Category Archives: Writing prompt

by | April 11, 2023 · 11:08 am

The Meaning of Lily: #TankaTuesday

Colleen Chesebro posted a prompt today to write a syllabic poem using an image of a lily as a starting point.

The photo is by photographer, Terri Webster Schrandt, from secondwindleisure.com.

When I see or hear lily I have several other images in my mind. Here is a haiku sequence:

*

When my father died

we asked for cause donations

instead of lilies.

*

I love daylilies

more than waxy white blossoms

reminding of death.
*

Do not choose lilies

in a home with cats, ever.

Each part is poison.
*

Cuddly Lily lies

on my chest, face tucked under

my chin, gently purrs.
*

Lily and her books

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by | April 4, 2023 · 12:40 pm

Spring Walk: #TankaTuesday

Colleen at Wordcraft poetry suggested this prompt today: to write a shadorma using 3-5 selected words. Syllable count is 3-5-3-3-7-5. I think I used 8 of the words, but I am writing the poem on my iPad in this post so I can’t go over the word list again.

Spring Walk

This spring month,

not yet hot, cloudy

over rocks

and bushes,

I walk with a book and grapes

and wish spring to last.

I hope you enjoyed that, especially knowing how hot it will get here in Arizona by mid-May. I am lying on my back with this iPad because I am resting my legs. For over ten weeks my right leg has been a monster. Saturday I had an MRI, but I’ve had other tests with no diagnosis or idea of what’s wrong. So why did I write about walking? For one thing, it’s a word on the list. But I can and do like to do light walking with the leg issue. But then I have to rest it. And the leg prefers very limited sitting (at the computer).

Serena Agusto-Cox on Savvy Verse & Wit has written a great review for my Red Riding Hood chapbook Our Wolves: https://savvyverseandwit.com/2023/04/our-wolves-by-luanne-castle.html She argues that the poems are not retellings of Red Riding Hood. Read her review to see what she says they are.

person in red coat in grassfield
Photo by Hebert Santos on Pexels.com

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by | March 29, 2023 · 9:23 am

Desert Mountain Landscape: #TankaTuesday

Colleen at Wordcraft poetry suggested this prompt today: to write a syllabic poem about what you see out of your window.

The gardener and I were driving on the freeway in western Arizona yesterday, and I saw something unusual: two sheep were picking their way down the mountainside out in the “middle of nowhere.” So I wrote a tanka in the car.

My tanka topic is Scene Through a Car Window:

A hawk flies above

saguaro-studded mountains

in yellow blossom

as two bighorn sheep descend,

their coronas glinting light.

green cactus plants on mountain
Photo by Justin Nealey on Pexels.com

This image at Pexels looks very similar to where I saw the sheep except that they were walking down a fairly steep mountain. And right now the brittlebush is in full bright yellow bloom. At first I thought they were goats because they were so graceful and agile amidst the shrub and rocks. But their large curved horns seem to indicate that they were bighorn sheep (although slender for bighorns).

I read another review for my Red Riding Hood chapbook Our Wolves: https://abookishwayoflife.blogspot.com/2023/03/our-wolves-by-luanne-castle.html?fbclid=IwAR0XL2jnDa_2NyGcAFdKXUCgjcWr8zJl0LWwxtuvRP17kV98y6CBZyekO2E

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by | March 21, 2023 · 12:14 pm

Not Meant for Humans: #TankaTuesday

Colleen at Wordcraft poetry suggested this prompt today: to write in response to this Monet painting of his garden in Giverny. I decided to write a haibun as I had a story to tell.

Not Meant for Humans

The walkway seems to have no beginning, and so I tiptoe through the purple and blue blossoms to reach the rough path, feeling naughty and bold but safe for its proximity to a well-painted building. I circle the garden of Iris, the rainbow herself. Round I go three times and then spy a spot of bone under the willow. The sun ray has moved, so now I can see what I have missed. Or did it just appear? I step closer, into the flowers, careful not to crush the blossoms themselves, aware I might be harming stems.  My curiosity draws me in. As I bend toward the ground, I part the plants and see a very small skeleton, as of an excruciatingly tiny human. Her shredded wings are faded with age, but once must have been the blue of Iris with yellow dots like bright and miniature suns. Perhaps she fell from the branch above when she was asleep. I understand now why the path repeats itself, an endless spinning trail, meant as it is for those with wings to fly above the garden and to rest in the shade of the well-nourished trees. Still, being human, I invite you to share in my experience.

