Tag Archives: #writerlife

Here is the Sequel to Yesterday’s Blog Post

If you follow the link you can read the story I mentioned yesterday.

The Story of What Happened in Chicago

In Arkansas, America, and Art, I wrote that something occurred that made my uncle end up moving his family from Chicago to rural Illinois to rural Arkansas.

Check it out. You might be surprised at what happened way back when as it will sound familiar.

Uncle Frank and Dad

colorizing by Val at Colouring the Past

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Filed under #AmWriting, #amwriting, #writerlife, #writerslife, Family history, History, Nonfiction, Writing

Arkansas, America, and Art

Last week I told you about the great restaurant we found in the Ozarks, along the White River bank. But we did more than go to that restaurant. We kept my uncle going every day! It had been decades since we had been to northern Arkansas. When we last visited, there were so many ancient Ozark-style log cabins tucked into the woods on the side of the road that the flavor of the land was everywhere you looked. If you don’t know what those are, they are small slightly rectangular box cabins with a peaked roof and a front porch with roof (imagine a wooden rocking chair and Pa with a corncob pipe just about now). Typically, the cover to the porch is a different pitch than the main roof–and best yet, the roof is generally tin. There aren’t very many left, but the remains of the ones being slowly claimed by the forest can be seen. Also, some have been refurbished with aluminum siding. Some new houses are built in the same style, to reflect the traditional architecture.

The reason I don’t have photos for you is that most of my Arkansas photos are crap, having been taken through a car window. It was too hot and humid to keep rolling the window down–and the so-called highways (NO freeways at all) are winding and long. It’s way out in the country, y’all. Anyway, the gardener drove, and it exhausted him so I didn’t want to distract him by rolling the window up and down–or asking to stop where we could have been run over IF someone else had driven there just then (that’s a big IF).

This part of Arkansas must be well within the Bible Belt. In Mountain Home (population 12,448), the Wednesday newspaper had a listing of churches in the immediate area.

I counted FORTY-ONE Baptist churches. There are also a lot of other denominations, including LDS, Jehovah’s Witness, and even Bahai! There is no synagogue, and I don’t think there is a mosque. Also, there are only two Catholic churches–one in town and one in a nearby town. The one in town is my uncle’s church. You might wonder then how my uncle ended up in Arkansas. He was born and lived in Chicago. After a horrible crime touched his life (story coming tomorrow in thefamilykalamazoo.com) he moved his family to rural Illinois–and eventually to Arkansas. He wasn’t alone–there is a whole “expat” group of Chicagoans who live there. They like being away from the hubbub–and a lot of them like to fish. That–and some Californians who have escaped the west coast–probably makes up the majority of people who attend the Catholic churches.

Let me mention that my favorite church names are the cowboy churches. Notice that this listing shows Bar None Cowboy Church. We flew into Tulsa, OK, and drove to Mountain Home. On the way, we saw other cowboy churches, like the Cowboy Gatherin’ Church in Inola, OK, and Crooked Creek Cowboy Church in Harrison. Apparently “cowboy churches” are a thing and are scattered across the country. Who knew? Well, I sure didn’t.

Speaking of Harrison. It’s only 48.4 miles from Mountain Home, but there’s a big difference. Mountain Home, as I said, has attracted people from Chicago and California and is close to reknowned trout fishing near the Bull Shoals dam which links Bull Shoals Lake with the White River. People think of pretty Ozark country when Mountain Home is mentioned. Harrison’s reputation comes from being known as the most racist city in the country. I got that from Wikipedia. So who knows the accuracy. Apparently, between 1905 and 1909 white citizens threw out all the African-Americans who lived there and established their city as a “sundown town.” That means just what it sounds like: no non-white people in town after dark. You think things have changed?

