Here’s to my mother-in-law’s cousin and musical icon Oscar Brand and his everlasting memory.
Tag Archives: music
Oscar Brand: a real folk troubadour, storyteller, radio-guy, and writer. We’ll miss you.
Filed under Art and Music, Family history, Writing
How Do You Like Your Art–Fixed or Unfixed?
For years, it didn’t occur to me that art could be other than how I knew it: something tangible that existed in a (hopefully) permanent form so that the art appreciator could go back again and again and drink at its well.
I learned that I could have a different reaction at different times, but that the art itself was the same–only I had changed. Or its context had changed.
At the Chicago Art Institute my favorite painting was Caillebotte’s “Paris, A Rainy Day.” Anytime I visited Chicago I could go to the gallery and see it again.
At six, I fell in love with Tchiakovsky’s “Sleeping Beauty Waltz,” probably because I knew it from Disney–having seen the movie before I turned four–and when my mother bought me the classical album, I even carried it to first grade class for show and tell. I fell asleep every night to the entire symphony for quite awhile.
There is a difference between the Caillebotte and the Tchiakovsky beyond art form. The Caillebotte is a fixed art form. Unchangeable. The Tchiakovsky is, as well, except that it can be varied upon because every time a new symphony performs it, something might change. I still consider this a fairly fixed form, though, because I am unlikely to notice the differences. It takes a lot of musical education to know.
The ultimate fixed form, to my mind, is the book. It’s unlikely to change and, unlike art, which draws part of its meaning from its setting in a gallery or on a street corner, a book is the same around the world. As a writer, I like the fixed nature of the art I work in. It suits my hoarding, controlling nature.
I was interested in theatre and dance from a very young age, even writing and directing little plays for the neighborhood kids and my classmates. I created puppet theatres with, wait for it, dolls, of course. But I never stopped to think about this form of art. Is it fixed, especially after the play script is written, or is it unfixed because there are so many variables–actors, directors, costumes, sets, props, technical crew, and even errors change the art. The audience has the ability to change it.
When my daughter fell head first into the performing arts, I shapeshifted into one of those crazy dance moms running around with a video camera, always wanting to record her performances, even tech rehearsal, because I had grown up thinking art must be captured to exist. If my daughter danced and it wasn’t recorded, had she really created art?
Then I read and began to teach Leslie Marmon Silko’s novel Ceremony about a half Laguna Pueblo / half white WWII veteran with PTSD. There is a very important scene where Tayo visits a Navajo medicine man for a cure. The ritual involves the creation of a white corn sand painting. The shocker for me was that the painting is erased. Yes, erased. The purpose is in the making, not in the hanging onto it. When you think about it, this is a much more spiritual response to art because it takes the need to control out of the picture. It is not goal or perfection oriented.
When I researched the sand paintings, I discovered that the notion of saving our art, rather than erasing or letting it change over time naturally (like the poems of balladeers), is culturally based. It even intrigued me when I finally read about elephants creating art (I’ve written about that before when I talked about the book When Elephants Weep) that they create and then erase. Of course, they do: humans, not elephants, are ridiculous hoarders. But it doesn’t have to be this way. Or does our culture demand it?
Maybe not. Look at performance art. Poetry slams. Improv shows. “The Million Line Poem” by Tupelo Press. Even New York theatre is reaching out to the audience to participate in many plays. Is this a fad that can’t survive? After all, the sand painting survived as art process because it was a ritualized part of the life of a people. Without this broader context for unfixed art, can these art forms survive?
Another reason we might be stuck with mainly fixed art: iPhones and other technology. Did you hear about an audience member setting up a video camera on a tripod to record Adele’s concert? She was pissed and chastised the person. But it’s a losing battle. No venue can police an entire audience–and what kind of relationship would that produce?
What about your tastes? Do you prefer your art fixed, like books and paintings, or unfixed, like ice sculptures? Or do you prefer something in between–a known script in a new production, a live concert of your favorite band’s best songs?
Filed under #AmWriting, Art and Music, Essay, Nonfiction, Writing, Writing Talk
No Music in My House
Usually I think I know myself pretty well. But every once in a while I get an epiphany that shows me something I hadn’t quite realized. Maybe the knowledge was somewhere inside my head or even my body, but it hadn’t come to the front of the brain yet. Then, snap, there it is. Today it was about my relationship with music.
I love music. Sometimes I go to symphony concerts, classical and pops. Sometimes I go to old-timer concerts. I love Broadway musicals and have a ton of “soundtrack” CDs. I have an eclectic assortment of music on my iTunes. When I hear country music, I love it. My favorite is bluegrass. And jazz. In the car, I always play music (my daughter’s singing some of the time).
But I rarely play music at home. And I can’t talk country music with people because I’m not familiar enough with it. Or jazz. Or pop. Or blues.
So why don’t I listen to music at home? I thought I was “busy,” but today the reason occurred to me.
I’m a Highly Sensitive Person. Don’t laugh. You can read my old post about it, if you don’t know what that is.
Too much stimulation is the devil to an HSP. And music in the house is too much stimulation. Hubby has the TV on so often that when it’s not on, I crave the silence as a way to heal the synapses or slow down the neurotransmitters in my tummy and my limbs.
Maybe if I had a quiet house I would crave music. My mother does. But we have our offices in the house, and it’s often like Grand Central Station here. So it is definitely not a quiet house.
So. Am I weird? Nope, wrong question because if you’re not an HSP of course you think I’m weird. How about this question: anybody else out there like me? Easily over-stimulated?
On another topic, I was saved by the bell. I don’t want to say dodged a bullet as will become clear.
We got a new kitty at the shelter. She is a beautiful very young long-haired tortie with the absolutely sweetest personality EVER. Makes all my cats appear to be suffering from personality disorders. Anyway, they found a BB in her collapsed stomach, and they fixed her stomach. Her front leg is limp with neurological damage–also from the abuse she suffered.
They wanted to amputate her leg, saying it was dangerous to keep it. I felt that the reason for that decision was because it’s not possible to call in specialists and give special physical therapy and surgeries to a shelter cat. I offered to foster her (I KNOW, I KNOW, I’M CRAZY) and take her to specialists and for alternative care and give her therapy. But a lovely young woman came in the shelter today and adopted her along with a male kitty. She says she has a friend who is a vet who works with brain and spinal injuries. I asked to be kept in touch with her so I can follow our sweet kitty’s recovery.
Working with the shelter kitties calls for a lot of wine–or whiskey.
Filed under #writerlife, Arizona, Art and Music, Cats and Other Animals, Nonfiction, Writing