Tag Archives: #poetrycommunity

Meet Dame Edith Sitwell

The gardener and I went to a lovely Halloween costume party. I wanted to go as Edgar Allen Poe with a raven on my shoulder. That would have been soooo cool. The gardener would have been my editor, which would have fit him just fine hahaha. But after looking at all the photos of Poe with that high tight collar I knew this hot-blooded person could not wear an outfit like that in Arizona.

I wanted another poet, but it needed to be somebody who lived to be as old as me, so Sylvia Plath was out. A friend suggested Edith Sitwell because she dressed eccentrically in turbans and caftans. She was a well-known British poet active in the 1910s to 1960s. She was an aristocrat and her two brothers were also poets. So I put together a costume as Dame Edith Sitwell, and the gardener dressed as Sir Osbert Sitwell. https://en.wikipedia.org/wiki/Edith_Sitwell

Of course, the gardener won’t let me post his photo on here ;). But here is an image of the vintage purse I carried (that belonged to his aunt) and the calling cards I had made! Just so you know how color-coordinated I was, the pattern of my caftan has lots of yellow from the waist down.

On the back side of the calling card it says: I will be working on my American accent this evening. [I don’t do accents.]

Here is a Sitwell poem from 1919:

At the Fair

BY EDITH SITWELL

     I. Springing Jack

Green wooden leaves clap light away,

Severely practical, as they

Shelter the children candy-pale,

The chestnut-candles flicker, fail . . .

The showman’s face is cubed clear as

The shapes reflected in a glass

Of water—(glog, glut, a ghost’s speech

Fumbling for space from each to each).

The fusty showman fumbles, must

Fit in a particle of dust

The universe, for fear it gain

Its freedom from my cube of brain.

Yet dust bears seeds that grow to grace

Behind my crude-striped wooden face

As I, a puppet tinsel-pink

Leap on my springs, learn how to think—

Till like the trembling golden stalk

Of some long-petalled star, I walk

Through the dark heavens, and the dew

Falls on my eyes and sense thrills through.

     II. The Ape Watches “Aunt Sally”

The apples are an angel’s meat;

The shining dark leaves make clear sweet

The juice; green wooden fruits alway

Fall on these flowers as white as day—

(Clear angel-face on hairy stalk:

Soul grown from flesh, an ape’s young talk!)

And in this green and lovely ground

The Fair, world-like, turns round and round

And bumpkins throw their pence to shed

Aunt Sally’s wooden clear-striped head.—

I do not care if men should throw

Round sun and moon to make me go—

As bright as gold and silver pence . . .

They cannot drive their black shade hence!

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Winter Flowers: #TankaTuesday

This is the 2nd portion of the “Cold Dew” season for Colleen Chesebro’s #TankaTuesday challenge based on the 24 Japanese seasons.

At this time every year in Arizona, we pull out the “summer flowers,” the annuals that we plant in May. We replace them with “winter flowers.” Usually red geraniums are featured, as they are this year. In the last few years we have much fewer choices than we used to have. This year, we had even less choice–and the red geraniums don’t look very good. I hope they perk up once planted. Today is the day we plant!

The topic of my tanka is our winter flowers.

Our summer flowers

have drooped and browned by the house.

Today we release

them from the earth to make room

for winter’s colors.

I made up the kigo “winter flowers” because it is such a part of this season.

On another note, I heard yesterday that my poetry collection Rooted and Winged, which was a Book Excellence winner, is Runnerup in the PenCraft Book Awards 2023. Woot!!!!

On another note, I don’t know how about anybody else, but I am feeling very drained and saddened over world events. I am also horrified by the anti-Semitism rampant on Twitter/X. I’ve joined Bluesky and am only following writers and people I know. Friends, if you want to join, I have a couple of codes. First come, first served.

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“Cold Dew” Season: #TankaTuesday

This is the “Cold Dew” season for Colleen Chesebro’s #TankaTuesday challenge based on the 24 Japanese seasons.

All Northern Hemisphere Weather is Not Similar

When I was a child in Michigan I loved fall because by the end of idyllic summers I was bored and ready for a change. My neighbor had a huge garden, and he let us harvest his pumpkin patch. He would gather his corn stalks and tie them together into teepee-shaped shocks. The air began to cool and the maple trees would turn red, the oaks yellow. My father and I would rake the falling leaves into piles. Then I would jump in the crunchy heaps and pretend to be Joan of Arc burning at the stake. Before my father lit the piles, he would pull me out, shaking his head at my dramatics. As an adult, I moved out west, away from the vivid seasons of Michigan. Today I live in Arizona, where it is October 11 and still 100F degrees.

