memoir and wanted to write about the “secret life” of objects I hold dear? I wrote about “Magical Bowls” and later about my grandmother’s mailbox sign.

This past week I went through a drawer of old jewelry to photograph it. I like to photograph things that I have packed away and haven’t seen in a long time. That way I can decide what to keep, as well as what to get rid of and just keep the photo. Jewelry was always something that appealed to me. When I was in college, I first worked for a department store in the jewelry department. I even briefly considered becoming a “jeweler.”

I use quotation marks because the definition of jeweler versus jeweller is one of the many things that has shown me how fast our world is changing. When I was in my twenties, there was a difference in the United States between these two professions. Today, the first is American and the second British, but in those days there were American jewelers and jewellers. And one was a more sophisticated job than the other. One actually made jewelry and the other sold it in a store. I’ll be darned if I can remember for sure which was which.

The other happy memory I have about jewelry is that the gardener was even more fond of buying me jewelry for gifts than I was at receiving it. This is what he gave me for high school graduation. It is sterling and onyx and was purchased at a shop on the Kalamazoo mall that specialized in gifts and decorative objects from India.

While I worked in the jewelry department, I managed to purchase a couple of pieces of jewelry with my discount. I thought they were a little better than costume jewelry, almost semi-precious. Today, they have no value as the gold is “gold-filled” and the styles are no longer fashionable. They really are costume jewelry.

But I didn’t stop hanging around jewelry after I quit that job. After I graduated from college, the gardener and I opened a store that sold “accessories.” That included handbags (purses, pocketbooks), billfolds (wallets), jewelry, belts, and gloves. I was always more interested in accessories than in actual articles of clothing, so it was a good fit for me. (Actually, I am not very interested in clothes at all). The gardener worked for Dictaphone as a sales rep, while I ran the store.

Over time, I collected a handful of pieces of “semi-precious” costume jewelry for myself. This is my carnelian Les Bernard necklace. Vintage Les Bernard jewelry is available online at about the same price it sold for originally ;).  Carnelian represents passive female energies (whatever that means).  Check out its meanings here.

Although I enjoyed the freedom from a corporate job running my own store, I was a little bored. Luckily, there were a few aspects of the job I enjoyed. One of my favorite parts of running the store was “doing” the window displays. I never had a class, a mentor, a single comment from anyone teaching me how to decorate a window, but maybe the proudest part of running the store is feedback I got from others about my windows. (I wish I had photos–maybe one day I will run across a photo!) There was a professor at Western Michigan University who loved my windows and one of her assignments was to send her students to check them out and do a write up about them. I would say that the most engaging part of my style was my use of color. For instance, my favorite window was all in bright red and natural wicker/bone. I didn’t bring in any other colors, and the contrast of those two colors was unique and really drew the eye.

Today my enjoyment of interior design is probably tied to my window design background, but I would never want to design someone else’s home interior (although friends have asked me to do so). I have confidence when it comes to doing what I like for myself, but I don’t want to have to take someone else’s “likes” into it ;).

What I noticed as I went through pieces of costume jewelry from one grandmother, then my other grandmother, then the gardener’s aunt, and a piece from an elderly relative who was cousin to my grandfather was that each piece, even if it is absolute junk from the viewpoint of the world at large, means something to me. Each piece makes me remember something about my past. The clay cross from La Purisima mission brought home by one of my children from a school trip, the kukui nut necklace from my parents’ trip to Hawaii, the hand-beaded bracelet a high school friend made. They all mean something to me. When I die, nobody else will have any connection to this jewelry. It will look like garbage to anyone who goes through my stuff.

Sometimes when I go to an antique mall I look at the vintage jewelry displays and try to imagine the stories behind the jewelry. But, honestly, it looks like shopworn seen-better-days stuff to me. That is a crushing blow, probably related to feelings of mortality. So of course I didn’t get rid of anything. Now I have the stuff in a drawer AND the photographs.

While I’m not a hoarder because (to the gardener’s everlasting annoyance) I like to throw things away (he is a hoarder!), I sure have managed to accumulate a lot of stuff for a thrower-awayer. I surprise myself at how sentimental I am. But then you’re probably not surprised!

