Tag Archives: family history

More Scrapping Scraps

I finished another story scrap for my SCRAPS scrapbook–finally.

As a reminder this is the first post. Click the photo to read it.

 

When I was a preteen, my grandmother sewed me shorts sets from cotton blend prints. She made the tops and shorts out of the same material, but the tailoring was fairly sophisticated, so the end product had more in common with a summer dress than a romper. I don’t know where she got the idea from or if it was in style in the sixties. At least one fabric was made into matching mother-daughter shorts sets for Mom and me.

 

But my favorite set was in a fabric that I found very cheering. Balloons in varying shades of spring greens, both solids and prints, float on a white field. The shorts were mid-thigh, and the top had a fairly high neckline. Because Grandma made it for me, the outfit fit perfectly. It was comfortable, and I felt good wearing it.

 

Not that I didn’t love to wear my denim shorts and short-sleeved sweatshirt. But Grandma’s short sets were lighter weight than my other play clothes and much more convenient than dresses.

In this photo I am posing alone–to see the one with my mother look at the finished pages at the bottom of the post.

In our old photos, I found myself wearing the balloon set on two different dates. The summer photo came first. It was on the occasion of our trip to Canada to attend Expo 67. In fact, in a scrapbook, Mom labeled the picture, “Mother and daughter enjoying a rest.” A body of water is behind us. Below that photo, my mother had pasted another photo and labeled it, “Sawmill at Upper Canada Village.”  There is another image of just me in the same spot but without my mother (the one above). From examining the few photographs I could find online, I do think these photos of me are also from Upper Canada Village.

 

In the photos, I am wearing the shorts set, with its matching triangle headscarf tied at the nape of my neck. I also wear a blue ¾ length sleeve cardigan that Grandma knitted for me. On my feet are navy blue Keds-type shoes.

 

I’ve written before about our Expo 67 visit, but we also went to other tourist sites in Canada during our trip. Upper Canada Village was one of the places we visited. Niagara Falls was another.

 

My grandmother must have made this outfit for me in the spring of 1967 when I was finishing up elementary school (6th grade). I started junior high in September.

The other photo revives vivid memories. It was taken 31 October 1967, Halloween, probably around 6 PM. I remember my mother posing me in front of the living room fireplace. I have very few memories of actual picture taking, so this is very special to my heart.

I am wearing a heavenly sheer green silk flapper dress that had been owned by my grandfather’s cousin Therese Remine. It was heavily beaded, and over time, the silk had weakened, and the beads were too heavy for the thin fibers. By the time I got home that night, the dress had already begun to rip. You might wonder why my mother would allow me to ruin an expensive vintage dress by wearing it one night for Halloween. I wonder that myself, but my mother’s value system is limited. To sum it up: she didn’t have any interest in the dress, so she didn’t care what I did with it.

 

Because the dress was sheer, I had to choose clothes to wear underneath, and the only thing that seemed to my 12-year-old mind to “go” was the balloon shorts set because both outfits were green.  I made myself a flapper headband to match and carried a handbag that must have belonged to Therese, although I am not positive about that. You see, I used to collect old discarded fancy wear and had quite a collection from a few women.

 

It had been my mother’s idea to make a headband. I don’t know how much I knew about the 1920s, and I probably needed her suggestion to visualize the whole outfit. I have mulled over the question: where did I first learn about flappers with their bobbed hair and short skirts? Their narrow flat outlines so like my own. I don’t remember what movies or books might have shaped whatever image I had by age twelve.

 

An essential part of my costume that night was the large diamond-shaped earrings. I’m not sure where those dangly earrings came from. I hope I didn’t lift them from the dime store at the plaza.

 

While I stood in the middle of our living room, smiling into the camera, my mother pulled her face out from behind the camera and pinned me with her gaze. “This will be your last year trick-or-treating. You’re getting too old.” So that was that. I felt compelled to enjoy myself this one last time.

