Tag Archives: Writer

Let’s Talk About Writing Process

Sherri Matthews who writes A View From My Summerhouse tagged me to write about my writing process.  She wrote about her own here. Sherri’s very welcoming blog shows her wonderful personality, her stories, and her photographs. I particularly love the way she crosses the pond by writing about her life in the UK and her experiences living in the US.Sherri

Sherri discovered her true calling to write three years while supporting her daughter through her diagnosis of Asperger’s Syndrome.    Since then she has had articles, poems and a short story published in magazines and two anthologies. She is writing her first book, a memoir telling the story of her three years spent with her American G.I. and the catastrophic events that changed both their lives forever. A born and bred Brit, Sherri moved to California in the mid 1980’s where she raised her three children for seventeen years.  Returning to the UK after her marriage broke up in 2003, today and happily remarried, she lives, writes and takes endless photographs in the West Country of England with her hubby, daughter, two cats and an African Land Snail called Vladimir (her daughter’s). Sherri publishes regularly on her blog, ‘A View From My Summerhouse’.

You can read about Sherri’s memoir book project here.

Writers meme

When I agreed to be tagged by Sherri, I had forgotten that I already wrote about my writing process last spring. At first I thought, why bother to think about this again. But after reading what I wrote at that time, I realized that a lot has changed. For that reason, I thought I’d think about the process again. Also, I wrote a lot about blogging at that time, but today I’ll focus on my other writing

1. What am I working on at the moment?

Last spring I was putting together my full-length poetry manuscript and working on my book-length memoir.

Since then, my poetry collection Doll God is being published by Aldrich Press. I finally started thinking of poetry beyond the book and began to write a series of poems based on old family photographs and the results of my genealogical research. Maybe I’ll collect them into a chapbook, eventually.

However, I just heard from the publisher of Doll God. Kelsay Books plans to put the book out earlier than expected! Perhaps mid-January. I’m getting excited, but I’m also getting too nervous.

I started working on short memoir pieces to send out. A chapter of my memoir was published here. Several other pieces are in various stages of completion and two have been submitted to magazines. Since I’ll be working on my memoir during my Stanford University certificate tutorial this winter, I will have to set aside the shorter pieces.

2.  How does my work differ from others of its genre?

I wasn’t given this question last time. It’s a very difficult one to answer because I haven’t looked at my own work with the analytic eye necessary for that. Instead, I write by instinct, using my own individual voice, experience, and outlook. I’ve been told often enough that I’m a little bit of a nut or that my view is “idiosyncratic,” so I’m pretty sure that means that my take is a little different. But I’ve also been told that my experience resonates with others, so maybe everybody is a little different, a little “nutty.”

My memoir is a story that is specific to me and to my family, but it has commonalities with the lives of many other people. It’s an emotional history of a family.

My poetry springs from the interaction of heart and head.

3.  Why do I write what I do?

I write poetry because I love to play work with language and see a poem take shape that is more complex and rich than what I envisioned when I began.

Why memoir? Because I am writing a burdensome history out of my body. Once it is shaped on the page, I no long have to carry the burden. The more well-crafted it is, the better job I’ve done at moving away from the raw material. Additionally, I am learning (in a therapeutic sense) how to recast my history in a light that feels healing.

4.  How does my writing process work?

The process I go through is the same as it was last spring:

For prose, I write in Word, one scene at a time. When I feel that I’ve taken a scene as far as I can at that moment, I put it away and move on to another scene. But I always print out drafts, revise by hand, and then make the corrections on the computer. I revise over and over and over again, often times for several little changes each time. It’s a big tree waster, but one I can’t seem to avoid at this point in my writing. However, I do turn the pages over and re-print on the other side.

Poems sometimes start out by hand, but in general, I don’t have an affinity for writing by hand and wonder how Jane Austin ever did it.

Process also includes what I do once I’ve taken a piece as far as I can. I do like to have a trusted reader read my work. My in-person writing group–Rudri at Being Rudri and Renee at Unpacked Writer–give me great feedback on where to improve and what to rethink. I have another long-time friend who is a fabulous writer and editor who is also a fabulous reader. These women help me bring my prose to completion. I wish I had friends who were this reliable as poetry readers, but I have not been as lucky in that genre.

I would like to introduce my three  four (rules are meant to be broken) nominees who will post their responses to these four writing process questions on their blogs. 