On that note, have a great week! (hah)

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A Sign to Remember

This is my second response to feeling inspired by Dawn Raffel’s memoir about the “secret life” of objects.

This object is not something I’ve owned for long, carrying from house to house. In fact, I only spotted it in July when we brought my mother home from the hospital.

My mother’s basement has shelves, boxes, and tables overflowing with photo albums and photo boxes. She has little interest in them. They were my father’s treasures. He was the family photographer and tried to hold every memory close to his heart and mind. With him now gone, my mother feels burdened by belongings that she never cherished to begin with. Every time I visit, she encourages me to take as much as I want of our family memories.

Before we flew back to Arizona, I decided to give the photo albums another go-around, taking home as many of the most important photographs as I could pack. I plan to scan them and then email them to other family members. While downstairs, I noticed a metal sign resting on the floor, shoved between two boxes.

This mailbox marker is from the 1960s. My father had it made for his mother’s mailbox when she moved near us from Chicago.

This is how it was attached to the mailbox and what Grandma’s mailbox looked like. If you click on this image, you will discover that there is a company (perhaps) still making these using a machine from the forties. The writer of the article says the company is so old school they don’t even have a website.

Grandma was born in Germany in 1893 and immigrated with her family to Illinois when she was two or three years old. When she was in her early 70s, she decided to leave Chicago for the small town atmosphere of Portage, Michigan, a suburb of Kalamazoo. Dad bought a duplex around the corner from our house, rented out one side, and moved Grandma into the other side. I was ten and could now ride my bike to Grandma’s house.

Not that I liked to visit her. I’m not proud of that fact, but it’s true. When Mom or Dad made me pedal down her street the houses all seemed to be watching me.  The nameplate on the mailbox signaled that soon I would be walking in Grandma’s door. I always had either terrified starlings or lake stones in my stomach.

But why? I am not sure, but am trying to figure it out. Grandma was a bit stern, a bit strict, at least more so than my Kalamazoo grandmother who was warm and fun. (Kalamazoo Grandma was 19 years younger than Chicago Grandma). Was it a cultural reflection of Grandma’s semi-German upbringing? I think her father was stern and difficult to know. He might have been domineering and given to punishments. But this is a guess based on my dad’s and uncle’s stories. In old photos, Grandma’s mother looks like a sweetheart–sort of like my maternal grandmother. Was it that I was afraid of my grandmother’s strictness?

If so, that’s odd because my father could be unrelentingly strict. She was an amateur compared with Dad in that way.

I remember Grandma, a talented seamstress and tailor, poking a straight pin in my stomach and warning me that I was getting fat. I wasn’t overweight, although for a period of time my belly protruded a bit. I deeply resented her saying this to me, but she didn’t do it all the time. Would I have held it against her? Maybe, but I think she did it after I already had developed anxiety at visiting her.

Within a year or two, a doctor confirmed that I had “water weight” in my abdomen. Years later I would be diagnosed with lymphedema. Where did I get it? From Grandma who never did get a proper diagnosis. Doctors told her it was caused by congestive heart failure, a disease she developed with age, but the swelling in her legs was visible before she was forty–I can see it in photographs. (I hope you’re seeing the thread here about photographs: they can be important).

Grandma always had a glass bowl of Dum Dum suckers for me to choose from. I didn’t care for those dull little things. Tootsie Pops–or better yet, Slo Pokes–were my lollipops of choice. Did I resent not being offered what I wanted instead of what she wanted to give me? It’s possible that she couldn’t afford Tootsie Pops. The candy was only for us because she couldn’t eat it; she was diabetic. Was I a brat? She seemed to try to make me happy, but her ways were limited and without imagination.

Some of my memories make me wonder if I pitied Grandma. Her age? Her solitary life? Some unexpressed sadness deep within her?

I remember Grandma’s home being so quiet that the clock ticking spooked me like a sudden noise in a horror movie. And still. Every object in the dusty rose living room seemed preternaturally still, the sort of stillness that comes before unexpected movement, as if the contents were waiting for me to leave.

