Tag Archives: Colleen Chesebro

Interview to Forgiveness to Weather to Tanka to Book Review

One of the very top creative nonfiction journals is Hippocampus Magazine. I was pretty jazzed to be interviewed for them by Rudri Patel, the co-founder and co-editor of The Sunlight Press about Scrap. 

Link below:

HIPPOCAMPUS INTERVIEW

Here’s a sample Q&A:

RBP: Forgiveness is a complicated theme that you present in your work. As you learned about your father’s backstory, how were you able to navigate your feelings toward understanding him better. Did the writing help you forgive him in real time, or did you have a complete understanding of his perspective before you wrote Scrap?

LC: From the first moment I began to write my memories about my relationship with my father, I was beginning to heal. Every memory written out was a burden released. For me, writing was the best form of therapy, better than therapy visits, although I used the material from those for crafting the middle section of Scrap.

During the time my father was sick and then dying, I jotted down notes and rough drafts of events. But my focus was his daily phone calls and talking him through his illness and our past. It felt as if the barriers between us were melting away, and I just kept my mind open. I didn’t realize I was finally forgiving him until later, after he died.

As I’ve mentioned too many times, I worked on this project for eighteen years. I’ve been blogging for FOURTEEN of those years. In the past I posted quite a few memoir reviews because I was reading a lot of memoir to learn from them. What I didn’t do during most of that time was ever once think about forgiveness and my story.

Funny how life has a way of tracking its own path, separate from one’s mind.

You know what I won’t forgive? This hideous heat in Arizona. It’s disgusting, and it’s making my neurological system go haywire. Constant feelings of vertigo, seared sinuses, all kinds of symptoms. The minute I leave for another climate I’m better.

This week I was in southern California where the air was so tender. I’m working on tanka sequences for my Sunflower Tanka submissions, trying to write about the difference in weather, and all I could think of was tender air.

Speaking of Sunflower Tanka, Editor Colleen Chesebro wrote a wonderful review of Scrap. Thanks, Colleen!

5.0 out of 5 stars A Flash Fiction Memoir!

Reviewed in the United States on August 10, 2026

Format: Kindle

This is a hybrid flash memoir called Scrap: Salvaging a Family, which explores the author’s journey through childhood into adulthood and how she reconciled her emotions with an aging or dying parent.

Written in chapters or flashes, the author shares her memories of growing up in Kalamazoo, Michigan, from the 1950s onward.

From her memories, we meet the Wolf, the author’s father. It doesn’t take long to realize that the author has experienced mental and physical abuse. At one point, the author questions why her mother let this abuse go on. The writing is raw and grabs you in the heart. There were several emotional moments in the book.

I love flash fiction, and this was my first time reading a flash-memoir. At times, I felt like I was going through a photo album featuring the memories of the author’s life. Secrets are revealed, and like a murder mystery, the clues are scattered for the reader to find.

This memoir helped me reflect on my own childhood. This was a memorable read!

 

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Filed under #ScrapSalvagingFamily, #TankaTuesday, Arizona, Book Review, forgiveness, Interview, Syllabic Poetry

Buy Yourself a Gift of Sunflower Tanka!!!

Lily is enjoying her new anthology, Sunflower Tanka. These are wonderful examples of tanka and tanka prose. There are even some unusual tanka forms. I’m so blessed to have four tanka prose in the book. A huge thanks to the contributing editors, Colleen Chesebro and Robbie Cheadle.

Isn’t the art on the cover gorgeous? It’s by Robbie.

I sent a copy to my mom and suspect she’s going to love it!

You can pick up your own copy here: https://shorturl.at/XEKLb

You can also purchase a Kindle version.

Blurb

Sunflower Tanka, edited by Robbie Cheadle & Colleen M. Chesebro, is an annual anthology of contemporary tanka, tanka prose, & experimental tanka from a broad mix of new and established poetic voices from across the world.

Our theme, “Into the Light,” draws inspiration from the way a young sunflower bud constantly turns to face the sun. Poets delved into the realms of death, love, and the natural world, capturing their human experiences in the timeless form of syllabic poetry.

Contributors to the first edition of the Sunflower Tanka: Suzanne Brace, Yvette Calleiro, Kay Castenada, Luanne Castle, Robbie Cheadle, Colleen M. Chesebro, E.A. Colquitt, Melissa Davilio, Destiny, Tamiko Dooley, Lisa Fox, Cindy Georgakas, Chris Hall, Franci Hoffman, Marsha Ingrao, Jude Itakali, Jules Paige, Kenneth, MJ Mallon, Brenda Marie, Selma Martin, Michelle Ayon Navajas, Lisa Nelson, D. Wallace Peach, Freya Pickard, Dawn Pisturino, Gwen M. Plano, Jennifer Russo, Aishwarya Saby, Reena Saxena, Merril D. Smith, Nicole Smith, Ivor Steven, Ben Tonkin, Trilce Marsh Vazquez, Cheryl Wood.

Get yourself a holiday gift of Sunflower Tanka!

HAPPY HOLIDAYS TO ALL!!!

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This Week’s #TankaTuesday

While reading poetry books is the heart of The Sealey Challenge, I do like to write reviews when I can.