The city has been dubbed “the most racist city in America” because of its high presence of white supremacist organizations. Kingdom Identity Ministries, a white supremacist organization, was founded in 1982 in Harrison. Thomas Robb, national director of the Knights of the Ku Klux Klan, maintains his office near Harrison in the outlying town of Zinc and uses a Harrison mailing address for the organization. Combined with the history of the 1905 and 1909 banishment of unemployed railroad workers and all other African-American residents, this incidental connection to the KKK has given the town a negative image.

The article goes on to say that there are people who are trying to combat that image by speaking up against racism. Of course, all this just made me want to visit. The writer in me, you know. But that’s an easy call as a white woman. As the white mother of Asians, I would not have suggested we visit if they were with us.

When we got to town, I saw the pretty historic theatre where events are still held.

Love the neon sign!

Harrison is quite a pretty small town, and there wasn’t much to hint at a dangerous undercurrent of racism. Then we stopped at an antique shop for the gardener.

My eye was drawn to certain things. I started to feel uncomfortable.

I realize people collect Mammy this and that. Raised in Kalamazoo by my northern relatives, I will never feel comfortable with this stuff. In fact, in Arkansas, I had to keep reminding myself it used to be a slave state. I’ve never lived in a state where slave-holding was legal.

And then there was this little section.

Don’t you love the juxtaposition of items? The Rise and Fall swastika, desperation, a book called Rifles and Shotguns, Rhett Butler, and the fragility of that ruffled porcelain atop the stack. I figured we’d been in town long enough. Time to go!

Next day we visited my cousin’s home in the mountains. He is an orchid farmer by trade, and they live way out in the middle of nowhere (yup, it’s probably even called that). He always loved cacti and orchids, and it’s kind of cool that he’s made a living all these years doing what he loves.

He’s got such cute grandchildren, too. So much fun playing with them!

One day we visited Mystic Caverns. I guess northern Arkansas has a lot of underground caves. Many have probably not even been discovered yet.

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Close to Mountain Home is a tiny town called Norfork. There you can find the Jacob Wolf House Historic Site.

The site includes the main house, which was the territorial courthouse, built 1825, as well as some outbuildings. Seeing how the men “roughed” it even inside the courthouse really made me think of what the settlers went through. During the day, court was in session, and at night, the men spread out their bedrolls where they had been sitting in court earlier.

As we left Arkansas, the gardener and I stopped at the Osage Clayworks because the area has been known for pottery for quite some time. They had some good buys on “seconds,” and I bought my daughter a garlic thingie to use for her rings on her dresser.

 

The Photography of Justin Hamm

If you like seeing small towns and the fading past of America, you need to check out the photography of poet and photographer Justin Hamm. He’s also the editor of the museum of americana. I love Justin’s photos. Rustic images of old cars, barns, that kind of thing. Gorgeous. Click here for his Instagram. Here are the photos on his website. Look at this photograph of an old Ozark barn, care of Justin. He’s been in the Ozarks recently so I am watching for all those shots I imagined but couldn’t pull off.

 

The Art of Len Cowgill

On the subject of beautiful American art, I want to tell you a little update on the work of Len Cowgill.

Many, many years ago, when Len, the gardener, and I were all very young, Len gave us a series of three pieces as a gift. This was before he knew about archival materials, and over the years in the hot sun of California, the drawings faded. Here is one of them–see HOW faded.

Upon hearing about the fading, Len kindly offered to repair all these drawings. Look out great they turned out! In the first one, he changed the static brick wall to Allen Ginsberg’s poem “America” and then followed the theme for the rest of them.

I’m so blessed to have such thought-provoking and breathtaking art in my life. Thanks to Len and thanks to Justin both for sticking with your passions and making the world more beautiful.

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Gluten-Free on the White River

Last week I was in Arkansas. My aunt passed away last month, and the gardener and I went to visit my uncle. He’s my dad’s twin, and it was wonderful to spend time with him. As usual, we did a lot of sightseeing, but I don’t have time to put all that in this post. However, I wanted to share about a restaurant that we went to in rural Arkansas. My uncle gave me the name PJ’s White River Lodge to investigate for gluten-free dining, so I called ahead to check on it. So often, when I call, the person who answers the phone doesn’t even know what gluten-free means. This time, I was immediately told about their gluten-free menu. Plus, it was the owner who answered–and he recognized my cell phone area code, which is still from California. Turns out, he was from the same town in California we lived and where our kids grew up!

