I did post about the beautiful review of Rooted and Winged by Elizabeth Gauffreau in the new issue of Anti-Heroin Chic. Now Liz has recorded a poem from the book–and it’s such a treat! She published it on her post with her link of the review.

I did post about the beautiful review of Rooted and Winged by Elizabeth Gauffreau in the new issue of Anti-Heroin Chic. Now Liz has recorded a poem from the book–and it’s such a treat! She published it on her post with her link of the review.
The new poetry collection of poet Ken Gierke, who blogs at https://rivrvlogr.com/, is called Glass Awash. I wrote a review of it and hope it inspires you to buy a copy!
Ken Gierke’s debut poetry collection, Glass Awash (Spartan Press 2022), is about making art, connections between inhabitants of the planet, and the voices that attach and sustain us. These inhabitants can be human, animal, plant, or mineral. In the poem that titles the book, “Glass Awash,” a piece of glass is tumbled in the waves at the shore where it dries under the sun. Then, “From swaying reeds, / a red-wing remarks on / its beauty, soon consumed / / by a frost, a reminder / of each kiss found / in grains of sand.” In this case the connections seem to be between animal (bird), plant (reeds), and mineral (glass and sand). However, the human is implicit as it is the human who records the event.
These free verse poems are spare with a minimum of words so that the images are not cluttered with less important language. The poems protest against “[o]ur growing world of disconnect,” but notice the “invisible connections” within the natural world (“The Intent of Moonlight and Ethereal Synapses”). Although poems are titled “Words without Voice” and “Thoughts without Voice,” the struggle seems to be to bring voices into being. In “Other Voices,” the persona tries to find a stone at the water’s edge “that speaks to you,” and then the stone with other stones will also speak. These stones, much like the tumbled glass, speak to us only if we listen carefully.
Some of the poems within this collection are elegies for the poet’s mother during her final illness and after she is gone. These are beautiful and while still sparely constructed vibrate with love and loss. These are a few of my favorite lines: “Hidden / in the pockets of my mother’s dreams, / surrounded / by the accumulated lint / of a faded lifetime, are dusty memories / sharper / than this morning’s breakfast.” Gierke uses the uneven line lengths to give emphasis to certain words.
Because the poems are short and not great in number, you can read this book very quickly. But you will want to read it again and again to really explore meaning in this lovely collection.
You can purchase the book on Amazon. Here for the U.S.: https://www.amazon.com/Glass-Awash-Ken-Gierke/dp/1958182222/
Here for the UK: Glass Awash: Amazon.co.uk: Gierke, Ken: 9781958182222/
I presume it’s also available in Canada and other countries.
Ken Gierke is retired and has lived in Missouri since 2012, when he moved from Western New York, where the Niagara River fostered a love for nature. He writes primarily in free verse and haiku, often inspired by hiking and kayaking, while his fondness for love poetry may be explained by the fact that he moved to Missouri to be with the woman he eventually married. His poetry has been published or is forthcoming both in print and online in such places as Ekphrastic Review, Amethyst Review, Silver Birch Press, Trailer Park Quarterly and The Gasconade Review, and it has appeared in several print anthologies, including three from Vita Brevis Press and easing the edges, edited by d. ellis phelps. His first collection of poetry, Glass Awash, has been published by Spartan Press. His website: https://rivrvlogr.com/
Ken can be reached on Facebook. Ken Gierke | Facebook
He has video poetry at https://www.youtube.com/@kengierke
Filed under #writerlife, #writerslife, #writingcommunity, Book Review, Poetry, Poetry book, Poetry Collection, Reading, Writing
I want to thank readers of Rooted and Winged who have taken the time to post reviews on Amazon, Goodreads, and/or their own blogs. The ones posted on blogs I have shared.
Here are a few Amazon reviews I haven’t shared before:
https://smile.amazon.com/gp/customer-reviews/R3B8O9VYTN96NB?ref=pf_vv_at_pdctrvw_srp
I know how precious your time is, and it’s very meaningful to me that you reviewed Rooted and Winged!
These are some tags I made for the first “water” prompt at The Ugly Art Club. Yup, still doing art journalling. I am starting to find little things about my “style.” It’s been slow coming, but–for instance–the half woman (skirt half) in the top library card. I like using women’s skirts. Go figure.
Thank you to novelist Suanne Schafer’s review of Rooted and Winged.
You can find Suanne’s novels here: https://suanneschaferauthor.com/bibliography/
This post is about something exciting to me at the same time that it is sad. Gingerbread House Editor Christine Butterworth-McDermott has interviewed me in the new issue up today. You can read it here:
Gingerbread House Lit Mag, with its emphasis on fairy tale-inspired literature, is one of my very favorite journals. Very sadly, I must say that this is the final issue of GH! Butterworth-McDermott will go on to do exciting things in the literary and artistic worlds (she’s an artist as well as a poet/writer), but this feels like the end of an era.
Please check out the whole gorgeous issue through the link above.
And here’s to a healthy and peaceful 2023.
What fun to be interviewed by poet Millicent Borges Accardi, author of the new Quarantine Highway, for the beautiful CutBank Literary Magazine. Her questions really made me think about my life, and in the process, I discovered things about myself. You might, too!
Let me know what you think!
Thank you, Elaine Pinkerton Coleman, for the review of Rooted and Winged and other books on her blog. Her blog is a wonderful mix of posts about travel, New Mexico, and adoption.
https://elainepinkerton.wordpress.com/2022/12/12/reading-the-nights-away/
So excited to see such a beautiful review of Rooted and Winged by Elizabeth Gauffreau in the new issue of Anti-Heroin Chic. A big thank you also to editor James Diaz.
You can find the review here: http://heroinchic.weebly.com/blog/luanne-castles-rooted-and-winged-reviewed-by-elizabeth-gauffreau
See below image for update on Perry.
Perry’s ultrasound showed that he definitely has either IBD or lymphoma. Our decision was narrowed down to starting steroids or having investigative surgery. A complication is that he has recently developed a heart murmur so nothing can be done (except food change nightmare) until after his echocardiogram which is after Christmas! If you are a praying person, please put us on your list. Or send healing vibes or demands to the universe that this is IBD and that the steroids will make him well!
Artist Kelsey Montague has painted art wings all over the country (and elsewhere). One of her murals is at the Fashion Square Mall in Scottsdale, Arizona. When my daughter and I had lunch at the mall, she took my pic with the wings to celebrate the 2022 publication of my poetry collection Rooted and Winged.
You can purchase a copy of my book here: https://www.amazon.com/Rooted-Winged-Luanne-Castle/dp/1646628632/ref=sr_1_1?crid=3RCAIJJKAUOVE&keywords=rooted+and+winged&qid=1670344522&sprefix=rooted+and+wi%2Caps%2C394&sr=8-1
Book description:
The poems of Rooted and Winged explore the emotional and physical movement of flight and falling. They are of the earth, the place of fertile origins, and of the dream world we observe and imagine when we look upward. Golems and ghosts that emerge from the ground, as well as the birds and angels that live above us, inhabit the collection. We will always be striving for flight, even as we feel most comfortable closest to the earth.
There are poems about Arizona, California, and the lakes of Michigan. My maternal grandparents are the characters that most inhabit this book.
The poems of Luanne Castle’s Rooted and Winged are embedded in land and weather. “Bluegills snap up larvae in slivers of illusory light,” she writes early in the collection, hinting at the sensibilities of the companionable speaker who will usher us through the book.
—Diane Seuss (2022, Pulitzer for poetry)
Cover art: Leonard Cowgill