Last week I told you about the great restaurant we found in the Ozarks, along the White River bank. But we did more than go to that restaurant. We kept my uncle going every day! It had been decades since we had been to northern Arkansas. When we last visited, there were so many ancient Ozark-style log cabins tucked into the woods on the side of the road that the flavor of the land was everywhere you looked. If you don’t know what those are, they are small slightly rectangular box cabins with a peaked roof and a front porch with roof (imagine a wooden rocking chair and Pa with a corncob pipe just about now). Typically, the cover to the porch is a different pitch than the main roof–and best yet, the roof is generally tin. There aren’t very many left, but the remains of the ones being slowly claimed by the forest can be seen. Also, some have been refurbished with aluminum siding. Some new houses are built in the same style, to reflect the traditional architecture.
The reason I don’t have photos for you is that most of my Arkansas photos are crap, having been taken through a car window. It was too hot and humid to keep rolling the window down–and the so-called highways (NO freeways at all) are winding and long. It’s way out in the country, y’all. Anyway, the gardener drove, and it exhausted him so I didn’t want to distract him by rolling the window up and down–or asking to stop where we could have been run over IF someone else had driven there just then (that’s a big IF).
This part of Arkansas must be well within the Bible Belt. In Mountain Home (population 12,448), the Wednesday newspaper had a listing of churches in the immediate area.
I counted FORTY-ONE Baptist churches. There are also a lot of other denominations, including LDS, Jehovah’s Witness, and even Bahai! There is no synagogue, and I don’t think there is a mosque. Also, there are only two Catholic churches–one in town and one in a nearby town. The one in town is my uncle’s church. You might wonder then how my uncle ended up in Arkansas. He was born and lived in Chicago. After a horrible crime touched his life (story coming tomorrow in thefamilykalamazoo.com) he moved his family to rural Illinois–and eventually to Arkansas. He wasn’t alone–there is a whole “expat” group of Chicagoans who live there. They like being away from the hubbub–and a lot of them like to fish. That–and some Californians who have escaped the west coast–probably makes up the majority of people who attend the Catholic churches.
Let me mention that my favorite church names are the cowboy churches. Notice that this listing shows Bar None Cowboy Church. We flew into Tulsa, OK, and drove to Mountain Home. On the way, we saw other cowboy churches, like the Cowboy Gatherin’ Church in Inola, OK, and Crooked Creek Cowboy Church in Harrison. Apparently “cowboy churches” are a thing and are scattered across the country. Who knew? Well, I sure didn’t.
Speaking of Harrison. It’s only 48.4 miles from Mountain Home, but there’s a big difference. Mountain Home, as I said, has attracted people from Chicago and California and is close to reknowned trout fishing near the Bull Shoals dam which links Bull Shoals Lake with the White River. People think of pretty Ozark country when Mountain Home is mentioned. Harrison’s reputation comes from being known as the most racist city in the country. I got that from Wikipedia. So who knows the accuracy. Apparently, between 1905 and 1909 white citizens threw out all the African-Americans who lived there and established their city as a “sundown town.” That means just what it sounds like: no non-white people in town after dark. You think things have changed?
The city has been dubbed “the most racist city in America” because of its high presence of white supremacist organizations. Kingdom Identity Ministries, a white supremacist organization, was founded in 1982 in Harrison. Thomas Robb, national director of the Knights of the Ku Klux Klan, maintains his office near Harrison in the outlying town of Zinc and uses a Harrison mailing address for the organization. Combined with the history of the 1905 and 1909 banishment of unemployed railroad workers and all other African-American residents, this incidental connection to the KKK has given the town a negative image.
The article goes on to say that there are people who are trying to combat that image by speaking up against racism. Of course, all this just made me want to visit. The writer in me, you know. But that’s an easy call as a white woman. As the white mother of Asians, I would not have suggested we visit if they were with us.
When we got to town, I saw the pretty historic theatre where events are still held.
Love the neon sign!
Harrison is quite a pretty small town, and there wasn’t much to hint at a dangerous undercurrent of racism. Then we stopped at an antique shop for the gardener.
My eye was drawn to certain things. I started to feel uncomfortable.
I realize people collect Mammy this and that. Raised in Kalamazoo by my northern relatives, I will never feel comfortable with this stuff. In fact, in Arkansas, I had to keep reminding myself it used to be a slave state. I’ve never lived in a state where slave-holding was legal.
And then there was this little section.
Don’t you love the juxtaposition of items? The Rise and Fall swastika, desperation, a book called Rifles and Shotguns, Rhett Butler, and the fragility of that ruffled porcelain atop the stack. I figured we’d been in town long enough. Time to go!
Next day we visited my cousin’s home in the mountains. He is an orchid farmer by trade, and they live way out in the middle of nowhere (yup, it’s probably even called that). He always loved cacti and orchids, and it’s kind of cool that he’s made a living all these years doing what he loves.
He’s got such cute grandchildren, too. So much fun playing with them!
One day we visited Mystic Caverns. I guess northern Arkansas has a lot of underground caves. Many have probably not even been discovered yet.
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Close to Mountain Home is a tiny town called Norfork. There you can find the Jacob Wolf House Historic Site.
The site includes the main house, which was the territorial courthouse, built 1825, as well as some outbuildings. Seeing how the men “roughed” it even inside the courthouse really made me think of what the settlers went through. During the day, court was in session, and at night, the men spread out their bedrolls where they had been sitting in court earlier.
As we left Arkansas, the gardener and I stopped at the Osage Clayworks because the area has been known for pottery for quite some time. They had some good buys on “seconds,” and I bought my daughter a garlic thingie to use for her rings on her dresser.
The Photography of Justin Hamm
If you like seeing small towns and the fading past of America, you need to check out the photography of poet and photographer Justin Hamm. He’s also the editor of the museum of americana. I love Justin’s photos. Rustic images of old cars, barns, that kind of thing. Gorgeous. Click here for his Instagram. Here are the photos on his website. Look at this photograph of an old Ozark barn, care of Justin. He’s been in the Ozarks recently so I am watching for all those shots I imagined but couldn’t pull off.
The Art of Len Cowgill
On the subject of beautiful American art, I want to tell you a little update on the work of Len Cowgill.
Many, many years ago, when Len, the gardener, and I were all very young, Len gave us a series of three pieces as a gift. This was before he knew about archival materials, and over the years in the hot sun of California, the drawings faded. Here is one of them–see HOW faded.
Upon hearing about the fading, Len kindly offered to repair all these drawings. Look out great they turned out! In the first one, he changed the static brick wall to Allen Ginsberg’s poem “America” and then followed the theme for the rest of them.
I’m so blessed to have such thought-provoking and breathtaking art in my life. Thanks to Len and thanks to Justin both for sticking with your passions and making the world more beautiful.
He usually paints for someone else, but this time when I asked him if I could have it, he waffled and then finally withdrew it from my fingers and said he wanted to keep it. So I let it go. Sadly because I had this brain storm of collaging with his art.
I particularly love working with soft pastels and pan pastels because of how they work with water and smudging. I like to burn, rip, and stitch things.
