Category Archives: #amwriting

Not Meant for Humans: #TankaTuesday

Colleen at Wordcraft poetry suggested this prompt today: to write in response to this Monet painting of his garden in Giverny. I decided to write a haibun as I had a story to tell.

Not Meant for Humans

The walkway seems to have no beginning, and so I tiptoe through the purple and blue blossoms to reach the rough path, feeling naughty and bold but safe for its proximity to a well-painted building. I circle the garden of Iris, the rainbow herself. Round I go three times and then spy a spot of bone under the willow. The sun ray has moved, so now I can see what I have missed. Or did it just appear? I step closer, into the flowers, careful not to crush the blossoms themselves, aware I might be harming stems.  My curiosity draws me in. As I bend toward the ground, I part the plants and see a very small skeleton, as of an excruciatingly tiny human. Her shredded wings are faded with age, but once must have been the blue of Iris with yellow dots like bright and miniature suns. Perhaps she fell from the branch above when she was asleep. I understand now why the path repeats itself, an endless spinning trail, meant as it is for those with wings to fly above the garden and to rest in the shade of the well-nourished trees. Still, being human, I invite you to share in my experience.

Watch for tiny wings

hidden by goddess Iris

and her endless path.

###

I’ve been intrigued by fairies lately. And by the notion of fairy skeletons because, after all, what is left of them after they die?

As you can see from the poem, I also constantly worry over our human enjoyment of and curiosity about nature because we are such destructive creatures, even when we don’t mean to be.

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Filed under #amwriting, #TankaTuesday, Fairy Tales, Poetry, Writing, Writing prompt

Two Springs in Arizona: #TankaTuesday

Colleen at Wordcraft poetry suggested this prompt today: write a syllabic poem using synonyms for the words green and spring, but do not use those words themselves. I decided to use the form tanka because I am starting to really appreciate that structure.

Rather than a title, a tanka might have a topic. My topic is Arizona seasons.

March in the desert
is verdant, a vernal gem,
budtime under blue
and blossomy without freeze,
Phoenix repeats in the fall.



Vernal and budtime are both synonyms for spring. Verdant is a synonym for green.

In Arizona we tend to have two springs, meaning that some blossoming trees bloom twice a year and that we plant new annuals in both fall and spring. For this reason March and April—and October—are my favorite months in Arizona.

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Kerf with Mild Sri Lankan Curry: #TankaTuesday Today

This week’s prompt by Colleen Chesebro is to find a spice in my cupboard and write a syllabic poem about it. I chose a spice that I no longer use that has sentimental significance. And for the form, I chose a hard one, the Kerf. The reason I find it hard is that I think pairing syllable counts with rhymes makes it hard for the poem to be sincere and meaningful.

Kerf with Mild Sri Lankan Curry

When I was in grad school,
she was my daughter’s teacher
in the university’s large day care.

She taught my girl each rule,
was the one who could reach her.
We became friends with times and hugs to share.

We loved her native food--
curry that she loved to cook--
so she gave us dried powder at the car--

richest spices, imbued.
Now we can just hug; time took
her memories, leaving only this jar.

 

You can see why I want to keep the jar of curry powder, although what is left at the bottom is no longer fresh or at its peak. But when I open the jar I remember the old Elaine, vibrant and chattering and smelling of roses and fresh chicken curry.

About the Kerf: it is 12 lines with 4 tercets. Lines of each tercet are syllable counts of 6-7-10. The rhyme pattern is abc, abc, dec, dec per stanza.

This Sunday and Monday is the release of my new poetry chapbook, Our Wolves, based on the Red Riding Hood story.

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An Ekphrastic #TankaTuesday

This week’s prompt from Colleen Chesebro’s https://wordcraftpoetry.com/2023/02/21/tankatuesday-ekphrastic-poetry-challenge-no-308-2-21-23/ is to write an ekphrastic poem about the following Singer Sargent portrait. The whole idea of #TankaTuesday is to write a syllabic poem according to prompt. Syllabic poems are quite different from what I usually write. They are formed by certain patterns of syllables.