 

The living room accessories in the photo were accumulated from various places, generally from other people. The big brass candlesticks were heavy. The painting was not a copy, but an inexpensive original painting. The Don Quixote figures had been displayed at a home décor shop. My father had purchased an old house on Westnedge on a land contract and rented it to an interior decorator who opened the shop. When she went out of business, she gave my father some small furnishings in lieu of back rent. That was how we ended up with the large wood fork and spoon that hung on our kitchen wall for years (yes, like in Marie’s kitchen on  Everybody Loves Raymond).

 

I look so young in these photos, and yet poised on the brink of burgeoning womanhood. I remember how I felt wearing that flapper dress. The twenties was my era, and I felt as if I belonged.

 

As my photograph was snapped, the bell rang. My friends had arrived so we could begin the house-to-house process. That’s when I realized I had to wear my wool coat over my costume. Or rather, my mother informed me I had to.

 

We trudged from front door to front door, but the knowledge that this was my “last time” weighed on my mind. My fingers grew chilled from the cold that had arrived early to Michigan. That’s where this memory ends.

 

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Scrapping Scraps

In September I posted photos of the fabric scraps I still have from my childhood. The inspiration for ruminating on what to do with them came from a couple of sources. One was Dawn Raffel’s book The Secret Life of Objects.  The other was Swedish death cleaning–getting rid of stuff so my kids are not one day burdened with it.

I promised I would do something with the scraps, and I have not forgotten. I am far from the point of actually getting rid of the fabric, but did start a project that was suggested by sarahsouthwest.

I’m making a scrapbook of scraps! For each page I plan to include a fabric remnant, a story or description of the memory it stirs up, and, if possible, a photograph of the garment made of the fabric. So far I’ve only made the cover and one page, but thought you might want to follow along with the process. I’m not very good at crafts, but hey, it’s mine, baby, all mine.

 

 

First, I chose an ugly on-sale scrapbook and then padded it and covered it. I selected a print corduroy from the late 1960s for the front cover and a gingham from the early 1960s for the back.

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You can see what my first page looks like in the slideshow above. I decided to keep the page very plain and even left the raw edge of fabric visible. In the photograph you can see me wearing the sleeveless tent dress that my grandmother made for me. It has a high yoke decorated with large embroidered white daisy appliques. I loved that dress. It was so comfy and very pretty. The type of fabric was called “whipped cream,” and was lightweight, airy, with a little texture to it. My mom’s cotton or cotton/poly fitted dress, also sewn by Grandma, was very Barbie-style.

This is the story I wrote about what the dress and the photo remind me of:

 

In this photo, my parents and I are in Canada, seated at a restaurant in the 1967 International and Universal Exposition.

 

The summer I turned 12 is the one I will always remember as a peaceful and memorable week with my parents. We left my 4-year-old brother with my grandparents in Kalamazoo and drove to Montreal for Expo ’67, the World’s Fair.

 

We stayed in Montreal at the winter (city) home of my grandfather’s 2nd cousin, Harold Remine, the Chief Engineer of Quebec Hydroelectric. It was a beautiful and elegant brown brick row house. The dining room was complete with all the requisite china, crystal, and silver. But the house was not large, and I had to share a bedroom with my parents.

 

Harold and Lillian also had a lovely lake home, which we visited. Harold introduced me to curling, a sport I had never heard about before, by taking us to a curling club.

 

The Expo itself excited and exhausted me. It had some elements in common with a state fair or Disneyland, a place I had not yet visited. There were snow cone and cotton candy booths, hot dog and burger stands. A caricaturist drew my likeness holding a book. I was disappointed afterward that I hadn’t given him a better hobby. Reading seemed so nerdy. But the truth was that I read more than I did anything else.

 

Each participating country sponsored a magnificent pavilion that was supposed to reflect the national personality. The U.S. pavilion was a huge geodesic dome—this is a sphere that is built of short struts that follow geodesic lines (the shortest line between two points on a sphere) and form an open framework of triangles or polygons. There were very, very long escalators that seemed to hang in “thin air,” and the park’s elevated minirail ran through the structure. The effect of being inside the pavilion was of being suspended in space. I believe I saw a doll collection and space race memorabilia, but since I was afraid of heights, I mainly remember my fear.

