Category Archives: Poetry book

Simple Pleasures: My Review of the New Elizabeth Gauffreau Poetry Collection

 

What a pleasure to open Elizabeth Gauffreau’s new book, Simple Pleasures: Haiku from the Place Just Right. Every page features a beautiful nature photo with an accompanying haiku. Combining poem with image creates a new art genre, one where each component gives more meaning to the other.

The first page displays a peaceful dirt road surrounded by evergreens. The poet invites the reader to accompany her on this trip through the natural beauty of the northeastern United States:

dirt road adventure

washboard, slapping branches, ruts

GPS turned off

I love that the GPS is turned off so that instead of following technology, we—poet and reader—are opening ourselves to the adventure.

Gauffreau directs us to majestic vistas, but she also points out the small or almost unnoticeable, such as a dappled woods image where you must look carefully or be directed by the poem:

new-growth pines, maples

farmer’s forgotten stone wall

a forest reclaimed

I learned things from the poems, which should not be surprising as Gauffreau seems so at home in the region.

stand of white birches

roots entwined canopy shared

indigenous trees

I hadn’t thought of birches as being Indigenous, so that was a bit of defamiliarizing the familiar, I suppose, as it made me take note. And it reminded me of the Robert Frost (another New England poet) poem, “Birches.”

The book is organized by the seasons of the year and makes a full cycle of the beauty of the area. Simple Pleasures: Haiku from the Place Just Right makes a gorgeous addition to my collection of Elizabeth Gauffreau books, Telling Sonny and Grief Songs. Heads up, though, I would recommend purchasing the paperback version because you will want to flip open the book often.

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 Author Biography

Elizabeth Gauffreau writes fiction and poetry with a strong connection to family and place. Her work has been widely published in literary magazines, as well as several themed anthologies. Her short story “Henrietta’s Saving Grace” was awarded the 2022 Ben Nyberg  prize for fiction by Choeofpleirn Press.

She has published a novel, Telling Sonny, and a collection of photopoetry, Grief Songs: Poems of Love & Remembrance. She is currently working on a novel, The Weight of Snow and Regret, based on the closing of the last poor farm in Vermont in 1968.

Liz’s professional background is in nontraditional higher education, including academic advising, classroom and online teaching, curriculum development, and program administration. She received the Granite State College Distinguished Faculty Award for Excellence in Teaching in 2018. Liz lives in Nottingham, New Hampshire with her husband. Find her online at https://lizgauffreau.com.

Book2Read Purchase Link: https://books2read.com/SimplePleasures

Print & Fixed EPUB for tablets and Kindle Fire

BookFunnel PDF Purchase Link: https://buy.bookfunnel.com/gef1ili6qd

For any device.

Blog Tour Host Links: https://lizgauffreau.com/simple-pleasures-blog-tour-links/

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Simple Pleasures Blog Tour: Day #7 – August 12 – Luanne Castle

Introduction

Thank you, Luanne, for hosting me on Day #7 of my blog tour for Simple Pleasures: Haiku from the Place Just Right! For this tour stop, I’m going to say a few words about my philosophy of haiku to give readers a sense of what to expect from Simple Pleasures.

I think it’s important for me as a writer of poetry and fiction to understand the literary context in which I’m writing–both the current context of what writers in a particular genre are creating and the literary tradition which brought the genre to this point.

When I first became interested in haiku as syllabic poetry, I was surprised to learn that haiku in English is a very slippery beast to pin down. There are purists who adhere to the 5-7-5 syllable count, the season word (kigo) and the pause that cuts the haiku into two parts (kireji). The Haiku Society of America, on the other hand, espouses the spirit of the Japanese form without trying to replicate the Japanese language-based  form in English. (https://www.hsa-haiku.org/hsa-definitions.html)

Then there’s this guy, Vermont poet Geof Hewitt, who decides to make his own rules. (Geof is a performance poet whom I met when he visited my tenth-grade English class in 1971. Then, in the early 2,000s, I took a performance poetry workshop with him, which was great fun. I even got a new poem out of it!)