By John Singer Sargent – Own work by Ad Meskens., Public Domain, https://commons.wikimedia.org/w/index.php?curid=29347966

I love that Colleen wrote: “REMEMBER… don’t just describe the woman… we can all see her. Like all of us, this woman has a story. Write THAT poem….” I have been working on my ekphrastic poems, as well as syllabic, so this was a fun exercise. I chose to write a Reverse Cinquain. And, I’m sorry if this seems like a strange response, but all I could think about once I put myself into the woman herself is how uncomfortable I feel wearing this outfit. Then, my second thought was, but I sure feel beautiful (and I can’t wait to unhook my bra and the spanx and take off my shoes, etc.).

BEAUTIFUL PRISON

My dress

itches my breasts,

my corset produces

heartburn, this beauty I strive for

tortures.

This dress

my dressmaker created from

lavender gossamer

soothes mind but not

body.

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#TankaTuesday Today

The hummingbird on her nest right outside my backdoor several years ago.

This week’s prompt is to use synonyms for change and growth in a syllabic form. I decided to write a haibun because it’s a form I feel comfortable with. I like the expansive quality of the haibun. It’s a prose poem, followed by a haiku that sort of furthers the poem or comments upon what comes before. I prefer the prose portion to be aligned on both left and right sides, forming a box, but I don’t know how to do that on WordPress.

My inspiration was the hummingbird mother I reported on years ago on this blog and then two years ago it happened again that a hummingbird mother helped her more immature baby.

***

How to Mother

She builds an elastic nest of spiderwebs and leaves, twigs and lichen, so small and round it fits in a child’s palm. Then she lays two white eggs, the size of cannellini. All month she warms them with her tiny body and only whirs away to feed on nectar and then whir back again. When the babies burst through the shells in all their wet messy glory, she begins the rapid rhythmic constant search for food for their always open mouths. After the first one leaves the nest, she spends all afternoon with the other demonstrating how to fly. The metamorphosis from nesting to new flight is complete.

The mother directs
life’s forward move, inspiring
her babies to thrive.

***

Have you tried writing syllabic poetry for the #TankaTuesday prompt? If not, give it a try!


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My First Time at #TankaTuesday (Even if It’s Not Tuesday)

This week I am participating in #TankaTuesday for the first time. Inspirational photo prompt was shared by Terri Webster Schrandt. I hope I am following the instructions correctly. Apologies in advance if I didn’t!

Terri says: “This is a filtered version of a rose I photographed at the International Rose Test Garden in Portland.”

Tankas are syllabic poems of five lines—5 syllables, 7, 5, 7, 7. Here is my tanka:

Note how the red rose,
velvet worn by early frost,
clings confidently
to its own treacherous stem,
never accursed by mirrors.

This writing prompt and process reminded me of a poem I wrote a long time ago and forgot about.  It’s not a tanka, but free verse and about “one particular rose.”

my essay students write of gifts

or if I'm persistent flowers

I have to nurture for a full quarter

to earn violets or daffodils

or simply bouquet

I'm the one with the backyard

full of rosebushes

which

my husband usually waters

he's in Korea now

with my one particular son

while I water them,

each blossom an individual

that must be noticed

by me

between the time it rises and sets

this particular bend toward the light

this particular black eye-dash of blight

this particular magenta shading into pink

I'm usually too busy

for this

particular about the work I do

teaching show not tell

Thanks for letting me participate!

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A New Interview and a Worthy Journal (and a flash)

Thimble Magazine was founded by the multi-talented Nadia Arioli. Nadia, a poet and artist, is also editor-in-chief of the journal.

Check out Thimble’s interview of me in their newsletter of Patreon supporters. It was really fun to respond to some new questions!

https://mailchi.mp/6f9b64c0d540/five-questions-with-luanne-castle

If you would like to help support (for as little as $1/month) a deserving poetry journal, I can’t think of one I enjoy more than Thimble. Nadia is a delightful person with excellent taste in poetry. I think the statement on the journal’s website is very telling: “THE THIMBLE LITERARY MAGAZINE IS BASED ON THE BELIEF THAT POETRY IS LIKE ARMOR. LIKE A THIMBLE, IT MAY BE SMALL AND SEEM INSIGNIFICANT, BUT IT WILL PROTECT US WHEN WE ARE MOST VULNERABLE.” https://www.patreon.com/thimblelitmag

Thimble seems a magazine by the people for the people. I love it.

