Liz Gauffreau is a master of historical fiction. And rather than creating a series (so far), she has written completely different books with different historical settings. I loved Telling Sonny, and now I love The Weight of Snow and Regret.
Here is my review of the latter. At the end I’ll share with you how you can purchase the book!
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Elizabeth Gauffreau’s new novel, The Weight of Snow and Regret, is a tribute to the residents of the Sheldon Poor Farm in Sheldon Springs, Vermont, as well as testament to the harsh lives of society’s disadvantaged. The novel takes place in 1967-68, the last year of the tenure of the poorhouse. But the plight of the poor and culture-rocking events of that year resonate with familiarity with contemporary readers.
The first part of the story weaves in the life of Louisianian Claire and how she falls from her place in middle-class society to living in the poorhouse far from home. In this way, the reader is drawn into the novel through the perspective of this mysterious woman, then the reader is delivered into the capable hands of Hazel, a sympathetic foster child grown into a compassionate woman who now runs the home itself while her husband manages the associated farm. Through Hazel’s kindness and perspective, we meet the other residents of the poorhouse.
The place hasn’t always been run as Hazel manages it. Before her hard work, dedication, and home management skills, the neglect was extreme. Every surface was filthy, with trash strewn about. The residents’ clothing was in desperate need of laundering. In fact, Hazel believes that the men’s underwear had never been cleaned. Hazel cleans the home immaculately, creates wholesome meals with a tiny budget, and gives the residents the care and understanding that they need.
These residents range from the forgotten elderly to the mentally ill to those with intellectual disabilities. Although they respond differently to events, and their interactions with each other can be fraught, Gauffreau’s exploration of their behavior and treatment rings true. One twist is that Hazel herself lived in this poorhouse at one time. A couple of the residents from her childhood time at the shelter are still living there when Hazel takes over. This feels like a gut punch to her to think of them still living in the conditions she and her family had undergone.
Gauffreau meticulously researched the history of the home, poor farm life in the sixties and before, the blues music that spoke to Claire’s troubled and depressed soul, the national and world headlines of the time, and local history. Her painstaking implementation of her research with her compassionate feel for the characters, and her excellent storytelling senses makes this an engrossing read. I read far into the night, without being able to put down the book.
What a pleasure to open Elizabeth Gauffreau’s new book, Simple Pleasures: Haiku from the Place Just Right. Every page features a beautiful nature photo with an accompanying haiku. Combining poem with image creates a new art genre, one where each component gives more meaning to the other.
The first page displays a peaceful dirt road surrounded by evergreens. The poet invites the reader to accompany her on this trip through the natural beauty of the northeastern United States:
dirt road adventure
washboard, slapping branches, ruts
GPS turned off
I love that the GPS is turned off so that instead of following technology, we—poet and reader—are opening ourselves to the adventure.
Gauffreau directs us to majestic vistas, but she also points out the small or almost unnoticeable, such as a dappled woods image where you must look carefully or be directed by the poem:
new-growth pines, maples
farmer’s forgotten stone wall
a forest reclaimed
I learned things from the poems, which should not be surprising as Gauffreau seems so at home in the region.
stand of white birches
roots entwined canopy shared
indigenous trees
I hadn’t thought of birches as being Indigenous, so that was a bit of defamiliarizing the familiar, I suppose, as it made me take note. And it reminded me of the Robert Frost (another New England poet) poem, “Birches.”
The book is organized by the seasons of the year and makes a full cycle of the beauty of the area. Simple Pleasures: Haiku from the Place Just Right makes a gorgeous addition to my collection of Elizabeth Gauffreau books, Telling Sonny and Grief Songs. Heads up, though, I would recommend purchasing the paperback version because you will want to flip open the book often.
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Author Biography
Elizabeth Gauffreau writes fiction and poetry with a strong connection to family and place. Her work has been widely published in literary magazines, as well as several themed anthologies. Her short story “Henrietta’s Saving Grace” was awarded the 2022 Ben Nyberg prize for fiction by Choeofpleirn Press.
She has published a novel, Telling Sonny, and a collection of photopoetry, Grief Songs: Poems of Love & Remembrance. She is currently working on a novel, The Weight of Snow and Regret, based on the closing of the last poor farm in Vermont in 1968.