Truly, this area of northern Arkansas is very country as in out-in-the-country, except that the restaurant and lodge is on the White River which is a big fishing spot. I didn’t expect such an elegant, though casual (the gardener wore nice shorts and a button down shirt), restaurant. This was the view from our window. You can see the interior light in the reflection.

 

We ordered the Chilean Sea Bass and the Lobster Ravioli (a special) and the Pan Seared Jumbo Sea Scallops. My sangria was also a special. The gardener was eating the scallops before I could get a pic. The food was so delicious, and because I added in the deep fried potato roll (think twice baked potato meets egg roll–to die for), I had enough food for two meals. Fresh ingredients, well-blended flavors, and unique creations. That’s why I am writing a whole post about the restaurant. What a find for anybody in northern Arkansas (near Bull Shoals, White River, etc.), but for the gluten-free it was heavenly.

I picked up this take-home menu which has a better photo of the deck.

 

I was sorry to miss my aunt’s funeral, but glad I could spend some quality time with my uncle. Aunt Dolly passed away of leukemia, just as Aunt Jean did last year. I couldn’t make it to Aunt Jean’s funeral last year, but there is much more family around that uncle, including my mom (his sister).

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My gratitude to The Disappointed Housewife for publishing my lyrical prose/ flash nonfiction piece, “Multicolored,” last week. I haven’t been able to write much recently (same old complaint) because my daughter has been around and then I was traveling. More travel is coming up, and I am already exhausted!

My uncle regaled me with stories of the old days. I took some notes, just in case ;).

Happy Monday and Happy July!

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Filed under #writerlife, #writerslife, Family history, Flash Nonfiction, Food & Drink, gluten free, gluten free restaurant, gluten free travel, Nonfiction, Writing, Writing Talk

Saguaro Fruit Season

This was the first year that I’ve lived in Phoenix that all  the saguaros blossomed with white crowns. So this is the first year I’ve seen so many white blossoms all turn into juicy red fruit. An animal must have eaten some of this one!

Check out the bird sitting on the top. Birds seem to love saguaros.

Here’s a good article about the harvesting of the saguaro fruit.

A couple of the cacti in our yard, thanks to the gardener.

One of the most inspiring people in my life has been a gorilla–namely, Koko, lover of cats and poet of sign language. Sadly, she died last week at age 46.

This image by a fan of Koko was shared on Koko’s Facebook page with a request to share it, so here it is. RIP dear Koko. I just don’t understand how little her death has been on the news. The people whose lives we celebrate on national television when they die have not done as much for our future and our planet as Koko has done.

#amwriting #writerlife #writerslife I had two beautiful acceptances this week. One publication coming out in a day or so . . . .

HAPPY NEW WEEK!

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Filed under #AmWriting, #amwriting, #writerlife, #writerslife, Arizona, Cats and Other Animals, Flora, Garden, and Landscape, Food & Drink, Writing

From Japan to Lebanon to the Hummingbird’s Nest All in One Day

Recently the gardener discovered the Japanese Friendship Garden of Phoenix: RO HO EN. We visited the other day for the first time. I was so taken with the size of the pond, and this spot of beauty nestled under the tall condo buildings near the Central Arts District (theatres, museums, opera, and arts schools). If you haven’t been to that area, it’s a must see–so active and vital.

 

The garden resembles a lovely park more than it does a Japanese garden of the sort I am used to (Portland, the Huntington, etc.). They offer tea ceremonies to the public on the third Saturday of every month. The fee is $30 ($25 seniors). Imagine living in one of those condos with a view of the garden all year round.