Here is my review of Christine Butterworth McDermott’s new poetry collection that Harbor Review published. https://www.harbor-review.com/the-spellbook-of-fruit-and-flowers

Here are some reviews of poetry books I recently posted on Goodreads:

Margaret Duda’s I Come From Immigrants (note: book is similar in content to Elizabeth Gauffreau’s Grief Songs, since it is memoir-ish poetry paired with personal photographs)

https://www.goodreads.com/book/show/180625112-i-come-from-immigrants

Laurie Kuntz has two recent books out, and both of them are wonderfully personal about her relationships with husband and adult son.

https://www.goodreads.com/book/show/59748231-the-moon-over-my-mother-s-house

https://www.goodreads.com/book/show/80351487-talking-me-off-the-roof

#TANKATUESDAY

Colleen Chesebro’s #TankaTuesday poetry prompt for this week is to write a syllabic poem using collective animal nouns.

Topic: Collective animal nouns

A murder of crows

brings me stones and an earring

for feeding their young.

My dearest clowder of cats

whines all day long for their food.

**

I had to look up whether to use singular or plural for the verbs. It was hard for me to determine the correct usage, but it seems that this tanka called for a singular verb.

Cute kitties below are my daughter’s kittens, but this photo is already months old! They are playing Mouse for Cats on my iPad.

REVIEW OF ROOTED AND WINGED

Richard Allen Taylor published a review of my collection Rooted and Winged in the new issue of Main Street Rag. I think it’s a pretty funny review. Posting images of the journal pages.

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Follow Me: #TankaTuesday

August is the month of The Sealey Challenge. Started by poet Nicole Sealey in 2017, the challenge is to read a book of poetry every day for the month of August. In the past, I have used this time to read poetry books that were sitting unread on my bookshelf. While I know I can’t read a book a day as I have other things going on, I am still going to try to read more than usual this month. Want to join me?

If you join the challenge and need an idea, I would love it if you wanted to add one of my books to your list. Here is a link to all four books. https://www.luannecastle.com/bookstore/ Additionally, if you are interested in a copy of my first collection Doll God, for this month I am offering you a copy for $5 that includes shipping if you have it delivered in the United States. If you are not in the U.S. contact me and let’s see if we can figure it out. Think of it in honor of the Barbie movie. Email me at luanne.castle which is at gmail.com.

Two of my Doll God poems have been republished this month in Verse-Virtual. You can find them here: https://www.verse-virtual.org/2023/August/castle-luanne-2023-august.html

Colleen Chesebro’s #TankaTuesday poetry prompt for this week is to use synonyms for the words flow and wave. I used runs and beckons and wrote an American cinquain.

Follow Me

The doe

in the pasture

sees me and runs away,

slips between trees, white tail, a sail,

beckons.

The turn is found in line five because while the deer runs from me, it seems as though she also beckons me to follow her with her communicative tail.

Not sure if this is a male that shed its antlers or a female

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Ekphrastic Tanka and Ekphrastic Microfiction:#TankaTuesday

We’re here at #TankaTuesday again! Colleen Chesebro’s prompt this week is to write an ekphrastic poem about this painting.

I am rushed for time, so I wrote a tanka since I feel familiar with the form.

This summer Sunday

lie upon the riverbank

and observe movements

of waterfowl and fishers,

neighbor’s herd and young lovers.  

I have a creepy ekphrastic timed (one hour max) microfiction piece up at Visual Verse. If you like creepy in small doses, here is the link and the image that inspired the story:

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Bird in Imayo: #TankaTuesday

Since Colleen Chesebro’s weekly #TankaTuesday poetry prompts are so inspiring to me, I bought her book that describes the various types of syllabic poetry so that I could use that as a guide instead of the wonderful links she has on the Wordcraft website. This way, the book is right at my side when I need it.

Ironically, this week’s #TankaTuesday is to write in a form not in the book. We are to write a poem about a bird in the Japanese form Imayo.

The imayo is comprised of four 12-syllable lines. Each line is divided into a 7-syllable and a 5-syllable section, with a hard pause (or caesura) in between. The pause will generally be represented by a comma, semi-colon, or similar punctuation.

  • 4 lines (8 lines permissible)
  • 12 syllables per line divided as 7-5
  • make a pause space between the 7 and 5 syllables
  • use comma, caesura or kireji (cutting word) as the pause
  • no rhymes
  • no meter
  • no end of line pauses – the whole should flow together as though one long sentence
  • The Imayo is a literal poem so do not use symbolism, allegory etc.

I decided to write about the Great Blue Heron that showed up in my yard last year. In the photo, the coyote behind the heron is an inanimate metal coyote!

I glanced out the front window — the Great Blue Heron

stood motionless by the pool — it stared straight ahead

perhaps lost in the desert — perhaps it mistook

pool for a swamp or wetland — beauty or sadness?

###

Hmm not my favorite form. When the description mentions “literal,” it means the form is not to employ figurative imagery. In general, in English language poetry, literal poems tend to be for children whereas figurative poems (using metaphor, simile, etc ) are for adults. In a literal poem the focus is on a plain description or a simple point or philosophy.

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