First up is American Ellen Morris Prewitt, an award-winning fiction writer. I love her stories. She’s recorded many of them in audio format, too, and listening to her read is quite the experience. She has a southern accent and a sort of deadpan delivery. What a delectable combination! Have a listen here.

Here’s a description of Ellen’s fascinating life right from her own distinctive southern voice:

My life has been shaped by two very early events: I was born into the racism of the civil rights South, and I carry the grief of my daddy being killed by a train. Much of my writing carefully picks at the nuances of racism, and many of my stories involve the child trying to understand the space left by a missing parent. The two jobs for which I’ve been well-paid are lawyering in Jackson, Mississippi and walking the runway in Memphis. I follow my own peculiar definition of God, which led me to start a writing group of men and women who have experienced homelessness. I love all the people in my life but mostly my husband, my dog (yes, she’s a person), and my two grandbabies. I’ve been known to appear in public in costume.Ellen

Ellen blogs at www.ellenmorrisprewitt.com under the tagline “Ellen Morris Prewitt: My Very Southern Voice.  In addition to Ellen’s skillful and engaging stories, I love reading Ellen’s posts for their heart and inspiration. Her work with the homeless is so important.

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Next up is my Canadian buddy Sue Fletcher aka Menomama3. Sue writes two blogs.  I’ve been reading her first blog since I started blogging. She’s got a great voice and wonderful sense of humor–and I think eventually she will need to start sending out her memoir pieces. What she shares on her blog are wonderful stories and observations. This is what she says about herself:

Here’s a confession: When people read and comment on something I’ve written, I am thrilled to bits. But I also blog because it feels good to explore what’s in my head and work it out through writing. In a way it’s like taking your clothes to the dry-cleaners. Inside the closet they looked kinda dingy and lost among all the dresses and blouses and skirts and slacks. But when you show them the light of day and look at them one at a time and give them a good cleaning they look all new and fresh. Just like memories.

I call myself Menomama3 because when I started blogging four years ago I was deep in the throes of menopause, and my three daughters were like hormonal pressure cookers. Release was essential and writing was the form. Better than running away from home – me, not the girls.

Anyway, there are two Menomama3 blogs. “Wuthering Bites” is poetry, photos, and a few little stories. The other, “Life in a flash”, is an assortment of whatever comes into my head during dog-walking. Then I have to bolt home and write it down before I forget. Which I suppose is also what the blogs are about. Writing memories down before I forget.

menomama

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Let’s go Down Under to meet novelist Dianne Gray.

Dianne is Australian author who lives in tropical Queensland, Australia. She has won numerous writing awards for her short stories and novels and is currently renovating an old club house she had moved to the family farm in 2012. She is currently working on three new novels which will be published in the coming months.

Dianne’s Freshly Pressed adorned blog can be found here. She blogs about her life on the family farm, as well as other aspects of daily living in rural Australia. Her resume is chockfull of book publications and writing awards.

Dianne

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Quite recently, I found Adrienne Morris’ blog. And I love it. It’s intelligent and quirky and always has something new to say about the past.

Adrienne Morris is a writer, living in the country, who milks goats, chases chickens and sometimes keeps the dogs off the table while writing books about the Weldon and Crenshaw families of Gilded Age Englewood, New Jersey. Her first novel, The House on Tenafly Road was selected as an Editors’ Choice Book by The Historical Novel Society. http://historicalnovelsociety.org/reviews/the-house-on-tenafly-road/

You can find her blog, Nothing Gilded, Nothing Gained–Books & Writing at Middlemay Farm, here.

Adrienne MorrisEnjoy getting to know these bloggers if you don’t already read their wonderful blogs–and watch for their writing process posts!

 

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Filed under Blogging, Creative Nonfiction, Essay, Memoir, Nonfiction, Research and prep for writing, Writing, Writing goals

Memoir Writing Prompt: The Process of Discovery

One of my blogger BFFs is Sherri Matthews who writes A View From My Summerhouse. She recently tagged me in a writing process extravaganza. I eventually will take up the baton she’s handed me and write that post! In the meantime, check out her beautiful blog. If you aren’t already a reader, you will be!

