Tag Archives: foster cat

Guess Where Perry is Now?

Don’t tell my mother, but Perry moved in here Friday evening. She told me once that she didn’t think she should tell anybody I have five cats because it was embarrassing. I know what she would say about six, even if #6 is a foster cat and not for keeps. I simply cannot have another “foster failure,” which is where the person fostering the cat cannot give him/her up and adopts the cat. My five old cats would not forgive me for that.

Since he got here, it’s been exactly four days.  This is how he looks now, in his 3 tier cage (identical to the one at the shelter) and in his little cat den.

 

The room Perry is in is quiet, and he has a window, although he hasn’t seemed to notice it yet. He eats, drinks, and uses the litter box when nobody is looking. He moves between his cat den on the bottom floor and the top shelf which has a little thin blanket around part of it so he feels secure.

Notice how he looked at the shelter. See how his ears were flattened. Now they are raised up more and one of them faces forward and the other partially forward. His whiskers might be a bit more relaxed. When I hold a treat and offer it to him he actually looks as if he is considering it now. Slow baby steps, but I think we’re moving forward.

AT THE SHELTER

Most of my time with Perry is spent with me lying on the floor on two big pillows, reading poetry to him. We just finished the March issue of Poetry, which we both enjoyed although two of the poems confounded me (but not him). I also read him a poem Dianne Gray mentioned: “THE TRIANTIWONTIGONGOLOPE” by C. J. Dennis.

Perry doesn’t require a lot of attention, but I try to go in with him every couple of hours or so, if I am home. After all, the way he will become more social and attached is by our interaction.

Closing comments because this was just a little update. Hope your week is a happy and healthy one!

 

 

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Filed under Arizona, Cats and Other Animals, Poetry, Poetry reading

What Is Found in a Liminal Space?

This prolonged heat spell is making me feel as if I am in a liminal state. Between living and dead. Even in the air conditioning I feel drained and sweaty and as if my body continues to swell. What if it never stops and just gets larger and larger?

Liminality is a positive place to be if you are open-minded and ready, but it can lead to negative consequences. The photo is from a HuffPo article about the green tunnel in the Poison Garden at Alnwick Gardens in Northumberland. Click on the photo, and it will lead you to the article. Needless to say, there are poisonous plants in the poison garden, so you have to be open-minded to the experience and prepared.

United Kingdom, England, Northumberland, Alnwick, The Alnwick Garden, The Poison Garden, Tunnel. (Photo by Jeffrey Greenberg/UIG via Getty Images)

United Kingdom, England, Northumberland, Alnwick, The Alnwick Garden, The Poison Garden, Tunnel. (Photo by Jeffrey Greenberg/UIG via Getty Images)

I’ve never been to this garden before, so I can’t help but wonder how animals and birds are protected from so much poison in one place.  Maybe most of them know better, but they don’t all know better.

Back to the heat: I haven’t been working on the play.  I can hardly get the bare minimum of work-work accomplished.

The good news is that Slupe is out and roaming with all the cats, but she paces around restlessly and doesn’t lie down unless she is hanging around the periphery of where the other cats congregate. She is in a liminal space, I guess, waiting to become a full-fledged resident and adopted from the shelter (instead of a foster cat).

Here she is hanging out in the cupboard with my computer printer. Her thought bubble: I hope nobody knows I’m in here. I’m in my liminal space.

Actually Slupe’s liminal space is stressful, not just magical. But maybe there is some anxiety associated with all liminal spaces. What do you think?

On the subject of liminality, I found something I theorized about liminality and poetry when I was up on subjects like liminal space (this was before I had cats):

When a poem is written, creative identity is performed by the poet.  This performance always exists in the liminal phase.  Imagine a two-dimensional diagram with a point on the left signifying the familiar everyday experience and a point on the right signifying the familiar everyday experience.  The straight line connecting the two points is the liminal passage or threshold in which all is unfamiliar.  Importantly, the diagram is not circular because the two familiar points are not the same point.  The threshold allows the individual to adjust to the new point of familiarity.

Every poem is written somewhere along that line between the familiar points and exists in liminality in a relation to one or both of the points.  Some poems may be performed by the poets more in the center of the line, thus farthest away from the points of familiarity–others may be much closer to the familiar.  Therefore, from the standpoint of the writer, all poems are liminal, although some are more so than others.

And not just for writers, but for readers, too. What I like about this is how I discovered through studying liminal spaces and anthropology that poetry exists in a liminal space. That’s why it’s so special. When we read a poem we get to visit a liminal space, full of anxiety and magic.

And now back to cat patrol. It’s time for all five of them to eat. Odds are, out of five, somebody is going to throw up their food with or without a hairball. There’s nothing liminal about cat puke.

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Filed under Arizona, Flora, Garden, and Landscape, Liminality, Poetry, Writing