Watch for tiny wings

hidden by goddess Iris

and her endless path.

###

I’ve been intrigued by fairies lately. And by the notion of fairy skeletons because, after all, what is left of them after they die?

As you can see from the poem, I also constantly worry over our human enjoyment of and curiosity about nature because we are such destructive creatures, even when we don’t mean to be.

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by | March 14, 2023 · 2:01 pm

Two Springs in Arizona: #TankaTuesday

Colleen at Wordcraft poetry suggested this prompt today: write a syllabic poem using synonyms for the words green and spring, but do not use those words themselves. I decided to use the form tanka because I am starting to really appreciate that structure.

Rather than a title, a tanka might have a topic. My topic is Arizona seasons.

March in the desert
is verdant, a vernal gem,
budtime under blue
and blossomy without freeze,
Phoenix repeats in the fall.

Vernal and budtime are both synonyms for spring. Verdant is a synonym for green.

In Arizona we tend to have two springs, meaning that some blossoming trees bloom twice a year and that we plant new annuals in both fall and spring. For this reason March and April—and October—are my favorite months in Arizona.

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by | February 28, 2023 · 11:42 am

Kerf with Mild Sri Lankan Curry: #TankaTuesday Today

This week’s prompt by Colleen Chesebro is to find a spice in my cupboard and write a syllabic poem about it. I chose a spice that I no longer use that has sentimental significance. And for the form, I chose a hard one, the Kerf. The reason I find it hard is that I think pairing syllable counts with rhymes makes it hard for the poem to be sincere and meaningful. 

Kerf with Mild Sri Lankan Curry

When I was in grad school,
she was my daughter’s teacher
in the university’s large day care.

She taught my girl each rule,
was the one who could reach her.
We became friends with times and hugs to share.

We loved her native food--
curry that she loved to cook--
so she gave us dried powder at the car--

richest spices, imbued.
Now we can just hug; time took
her memories, leaving only this jar.

You can see why I want to keep the jar of curry powder, although what is left at the bottom is no longer fresh or at its peak. But when I open the jar I remember the old Elaine, vibrant and chattering and smelling of roses and fresh chicken curry.

About the Kerf: it is 12 lines with 4 tercets. Lines of each tercet are syllable counts of 6-7-10. The rhyme pattern is abc, abc, dec, dec per stanza.

This Sunday and Monday is the release of my new poetry chapbook, Our Wolves, based on the Red Riding Hood story.

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by | February 22, 2023 · 12:20 pm

An Ekphrastic #TankaTuesday

This week’s prompt from Colleen Chesebro’s https://wordcraftpoetry.com/2023/02/21/tankatuesday-ekphrastic-poetry-challenge-no-308-2-21-23/ is to write an ekphrastic poem about the following Singer Sargent portrait. The whole idea of #TankaTuesday is to write a syllabic poem according to prompt. Syllabic poems are quite different from what I usually write. They are formed by certain patterns of syllables.

By John Singer Sargent – Own work by Ad Meskens., Public Domain, https://commons.wikimedia.org/w/index.php?curid=29347966

I love that Colleen wrote: “REMEMBER… don’t just describe the woman… we can all see her. Like all of us, this woman has a story. Write THAT poem….” I have been working on my ekphrastic poems, as well as syllabic, so this was a fun exercise. I chose to write a Reverse Cinquain. And, I’m sorry if this seems like a strange response, but all I could think about once I put myself into the woman herself is how uncomfortable I feel wearing this outfit. Then, my second thought was, but I sure feel beautiful (and I can’t wait to unhook my bra and the spanx and take off my shoes, etc.).