Liz’s professional background is in nontraditional higher education, including academic advising, classroom and online teaching, curriculum development, and program administration. She received the Granite State College Distinguished Faculty Award for Excellence in Teaching in 2018. Liz lives in Nottingham, New Hampshire with her husband. Find her online at https://lizgauffreau.com.
Thank you, Luanne, for hosting me on Day #7 of my blog tour for Simple Pleasures: Haiku from the Place Just Right! For this tour stop, I’m going to say a few words about my philosophy of haiku to give readers a sense of what to expect from Simple Pleasures.
I think it’s important for me as a writer of poetry and fiction to understand the literary context in which I’m writing–both the current context of what writers in a particular genre are creating and the literary tradition which brought the genre to this point.
When I first became interested in haiku as syllabic poetry, I was surprised to learn that haiku in English is a very slippery beast to pin down. There are purists who adhere to the 5-7-5 syllable count, the season word (kigo) and the pause that cuts the haiku into two parts (kireji). The Haiku Society of America, on the other hand, espouses the spirit of the Japanese form without trying to replicate the Japanese language-based form in English. (https://www.hsa-haiku.org/hsa-definitions.html)
Then there’s this guy, Vermont poet Geof Hewitt, who decides to make his own rules. (Geof is a performance poet whom I met when he visited my tenth-grade English class in 1971. Then, in the early 2,000s, I took a performance poetry workshop with him, which was great fun. I even got a new poem out of it!)
So where does this leave me? I think I’m safe in saying that I follow the Haiku Society of America’s definition of haiku: “A haiku is a short poem that uses imagistic language to convey the essence of an experience of nature or the season intuitively linked to the human condition.”
I adhere to the 5-7-5 syllabic structure because it serves me well as the means by which I discover and express that essence. Any exception I may make to the syllable count is minor, when the poem just doesn’t scan right. Most of my haiku include a kigo, although my interpretation of season may extend to seasons of life.
The simple pleasures of our favorite places in nature are gifts of the spirit to be shared with others. In this collection of 53 haiku, each paired with a photograph, poet Liz Gauffreau invites readers to come with her to some of her favorite places in Vermont, New Hampshire, and Maine. Some places are long-time favorites going back years; others have become favorites by virtue of inspiring poetry.
Author Biography
Elizabeth Gauffreau writes fiction and poetry with a strong connection to family and place. Her work has been widely published in literary magazines, as well as several themed anthologies. Her short story “Henrietta’s Saving Grace” was awarded the 2022 Ben Nyberg prize for fiction by Choeofpleirn Press.
She has published a novel, Telling Sonny, and a collection of photopoetry, Grief Songs: Poems of Love & Remembrance. She is currently working on a novel, The Weight of Snow and Regret, based on the closing of the last poor farm in Vermont in 1968.
Liz’s professional background is in nontraditional higher education, including academic advising, classroom and online teaching, curriculum development, and program administration. She received the Granite State College Distinguished Faculty Award for Excellence in Teaching in 2018. Liz lives in Nottingham, New Hampshire with her husband. Find her online at https://lizgauffreau.com.
Writer, poet, and critic Elizabeth Gauffreau has written a magnificently brilliant review of my new chapbook Our Wolves. Her reviews are as engaging to read as any poetry or fiction.
“If you like interesting and thought provoking poetry, you will love Our Wolves.“
On another note, I looked for an African-American Red doll for my collection and found a gorgeous one on ebay by artist Stacy Bayne: $250! Here’s a link: https://www.ebay.com/itm/225374443246 While I can’t justify that (hah), it’s certainly beautiful. Here’s one of my $20 antique mall goodies.
I did post about the beautiful review of Rooted and Winged by Elizabeth Gauffreau in the new issue of Anti-Heroin Chic. Now Liz has recorded a poem from the book–and it’s such a treat! She published it on her post with her link of the review.
So excited to see such a beautiful review of Rooted and Winged by Elizabeth Gauffreau in the new issue of Anti-Heroin Chic. A big thank you also to editor James Diaz.
Perry’s ultrasound showed that he definitely has either IBD or lymphoma. Our decision was narrowed down to starting steroids or having investigative surgery. A complication is that he has recently developed a heart murmur so nothing can be done (except food change nightmare) until after his echocardiogram which is after Christmas! If you are a praying person, please put us on your list. Or send healing vibes or demands to the universe that this is IBD and that the steroids will make him well!