 

My favorite pavilion was the Burmese one. Under its appealing multi-roofed pagoda design, a gigantic golden Buddha dominated the interior lobby. I suspect that the restaurant in the photo is the Burmese one. To this day, it is my favorite type of food. If you haven’t been lucky enough to eat it, it is a cross between Thai and Indian food.

 

Habitat 67, a futuristic housing development, was situated near the edge of the fairgrounds. It reminded me of photos of Anasazi dwellings for some reason. I was both repelled by the makeshift quality and fascinated by a new way to conceptualize living quarters.

 

I guess my parents had decided not to bring my brother because he was too young to appreciate the cultural opportunity or even to go on the fair rides. But when we got home to Kalamazoo and stopped at Grandma and Grandpa’s to pick him up, he was flushed with a high fever. He sat on someone’s lap, and somebody else snapped a pic a second before he leaned over and threw up on the floor. That’s when I started to feel guilty that we had left him behind.

 

Habitat 67 from Wikipedia

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A Little Bit Like Grandpa

On one of my family history blogs, The Family Kalamazoo, I was chatting with family history blogger and blog friend Amy Cohen (check out her amazing work at Brotmanblog: A Family Journey) and I was trying to give her an idea of my grandfather’s personality. I directed her to the first poem in my chapbook Kin Types, “Advice from My Forebears.” I reminded her about two lines in it: “If they come to your door, feed them. Then send / them on their way.” This particular advice sounds exactly like my grandfather’s philosophy.

Amy said, “There’s something both soft and tough in it, probably like your Grandpa.” Amy was right. That was Grandpa.

What does it mean to be both soft and tough? In some ways I am both those things. I am uber-soft about animals, as you know, and a well-directed commercial about almost anything can leave me in tears. I am the same way about children’s issues that I am about animals–especially foster children and adoptees.

But I do have a little bit of a pull yourself up by your bootstraps iron somewhere inside, too. I lose my patience with people who I view as too soft on themselves. I don’t mean people with problems like mental illness, addictions, anything like that. I mean people who give in to their emotions excessively (IMO), but always when it is about themselves.

I didn’t intend this to turn into a vent, but I guess when you follow a thread into yourself, you find out what you don’t like, as well as what you do like.

I don’t necessarily like this aspect of myself. But I’m not sure that I don’t value it in some respect, also, because it means that I keep myself going, no matter what, I never give up trying to be a helper where truly needed, and I’m a hard worker like Grandpa.

That said, it isn’t up to me to decide when someone is being excessively about themselves. I can extricate myself from the relationship completely, or at least distance myself. But I need to stop judging or labeling and just do what I need to do. In other words, I need to send myself on my way ;).

I have a few writing goals this year. I hope I can accomplish even a quarter of what I plan haha. My submission acceptance goal remains the same as for 2019, and I already have three, so I have hopes that I will meet it once again. This year also will be a year of helping a bit with the wedding planning (for daughter and her fiance).

 

Perry and Sloopy Anne have been lying together on the bed for hours every day. So I can’t make the bed. Not a bad reason not to make a bed, huh? Sorry the lighting is so poor in there, but aren’t they cute?

Let’s make this week one that really counts!!! XO

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Bits and Pieces of Living

At least October’s poetry writing month is over so I don’t have to feel guilt about not writing much. We are now into the big novel writing month, which I don’t participate in, having NO clue how to write a novel. I’m still spending more time revising, organizing, and submitting than I am writing anything original.

I’m also reading several new-to-me poems a day. I’m reading at least one novel, two memoirs, and one children’s book right now.

And I’m getting my morning pages done by bedtime.

But I also am juggling work-work, home-work, and cat-work, as well as trying to fit in the other bits and pieces of The Artist’s Way.

And I cannot stop my hit or miss exercising, which mainly consists of stationery cycling, some stretches, and a few weights.