 

https://vimeo.com/991080595/fe5211dfc3

Excerpted from: https://www.vermonthumanities.org/words-in-woods-hewitt/

 

So where does this leave me? I think I’m safe in saying that I follow the Haiku Society of America’s definition of haiku: “A haiku is a short poem that uses imagistic language to convey the essence of an experience of nature or the season intuitively linked to the human condition.”

I adhere to the 5-7-5 syllabic structure because it serves me well as the means by which I discover and express that essence. Any exception I may make to the syllable count is minor, when the poem just doesn’t scan right. Most of my haiku include a kigo, although my interpretation of season may extend to seasons of life.

 

The simple pleasures of our favorite places in nature are gifts of the spirit to be shared with others. In this collection of 53 haiku, each paired with a photograph, poet Liz Gauffreau invites readers to come with her to some of her favorite places in Vermont, New Hampshire, and Maine. Some places are long-time favorites going back years; others have become favorites by virtue of inspiring poetry.

 Author Biography

Elizabeth Gauffreau writes fiction and poetry with a strong connection to family and place. Her work has been widely published in literary magazines, as well as several themed anthologies. Her short story “Henrietta’s Saving Grace” was awarded the 2022 Ben Nyberg  prize for fiction by Choeofpleirn Press.

She has published a novel, Telling Sonny, and a collection of photopoetry, Grief Songs: Poems of Love & Remembrance. She is currently working on a novel, The Weight of Snow and Regret, based on the closing of the last poor farm in Vermont in 1968.

Liz’s professional background is in nontraditional higher education, including academic advising, classroom and online teaching, curriculum development, and program administration. She received the Granite State College Distinguished Faculty Award for Excellence in Teaching in 2018. Liz lives in Nottingham, New Hampshire with her husband. Find her online at https://lizgauffreau.com.

Book2Read Purchase Link: https://books2read.com/SimplePleasures

Print & Fixed EPUB for tablets and Kindle Fire

BookFunnel PDF Purchase Link: https://buy.bookfunnel.com/gef1ili6qd

For any device.

Blog Tour Host Links: https://lizgauffreau.com/simple-pleasures-blog-tour-links/

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Writing and Grandbaby News

Brand new and familiar poems published today by Editor Sharon Knutson at Storyteller Poetry Review. This journal specializes in narrative poetry–in other words, poetry that tells stories. In this group are new poems about my father and our lake cottage and about driving home from my Chicago grandma’s apartment when I was young.

https://stortellerpoetryreview.blogspot.com/2024/05/storyteller-of-week_17.html

I really hope you enjoy these poems because as a whole they create a little memoir.

In other writing news, Our Wolves moved from the Eric Hoffer Grand Prize Short List to First Runner-up of Chapbooks. Um yay!!!!

This is what the Hoffer judges said about the book:

“Our Wolves, Luanne Castle, Alien Buddha Press – In this bold recasting of the Little Red Riding Hood tale, a traumatic adventure unfolds, and the expectations one has for reality are shattered. An air of mystery pervades each poem, but beneath that mystery, worlds of forced silences exist. Some poems shock. Some poems awe. Some remind readers that the wolves one should fear most are not those roaming the forests.These poems also explore the myths and legends, symbolisms and mysticisms, which comprise the folk tales with which so many are familiar, and breathe new life into these well-worn tales. This retelling forms a narrative for a modern age.”

Additionally, two of my flash stories have been long listed in two different contests. One of them didn’t move beyond and the other hasn’t been announced yet.

And in still further news. I sent a couple stories to a journal yesterday and they came bouncing back, a big fat rejection with the admonition not to send again for another five months. HAHAHAHAHAH.

I have not been able to get over to our blogging community much lately because . . . baby. However, I am working on my songwriting talents as well as new poetry. Here are some samples. The first is a song:

A big tummy is happiness.

A big tummy is happiness.

A big tummy is happiness.

And a little tummy is a big tragedy.

And here is a poem:

Those that are really cute

are the ones that toot.

Haha. It won’t be long before he can join me in singing. 3 1/2 months and he’s turning on his tummy and turning on his back already.