Speaking of literature journals, I’m part of the community surrounding the magazine Verse-Virtual. VV held a book party the other day for VV poets who have new books out. I read from Rooted and Winged. Nine others read from their books as well, and thanks to that reading, I bought four new poetry books! I start to read at 2:20: https://www.youtube.com/watch?fbclid=IwAR2xh0R1rNEpauOqIscRoZsbOcBbODRNsTEveIjcej0ApPq-jP8z5Z58qLQ&v=nLYpTk-HAQQ&feature=youtu.be

Guess what I just discovered? I wanted to start to submit to Visual Verse to practice writing ekphrastically. So for my first try I wrote a flash piece about the art Visual Verse used as a prompt. I didn’t know they published mine, but I just found it: https://visualverse.org/submissions/the-mess-of-mindfulness/

Without saying anything else (because what can be said is endless), I just want to place this link for Tyre Nichols’ photography.

https://thiscaliforniakid2.wixsite.com/tnicholsphotography/portraits.

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Filed under #amreading, #amwriting, #poetrycommunity, #poetswithcats, #writingcommunity, Cats and Other Animals, Interview, Literary Journals, Poetry reading, Rooted and Winged, Writing

Elizabeth Gauffreau Reads a Poem from Rooted and Winged

I did post about the beautiful review of Rooted and Winged by Elizabeth Gauffreau in the new issue of Anti-Heroin Chic. Now Liz has recorded a poem from the book–and it’s such a treat! She published it on her post with her link of the review.

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Filed under #amreading, #amwriting, #poetrycommunity, #writingcommunity, Book Review, Poetry, Poetry book, Poetry Collection, Poetry reading, Reading

Thank You for Taking the Time

I want to thank readers of Rooted and Winged who have taken the time to post reviews on Amazon, Goodreads, and/or their own blogs. The ones posted on blogs I have shared.

Here are a few Amazon reviews I haven’t shared before:

https://smile.amazon.com/gp/customer-reviews/RE1ECMHF9ZRQK/ref=cm_cr_othr_d_rvw_ttl?ie=UTF8&ASIN=1646628632

https://smile.amazon.com/gp/customer-reviews/R1OGJNL5HSUTQY/ref=cm_cr_othr_d_rvw_ttl?ie=UTF8&ASIN=1646628632

https://smile.amazon.com/gp/customer-reviews/R1GXOJIXY0INCN/ref=cm_cr_othr_d_rvw_ttl?ie=UTF8&ASIN=1646628632

https://smile.amazon.com/gp/customer-reviews/R3B8O9VYTN96NB?ref=pf_vv_at_pdctrvw_srp

https://smile.amazon.com/gp/customer-reviews/R2DOY35QBA5YEE/ref=cm_cr_getr_d_rvw_ttl?ie=UTF8&ASIN=1646628632

https://smile.amazon.com/gp/customer-reviews/R3KW589FUB9HFR/ref=cm_cr_arp_d_rvw_ttl?ie=UTF8&ASIN=1646628632

I know how precious your time is, and it’s very meaningful to me that you reviewed Rooted and Winged!

These are some tags I made for the first “water” prompt at The Ugly Art Club. Yup, still doing art journalling. I am starting to find little things about my “style.” It’s been slow coming, but–for instance–the half woman (skirt half) in the top library card. I like using women’s skirts. Go figure.

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An Interview by Christine Butterworth-McDermott for Gingerbread House

This post is about something exciting to me at the same time that it is sad. Gingerbread House Editor Christine Butterworth-McDermott has interviewed me in the new issue up today. You can read it here:

Gingerbread House Lit Mag, with its emphasis on fairy tale-inspired literature, is one of my very favorite journals. Very sadly, I must say that this is the final issue of GH! Butterworth-McDermott will go on to do exciting things in the literary and artistic worlds (she’s an artist as well as a poet/writer), but this feels like the end of an era.

Please check out the whole gorgeous issue through the link above.

And here’s to a healthy and peaceful 2023.

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Filed under #amreading, #amwriting, #poetrycommunity, #writingcommunity, Interview, Poetry, Poetry book, Poetry Collection, Poetry reading, Reading