When I left and pedaled as fast as I could down the street, I deeply drew in the outdoor air, thrilled to be headed toward my own street.

Then, all these years later, I saw the heavy metal sign in Mom’s basement and brought it home in my suitcase. The gardener didn’t say anything until I pulled out hammer and picture hangers to hang it on the wall of my study. “You don’t want that there, do you?”  Hahaha, yes, I did, and there it is.

Every day I scan a few of the photos I brought home. The other day I found this one of me kissing Grandma, thanking her for the crocheted afghan she made me for my high school graduation (you can see a bit of the pattern in the photo). Proof that Grandma and I loved each other, even if she made me nervous.

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Magical Bowls

A while ago I warned you that I felt inspired by Dawn Raffel’s memoir and might write about the “secret life” of objects I hold dear (or in fear). Here’s the first one that I wanted to explore.

I only now have realized that the four snack bowls, speckled like the linoleum floor in my childhood kitchen, are melamine, not plastic. Maybe that’s why they are at least fifty years old and still have their little handles intact, although cracked.

When my parents moved out of their winter condo south of Tucson a few years ago, they decided to get rid of the majority of their furnishings, rather than cart them back to Kalamazoo. They urged us to take what we could of the wall art, furniture, and Dad’s craft pieces. My mom was amused when I grabbed the stack of dull brown bowls. “What do you want those for?” I wasn’t sure, but I knew I wanted them.

As long as I could remember, we had eaten Be-Mo potato chips, as well as vanilla ice cream and Hershey’s syrup whipped into milkshake consistency, from those bowls. When Mom kept out our hollowed tree branch bowl of nuts long after Christmas, we filled the snack bowls with smooth pecans and bumpy walnuts that gave way to cracked shell fragments.

The bowls were out at parties, but not for individual snacking. Mom filled them with her homemade Chex Mix and placed them around the living room. Her makeup and bouffant hair were already complete, a frilly half-apron tied around her waist, as she spread out party food, paper plates, and napkins. I placed the spoons and forks in angled lines. Lamplight and low music from the hi-fi set the stage.

As he beamed and told me silly jokes, Dad set up a temporary bar with highball and Old Fashioned glasses, cherries, olives, and a bucket of steaming ice. The anticipation of the party made a team of my parents and me, a protective shield against arguing and my father’s sudden mood changes.

At twelve, I was always hungry; my mother said I had a bottomless pit. When we counted up our daily calories in 7th-grade science class, I averaged 10,000/day. My parents were thin people and not big eaters, so meals were just what we needed for nutrition, no more. To fill up my cranky stomach, I would munch cooking walnuts and chocolate chips from a bowl I’d hidden under my bed.

I wonder today what my mother thought was happening to her baking supplies. And the sugar cubes she kept on hand to serve to company that stayed for coffee. Maybe there were other shortfalls in my life that my mother didn’t notice. In my imagination, as is the way of magical objects, the bowls are always brimming with delicious munchies.

Anybody want to play along and write about the secret life of an object? If so, please post the link in the comments here!

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On another note, you all (that’s the same thing as y’all without me co-opting southern talk, or “you guys” as we used to say in Michigan) know I love family history. You probably know I have a blog called thefamilykalamazoo.com about my family history. Now I have a new–a second–blog about family history. It’s called enteringthepale.com and is about the gardener’s family history from eastern Europe.

I think this new blog, which follows our search for his ancestors, is important work on a very small scale. I am talking about finding and recording the history of Jewish family branches that were either lost or decimated during the Holocaust. In the case of the gardener’s family, we just don’t know yet what happened to anybody or who or where his family was 100, 150, 200 years ago. That’s what I will be writing about on this new blog. I’d love for you to follow. Right now we have about one follower unless you count my twitter followers.

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Filed under #AmWriting, #writerlife, #writerslife, Creative Nonfiction, Essay, Family history, Flash Nonfiction, Memoir, Nonfiction, Vintage American culture, Writing, Writing prompt