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Imayo for Rikka: #TankaTuesday

Colleen at #TankaTuesday suggested writing a syllabic poem for Part I, The Beginning of Summer, (May 5 – 19) Rikka 立夏. I tried an imayo.

Summer begins brilliant blue; sometimes clouds frame it

but mostly fresh greenery—saguaro seeks bliss

closer to heaven than earth, offering rare

gifts

as palo verdes erupt, showering sunshine

The hole in the saguaro is the entry to an occupied bird nest.

These palo verde blossoms end up all over the ground.

The duck in my pool yesterday.

Thanks to Christal Rice Cooper and Donna Biffar for editing an exciting poetry anthology. Volume 2 of The Power of the Feminine I is now available. Both volumes are jampacked with contemporary poetry that comes from a feminine perspective. The poetry is not written only by women either. I have two historical poems in volume 2 (and one in the first volume): A Lizzie Borden poem and one about European women in 1533. $3 for kindle version!!! My poems start on pages 90 and 309. https://www.amazon.com/Power-Feminine-poems-feminine-perspective-ebook/dp/B0D2WX6TY7/ref=sr_1_1?crid=16ESMVENBHW7U&dib=eyJ2IjoiMSJ9.lhKKLBk4OYONnpqAujXo1Ig50Do583AFm6JtVNC8EQ0_TaCv4F8ZAcJhxIsYfJQn.BMHoWPUTekccHF9OsWxgC4z41skHv5Enp5xpswPpXUk&dib_tag=se&keywords=the+power+of+the+feminine+i+poetry+anthology&qid=1714920222&sprefix=The+feminine+I+%2Caps%2C153&sr=8-1

Guess who tries to sleep in the baby’s bassinet when he’s not here? Perry, of course. The baby still ignores the cats. For now.

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Thank you to Dawn Pisturino for Her Review of Poetry Treasures 4

photo of stream during daytime
Photo by Michael Block on Pexels.com

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Gorgeous Poetry about Being Human on an Endangered Planet

Looking for a new poetry book? Look no further than this beautiful collection by Candice M. Kelsey within this stunning cover.

The chapbook was published in March 2024 by the publisher, boats against the current. The cover art is by Matt Kish.

Find it at Amazon here:

https://shorturl.at/BGPU3

My Review of Postcards from the Masthead

Reading the poems in Candice M. Kelsey’s new chapbook, Postcards from the Masthead, feels a bit like finding your stride on a boat deck, as you learn to move with the waves, enjoying your place upon a vast body of water. The reader must navigate between the life of our planet and the life of the body which “dresses itself in courage / to face the morning / bastard glow.” There is a sense of connection between the larger, public world and the individual. These poems are fraught with angst over the dangers of climate change. At the same time, they investigate corporeal dangers and desires. The striking imagery and perspectives unique to Kelsey are a warning cry against our endangered lives. 

Here is a sample poem:

Meditation on the Pinky Toe, Port Side

Broken again littlest
one throbbing pink
loud the big toe shifts
like my father in a chair
Sunday sessions
mandatory for the EDU
a daughter in treatment
circle of silent frescoes
and he's unhappy as
the third mate's cat

Blue who bounds over
white cedar bulwarks
where I lean with today’s
galley of oranges
halved she capsizes
a feline Michelangelo
painting the Sistine
or God dabs my toe wet
with paint-drop nose

she too knows injury
touches the gnarled-speck
perimeter of my foot
now a flesh canvas
cathedral ceiling scene
where I am broken
by a hundred Adams
awful fools busy naming
the garden of my body—

we catch ourselves
on the world’s harpoons
such sharp edges protrude
to hobble us with small
private dislocations and yet
like this little piggy
some of us make it home
somehow I make it
all the goddamn way

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Short List for Eric Hoffer Grand Prize: Our Wolves

Yes, I’m pretty stoked, I’ll admit that. My wee chapbook Our Wolves is on the Eric Hoffer Grand Prize (grand as in a $5,000 check to the big winner) SHORT LIST alongside the big books.

Yesterday, Kathleen Cassen Mickelson coincidentally interviewed me about Our Wolves. She provides a great idea of what the collection is all about.