Judging for Writer Site’s Rooted and Winged Writing Contest is completed. The winner of the contest and of the $250 award is Merril D. Smith for her poem “How I Learned”!
How I Learned
recurring patterns, star shapes
and spirals, leaves and shells are echoes,
the vibrations and reverberations of before-time
the ineffable radiance, the glimmering streams
whose crystalline traces created
seas and a world
where we swim before we can fly—
fractals that connect past and future.
Birds sing the harmonies of stars,
trees and seas bear primeval secrets,
tremulous whispers flow underground and
across continents, waves of knowledge
break on fallow shores,
snippets coast on spindrift,
we feel the droplets, taste the salt, hear only susurration--
perhaps we understood once,
the whispers, the songs, the patterns,
like puzzle pieces, fragments
I have glimpsed,
in a dream,
a tightrope journey over a dark, uncharted crevasse
my arms outstretched for balance,
and then
free-
falling
upside-down and in-between
the visible and the unknown--
but my ancestors spread wings
that covered centuries
to catch me, guide me,
You can, they said
as they showed me that I have my own wings—
unfold them, fly. This, too, is part of the pattern.
The finalists, in no particular order, are:
*Jess L. Parker
*Serena Agusto-Cox
*Stephanie L. Harper
The finalists will be receiving a Rooted and Winged tote bag. Congratulations to all three because the scores were very close.
K.E. Ogden is a two-time judge for the Flannery O’Connor Short Fiction Prize and a two-time winner of the Academy of American Poets Henri Coulette Memorial Prize from Cal State Los Angeles. Her debut collection of poems, What the Body Already Knows, is winner of the Finishing Line Press New Women’s Voices poetry prize and is in presale now [[https://tinyurl.com/keogdenFLP]]to be released September 2022. Her poems, essays, and fiction have been published in Kenyon Review Online, Brevity, anderbo, Claudius Speaks, Louisiana Literature and elsewhere, and her plays have been staged at several university theaters. A typewriter lover and avid book artist, her digital quilt piece “My President: A Politics of Hope” was published by writer Gretchen Henderson as part of the “Unstitched States” project [[https://unstitchedstates.com/]] . Ogden lives in Los Angeles where she teaches at Pasadena City College and in the Young Writers at Kenyon program each summer in Gambier, Ohio. Visit her on the web at kirstenogden.com [[https://www.kirstenogden.com]]
K. E. Ogden
Suanne Schafer was born in West Texas at the height of the Cold War. Her world travels and pioneer ancestors fuel her writing. A genetic distrust of happily-ever-afters gives rise to strong female protagonists who battle tough environments and intersect with men who might—or might not—love them. A DIFFERENT KIND OF FIRE depicts an early 20th century artist in West Texas while HUNTING THE DEVIL explores the plight of an American physician during the Rwandan genocide. BIRDIE looks at women’s rights in the 19th century through the eyes of a teenage girl committed to an insane asylum. Suanne has served as an editor for a mainstream/romance publishing house and fiction editor for a literary magazine as well as freelance editing. Follow her on https://twitter.com/SuanneSchafer, https://www.instagram.com/suanneschafer/ and https://sanneschaferauthor.com.
Suanne Schafer
Elizabeth Gauffreau writes fiction and poetry with a strong connection to family and place. She holds a BA in English/Writing from Old Dominion University and an MA in English/Fiction Writing from the University of New Hampshire. Recent fiction publications include Woven Tale Press, Dash, Pinyon, Aji, Open: Journal of Arts & Letters, and Evening Street Review. Her debut novel, Telling Sonny, was published in 2018. Her debut poetry collection, “Grief Songs: Poems of Love & Remembrance,” was published by Paul Stream Press in September 2021. Learn more about her work at https://lizgauffreau.com.
Writer Site’s Rooted and Winged Writing Contest closes on July 27!
Read the guidelines below to find out more about the chance to win $250!
Eligibility to enter: Preorder Luanne’s forthcoming poetry collection Rooted and Winged, cost $19.99, link below (if you already preordered the book, you are exempt from this requirement) by July 15. You may enter as many times as you wish, but a preorder is necessary for each submission.