It sounds like a lot, and it is, so can I keep it up? Through the holidays? HAHAHAHA.

All this and worries about what recipe to use for gluten free stuffing.

I almost forget the most exciting thing. I discovered Christopher Buckley’s poetry. I guess there is a political person with that name, but this is Christopher Buckley the poet. Here’s a sample.

Getting There

Time to give up
grieving my mother’s loss,
faulting my father and
his Neolithic moral certitude
about every detail
on the evening news,
his general absence
hanging like the gray
sheets on the line.
Never mind how
mismatched in the heart,
I should be grateful
they were there at all,
for that moment
that childhood stretched
like fog, the beach empty
and unmarked.
It comes to little now
who I forgive, mourn,
or thank. The dust shifts
and we are barely
suspended in the light.
I know this little thing:
there’s a boy somewhere
in a station where
the trains still run,
wearing scuffed brown shoes,
gray overcoat, and cap;
someone has neatly parted
and combed his hair.
He is waiting
to be taken by the hand
and told where we are going,
to hear we are headed home—
though I can see nothing
beyond the smoke
and midnight haze
at the far end
of the platform,
where I am not
even sure of the stars.
Poetry (May 2012)
I do love how this poem speaks to the importance of our childhood experiences of family and place.
For the week ahead: Go get ’em, Tiger! (Haha, does that date me or what?) And, no, dear Tiger is not involved in that expression. Tiger says hi from her outdoor playpen.

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Memory Remnants Redux

Last week I posted some photos of fabric scraps leftover from my childhood. You guys (as my Michigan roots instruct me to phrase it) helped me with ideas of what to do with the scraps, ranging from giving them to a church to quilters to sewing cat beds to making a scrapbook. You also gave me an idea of how to get rid of the smell of mothballs (thanks, Michelle).  I put them into the dryer, and the smell turned flowery!

I now have plans for the scraps, but it is going to take some time before I can get started. In the meantime I have two more bags of scraps to put through the dryer and leave to air out. So don’t expect to hear back on the scraps for a couple of months!

When I began the process of putting the first bag of scraps into the dryer I discovered that there were a few pieces of unfinished clothing in the lot.

I think all these items were begun during 7th grade, before I had really learned to sew, but was beginning to experiment. These goofy pants crack me up. Were they meant to be pants or pajama bottoms? Judging by the darts, I’d say pants! Thinking back to that first year of junior high, we still had to wear skirts to school. What a different world.

Then there was this top–meant to be strapless, like a tube top in a way. But it turned out to be beyond my ability.

Is this stuff just a hoot? Well, here is a skirt I made and didn’t finish.

Not finishing this skirt did not stop me from wearing it at home. I was halfway through 7th grade, and desperate for new clothes. I also wanted to experiment with styles. So I sewed together the two sides of the skirt and put it on! Then I dressed it up with other pieces. Thought I was the coolest thing ever. And here I am.

I was such a weird kid. But note my bow tie (either my little brother’s or my grandfather’s tie from his Sunoco uniform) and the oxford shirt. I made the vest out of a pillowcase. That turquoise bow on my thigh? PJ bottom peeking out

That table and chairs? Pretty sure it came from Polk Brothers in Chicago. Anybody remember that store? Oh my gosh, I just realized that the napkin holder on the table? I made that that year at home on my father’s lathe. I still have it. OK, weird kid, weird adult. I must save everything the least bit sentimental. I made that thing for my mother on my own on that big piece of equipment. Painted it yellow and slapped on some decals. A few years ago, my mom gave it back to me. I guess she was finished with it ;).

Then I must have decided to match a gold and white stripe knit top with the skirt. When one of my parents tried to take a picture of my designer-wannabe endeavor, I fled out of embarrassment (my usual state at this age).

That was the end of my designing career.

How’s about that ladder in my tights?

Or, who was that person?

A couple of pieces of fabric in the bag had prices still attached. Look at this seersucker. I bought it at Thrifty Acres, which eventually became Meijer’s.