Time to carve pumpkins,

Halloween Jack O’Lanterns,

and swim in the pool.

My kigo (season) word is “pumpkin patch.” I wrote a haibun because I wanted to convey more information than I could in most syllabic forms. This is because of the contrast between the idea of the “Cold Dew” season and the reality of October 2023 in Phoenix, Arizona.

orange pumpkins on a field
Photo by Ekaterina Belinskaya on Pexels.com

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Week 2 of the Autumn Equinox: #TankaTuesday

This is week two of The Autumn Equinox (September 22 – October 7) Shubun 秋分 for Colleen Chesebro’s new #TankaTuesday challenge based on the 24 Japanese seasons.

My kigo (season) word is Homecoming as in high school and college Homecoming events. This is one I have made up, but for me it represents mid-Autumn, the Autumn Equinox. I have a second kigo for a second poem. I used bonfire because although we had them both summer and fall, the fall ones were the ones that seemed magical, almost mystical.

I wanted to choose a syllabic form that is new to me, and I was intrigued by one that Colleen shared last time.

From the 24 Forms/kouta:

The kouta is a popular Japanese verse form of the Muromachi Period, 14th thru 16th century. They resurrected the lyrical song as a geisha song in the late 1800s and it’s still popular today. Koutas were originally meant to be sung out loud, like many other old forms of poetry. Techniques like assonance and consonance would fit right in with the form, but they aren’t required.

The kouta has several variations, though always short in only 4 lines a 5th line is sometimes is added. Themes reflect ordinary life and often use colloquialisms and onomatopoeia. The most popular are love songs. 

We write kouta in four lines but sometimes five, that tends to celebrate the average person’s everyday life in song. 

Colleen Chesebro

The kouta lines are always an odd number of syllables, usually 5 or 7 mixed, such as 7-5-7-5- or 7-7-7-5.

(untitled)

My son in a new black suit, (7)

daughter in semi-formal, (7)

their dates the first future glimpse. (7)

All are shiny smiles. (5)

Bring on Homecoming! (5)

(untitled)

One year we had a bonfire (7)

post our winning game. (5)

The smell of woodsmoke, night breeze, (7)

the high point before (5)

the descent toward winter. (7)

###

I looked up toward to see if it is one or two syllables. Two!

blaze bonfire campfire dark
Photo by Pixabay on Pexels.com

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Date Harvesting for #TankaTuesday

Colleen Chesebro has created a new #TankaTuesday challenge based on the 24 Japanese seasons. The season right now is The Autumn Equinox (September 22 – October 7) Shubun 秋分.

My kigo (season) word is date because dates are harvested in Arizona only in the months of September and October. Here is my reverse etheree:

DATE HARVESTING

Under the leafy fronds of the date palms

the molasses-rich, honey-sweet fruit

hangs in heavy grape-like bunches.

Pickers with nets try to skim

whole bunches off the tree

without getting spiked

by fierce needles.

These sweet dates

are worth

risk.

smiling man holding branch with dates
Photo by Radwan Menzer on Pexels.com

###

Switching now from autumn to spring, I have an ekphrastic poem up at Visual Verse here: https://visualverse.org/submissions/paschal-moon-at-midlife/. You can see the artwork that inspired it also. Or you can read the poem here (and the link at my name goes to all the poems and stories I’ve had published at this site):

PASCHAL MOON AT MIDLIFE

Luanne Castle

Release yourself from heavy
coats and boots of winter,
wiggle the toes and sense the air
scouting your arms and calves.
Consider the mud puddle, slide
the long grass along your tongue.
Sing in response to the sweet-
sweet-sweet of the cardinal.
In darkness imagine your guide,
the moon a bountiful platter
mirroring pink phlox-covered hills
of your imagination. Relieve
your mind of artificial restraints.
Let it loose into the unknown.

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This Week’s #TankaTuesday

While reading poetry books is the heart of The Sealey Challenge, I do like to write reviews when I can.

Here is my review of Christine Butterworth McDermott’s new poetry collection that Harbor Review published. https://www.harbor-review.com/the-spellbook-of-fruit-and-flowers

Here are some reviews of poetry books I recently posted on Goodreads:

Margaret Duda’s I Come From Immigrants (note: book is similar in content to Elizabeth Gauffreau’s Grief Songs, since it is memoir-ish poetry paired with personal photographs)

https://www.goodreads.com/book/show/180625112-i-come-from-immigrants

Laurie Kuntz has two recent books out, and both of them are wonderfully personal about her relationships with husband and adult son.

https://www.goodreads.com/book/show/59748231-the-moon-over-my-mother-s-house

https://www.goodreads.com/book/show/80351487-talking-me-off-the-roof

#TANKATUESDAY

Colleen Chesebro’s #TankaTuesday poetry prompt for this week is to write a syllabic poem using collective animal nouns.