I did a poll a while back asking about the best days for me to post from the standpoint of readers. The vote was overwhelmingly to keep the days the same: Mondays and Thursdays. I plan to do that. I am going to be hunkering down and getting more work done on my memoir now because my tutorial at Stanford is scheduled for winter quarter. (How will I EVER get a draft finished in time?!) I’m not sure if I’ll be able to continue memoir reviews throughout this period, but hey, I could write reviews of individual poems or flash prose ;). Know that I want to keep writing the book-length reviews, but it won’t always happen. I need to keep my own book front and center throughout the winter.

Are you thinking that you might want to write a memoir some day? Or write down something that happened to you years ago? Are you already working on a memoir?

If your story involves either your nuclear family (now or then) or your childhood, I have an idea for some helpful pre-writing.

We have our stories in our minds. We know what people looked like, what our homes were/are like, inside and out, our neighborhoods, our schools, our workplaces. But when we go to write our stories, we forget that the reader isn’t privy to all this information. And we overlook what might be some of the most revealing parts of our stories. The prompt I thought up is a way of remembering those little forgotten pockets of information. Everything you write from this prompt won’t wind up in your completed manuscript, but I think of it as a process of discovery.

Envision the home where much of your interactions with family members took place. For each room of the house, write a very descriptive piece showing an event that occurred in that room. Don’t forget your brother’s bedroom, the basement, the bathroom. Every room.  Include specific details about the room.

What discoveries do you make?

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Filed under Creative Nonfiction, Essay, Memoir, Memoir writing theory, Nonfiction, Research and prep for writing, Writing, Writing prompt

Call Me Slacker

It was three days ago that I promised to “get cracking.” Is that expression only found in certain parts of the country?

Anyway, I promised to respond to blog comments, to read other blogs, and I guess implicitly I promised to keep posting.  Yikes. I’m 30 pages away from the end of the memoir I’m reading (so I have no memoir review yet). And I have read some blogs, but have by no means caught up. I’ve responded to very few comments on this blog.

After getting back from Michigan, I had a lot of business work to handle.  In addition, I had to revise my poetry book manuscript, Doll God. Then I am putting together a package of pages and book summary to finish my certificate in nonfiction through Stanford University. I have a poem being published online tomorrow and had to record an audio version. The list goes on and on.

I will keep working at catching up, but in the meantime I feel like such a slacker. And yet I’m really busy! I swear I am!

So that you didn’t read this for nothing, I can offer you some photos of the covered bridge outside Centreville, Michigan. My grandmother loved covered bridges. She collected paintings of them. I think they reminded her of growing up at the beginning of the 20th century in rural Michigan.  This particular covered bridge is special to me. My husband and I drove through it on our first date, which was a drive in the country. We were high school juniors.

Covered bridge plaque

Covered bridge

Covered bridge interior

I’m closing comments on this post to give me more time to catch up.  Thanks for stopping by! xo

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Filed under Blogging, Creative Nonfiction, Doll God, Editing, Memoir, Nonfiction, WordPress, Writing, Writing goals

Where Do You Read Short Memoir Online?

Do you read short memoir? I posted a poll a while back asking about the lit mag reading habits of readers. At that time, I mentioned that I was reading short memoir in back issues of lit mags.

But where can we read short memoir online? I thought I’d make it easy and post a link to a few good magazines that are either online or have a solid online presence–and that publish a lot of memoir.

Hippocampus: go to the Memoir tab and it will pull up a variety of memoir stories

River Teeth’s Beautiful Things column: River Teeth is an esteemed print journal with a column of very short (250 words) pieces

Broad Street Magazine: an online magazine of “true stories”–you need a subscription for a lot of it, but they have links to stories, as well

Lunch Ticket: each issue is completely online–plenty of memoir and other genres

Post Road Magazine: This print journal offers an online sampling of stories and poems from each issue.

AGNI Online: This website is a division of the esteemed print journal AGNI.

Come on, everyone: can we name some other magazines that have online memoir stories?

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Filed under Creative Nonfiction, Literary Journals, Memoir, Memoir writing theory, Nonfiction, Publishing, Research and prep for writing, Writing

A Time of Great Change, A Woman Who Adapts and Keeps Her Dignity

A long time ago, a blogger (I think it was The Poet’s Wife, but it looks like her blog doesn’t exist any longer) recommended a memoir to me, and I bought the book, intending to read it right away. Instead, I misplaced the book. The other day I discovered the book had slipped behind some others on the shelf, so I finally read it: Pang-Mei Natasha Chang’s Bound Feet and Western Dress.