Joann’s is still selling seersucker, although I’ll bet the quality is not the same. Those old fabrics were excellent, which is why these scraps are 50 years old and look like new.

Now it’s $9.99/yard. It looks like I paid $1.18/yard. I guess the most astonishing thing is that people are still buying seersucker!

My original seersucker was from a time period where we were looking back to the 1920s Gatsby look. What would it be used for today?

Make it a great week!

 

 

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Memory Remnants

It’s been months since I’ve written about the Secret Life of an Object (credit due to Dawn Raffel’s book). The other day I needed to make room in a closet and felt I should confront 3 vacuum-seal bags of old fabric scraps.

My paternal grandmother was a marvelous seamstress and tailor. I wrote in the posts, The Love Factor of Dolls and RIP Dreamland, that she was Head Fitter of the 28 Shop at Marshall Field’s flagship store in Chicago. When I was eleven, she moved to Kalamazoo, just down the block from us, and spent her early retirement years sewing clothes for us–especially my mother and me. In junior high, I learned to sew in  Home Ec class, and I began to sew my own clothes as well.

The motivating factor for me to sew was that my father wouldn’t buy clothes for me, but would buy fabric for me any time I wanted it. So if I wanted a new skirt, top, jumper, dress, or scooter-skirt (mini culottes), I needed to make it myself.

I think of the remnants of all this sewing Grandma and I did as Grandma’s fabric scraps.

I decided to unpack one vacuum bag and air them out. You see, some dummy (that would be me) put mothballs in the bag.

Anybody have an idea how to get out the smell of mothballs without having to wash the scraps?

What I found was that a great many of the scraps in this bag were either leftover from items sewn by me or items evoking memories.

In the above pile, you can see a navy gingham and a red gingham. I remember working with these fabrics; at least one item was a smocked top. Either the top or another item used both ginghams together. I wish I could remember it better. The orange floral in the middle was a granny dress with a red border at the bottom. The kelly green with tiny white flowers in the bottom left Grandma used for clothes for my mother and me.

This bright fabric on top with the sunbursts I made into a scooter skirt. It was actually wide-leg shorts with a panel on the front and one on the back that buttoned on.

The hat lady fabric was my absolute favorite. I bought it on sale and made a little flip skirt and bell sleeve top. I wore it all the time. The fabric was jersey, so very comfy and flattering.

Aren’t these fabrics a blast from the past though? Retro, vintage, and ancient haha.

In this pile are fabrics that I remember as well, although most of them were ones Grandma purchased for someone other than me–herself or my mother or my mother’s windows.

Maybe the biggest discovery in this bag, though, was a remnant of the fabric from the curtains of my bedroom when I was very young.

The walls of my room were painted a pale gray. isn’t this fabric great? Maybe these kittens imprinted themselves on me. They could be why I love cats to this day.

Do you have any old fabric scraps?

Since I no longer sew, what should I do with these scraps to give them new life?

***

Speaking of cats, the shelter I volunteer at hosted a 10 year anniversary gala. The gardener and I went with our daughter and her boyfriend.

I had to dress up for this shindig! Guess what? Jumpsuits are in style! So I bought a black jumpsuit, wore it with ankle boots  (for my crummy feet), and was good to go. But some people looked great, including the rest of my family.

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Cats and Dogs and Poems, Oh My! And Mysteries, Too!

The American Academy of Poets welcomes in Women’s History Month (March) with this list of poems:

Batter My Heart, Transgender’d God” by Meg Day
The Soul selects her own Society (303)” by Emily Dickinson
I Sit and Sew” by Alice Dunbar-Nelson
Ego Tripping (there may be a reason why)” by Nikki Giovanni
Bring Back Our Girls ” by Marwa Helal
Poem about My Rights ” by June Jordan
How to Triumph Like a Girl” by Ada Limón
Exclusively on Venus ” by Trace Peterson
Diving into the Wreck” by Adrienne Rich
On Virtue” by Phillis Wheatley

That first poem is a “rewrite” of a famous John Donne Holy Sonnet Batter my heart, three-person’d God which is one of my favorite poems. What do you think about what Day did with the Donne poem?