Award: $250 to contest winner. Finalists will receive Rooted and Winged swag.
Dates: Preorder book by July 15. Submit through July 27.
Prompt:
Rooted and Winged explores the emotional and physical movement of flight and falling. The human imagination will always strive for flight, even as we feel most comfortable close to the earth. Brainstorm images of flight and falling, earth and sky, then write a poem or flash prose inspired by this activity.
Guidelines: Must respond to the prompt; flash prose (fiction and nonfiction) or poem up to 800 words, no name on the piece itself, identify genre in upper case at the top left of the first page (POETRY, NONFICTION, FICTION), identify word count underneath genre.
How to submit: Email doc, docx, or pdf submission to writersite.wordpress@gmail.com. Do not include any identifying information on your prose or poem. In the body of the email please include your full name (same as used to preorder Rooted and Winged), as well as your email address. If you wish your writer name to be different from your preorder name, please include that as well. Submissions will be passed on to judges anonymously.
K.E. Ogden is a two-time judge for the Flannery O’Connor Short Fiction Prize and a two-time winner of the Academy of American Poets Henri Coulette Memorial Prize from Cal State Los Angeles. Her debut collection of poems, What the Body Already Knows, is winner of the Finishing Line Press New Women’s Voices poetry prize and is in presale now [[https://tinyurl.com/keogdenFLP]]to be released September 2022. Her poems, essays, and fiction have been published in Kenyon Review Online, Brevity, anderbo, Claudius Speaks, Louisiana Literature and elsewhere, and her plays have been staged at several university theaters. A typewriter lover and avid book artist, her digital quilt piece “My President: A Politics of Hope” was published by writer Gretchen Henderson as part of the “Unstitched States” project [[https://unstitchedstates.com/]] . Ogden lives in Los Angeles where she teaches at Pasadena City College and in the Young Writers at Kenyon program each summer in Gambier, Ohio. Visit her on the web at kirstenogden.com [[https://www.kirstenogden.com]]
K. E. Ogden
Suanne Schafer was born in West Texas at the height of the Cold War. Her world travels and pioneer ancestors fuel her writing. A genetic distrust of happily-ever-afters gives rise to strong female protagonists who battle tough environments and intersect with men who might—or might not—love them. A DIFFERENT KIND OF FIRE depicts an early 20th century artist in West Texas while HUNTING THE DEVIL explores the plight of an American physician during the Rwandan genocide. BIRDIE looks at women’s rights in the 19th century through the eyes of a teenage girl committed to an insane asylum. Suanne has served as an editor for a mainstream/romance publishing house and fiction editor for a literary magazine as well as freelance editing. Follow her on https://twitter.com/SuanneSchafer, https://www.instagram.com/suanneschafer/ and https://sanneschaferauthor.com.
Suanne Schafer
Elizabeth Gauffreau writes fiction and poetry with a strong connection to family and place. She holds a BA in English/Writing from Old Dominion University and an MA in English/Fiction Writing from the University of New Hampshire. Recent fiction publications include Woven Tale Press, Dash, Pinyon, Aji, Open: Journal of Arts & Letters, and Evening Street Review. Her debut novel, Telling Sonny, was published in 2018. Her debut poetry collection, “Grief Songs: Poems of Love & Remembrance,” was published by Paul Stream Press in September 2021. Learn more about her work at https://lizgauffreau.com.
I’m so annoyed that WordPress took away my ability to draft a post in “classic” instead of “block.” I hate block. Any writer would hate block. And you know what? Even my website guy who is a techie instead of a writer hates block editing. If WordPress would pay attention, they would see that blogging via WP is down since they started that ridiculousness.
Things have been tough this past year without WP screwing around with me. Four kitties since July that I’ve had to watch get sick and then help over the rainbow bridge. Family troubles causing me to end up with two more senior cats that I need to integrate into the household (not to mention the family troubles themselves).
