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“Cold Dew” Season: #TankaTuesday

This is the “Cold Dew” season for Colleen Chesebro’s #TankaTuesday challenge based on the 24 Japanese seasons.

All Northern Hemisphere Weather is Not Similar

When I was a child in Michigan I loved fall because by the end of idyllic summers I was bored and ready for a change. My neighbor had a huge garden, and he let us harvest his pumpkin patch. He would gather his corn stalks and tie them together into teepee-shaped shocks. The air began to cool and the maple trees would turn red, the oaks yellow. My father and I would rake the falling leaves into piles. Then I would jump in the crunchy heaps and pretend to be Joan of Arc burning at the stake. Before my father lit the piles, he would pull me out, shaking his head at my dramatics. As an adult, I moved out west, away from the vivid seasons of Michigan. Today I live in Arizona, where it is October 11 and still 100F degrees.

Time to carve pumpkins,

Halloween Jack O’Lanterns,

and swim in the pool.

My kigo (season) word is “pumpkin patch.” I wrote a haibun because I wanted to convey more information than I could in most syllabic forms. This is because of the contrast between the idea of the “Cold Dew” season and the reality of October 2023 in Phoenix, Arizona.

orange pumpkins on a field
Photo by Ekaterina Belinskaya on Pexels.com

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Week 2 of the Autumn Equinox: #TankaTuesday

This is week two of The Autumn Equinox (September 22 – October 7) Shubun 秋分 for Colleen Chesebro’s new #TankaTuesday challenge based on the 24 Japanese seasons.

My kigo (season) word is Homecoming as in high school and college Homecoming events. This is one I have made up, but for me it represents mid-Autumn, the Autumn Equinox. I have a second kigo for a second poem. I used bonfire because although we had them both summer and fall, the fall ones were the ones that seemed magical, almost mystical.

I wanted to choose a syllabic form that is new to me, and I was intrigued by one that Colleen shared last time.

From the 24 Forms/kouta:

The kouta is a popular Japanese verse form of the Muromachi Period, 14th thru 16th century. They resurrected the lyrical song as a geisha song in the late 1800s and it’s still popular today. Koutas were originally meant to be sung out loud, like many other old forms of poetry. Techniques like assonance and consonance would fit right in with the form, but they aren’t required.

The kouta has several variations, though always short in only 4 lines a 5th line is sometimes is added. Themes reflect ordinary life and often use colloquialisms and onomatopoeia. The most popular are love songs. 

We write kouta in four lines but sometimes five, that tends to celebrate the average person’s everyday life in song. 

Colleen Chesebro

The kouta lines are always an odd number of syllables, usually 5 or 7 mixed, such as 7-5-7-5- or 7-7-7-5.

(untitled)

My son in a new black suit, (7)

daughter in semi-formal, (7)

their dates the first future glimpse. (7)

All are shiny smiles. (5)

Bring on Homecoming! (5)

(untitled)

One year we had a bonfire (7)

post our winning game. (5)

The smell of woodsmoke, night breeze, (7)

the high point before (5)

the descent toward winter. (7)

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I looked up toward to see if it is one or two syllables. Two!

blaze bonfire campfire dark
Photo by Pixabay on Pexels.com

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Date Harvesting for #TankaTuesday

Colleen Chesebro has created a new #TankaTuesday challenge based on the 24 Japanese seasons. The season right now is The Autumn Equinox (September 22 – October 7) Shubun 秋分.

My kigo (season) word is date because dates are harvested in Arizona only in the months of September and October. Here is my reverse etheree:

DATE HARVESTING

Under the leafy fronds of the date palms

the molasses-rich, honey-sweet fruit

hangs in heavy grape-like bunches.

Pickers with nets try to skim

whole bunches off the tree

without getting spiked

by fierce needles.

These sweet dates

are worth

risk.

smiling man holding branch with dates
Photo by Radwan Menzer on Pexels.com

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Switching now from autumn to spring, I have an ekphrastic poem up at Visual Verse here: https://visualverse.org/submissions/paschal-moon-at-midlife/. You can see the artwork that inspired it also. Or you can read the poem here (and the link at my name goes to all the poems and stories I’ve had published at this site):

PASCHAL MOON AT MIDLIFE

Luanne Castle

Release yourself from heavy
coats and boots of winter,
wiggle the toes and sense the air
scouting your arms and calves.
Consider the mud puddle, slide
the long grass along your tongue.
Sing in response to the sweet-
sweet-sweet of the cardinal.
In darkness imagine your guide,
the moon a bountiful platter
mirroring pink phlox-covered hills
of your imagination. Relieve
your mind of artificial restraints.
Let it loose into the unknown.

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Season 5 Episode 14:  Luanne Castle on A Poet’s Voice

“Note how the red rose,velvet worn by early frost,clings confidentlyto its own treacherous stem,never accursed by mirrors.” Luanne Castle Welcome to …

Season 5 Episode 14:  Luanne Castle on A Poet’s Voice

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Sally’s Smorgasbord Features Our Wolves

A big thank you to Sally Cronin at Smorgasbord Book Promotions for featuring Our Wolves today on Summer Book Fair 2023.

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