 

 

The pine cones were fun because they aren’t a common sight in Phoenix.

 

The park did not have flowers or too many bells and whistles, so the gardener was not impressed with that aspect. For me, the park-like environment was fabulous. But it did come with a $7 price tag ($6 for seniors, $5 for students, and free for little kids).

 

The pond is loaded with giant carp, and when you check in they ask if you want to buy a little bag of food for the fish. The way they all gather to eat a few crumbs was a little terrifying for me. I thought it might be stressful for the fish. The upside for them is that the pond is so big that their environment is better than that of many pond-living carp.

 

This big guy in the middle was truly enormous.

Ducks live at the pond, too, and the mothers all were watching over their ducklings. One duckling imprinted on us and tried to follow us until we discouraged her. This is a short video of a baby duck, just in case you want to see cute right now.

After the garden, we went to one of our favorites, Middle Eastern Bakery & Deli. The owner Isam is so nice, the gluten-free options are diverse (pita, tabouli, and more), and the Lebanese lemonade to die for.

 

This time a tray of turnovers sat on the counter. They looked intriguing. Isam told me that he makes them for Ramadan every year. He is Christian, and though he makes them on behalf of his Muslim customers, he admits to loving them ;). He explained that on Ramadan, because of the fasting, people need the quick energy this sweet treat provides. He said he starts with a pancake and fills it with a cheese or walnut filling, turns it over, and deep fries it. It’s then covered with a rosewater syrup. I cannot tell you how much I LOVE rose flavored food and drink. I keep two bottles of rosewater in my fridge! I brought home two kataif–a cheese and a walnut. The gardener told me I was consuming 1,000 calories each. Hahaha, I just grinned as he was saying it because these are obviously not a gluten-free treat!

 

Click on the link to find out more: Atayef (Kataif)

Now for an update on the hummingbird mom and her babies.

They are growing up so fast. The gardener watched one fly away already. I wonder if their mother is the child or grandchild of one of the hummers who hatched in our backyard a few years ago.

Since I restructured my memoir, making it more of a hybrid genre in structure and style, I have debated adding a few poems to the book. This week I revised a couple of poems I am contemplating for the book.

Happy week, everyone!

 

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Filed under #AmWriting, #amwriting, #writerslife, Arizona, Cats and Other Animals, Flora, Garden, and Landscape, gluten free, gluten free restaurant, gluten free travel, Inspiration, Nonfiction, Writing

My Practical Father (Not Always) Repost for Memorial Day Memories

Since my father was a Korean War veteran, I thought I would repost an old blog post I wrote about him five years ago. When you get to the part about him being in the hospital, remember that this first went up in March 2013. He passed away in May 2015.

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My father was born in 1928, and the memory of the Depression is imprinted on his decision-making.

When he has a color choice, he goes with “brindle brown” because it’s practical and doesn’t call attention to itself.  Until I actually looked up this color, I thought it was a term unique to Dad.  And I figured it meant something like “shit brown.”  Now I see that it really means spotted or streaked like an animal’s coat or like the word piebald.  I suspect that my father’s meaning is closer to what I had originally thought, rather than a dog’s sleek brown fur.

I’ll go a step further and assume Dad probably picked up that term in the Army.  Since he was raised by a single mother, Dad’s true “finishing” came from his fellow soldiers in the Korean War.

Dad’s always hated the color black.  It’s impractical–shows dust and lint.  He doesn’t like lavender either.  His mother wore the widow’s weeds of black and lavender, so maybe there is an emotional terrain underneath the practicality.

When I was younger, men owned small leather grooming kits for travel.  They were sometimes called Dopp kits, although Dopp was a name like Kleenex, an actual brand name.  My father’s was brown, and if somebody gave him a black one as a gift, he wouldn’t use it.

His brief case was brown, not black.  So was his squeeze-type coin purse, back in the days when men carried those.