I wrote a chapbook of poems, and I submitted it to a contest that I found through a reputable writing website. My chapbook didn’t take one of the top three spots, but it was one of nine finalists. I thought that was great until I got an email from them saying that as one of their “top finalists” my book deserves to be published. I can do that if I cough up $600 for the publisher. What???? So I read more about the press. They say they operate on a cooperative publishing model and are not a vanity press. To clarify: a vanity press is when you want to publish your book and you pay a publisher to do so. There is no possible rejection involved. This “cooperative” press assures first that they want to put their name on your book. Then you pay $600! When is this ever a good idea? Let’s say you have had a book rejected by many publishers and you don’t want to self-publish and you can afford to spend the money. Maybe then? Back to me submitting to their contest. I guess I’m a little ticked off that a legit writing website would let them advertise that contest without explaining about the “hit you up for $600 bit.”
Remember that the writing contest I’m holding right now is LEGIT. 🙂
Remember my tiny books for Doll God and Kin Types? I got them for Rooted and Winged!
You have through Friday to preorder a copy of the actual book if you have not already. I’m still pledging to donate $5 per preordered copy to Liberty Wildlife. Also, if you would like to enter my writing contest (for prose or poetry) which closes on July 27, you must preorder a copy by July 15 to be eligible. Guidelines at the end of this post.
GUIDELINES AFTER ELIGIBILITY (PREORDER ROOTED AND WINGED) MET:
Award: $250 to contest winner. Finalists will receive Rooted and Winged swag.
Prompt:
Rooted and Winged explores the emotional and physical movement of flight and falling. The human imagination will always strive for flight, even as we feel most comfortable close to the earth. Brainstorm images of flight and falling, earth and sky, then write a poem or flash prose inspired by this activity.
Guidelines: Must respond to the prompt; flash prose (fiction and nonfiction) or poem up to 800 words, don’t put your name on the piece itself, identify genre in upper case at the top left of the first page (POETRY, NONFICTION, FICTION), identify word count underneath genre.
How to submit: Email doc, docx, or pdf submission to writersite.wordpress@gmail.com. Do not include any identifying information on your prose or poem. In the body of the email please include your full name (same as used to preorder Rooted and Winged), as well as your email address. If you wish your writer name to be different from your preorder name, please include that as well. Submissions will be passed on to judges anonymously.
K.E. Ogden is a two-time judge for the Flannery O’Connor Short Fiction Prize and a two-time winner of the Academy of American Poets Henri Coulette Memorial Prize from Cal State Los Angeles. Her debut collection of poems, What the Body Already Knows, is winner of the Finishing Line Press New Women’s Voices poetry prize and is in presale now [[https://tinyurl.com/keogdenFLP]]to be released September 2022. Her poems, essays, and fiction have been published in Kenyon Review Online, Brevity, anderbo, Claudius Speaks, Louisiana Literature and elsewhere, and her plays have been staged at several university theaters. A typewriter lover and avid book artist, her digital quilt piece “My President: A Politics of Hope” was published by writer Gretchen Henderson as part of the “Unstitched States” project [[https://unstitchedstates.com/]] . Ogden lives in Los Angeles where she teaches at Pasadena City College and in the Young Writers at Kenyon program each summer in Gambier, Ohio. Visit her on the web at kirstenogden.com [[https://www.kirstenogden.com]]
Suanne Schafer was born in West Texas at the height of the Cold War. Her world travels and pioneer ancestors fuel her writing. A genetic distrust of happily-ever-afters gives rise to strong female protagonists who battle tough environments and intersect with men who might—or might not—love them. A DIFFERENT KIND OF FIRE depicts an early 20th century artist in West Texas while HUNTING THE DEVIL explores the plight of an American physician during the Rwandan genocide. BIRDIE looks at women’s rights in the 19th century through the eyes of a teenage girl committed to an insane asylum. Suanne has served as an editor for a mainstream/romance publishing house and fiction editor for a literary magazine as well as freelance editing. Follow her on https://twitter.com/SuanneSchafer, https://www.instagram.com/suanneschafer/ and https://sanneschaferauthor.com.
Elizabeth Gauffreau writes fiction and poetry with a strong connection to family and place. She holds a BA in English/Writing from Old Dominion University and an MA in English/Fiction Writing from the University of New Hampshire. Recent fiction publications include Woven Tale Press, Dash, Pinyon, Aji, Open: Journal of Arts & Letters, and Evening Street Review. Her debut novel, Telling Sonny, was published in 2018. Her debut poetry collection, “Grief Songs: Poems of Love & Remembrance,” was published by Paul Stream Press in September 2021. Learn more about her work at https://lizgauffreau.com.
