Monthly Archives: September 2026

The Dress at Last

All my life I’ve had a habit of misplacing something important. Generally this doesn’t mean losing it forever. Sometimes it’s just a day or a month or it can be a few years.

For the past few years I couldn’t find my grandmother’s wedding dress. If you’ve read Scrap: Salvaging a Family this obviously is NOT the dress of my father’s mother, but my mother’s mother. She shows up only as a couple of mentions in the book, but she was my favorite relative and shows up in a few poems in Rooted and Winged. She also was a writer–of tiny humorous stories–and her role model was Jo in Little Women.

She is my role model for being a Grandma.

Can you imagine how I felt when I opened a box I hadn’t seen in a long time and saw her dress inside it? I had put it in an acid-free box and then put it away. Other stuff ended up in front of it and as time went on I kept searching the same places over and over, not finding it. Until I did.

WOOT! My grandparents were married in South Bend, Indiana on May 21, 1932. I wrote about the wedding on The Family Kalamazoo blog years ago.

In 1931, Grandpa had asked Grandma to marry him as he drove her in  the car from Kalamazoo to her parents’ farm in Caledonia. But Grandma had to wait a year to teach and give the money to her family who were struggling financially because of the Great Depression.

Also, my grandfather’s mother, Cora, was dying of cancer.

So there was no big celebration for my grandparents. Aunt Jen, Cora’s sister stayed with Cora while they got married. They drove to South Bend, Indiana, although Grandpa was from Kalamazoo and Grandma from Caledonia, two southwestern Michigan towns. They could get a marriage license and marry immediately in South Bend.

Traveling with them were Grandma’s sister Vena and her boyfriend Al Stimson’s cousin, Herb Thorpe. They had forgotten to get flowers, so they plucked spirea along the way.

This is the dress and a close-up of the art deco belt buckle.

 

Just think, in six years this dress will be 100 years old.

Weren’t they the cutest?

Do you misplace things regularly or does this not happen to you? I keep wondering if it’s my ADHD.

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Filed under Family, Family history, Grandparenting, Rooted and Winged, SCRAP: SALVAGING A FAMILY

Writing Collage

The other day I got an email advertising a writing workshop. No surprise, I get quite a few of these. This one is through r/evolution story lab, a partner of WOW Women on Writing. I have never taken a workshop with them, and I do not know the person, Nicole Breit, giving this one. The course is supposed to be designed for writers who are INFP. If you know, you know. If you don’t, this is a personality type from the Myers-Briggs personality test. I am not an INFP, but an INFJ, which is supposed to be the rarest type. I suppose it would be too much to expect somebody to design a course for those few of us who are INFJ. 

But there was something in the description that made me think about my  memoir Scrap, which is written in pieces–flash, micro, tiny essays, poems, a short playscript. Listen to this:

In just 75 minutes you’ll:

discover how it feels to write with your brain instead of against it, using mosaic method
tap into memory and sensation as you generate a fresh new piece in fragments
cut and arrange your fragments into a cohesive narrative you can’t wait to share
connect with likeminded writers in a warm, inclusive community led by an INFP/HSP/AuDHD bestselling memoir author

Why linear storytelling blocks intuitive, INFP and neurodivergent brains — and what to do instead to make writing easy and fun!
Nicole’s mosaic method: a simple, repeatable way to generate fragments, then arrange them into a finished piece
How to work with creative constraints and spark memories you wouldn’t otherwise access
Why fragments + structure = a powerful portal into your most interesting material

Now I am wondering if a reason I couldn’t write my memoir in regular chapters is because I am not only INFJ but neurodivergent or as we said in the old days ADHD. I was diagnosed as an adult and while Ritalin was very helpful to me when I was teaching, I couldn’t stay on it because of side effects. I doubt your Myers-Briggs type has anything to do with any particular neurodivergency you might or might not have, but I do know that mine is one of the intuitive types which is why I could ace math tests without being able to show my work. Very annoying since teachers and test graders generally require your calculations.

This workshop is $69, and you can try the link above for Nicole’s name if you’re interested. It appears that r/evolution is her own site.

Anyway, I thought it was pretty interesting that I do mixed media collage, used to make stained glass (another form of collage), and wrote a memoir in collage. It must be the way my mind works. Now I need to apply this knowledge even to writing small–poems and microstories.

On another note, Scrap has been long listed in the Chanticleer Collections and Anthologies contest. Fingers crossed!!!