For the past thirty years he’s carried a brown leather magnetic money clip.

images (2)His belts are brown and not black.  And certainly not khaki canvas or burgundy leather and they don’t have a big turquoise-studded buckle.

My father looks practical and shops with a practicality born out of that Depression upbringing.

But don’t be fooled by how he looks.  When a friend or an acquaintance would show up with something to sell, Dad would buy it, no matter how impractical.  He bought things like:

  • An old non-working violin he was told was a Stradivarius (it was not)
  • A silk Oriental rug (beautiful, but impractical)
  • An old motorboat much too heavy for the motor that fit the boat (it never worked right, but I was still light enough that I could water-ski slowly off the back of the boat)
  • An abacus when I started 4th grade (so I could do division on it)

You get the idea.

Do any of your characters (or real life relatives) contain contradictions?

My dad is sick in the hospital right now, and the doctor isn’t quite sure what’s wrong.

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It’s been three years and 14 days now since my father died. I can hardly believe it. He’s buried at a veterans’ cemetery in Michigan, so I can’t be there today. But I’m still thinking about him.

 

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Filed under #AmWriting, #amwriting, Creative Nonfiction, Family history, Flash Nonfiction, Memoir, Nonfiction, Vintage American culture, Writing

I Love “May” in Blog Titles (with a Publication in Longridge Review)

Desert Rose, Arizona

I give up. OK, I don’t really give up. But I’m cutting myself a little slack. I had all these great plans for May, but we’re already over 2/3 done with May, and I haven’t accomplished the writing I had planned. It just wasn’t possible. I let slip so much other stuff in April to work on #NaPoWriMo, that I had to catch up–or at least try. I’m so excited that Kin Types is a finalist for the Eric Hoffer Award. I didn’t dream it would do so well in a prestigious national award like that. But it did take up more time as I had to take it to social media. That’s the way of today.

And then I watched the price of the book slide back up on Amazon to its original price. Funny how that happens.

BUT I haven’t been doing nutten. Today Longridge Review published a short memoir piece, “The Secret Kotex Club.” Their focus is on memoir about the childhood experience–with adult reflection to give it some heft. I hope you enjoy it!

May. I have used it in many blog titles, but I’ve also used it in several poem titles. It’s such a beautiful month to write about. Spring is here. I don’t want to miss it entirely. The gardener noticed that the hummingbird eggs have hatched because he saw the mother feeding them. She has tucked the nest into the leaves of the oleander so well that we can’t really see the nest, but he saw her hovering above and dipping her beak down as if she were feeding. I just watched her defending her nest against three wren-type birds. She chased them away. Pretty amazing to see that tiny fierce mama take on a whole gang to protect her babies.

Every saguaro in the valley is still in bloom. I caught this one in front of someone’s house. I thought they might call the cops on me . . . .

 

We have flowers blooming on the ground, the outdoor tables, the bushes, and the trees.  Perry watched a roadrunner behind our house, content to be inside, safe and well fed.

This one is not at my house, but I liked it!

And it’s not too hot out yet. Hot, but not too hot.

Pretty darn beautiful.

To go with the new season, the gardener has allowed me to throw away his old gardening shoes, and he will wear the new Rainbows that the kids gave him.

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Filed under #AmWriting, #writerlife, #writerslife, Arizona, Book Award, Flora, Garden, and Landscape, Kin Types, National Poetry Month, Writing

Book Review of Jen Payne’s “Evidence of Flossing: What We Leave Behind”

To help heal our planet and ourselves, we first have to look outward to go inward. Jen Payne’s new book of poetry and photographs inspires us to do just that. Using the unique and cohesive symbol of the pocket dental flosser, Evidence of Flossing: What We Leave Behind explores nature and our place within our environment.

While it is not unusual to find a book’s theme related to nature and loss, Payne’s book turns loss personal and unnecessarily tragic by showing the wastefulness inherent in our actions. Payne directs the focus on the environment by her obsessive collection of photos of discarded dental flossers which serve to remind the reader of our most common actions and the consequences of those actions.

