Rosemary Mahoney’s genre-bending book, A Likely Story: One Summer with Lillian Hellman, creates a fascinating portrait of the famous writer at the same time that it tells the story of the teen Mahoney was in the summer of 1978.
Mahoney was 17 and went to work as a housekeeper for Lillian Hellman on Martha’s Vineyard that summer. This book explores her experience with Hellman. Because Hellman was famous and a larger-than-life character, the book operates a bit as a biography, but truly it’s Mahoney’s coming-of-age memoir.
Her father had passed away, her mother was an alcoholic, and Rosemary needed a job. She was about as equipped to be a housekeeper as I would have been at 17, which is to say, not at all. She had read Hellman’s memoir An Unfinished Woman and idolized her.
If you thought you knew Hellman, you will soon learn that there is a lot more to find out. The picture Mahoney creates of the older woman is not positive or uplifting, but it certainly glitters with star power. Under Mahoney’s pen, Hellman is not a nice person, and Mahoney grows to despise her; even so, there is some sort of attachment between the two women. After all, Mahoney was completely unsuited for the job and could (should?) have been fired by Hellman at any moment. A very complicated relationship shapes up as the book goes on.
Reading what Mahoney went through with Hellman, made me think there is some truth to this expression: whatever doesn’t kill you, makes you stronger. Mahoney learned invaluable lessons that summer–maybe most importantly, not to fear anyone else and to have confidence.
The question I ask myself about every memoir is: what did I learn?
The easy answer is that I learned about two women who have a lot more guts than I have–both Hellman and Mahoney. After all, look at the guts it took to take a job Mahoney knew she couldn’t perform.
The more difficult answer is that I learned about the soft and malleable boundaries of memoir. Memoir can incorporate other genres. It can have different textures. This book is thickly textured with public knowledge, the details of celebrity life, and a rich and lush setting of life on the beach. Most memoirs I read have textures that look and feel much different. I learned that memoir needs to look and feel and sound like the subject matter.
If you’re writing a memoir that involves a famous person, I would recommend reading this book to see how Mahoney handles the job. She’s a master at it.
If you want to read a nonfiction story that is a little bit juicy about a celebrity, head right to this book!
If you just want a good read, this is it.
If you want to look at Mahoney’s other books, check out her website.