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I do have an update on my cat Tiger and the test for pancreatitis. Her test is at the very high end of normal. That result, coupled with her other out of whack test results could mean that she has an inflammation of the pancreas. The question is whether she has an inflammation that can improve, but has started a slow decline (kidney disease, for instance) because of her age (15)–or if it’s the beginning of a very serious disease. She is asking for prayers and healing vibes. OK, I am asking on her behalf, but she does want them!

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Here is a cool reading opportunity, as well as an opportunity to help shelter animals, at the incredible bargain price of $.99! That’s LESS THAN A DOLLAR, FOLKS! One of the recipients of the funds is Home Fur Good, the shelter where I volunteer!!!!!!!!! An all-female group of cozy mystery writers wrote a story collection which is available for preorder now through the following sites.  Summer Snoops Unleashed.  Each story is the length of a novella, between 15,000-30,000 words.

Preorder it now because: All the royalties from pre-orders will be donated to the Rescues. Royalties collected after release will go to help authors defray the cost of publishing and marketing. So the time to buy is NOW!!!! I just purchased mine through Apple iTunes!

Maria Grazia Swan is a mystery writer who also volunteers at Home Fur Good. Her story is included in this collection. Maria has published several mystery series, and they are wonderfully written, fun cozies, featuring dogs and cats.

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Lastly, a lil ole reminder about Kin Types as a good addition to Women’s History Month.

“Kin Types exhumes the women who have died long ago to give life to them, if only for a few moments. Through genealogical and historical research, Luanne Castle has re-discovered the women who came before her. Using an imaginative lens, she allows them to tell their stories through lyric poems, prose poems, and flash nonfiction.”

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Magical Music Box

I forgot about writing posts based on Dawn Raffel’s memoir, The Secret Life of Objects. Joey over at Joeyfully Stated reminded me, so I’m happy to be back at it. I’ve written about the magical bowls of my childhood snacking and the name sign from my grandmother’s mailbox, as well as some jewelry that holds meaning for me.

Maybe the object that I still have that carries my earliest memories is the music box I have had since I was a baby. I know it’s weird, but I am a person with very early memories. I apparently inherited this ability from my grandfather. If you wonder what toddler memories are like, they are exactly like memories from all the other times of your life: vivid and realistic.

When my mother put me down for a nap, she would wind up the music box and set it going. I still remember standing in my crib, looking over the white iron bars, willing the music box to start up again. It didn’t, of course, as it had to be wound by someone.

I think I must have been a hard kid to settle to sleep (undiagnosed ADHD or anxiety?), and I always felt I was missing something. But then again my parents wanted me to nap AND have an extremely early bedtime. As a child I used to play shadow games or read under the covers with my flashlight.

When I became a teen, it was the sixties and incense was very popular, so I used my music box as an incense burner.

Have you ever heard that music is one of the best triggers for memory? Well, my music box–after 60+ years–still works. (Take that you plastic parts in today’s merchandise!)

I did a quick search online for a vintage round metal music box, and there are quite a few that look very similar, even to the color. They are called “powder puff” style. It’s very possible that this music box is from the 1940s and predates me. It could have belonged to my mother or grandmother well before I was born.

Question of the day: what song does the music box play?

Anybody want to play along and write about the secret life of an object? If so, please post the link in the comments here!

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On another note, my uncle has been visiting for two weeks and the kids (daughter and BF) are still living here, so for an HSP like me it’s been Grand Central Station over here.

 

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Family Histories (Holiday Edition): Dad’s Birthday

Adrienne Morris kindly posted a story I wrote about my dad’s birthday (relates to Christmas, too) on her blog. I hope you enjoy it!

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Extreme Circumstances: The Life of Caroline Meier Waldeck (Sixth and Final BROAD STREET Magazine Article)

The sixth and final installment of what research went into the pieces in KIN TYPES, published by the beautiful magazine BROAD STREET.

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