Tag Archives: Tom T. Hall

This Song Socked It to the Hypocrites

When we  look back at our childhoods, there are so many important cultural touchstones of the era. For me, just entering 8th grade, nothing was more ubiquitous than Jeannie C. Riley’s hit “Harper Valley P.T.A.

Riley’s record, her debut, sold over six million copies as a single, and it made her the first woman to top both the Billboard Hot 100 and the U.S. Hot Country Singles charts with the same song.1

Top. That means #1. Nobody else did this until Dolly Parton in 1981 with 9 to 5.1

I’ve known for a long time that my favorite songwriter, Tom T. Hall, wrote the song. He was young, still thinking he was going to a writer, such as a journalist or a novelist.2

Gosh, I love his music–the storytelling, the heart and soul, his bluegrass roots (being from Kentucky y’all).

“Harper Valley P.T.A.” is not on this album. These are many of the songs Tom T Hall recorded.

Hall said that this song ended up being his novel.2

Think of that. He was an amazing observer, like many writers, and what he observed in America showed up in his songs. For instance, in his song “Who’s Gonna Feed Them Hogs,” he captures so well a man who is so tied to his profession (in this case, a hog farmer) and perhaps to denial as well that in the hospital he thinks more about “them hogs” than he does about the fact that doctors think he might not survive.*

Back to the Jeannie C.Riley hit song, written by Hall. Originally it was suggested he write a song reminiscent of the Bobbie Gentry 1967 hit “Ode to Billie Joe.” And that’s how the song sounded when Riley first heard it sung by a demo singer.3

The song became a big hit in part because of Tom T. Hall’s amazing song writing, but finally because Riley added the finishing touch that really moved the song up a level.

If you listen to the song you see that that final line that is repeated twice is what makes you want to jump off your feet, scream, and applaud. It wouldn’t mean anything without Hall’s songwriting, but without Riley’s ending it would have been a fun and thought-provoking song, but not a GINORMOUS international hit.

The song is told in 3rd person. The singer/narrator tells the story of a young single mother who is admonished by the PTA about how she is raising her daughter. “Mrs. Johnson” goes to the PTA meeting and calls the board out as hypocrites. She sums up with my second favorite line of the song: “Well, this is just a little Peyton Place and you’re all Harper Valley hypocrites!

Side note: Peyton Place was very popular, starting as a novel by Grace Metalious, based on true events, focusing on all the covered up sins, crimes, and vices of a small town–as well as the gossip. Sadly, Metalious died of cirrhosis of the liver at age 39. Look up the Peyton Place “franchise” if you don’t know much about it.

Back to the ending of “Harper Valley P.T.A.,” repeated twice, that is written by Riley.

Originally, the song lyrics stayed in the 3rd person POV, calling Mrs. Johnson “that mama.”3

But Riley moved to the 1st person in that ending, thus surprising the listener with the idea that the teen daughter was the one proudly sharing her mama’s story. She also added a very popular up-to-date touch by using the term “socked it to,” made popular by the TV program Laugh-in. 3 Thus:

The day my mama socked it to the Harper Valley P.T.A.

The day my mama socked it to the Harper Valley P.T.A.

By repeating that last line, the listener has the chance to really absorb that this kid is so proud of her mom for standing up to the hypocrites.

With that ending and the mini skirt Hall wrote into a song based on his own childhood observation (he was born in 1936), the song became emblematic of MY 1960s childhood. This song is an anthem for my generation.

In this way, this song presented an inspiring role model. Can you dig it?

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1 https://en.wikipedia.org/wiki/Harper_Valley_PTA

https://theboot.com/jeannie-c-riley-harper-valley-pta-lyrics/

https://americansongwriter.com/why-jeannie-c-riley-hated-her-1968-one-hit-wonder-and-how-she-was-finally-convinced-to-record-it/

*Bonus video: “Who’s Gonna Feed Them Hogs”

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Filed under Art and Music, coming of age, Music, Storytelling, Writing

Country Lyrics as Poetry

While I know very little about country music in general, in the specific I love the music of Tom. T. Hall. Tom T. Who? OK, mebbe before your time. He was born in Kentucky in 1936. You would know he was from Kentucky just from the bluegrass you can hear in many of his songs.