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Filed under #ScrapSalvagingFamily, Book contest, flash memoir, hybrid memoir, Memoir, Memoir writing theory

The Midnight Farm and Let Evening Come

When my son was young, I read him a picture book over and over again. It was called The Midnight Farm, written by Reeve Lindbergh and illustrated by Susan Jeffers.

I still have the copy, sans the dust jacket, and it’s almost time to give it to Hudson.

The book is a rhyming poem with a strong repetition element. These lines are a sample of the book which is also a counting or 1-2-3 book.

Here is the dark of the chair in the hall

Where one old dog curls up in a ball,

Breathing each breath with a rise and a fall

In the dark of the chair in the hall.

***

Here is the dark by the big wood stove

Where two white cats have a leftover glove

And a birthday card that was signed with love

In the dark by the big wood stove.

I think I loved this book at least as much as my son did. It won the Redbook Award for 1987, but wasn’t a Caldecott winner or honor book, which I find sad. This was Lindbergh’s first children’s book. I feel the book deserved to be honored by the Caldecott committee, but it makes me sad also because:

In 1985, Lindbergh (Charles Lindbergh’s daughter–her brother was kidnapped and died years before she was born) lost her baby boy to a seizure. The day he died, she began to write this book as a lullaby to him. Are you tearing up yet? It made me emotional to learn this.

Now I find this also very interesting. Jane Kenyon, esteemed American poet, wrote a poem called “Let Evening Come.” It was published as the title poem in her 1990 collection. These two poems remind me of each other. They sound so similar with the emphasis on the repetition. But, more importantly, they are about the same thing.

Both poems seems to be about not being afraid of the dark, of nightfall, that we are part of a natural cycle, of nature. But with the adult poem by Kenyan readers read the theme as not to be afraid of death.

Well, certainly The Midnight Farm is about not being afraid of death, although it’s also about not being afraid of the dark for children. Perhaps it’s one of those books for children on one level and adults on another.

I read “Let Evening Come” here:

Doesn’t being afraid of death mean different things to different people?

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Filed under #amreading, Children's Literature, Poetry, Poetry reading

Cover Reveal for Hunting the Cosmos

It took me eighteen years from the first story I wrote about my father’s workshop in our basement until publication for Scrap: Salvaging a Family. Some of that time was “down time,” including from the day ELJ Editions accepted the manuscript until it was actually published. So in the meantime I was writing other things, usually poetry, but some micro or flash fiction, too.

I was able to complete a little book that will be published on November 10 of this year by Shanti Arts. It’s very unlike Scrap or even any of my other books.  Here is a description:

The poems and prose of Hunting the Cosmos engage with and interrogate the art of midcentury Spanish-Mexican surreal artist Remedios Varo, expanding the absurd dreamwork, surprising realities, and meanings of paintings and text. The occult, technology, fairy tales, and religion all play roles. Transformation through alchemy, magic, and science is a significant theme, as well as the metamorphosis of art and experience into new art. Award-winning poet Luanne Castle brings Varo’s sensibilities to life on the page in this beautiful ekphrastic collection of prose poems, lyric poems, and microfiction.

The cover art is by Sarajevo-born Australian artist Andrea Damic who interpreted Varo’s work through her own creative powers in composite photography.

I will continue to hope readers find Scrap and consider reading it. I have several book fairs lined up for this fall and early winter and will be reaching out to book clubs. Discussion questions are prepared and I am available for zoom meetings if you know a book club that might be interested.

On a related note, I haven’t been writing at all. Ever since last winter when I let my feelings be hurt about something (so much for getting over being sensitive) and then Scrap coming out, it’s taken it out of me, if that makes sense, and then with Perry dying at the end of May, I feel depleted. No other books in me at the moment, unless I write about my dear Perry.

I am down to two kitties, one in the front of the house and one in the back, with a gate in the middle. Lily got through the gate the other day and attacked Sloopy Anne. I didn’t have anything at hand except a small metal tray which I had to THROW at my own cats. Lily reversed course and ran back through the open gate. It’s possible Lily was particularly grumpy since she had to be shaved down for health reasons.

In the photos: Lily with Perry and Lily now with her fur shaved

 

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Filed under #poetswithcats, #ScrapSalvagingFamily, Art and Music, Ekphrastic, Flash Fiction, Hunting the Cosmos, Microfiction, Poetry, Poetry book, Poetry Collection

New Piece at MasticadoresUSA

 

 

MasticadoresUSA, thanks to Editor Barbara Harris Leonhard, has published a new nonfiction flash that can be read tangentially to Scrap: Salvaging a Family. There are four end notes so as you read and find the little roman numerals they relate to the notes at the end, thus the title, “End Notes with Photograph.”

