Category Archives: Book contest

What in the World is a Chapbook?

Sometimes we get so used to the jargon of the field we’re in that we forget it’s a specialized language. And that others don’t always  know what in the heck we’re talking about when we use it.

I was thinking the other day that when I say that I wonder if Perry is a feral cat or a stray cat that the nuance between those two types of cats could be lost. A feral cat is so wild that he is not used to humans or civilization and oftentimes cannot be persuaded that we are ok. Unless quite young when the socialization begins, it might not be possible to ever get a feral cat to accept human touch. But I say that with a caveat: every cat must be treated as an individual because you just never know which feral cats can be socialized and which socialized cats will never be lapcats–based on temperament, environment, and so on.

Speaking of Perry, I have been reading him Cindy Rinne’s story in verse Quiet Lantern about a Vietnamese girl named Mai Ly who is on a spiritual quest. The farther I go into the story and the more poetic prowess I discover, the more impressed I am with the book.

Another word I’ve flung around the blog lately is chapbook. Kin Types is a chapbook, rather than a full-length poetry collection like Doll God or like Rinne’s book (which is over 100 pages). But what is a chapbook? Historically, a chapbook was a small pamphlet that was truly around before books as we know them today were invented. The first written fairy tales were chapbooks. They were small. They were a few pages. And they were really roughly printed.

Chapbooks today, though, usually meet these qualifications:

  • Generally poetry, but not always
  • Less than 48 pages in length, generally around 25-30, but even as short as 15 pages (full-length collection is around 55-75)
  • Generally has a sharper focus than a full-length collection
  • Some of the most famous poems were first published in chapbooks–poems by T.S. Eliot, William Blake, Philip Larkin, and Allen Ginsberg
  • Poems can be used in a full-length collection later (or not)
  • There are many chapbook contests and small presses publishing chapbooks
  • There is only one after-publication prize open to chapbooks in the U.S., whereas there are many for full-length books
  • Poets are encouraged to publish chapbooks, as well as full-length books, and many poets first publish a chapbook rather than a book
  • Sometimes the binding is more beautiful than that of a book
  • Sometimes the artistic quality of the binding is poor and the pages look typewritten
  • Sometimes the book is stapled or bound by cord
  • Although modestly expensive, chapbooks are not meant to make money (yup, that’s a fact and probably true of all)
  • Chapbooks are a way to take a risk and strive for art for art’s sake

I did enter Kin Types in a few contests, but they are expensive (entry around $15-25 each) and when the manuscript was accepted by Finishing Line Press for publication, I decided to go with them, rather than spend more money on contests. Still, Kin Types was a semi-finalist in the Concrete Wolf chapbook contest and a Highly Commended title in The Fool for Poetry International Chapbook Competition.

The only writing I’ve been able to do lately is a poem for my son’s wedding. It’s being framed and will be on a table with photographs of the grandparents (of the bride and groom) who have passed on.

Today is the anniversary of my maternal grandmother’s birth in 1912, two days after the Titanic sank. Her birthday was two weeks after that of my paternal grandmother (though they were born 19 years apart). They were both Aries, as is the Gardener.  It’s hard to think of anything that is similar about the three of them, except that they have all been count-on-able.

My maternal grandmother’s name was Lucille Edna, although she was known as Edna. (Luanne is created from Lucille and my mother’s middle name Ann). Edna was Class Historian at graduation (her older sister was Salutatorian the same year) and  always wanted to be a writer. She thought of herself as the “Jo March” of her family (like in Little Women).

When she was elderly and ill, she made me promise I would never give up writing. That comment from Grandma found its way into a Kin Types poem.

from Grandma’s graduation scrapbook

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Filed under #AmWriting, Book contest, Cats and Other Animals, Doll God, Family history, Kin Types, National Poetry Month, Poetry, Poetry book, Poetry Collection, Publishing, Writing, Writing contest

The Dilemma of Writing Competition Protocol

I started reading over the guidelines for a few writing competitions and was once again annoyed by a dilemma that they provoke.

Most of the contests tell you all the wonderful stuff they can think of about the poet/writer who is judging. Then they slam you with this one.

Poets/writers are not eligible to submit a manuscript if they know the judge or the [insert name of press here] personally.

What does this mean regarding the judge? If you’re her father or sister or niece? I get that. If you’re her best friend? If you took three courses in an MFA program from her? That all makes sense.

But what if you took a workshop a zillion years ago and that workshop was a total of less than six hours and she has absolutely no idea who you are?

Does that count?

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Pear says Hi!

 

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Filed under #AmWriting, Book contest, Writing, Writing contest, Writing Talk, Writing Tips and Habits

Poetry Potpourri

the museum of americana is a literary magazine with a mission close to my heart:

the museum of americana is an online literary review dedicated to fiction, poetry, nonfiction, photography, and artwork that revives or repurposes the old, the dying, the forgotten, or the almost entirely unknown aspects of Americana. It is published purely out of fascination with the big, weird, wildly contradictory collage that is our nation’s cultural history.

They’ve published two of the poems I intend for my chapbook of poems based on my family history. You can read them here.

Two poems by Luanne Castle

I love how my interest in family history and genealogy and research connects with my partnership with poetry in these poems.

On another note, if you bought a copy of Doll Godsend me your address and I will mail you a sticker to complete your book cover.

If you haven’t bought a copy, please consider it if your finances allow–either for yourself or if you think you’ll hate it (gotta allow for that) as a gift for someone you think will enjoy it. Amazon says it will arrive before Christmas.

Have I ever told you what book existed before Doll God? It’s a scrapbook my daughter made for me two years ago. In it, she hand wrote many of my poems and she included posts from the adoption blog, Don’t We Look Alike, that we worked on together.

In the slideshow you can see a sample of the scrapbook. Note the subtle cat-themed touches. And if you see a pic of a high school couple just remember that it’s easy to find stock pix online (big winky face).

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Filed under Book Award, Book contest, Book promotion, Books, Doll God, Family history, Literary Journals, poems about dolls, Poetry, Poetry book, Poetry Collection, Publishing, Research and prep for writing, Vintage American culture, Writing

Book Giveaway: Win a Free Copy of Doll God!

TODAY!!! A free copy of Doll God awaits the first 3 people!

This is just a quick “stop by” during my break to announce that MaryGold’s four adventures have been posted on my Facebook page and on Twitter.

They were announced on March 13, 17, 20, and yesterday (25).

Write to me at writersitewordpress[at]gmail.com and tell me what her 4 adventures are to win a free book!!

I will be back next week. I’m missing y’all and can’t wait to be back!!!!

 

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Filed under Book contest, Book Giveaway, Books, Poetry, Poetry book, Poetry Collection