Shaped like little coping saws, the flossers are depicted lying where they were found—on pavement, pavers, dirt, concrete, and rock. Such common objects become centerpieces of individual works of art, but in their careless beauty, there is a glutted feeling of unwellness as if we, in our thoughtlessness, are too much for nature.

Payne’s poetry is the nuanced, living force of the collection. What drives that force is a love of nature’s beauties, a love that Payne wants readers to experience.

I will preach from the pulpit,
soar reconnaissance with the pileated,
nursemaid a wood duck’s brood,
survey the marsh with an egret,
meditate with the painted turtles
on a rock or the pine felled in a storm,
no matter, my profit immeasurable.

Though readers can feel the redemption of going inside ourselves to be at one with nature and the spiritual force, Payne continues to remind us how close we are to losing it all by our wastefulness.

On a personal level, once I finished reading Evidence of Flossing, I felt more in tune with nature and more mindful, but also began to notice what I had never spotted before: little plastic-framed flossers lying on the ground. Here is the flosser I spotted in the parking lot at the bank the morning after I finished the book. That was the first of many.

Soon after, I visited my dentist and told him about Payne’s book. He said that when we invented the flosser (and he did say “we”), we thought, as with much technology and “progress,” that they were an improvement over pieces of dental floss, never foreseeing that they would add to the waste on our planet. He wondered if birds get their bills caught in the flossers. Since I have been cutting apart plastic six-pack rings so that wildlife do not get stuck in them my entire adult life, I saw he was right about the dangers of the design. At least loose dental floss can be used by birds as material for their nests.

Look how Payne’s book got me thinking about the environment and sharing with others. Evidence of Flossing: What We Leave Behind is inspirational, lyrical, instructive, and not to be missed. It is a book to be shared with others in a groundswell of caring for Earth and all our planet’s inhabitants.

Click on the book cover to purchase through Amazon.

Photo Credits:

 

Book Cover, Evidence of Flossing: What We Leave Behind (Flosser No. 007-1214 – Diner, Connecticut, December 2014, by Jen Payne)

About the Author:

 

Jen Payne is inspired by those life moments that move us most — love and loss, joy and disappointment, milestones and turning points. Her writing serves as witness to these in the form of poetry, creative non-fiction, flash fiction and essay. When she is not exploring our connections with one another, she enjoys writing about our relationships with nature, creativity, and mindfulness, and how these offer the clearest path to finding balance in our frenetic, spinning world.

 

Very often, her writing is accompanied by her own photography and artwork. As both a graphic designer and writer, Jen believes that partnering visuals and words layers the intentions of her work, and makes the communication more palpable.

 

In 2014, she published LOOK UP! Musings on the Nature of Mindfulness, a collection of essays, poems and original photography. Evidence of Flossing: What We Leave Behind is her second book.

 

Jen is the owner of Three Chairs Publishing and Words by Jen, a graphic design and creative services company founded in 1993, based in Branford, Connecticut. She is a member of the Arts Council of Greater New Haven, the Branford Arts and Cultural Alliance, the Connecticut Poetry Society, Guilford Arts Center, the Guilford Poets Guild, and the Independent Book Publishers Association.

 

Installations of her poetry were featured in Inauguration Nation an exhibition at Kehler Liddell Gallery in New Haven (2017), and Shuffle & Shake at the Arts Council of Greater New Haven (2016). Her writing has been published by The Aurorean, Six Sentences, the Story Circle Network, WOW! Women on Writing, and The Perch, a publication by the Yale Program for Recovery and Community Health.

 

You can read more of her writing on her blog Random Acts of Writing, http://www.randomactsofwriting.net.

 

A big thank you to WOW! Women on Writing for including me in this blog tour! 