Want to pick up a copy of this pretty lil canis lupus baby? https://www.amazon.com/Our-Wolves-Luanne-Castle/dp/B0BTKNP31D/ref=sr_1_1?crid=15JK239FCHVGE&dib=eyJ2IjoiMSJ9.ALQ-Ljk1njzWJQDlkD5jY6QtxZx6XGZg9YtrClN0btrHujuSkCk6ZGPDpCjt4GpS_PdX_Wr_gRu3YIMFPEAO16QqPGc4qdtLCGcHzaqrpSLyFLX3OPXFimGqVyzoT42KHHir_VnXarqE8c9FC-R59nq0yyfMhbeZ94Wa-Ti14oAGWFJ3uuixZ5Wmm1zinR5foBTPp3G6F6kIyCr4becsMF-gsVuPeTurNGtNR1BGd-Q.kPZp-Ktyg-ES3M0mb3PGJX_VGahVWJN-jD_IkXe_rhk&dib_tag=se&keywords=our+wolves+castle&qid=1714682476&sprefix=our+wolves+castl%2Caps%2C890&sr=8-1

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Interview about OUR WOLVES on One Minnesota Crone

Kathleen Cassen Mickelson graciously interviewed me about my poetry collection Our Wolves. I hope you enjoy the exchange. If you would like to comment, please do so at One Minnesota Crone to keep Kathleen in the loop! Thanks for reading :).

trees on a dark forest
Photo by Francesco Ungaro on Pexels.com

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Day 1 of WordCrafter Poetry Treasures 4 Book Blog Tour

I’m blessed to have poetry and a few photos in this delightful collection, alongside these other wonderful poets.

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Yay for Wonderful Reviews and #TankaTuesday

Our Wolves, my Red Riding Hood poetry chapbook, was reviewed by fantasy and science fiction writer D. (Diana) Wallace Peach for her October Book Reviews: https://mythsofthemirror.com/2023/10/31/october-book-reviews-2/. I love her review. She says,  “these are thoughtful and provocative poems that I found stirring, raw, and deeply insightful. They’re also beautifully written with gorgeous but accessible language, providing glimmers into the lives and stories of girls everywhere.”

Diana posted the review on Amazon where it is keeping company with another new and fabulous review by writer Wilma Kahn: https://www.amazon.com/gp/customer-reviews/R31IC9DU4DZING/ref=cm_cr_dp_d_rvw_ttl?ie=UTF8&ASIN=B0BTKNP31D. The ending of her review is so cool: “Love the poetry. Embrace the shock.”

It feels so rewarding to have readers take the time to write reviews for my books. Makes me happy.

On the same subject of poetry, I read a hilarious article in The Onion, a master of satire. It’s the funniEST if you know that most poets make nothing from their books as the costs of promotion in both money and time outweigh the royalties. https://www.theonion.com/sellout-poet-made-over-150-in-2023-alone-1851012377

For #TankaTuesday, Colleen Chesebro challenged poets to write three tankas using specific kigo as either first lines or pivot lines.
#1: “the first month with sleet”
#2: “late winter garden”
#3: “blanket by the fire”

Here are mine. It took a little weirdness since we still have gorgeous weather in Arizona.

the first month with sleet

and a howling, freezing wind

first weeks of snowfalls

that melt even as they touch

the earth not yet full-frozen

*

outside I linger

among the curling petals

late winter garden

a place for thoughts of the past

a place for wishes to come

*

in Arizona

we look ahead to winter

blanket by the fire

both cuddling with the kitties

will it come or will fall stay

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I also wrote a tanka about the contrast of our Arizona weather and my family’s Michigan weather.

[Beginning of Winter in Arizona versus Michigan]

A fall breeze upset

my skirt on my daily walk.

Lone sign of winter.

My brother in Michigan

raked fallen leaves for hours.

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My kigo is fallen leaves and fall breeze (instead of autumn wind).

Japanese woodcut print by Kamisaka Sekka
Japanese woodcut print by Kamisaka Sekka by New York Public Library is licensed under CC-CC0 1.0

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