Bound FeetIf you remember my review of Helen Fremont’s After Long Silence, you know that Fremont’s book was billed as a memoir, but focused more on a recreation of the lives of her parents during the Holocaust. Of course, there was some memoir story about Fremont’s own life, including how she and her sister put the pieces of the secret story together. Chang’s book goes a step further. While the book cover calls this a dual memoir–that of the author and her Great Aunt Yu-i–to me this is more the memoir of Yu-i as verbally told and recreated on the page by her younger relative. It is mainly Yu-i’s story. And what a story it is.

She was born at the very beginning of the 20th century in China. Times were changing rapidly. During the course of Yu-i’s life, she must learn how to become a more “Western” woman and still show respect for her elders and her heritage by adhering to the traditions that were most important. Yu-i was the first woman in her family not to have her feet bound, and yet when she was married by her family to a man she didn’t know, she acted very traditional, as if she had bound feet.

When he divorces her, she must learn to take care of herself and her responsibilities. She describes the change in herself this way:

I always think of my life as “before Germany” and “after Germany.” Before Germany, I was afraid of everything. After Germany, I was afraid of nothing.

Yu-i’s story is a triumph of admirable traits, resilience, and a loving family.

And who is this man who divorced her? Hsu Chih-mo, arguably the most famous Chinese poet of his time period. Check out this Wikipedia link about him.  Why did he divorce her? What happened to her after the divorce? Read. the. book.

 

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Filed under Book Review, Creative Nonfiction, Memoir, Memoir writing theory, Nonfiction, Research and prep for writing, Writing

History, Headstones, and Helter Skelter

I was tempted to save this memoir for a Halloween blog post, but that might give you the wrong idea about this book written by a “gravedigger’s daughter.” Rachael Hanel, who blogs here, tells the story of growing up in a small town in Minnesota. Her father was a caretaker at the cemeteries, as well as a digger of graves.

The emphasis on cemeteries and graves in the book make their way onto the page of her blog, as well. Very educational and even entertaining to look directly at headstones and death, without flinching. While Hanel’s family story and history is very middle America (and I don’t mean that dismissively–it’s interesting for its specificity), the style she wrote the memoir in deviates from the norm. It is overwhemingly memoir-ish throughout, but also threads through journalistic techniques and in the last portion of the book even becomes more like a lyric essay–lyrical and reflective.

hanel

I was stunned to see how many photographs were “allowed” in Hanel’s book. They add a lot, and they made me a little (oddly enough) jealous because I know how difficult it is to get a publisher to agree to using photographs (presumably because of the cost).

As a child, Hanel was interested in violent deaths, even reading Helter Skelter, the story of the Manson murders, at age eleven. This fascination is not surprising given the emphasis in the family on death. Adult reflection tells us she has learned this:

Reading became a protection; the words were a blanket I wrapped tightly around me. The stories helped me prepare for the inevitable. I surrounded myself with these words, reminders that bad things happen to good people. I read somewhere that we are drawn to stories of death and disease to convince ourselves that we would act differently. That somehow, by learning of someone else’s story we can protect ourselves.

I not only agree with these words, but I think they are a main reason I love to read memoirs.

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For a related memoir, check out this one.

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Filed under Book Review, Creative Nonfiction, Memoir, Memoir writing theory, Nonfiction, Research and prep for writing, Writing

You Did It

I experimented with something new in my writing. I wrote a poem and a story in second person. Everywhere I wanted to say “I did” this, I wrote “you did.” It’s not a point of view that would work for every piece–and it has to be used sparingly–but it really got me out of my writing ruts (craters, according to the mean editor in my head).

EWE WITH WRITING  OR  WRITING WITH YOU

EWE WITH WRITING
OR
WRITING WITH YOU

In the story, writing about “you” instead of “I” gave me that needed distance between the me of today and the me of 1979. The two women are barely the same person.

Here’s a sample from the story:

Not that long ago, you’d partied in your college town with a friend and her boyfriend, an ugly drunk. When he got you alone in the kitchen, he’d blown rum breath in your face and fingered your long brown hair, the hair you straightened with giant rollers . . . .

Here it would be in 1st person:

Not that long ago, I’d partied back home with a friend and her boyfriend, an ugly drunk. When he got me alone in the kitchen, he’s blown rum breath in my face and fingered my hair, the hair I straightened with giant rollers . . . .