“End Notes with Photograph” by Luanne Castle

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Filed under #ScrapSalvagingFamily, Creative Nonfiction, Family history, flash memoir, Flash Nonfiction, Poetry

#TankaTuesday: the Pi-Ku

Melissa Lemay gave the #TankaTuesday prompt this week. She introduced a new form based on pi (3.14). The Pi-Ku is a tiny poem structured as 3 syllables, 1 syllable, 4 syllables.

Here are my three seasonal pi-kus for Arizona in September.

The first one focuses on how the sun is a little more playful than in the summer when it mercilessly beams down all day on everything under it.

peek-a-boo

sun

comes out to play

This second one I wrote after I heard the birds talking about getting reading to go south to Mexico for the winter.

busy birds

chat

then head due south

This third one reminds us that we still have nice weather here in Phoenix. To find winter faster, you have to climb high up in the mountains where it is “winter” much earlier than on the desert.

find winter

high

up in the range

BLOG TOUR OPPORTUNITY

My new  book, Hunting the Cosmos, will be coming out this fall. These ekphrastic (inspired by art) poems and micro stories are based on the surreal art of Remedios Varo.

If you would like to participate (and I will love you forever :)) in a blog tour for this (50 page–so tiny!) book, published by Shanti Arts, please email me at luanne[.]castle[@]gmail.com or tell me below. If you would like to review it, I can send you a copy by email. If you would like me to write something for your blog, I would be happy to do so.  Or I can share a piece from the book for your blog.

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Filed under #TankaTuesday, Ekphrastic, Flash Fiction, Hunting the Cosmos, Microfiction, Poetry book, Poetry Collection, Syllabic Poetry

A Red Wagon/A Grumpy Filter

Here’s a new post for my GRUMPY OLD WOMAN files. Yeah, you thought only old men were grumps a la Walter Matthau and Jack Lemmon?

OK, I’ll be the grumpy woman so that I can feel as young as I can.

I saw a girl featured on local television for collecting and distributing gifts to others in need. I am not giving more details than that because I am not here to diss her. She is doing a good thing, and I hope that the TV coverage will inspire others to do the same.

So what makes me grumpy? OK, just being totally up front here even if it makes me look, well, grumpy.

When I was in third grade, I got the idea that children in the hospital needed something to cheer them up. I enlisted the help of another girl in class and, with my teacher’s permission, asked the other kids to bring in toys for the sick kids. They did! When I had collected all the gifts, I had to somehow get them to the hospital. My school was about a mile from my home, and on the way with a little detour was the hospital. So one day I walked to school (age eight haha as if I would have let my kids do that) with my little red wagon.

After school, I loaded the gifts onto the wagon. I had to use a big box, and my teacher gave me something to use for strapping. Then I hauled that stuff all the way to the hospital over very bumpy, crumbling, weed-edged sidewalk tiles. I remember I was sweating. At the hospital they sent me and the wagon to the children’s floor. A (grumpy) nun met me at the entrance, thanked me, and sent me away.

That was that. No news coverage. After all it was only one classroom’s worth of toys. But I was eight and other than that very little bit of help from my teacher and my classmate, I did it all myself.

So why am I grumpy?

Is it because I didn’t get more of a thank you? Or that kids today get more praise for doing the right thing than when I was a kid? That my parents didn’t fully understand what I did and talk to me in a productive way about helping others? Is it because I’m old and remembering my childhood and feeling empathy for that little girl? Or is it because only a few months after that we moved away, and I had to switch schools in March, a very awkward time to enter a new school system, school, and classroom? And that the new teacher was horrible? I am having a hard time evaluating why seeing that news story brought back this event in my life and made me feel out of sorts.

If you want to read more about my little red wagon, here’s one in MacQueen’s Quarterly. It was published there two years ago so it’s possible you’ve seen it. Neither the following story nor the hospital toys story are in Scrap. 

How I loved that red wagon. You can see it parked behind the car in the photo.

 

My Haunted Childhood

 

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Filed under #ScrapSalvagingFamily, Flash Nonfiction, Memoir, Scrap:Salvaging a Family, Vintage American culture