Tag Archives: foster cat

This prolonged heat spell is making me feel as if I am in a liminal state. Between living and dead. Even in the air conditioning I feel drained and sweaty and as if my body continues to swell. What if it never stops and just gets larger and larger?

Liminality is a positive place to be if you are open-minded and ready, but it can lead to negative consequences. The photo is from a HuffPo article about the green tunnel in the Poison Garden at Alnwick Gardens in Northumberland. Click on the photo, and it will lead you to the article. Needless to say, there are poisonous plants in the poison garden, so you have to be open-minded to the experience and prepared.

United Kingdom, England, Northumberland, Alnwick, The Alnwick Garden, The Poison Garden, Tunnel. (Photo by Jeffrey Greenberg/UIG via Getty Images)

I’ve never been to this garden before, so I can’t help but wonder how animals and birds are protected from so much poison in one place.  Maybe most of them know better, but they don’t all know better.

Back to the heat: I haven’t been working on the play.  I can hardly get the bare minimum of work-work accomplished.

The good news is that Slupe is out and roaming with all the cats, but she paces around restlessly and doesn’t lie down unless she is hanging around the periphery of where the other cats congregate. She is in a liminal space, I guess, waiting to become a full-fledged resident and adopted from the shelter (instead of a foster cat).

Here she is hanging out in the cupboard with my computer printer. Her thought bubble: I hope nobody knows I’m in here. I’m in my liminal space.

Actually Slupe’s liminal space is stressful, not just magical. But maybe there is some anxiety associated with all liminal spaces. What do you think?

On the subject of liminality, I found something I theorized about liminality and poetry when I was up on subjects like liminal space (this was before I had cats):

When a poem is written, creative identity is performed by the poet.  This performance always exists in the liminal phase.  Imagine a two-dimensional diagram with a point on the left signifying the familiar everyday experience and a point on the right signifying the familiar everyday experience.  The straight line connecting the two points is the liminal passage or threshold in which all is unfamiliar.  Importantly, the diagram is not circular because the two familiar points are not the same point.  The threshold allows the individual to adjust to the new point of familiarity.

Every poem is written somewhere along that line between the familiar points and exists in liminality in a relation to one or both of the points.  Some poems may be performed by the poets more in the center of the line, thus farthest away from the points of familiarity–others may be much closer to the familiar.  Therefore, from the standpoint of the writer, all poems are liminal, although some are more so than others.

And not just for writers, but for readers, too. What I like about this is how I discovered through studying liminal spaces and anthropology that poetry exists in a liminal space. That’s why it’s so special. When we read a poem we get to visit a liminal space, full of anxiety and magic.

And now back to cat patrol. It’s time for all five of them to eat. Odds are, out of five, somebody is going to throw up their food with or without a hairball. There’s nothing liminal about cat puke.