There’s nothing wrong (in my estimation haha) with the second one, but writing in the “I,” I need to show more introspection and accountability for myself. In the “you,” I don’t need to do so and that forces the reader to read more sharply and pay attention more closely. For a short piece like this (500 words total), that’s the reading effect I wanted. Notice that I also felt funny about saying “long brown” about my hair. Too many adjectives about the self. But in 2nd person I can get away with it.

In the poem, experimenting with 2nd person added a mysterious layer that lends depth and texture.

In both pieces, the reader is approached more intimately and encouraged to participate in the birth of the piece (writing + reading = birth).

If you feel that you’re in a rut with your writing, why don’t you give it a try? Either write a story or poem from scratch in the 2nd person point of view (POV) or take an existing draft and change it. But when you revise into the new POV, be sure to keep yourself loose enough to make other changes as you go. Once you change POV you are changing the story in more ways than you can imagine.

 

Write a story or poem in 2nd person point of view. Or revise a 1st person story or poem into 2nd person.

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Filed under Creative Nonfiction, Editing, Essay, Memoir, Memoir writing theory, Nonfiction, Poetry, Research and prep for writing, Writing, Writing prompt

In a Land Far Away, A Long Time Ago, There Was the Shoah

I’ve been behind in responding to comments on Monday’s post–and on reading your blogs–because I was away, visiting Sedona for a couple of days.

I had a lovely time rebalancing my energies, although I never caught a glimpse of my aura (which I’m sure is coral in color) and didn’t even see any crystals for sale.

On to my memoir review.

I’ve read a lot of stories about the Shoah (the Holocaust), but never one quite like the story of Helen Fremont’s family. Her book, After Long Silence: A Memoir, is truly a blend of genres, regardless of the title.

Fremont is of my generation, but her parents were European refugees who came to the United States after WWII. To everyone outside the family they were a nice Polish-American Catholic family. Inside the nuclear family, they also appeared to be Catholics of Polish ancestry.

The book is about the story Helen discovers when she is an adult. Her parents were actually Jews who had survived the horrors of the Holocaust. They won’t admit it, though–at least not until Helen hounds them for the truth.

From the opening, the main question Helen seeks to answer in the book is “What really happened to my parents during the war years?” Eventually that question turns into “Why do they still want to keep the secret?”

Fremont alternates her story with that of both her parents before and during and right after the war. Once the story of her parents’ paths to survival begins in earnest, Fremont has me completely hooked. Those chapters/sections are to me the essence of the book–and they truly would not be memoir if they were not framed within a memoir. They read like a Holocaust biography or novel–gripping and disturbing. What her parents did to survive shows how far the human spirit and personality can stretch and mold.

The sections about Fremont’s parents’ lives are imagined stories based upon Fremont’s research. This is exactly what I am planning to do with my book, although I have not done enough research yet and have left those portions for last. They won’t take over my story the way Fremont’s parents’ stories take over her memoir. It makes sense that the stories of her parents overshadows Fremont’s own story since the huge secret her parents imposed on their family overshadowed Fremont’s life. But at the end of the book she feels independent of them. This is important because it means she can differentiate herself as an individual adult.

I did a little research after finishing the book. The Afterword made me believe that Fremont’s parents were not happy with the publication of the book, but that Fremont and her sister found Jewish (2nd) cousins they didn’t know existed. I’ve read sources that talk about a rift in the family caused by the book.  Then I discovered that after Fremont’s father died, still “estranged” from Judaism, she wanted her father remembered in a Jewish ritual.  I found this quote in this article (if I were you, I wouldn’t read the article until after you read the book because it gives away too much of the parents’ story):

“Two weeks ago” – my relative told me – “Helen Fremont was in touch with me and informed me that her father had passed away. She asked me to do something in order to commemorate him according to Jewish tradition. After checking that there was no Halakhic obstacle involved and “although he sinned, he remains a Jew”, I promised that I would say Kaddish for him each time I prayed with a Minyan [quorum of ten required for saying the Kaddish]. And this I do.”

In my research, I found this website for the children of Holocaust survivors. Here is also a website about an organization devoted to teaching about the Holocaust USC Shoah Foundation.