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Filed under #writerlife, #writerslife, Book Review, Essay, Nonfiction, Photographs, Poetry, Poetry book, Poetry Collection

Poetry Ancestry

Last week I went to see three grande dames of literature at Arizona State University: Joy Harjo, Rita Dove, and Sandra Cisneros, hosted by Natalie Diaz. These are writers whose works I taught to college students for years, but this was the first opportunity I had to hear them talk in person. They were seated on stage in a conversation area–a couch and armchairs. What I hadn’t realized was that they are all graduates of the Iowa Writers’ Workshop, which has long been considered to be the top place to earn an MFA in writing. These women all know each other–and Harjo and Cisneros were friends in grad school. I felt I was eavesdropping on their conversation with each other.

Since these women are all poets, but have published prose as well, I was fascinated to hear what they had to say. Their voices come from disenfranchised groups–Harjo is Native (Muskogee Creek), Cisneros Chicana, and Dove African American–so it’s important to listen carefully and sympathetically in order to hear things from a variety of perspectives. They were also talking about timing, and how timing was very helpful to them in achieving the level of success they have had. You can look them up if you want the deets. In fact, Dove mentioned that when she was a grad student she didn’t know the work of a lot of poets who were mentioned in her classes. She would surreptitiously write down the names so she could find them in the library and read their work. In that way, she was partially self-taught.

I’m leading up to something here.

Of all the wonderful ancedotes and tips I heard that Saturday afternoon, the one that stood out the most to me is one from Harjo. She said she teaches a course about poetry ancestry. It’s studying the genealogy of your poetry writing. You look at the poets who most influenced your own writing. Then you see who influenced them. And go back as far as you can, studying the work that turns up in your research!

I wanted to see where I could go with this, but it will take time. I’ll just start by mentioning some of my poetic influences. Keep in mind this is NOT an exhaustive list by any means.

  • Sylvia Plath: there is no doubt that I found her big mouth and aggressive imagery very liberating
  • Emily Dickinson: her spare and sometimes wry writing appeals to me, but the downside is she keeps herself out of most of her poems, and that is too convenient for me
  • A. R. Ammons: I so admire his oneness with nature and spirit and his very smart use of language
  • Gerard Manley Hopkins: his spirituality and fresh imagery speak to my heart
  • Linda Hogan: like Ammons, her oneness with nature and spirit inspires me
  • Adrienne Rich: she broke the ice at the top of the ocean she dove into in Diving into the Wreck
  • Edna St. Vincent Millay: maybe the first poem not written for children that captivated me was Millay’s “Renascence.” When I was a kid, I took an LP record out of the library and listened to her read it over and over and over and over and over again.
  • classic children’s poetry of the 20th century, as well as nursery rhymes: these are what first instilled a love for poetry

Do you notice anything about my little list? Lots of women, not too much diversity (except Hogan who is Native and Rich, a Jewish lesbian). But what else? The poems I read that first inspired my writing were written mainly before 1980 all the way back to Dickinson who was writing before and during the Civil War! Of course, I’ve read a lot of contemporary poetry over the years, but poets who first influenced me were not my contemporaries or even those just a little ahead of me. They were considered masters when I read them, except for maybe Hogan.

I’m thinking I need another list of poets whose works next influenced me–people writing after the poets listed above. That might then offer more of a platform for the “family research.”

Do you know who your first influences were for your own writing? Have the type of influences changed over time? For instance, if blogging is your main writing format, who were your first influences?

 

 

 

 

 

 

 

 

 

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An Interview about Poetry and Genealogy

Jorie at Jorie Loves a Story interviewed me on the topics of genealogy, poetry, and Kin Types. Her questions were so thought-provoking, and I really enjoyed where they took me!

Check it out if you can.


Also, Amazon has 19 reviews up for Kin Types if you’re still on the fence about reading it.

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Filed under #AmWriting, #writerlife, #writerslife, Book Review, Family history, Flash Nonfiction, History, Interview, Kin Types, Memoir, Nonfiction, Poetry, Poetry book, Poetry Collection, Writing