BEAUTIFUL PRISON

My dress

itches my breasts,

my corset produces

heartburn, this beauty I strive for

tortures.

This dress

my dressmaker created from

lavender gossamer

soothes mind but not

body.

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by | February 18, 2023 · 5:20 am

#TankaTuesday Today

The hummingbird on her nest right outside my backdoor several years ago.

This week’s prompt is to use synonyms for change and growth in a syllabic form. I decided to write a haibun because it’s a form I feel comfortable with. I like the expansive quality of the haibun. It’s a prose poem, followed by a haiku that sort of furthers the poem or comments upon what comes before. I prefer the prose portion to be aligned on both left and right sides, forming a box, but I don’t know how to do that on WordPress.

My inspiration was the hummingbird mother I reported on years ago on this blog and then two years ago it happened again that a hummingbird mother helped her more immature baby.

***

How to Mother

She builds an elastic nest of spiderwebs and leaves, twigs and lichen, so small and round it fits in a child’s palm. Then she lays two white eggs, the size of cannellini. All month she warms them with her tiny body and only whirs away to feed on nectar and then whir back again. When the babies burst through the shells in all their wet messy glory, she begins the rapid rhythmic constant search for food for their always open mouths. After the first one leaves the nest, she spends all afternoon with the other demonstrating how to fly. The metamorphosis from nesting to new flight is complete.

The mother directs
life’s forward move, inspiring
her babies to thrive.

***

Have you tried writing syllabic poetry for the #TankaTuesday prompt? If not, give it a try!


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by | February 8, 2023 · 8:08 pm

My First Time at #TankaTuesday (Even if It’s Not Tuesday)

This week I am participating in #TankaTuesday for the first time. Inspirational photo prompt was shared by Terri Webster Schrandt. I hope I am following the instructions correctly. Apologies in advance if I didn’t!

Terri says: “This is a filtered version of a rose I photographed at the International Rose Test Garden in Portland.”

Tankas are syllabic poems of five lines—5 syllables, 7, 5, 7, 7. Here is my tanka:

Note how the red rose,
velvet worn by early frost,
clings confidently
to its own treacherous stem,
never accursed by mirrors.

This writing prompt and process reminded me of a poem I wrote a long time ago and forgot about.  It’s not a tanka, but free verse and about “one particular rose.”

my essay students write of gifts

or if I'm persistent flowers

I have to nurture for a full quarter

to earn violets or daffodils

or simply bouquet

I'm the one with the backyard

full of rosebushes

which

my husband usually waters

he's in Korea now

with my one particular son

while I water them,

each blossom an individual

that must be noticed

by me

between the time it rises and sets

this particular bend toward the light

this particular black eye-dash of blight

this particular magenta shading into pink

I'm usually too busy

for this

particular about the work I do

teaching show not tell

Thanks for letting me participate!

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by | October 18, 2021 · 5:20 am

The Strategic Poet: Diane Lockward’s Latest Craft Book

No poet could ever suffer from writer’s block when she has access to any of Diane Lockward’s phenomenal craft books. Now she has published her fourth, The Strategic Poet. The book is a #1 New Release in Poetry Writing Reference on Amazon. Click on the following image to find the book.

The back of the book lists the poets whose work appears inside as either prompt poems or sample poems.

One of my poems is featured in the book. It’s a formal poem, a triolet, but rather than being a single triolet, I made it a triple!

The description in the book of a triolet:

I accepted the challenge to use the form for a significant topic as I based the poem on a cat hoarding situation we had in Phoenix last year where 133 cats were found in one apartment lived in by a couple with children. Here is the very beginning of the poem. To read the entire poem you would need to purchase Lockward’s book.

Although I haven’t mentioned my arty junk journals in awhile (other than using supplies for my cat nicho), I am still working on them. Here’s the latest completed double page where I jumped all in with purple.

Speaking of my cat nicho, look who decided to check it out from behind. Tiger Queenie Princess Mimi Josefina. I don’t know if she realizes that I made it for the cats or not, but she never goes in my study and then yesterday she did, only to investigate the nicho.

Make it a great week ahead and stay well.

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