Here are a few posts I’ve written related to the Holocaust:

20 Holocaust Books for Children and Teens

On Monday, I wrote about  Johanna Reiss’s Holocaust memoir The Upstairs Room. As a follow-up I pulled together a list of 20+ Holocaust books for children and teens.

Teaching the Holocaust to Children and Teens

One section of my memoir bookshelf is devoted to books by Holocaust survivors. I read these books years ago, long before I started to think about memoir as a genre. I’ve read Holocaust memoirs written for children and ones written …Continue reading →

Secret War Hero: One Woman’s Story (A Memoir)

Years ago, my friend, Lisa Ercolano, urged me to read a memoir by a friend of hers who had passed away. This is how she describes her friend for this post: Over the quarter of a century that I worked … Continue reading →

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Filed under Book Review, Creative Nonfiction, Memoir, Memoir writing theory, Nonfiction, Research and prep for writing, Writing

In Mary Gordon’s Shadow

A year or so ago, I read Mary Gordon’s memoir The Shadow Man. I felt an immediate kinship with Mary because her book is about searching for her father’s past.

The Shadow Man

Before I’d read Gordon’s book, Bernard Cooper’s memoir about his father exploded what I had been told about memoir structure, showing me it is possible to deviate from chronology, to use flashbacks, and to merge the past with the present. Gordon’s story struck me as similar to my own because we share a similar problem: that our story is really about the process we went through to learn about the pasts of our families. When I finished The Shadow Man, I realized that now I had another memoir to add to Cooper’s memoir and Mary Karr’s The Liar’s Club to serve as models for me.

Mary Gordon actually spends a fair amount of time detailing her research in the library and in contacting strangers. The reader gets to participate in the research process. This is like following Nancy Drew’s progress in solving a mystery–albeit without the imprisonment in the cistern, tarantula/black widow spider, etc.

While Gordon’s book focuses on the actual research process, my research will be more of a framework with more stories from the past and present. However, this book was eye-opening to me because writing teachers say you have to put everything into action and that doing research, reading letters, etc. are not active enough–that these moments of small epiphanies have to be put into scene. It’s not always possible to put into scene because if the scene didn’t occur the writer can’t make it up as it’s not fiction!

The twist in Gordon’s book is that Mary Gordon was raised Catholic by her parents, although her father was born Jewish. But he had become a (IMO dangerous) anti-Semite and this made Gordon’s search for his past–and really the man himself as he had died while she was so young–a very complicated emotional ordeal.

Let me say that Mary Gordon’s book is gorgeously written. Maybe this heavy reliance on process wouldn’t work in the hands of a lesser writer, but it really works here. Will you enjoy the book? I’m not sure. It depends on the type of books you like. I think someone like me who is curious about family history, 20th century history, family relations, and beautiful, almost lyrical, writing will love it.

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Maybe you’ve read one or more of Mary Gordon’s other books? Check out her website.

 

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Writing with a Side of Music

The other day I tweeted a question:  When you write poetry do you listen to music? Or do you find it a distraction? #poetry #music #writing. And by poetry I was thinking “writing.”

Meowsic

Meowsic

Since I have soooooo many twitter followers (huge winky face) I got back exactly, um, one response. This person said he listens to Mozart and Vivaldi for poetry writing.

That made some sense to me because I remember when I wanted to stimulate my first child’s creativity, I sent him to Suzuki class to learn Bach, Mozart, and Vivaldi.

I want to make good citizens. If a child hears fine music from the day of his birth and learns to play it himself, he develops sensitivity, discipline and endurance. He gets a beautiful heart.

But, even with The Four Seasons (Vivaldi) going in the background, I couldn’t write with music playing. Not poetry. Not prose. Nuttin.

Go ahead and try it yourself. Can you write to this version of “Autumn”?

How do people do it? My mind is going off with the music and not going where the poem wants it to go. It’s like patting my head and rubbing my stomach at the same time. Or running a marathon while I’m sleeping (or ever).  It just can’t be done–not by me.

So I tried to figure out what my writing habits are. They have developed over time. I grab whatever 30 minute block of time I can find, a piece of chocolate, and a soda (and you thought it would be tea?), and I start typing on the computer keyboard. Is that a good habit? I don’t know. I feel it was born out of desperation.

What are your writing habits? Do you write to music?

You can make my day if you follow me on Twitter here, by the way.

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Filed under Art and Music, Essay, Poetry, Writing, Writing Tips and Habits