Tom T. Hall is a songwriter, as well as a performer, and it is really through his songwriting that he’s known as “The Storyteller.” I love music that tells stories (probably why I love Broadway musicals), and all his songs sound like flash memoir set to guitar (banjo, etc.).  I tend to think of him as “The Poet” because his lyrics are poems.

Factoid: His most well-known song Hall didn’t record himself: “Harper Valley PTA,” which was recorded by Jeannie C. Riley in 1968. The song was a #1 hit and won a Grammy and a CMA award.

The other day I was driving the Gardener’s car. He had an old Tom T. Hall CD of mine in the CD player. (Yes, he uses a CD player and a flip phone). As I listened to the song “Country Is,” I thought some of the sentiments seemed familiar to those I discovered while writing Kin Types.

Watch for the oppositional images, the paradoxes, but the whole thing isn’t framed that way.

Country is sitting on the back porch
Listen to the whippoorwills late in the day
Country is minding your business
Helping a stranger if he comes your way

Country is living in the city
Knowing your people, knowing your kind
Country is what you make it
Country is all in your mind

Country is working for a living
Thinking your own thoughts, loving your town
Country is teaching your children
Find out what’s right and stand your ground

Country is a having the good times
Listen to the music, singing your part
Country is walking in the moonlight
Country is all in your heart

First, he sets us on the back porch in a peaceful scene that feels inviting. You don’t have to be “country” to enjoy hearing the “whippoorwills late in the day.”

Then he sings:

Country is minding your business
Helping a stranger if he comes your way

That is a paradox. You mind your beeswax, which sounds isolationist. But you also help someone in need who crosses your path. Wow, does that ever sound like these lines from the first poem of Kin Types, “Advice from My Forebears.”

If they come to your door, feed them. Then send

them on their way.

That comes from the philosophy of my mother’s Dutch family. You don’t get embroiled in other people’s business, but you do help them when they come to you–then send them back to their own business.

That second stanza tells us what the song is about. Because country is a mental state, it’s what we make of it. It’s up to us. We can be country and live in the city where we meet and interact with diverse people everywhere we go. But we also need to “know” our own kind. That really came home to me as I worked on the poems of Kin Types. As a kid, I really didn’t appreciate my family. I saw what I thought was lacking or limited in them, even listened to stereotypes, but didn’t try to imagine what it was like to be my parents or their parents or grandparents. To know myself I had to learn to understand my family. Now I feel I know my kin and kind. I don’t always like them, but I understand and love them. I think it’s important to look at the line this way because otherwise we might jump to the conclusion that knowing our own kind means associating only with your kind. But it doesn’t.

The first half of the third stanza is more paradox, although it doesn’t appear so on the surface. People who are country work for a living. They aren’t independently wealthy (and if they were they would still live off what they make by working). And someone who is country might be employed by a big company or a boss who tries to impose a will on the workers. But if you’re country you keep your opinions! From there on the stanza respects loving one’s own town (which reminded me of my blog The Family Kalamazoo and how Kin Types arose from that setting) and the honor in “finding out what’s right,” which I love. It’s FINDING OUT, not KNOWING what’s right (sorry for shouting–I couldn’t help it). It’s keeping a questioning open mind and having the courage to stick up for what you have learned is right. These are traits I discovered in my own relatives by researching their stories.

The last stanza is sentimentalized and brings the listener to the song of the moment. We better be singing our part. Finally, that last line takes the earlier line, “Country is all in your mind,” and now adds that it is also in your heart. We have become “country” through our minds and our hearts.

 

I couldn’t help but think of the Vegas victims and survivors while listening to this song and others by Tom T. Hall. My heart is with them.

My son and “new daughter” love country music and attended the concert in Huntington Beach the weekend before the terror in Vegas. I thought to myself, “They so easily could have been there.”  Although I don’t go to concerts and couldn’t name most of the current country performers, I feel as if I could have so easily been there. After all, we’re all a little bit country.

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And now for the weekly Perry update:

Perry and Kana

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Filed under #AmWriting, Art and Music, Essay, Inspiration, Kin Types, Nonfiction, Poetry, Writing