Topic: Collective animal nouns

A murder of crows

brings me stones and an earring

for feeding their young.

My dearest clowder of cats

whines all day long for their food.

**

I had to look up whether to use singular or plural for the verbs. It was hard for me to determine the correct usage, but it seems that this tanka called for a singular verb.

Cute kitties below are my daughter’s kittens, but this photo is already months old! They are playing Mouse for Cats on my iPad.

REVIEW OF ROOTED AND WINGED

Richard Allen Taylor published a review of my collection Rooted and Winged in the new issue of Main Street Rag. I think it’s a pretty funny review. Posting images of the journal pages.

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Follow Me: #TankaTuesday

August is the month of The Sealey Challenge. Started by poet Nicole Sealey in 2017, the challenge is to read a book of poetry every day for the month of August. In the past, I have used this time to read poetry books that were sitting unread on my bookshelf. While I know I can’t read a book a day as I have other things going on, I am still going to try to read more than usual this month. Want to join me?

If you join the challenge and need an idea, I would love it if you wanted to add one of my books to your list. Here is a link to all four books. https://www.luannecastle.com/bookstore/ Additionally, if you are interested in a copy of my first collection Doll God, for this month I am offering you a copy for $5 that includes shipping if you have it delivered in the United States. If you are not in the U.S. contact me and let’s see if we can figure it out. Think of it in honor of the Barbie movie. Email me at luanne.castle which is at gmail.com.

Two of my Doll God poems have been republished this month in Verse-Virtual. You can find them here: https://www.verse-virtual.org/2023/August/castle-luanne-2023-august.html

Colleen Chesebro’s #TankaTuesday poetry prompt for this week is to use synonyms for the words flow and wave. I used runs and beckons and wrote an American cinquain.

Follow Me

The doe

in the pasture

sees me and runs away,

slips between trees, white tail, a sail,

beckons.

The turn is found in line five because while the deer runs from me, it seems as though she also beckons me to follow her with her communicative tail.

Not sure if this is a male that shed its antlers or a female

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Ekphrastic Tanka and Ekphrastic Microfiction:#TankaTuesday

We’re here at #TankaTuesday again! Colleen Chesebro’s prompt this week is to write an ekphrastic poem about this painting.

I am rushed for time, so I wrote a tanka since I feel familiar with the form.

This summer Sunday

lie upon the riverbank

and observe movements

of waterfowl and fishers,

neighbor’s herd and young lovers.  

I have a creepy ekphrastic timed (one hour max) microfiction piece up at Visual Verse. If you like creepy in small doses, here is the link and the image that inspired the story:

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Bird in Imayo: #TankaTuesday

Since Colleen Chesebro’s weekly #TankaTuesday poetry prompts are so inspiring to me, I bought her book that describes the various types of syllabic poetry so that I could use that as a guide instead of the wonderful links she has on the Wordcraft website. This way, the book is right at my side when I need it.

Ironically, this week’s #TankaTuesday is to write in a form not in the book. We are to write a poem about a bird in the Japanese form Imayo.

The imayo is comprised of four 12-syllable lines. Each line is divided into a 7-syllable and a 5-syllable section, with a hard pause (or caesura) in between. The pause will generally be represented by a comma, semi-colon, or similar punctuation.

  • 4 lines (8 lines permissible)
  • 12 syllables per line divided as 7-5
  • make a pause space between the 7 and 5 syllables
  • use comma, caesura or kireji (cutting word) as the pause
  • no rhymes
  • no meter
  • no end of line pauses – the whole should flow together as though one long sentence
  • The Imayo is a literal poem so do not use symbolism, allegory etc.

I decided to write about the Great Blue Heron that showed up in my yard last year. In the photo, the coyote behind the heron is an inanimate metal coyote!

I glanced out the front window — the Great Blue Heron

stood motionless by the pool — it stared straight ahead

perhaps lost in the desert — perhaps it mistook

pool for a swamp or wetland — beauty or sadness?

###

Hmm not my favorite form. When the description mentions “literal,” it means the form is not to employ figurative imagery. In general, in English language poetry, literal poems tend to be for children whereas figurative poems (using metaphor, simile, etc ) are for adults. In a literal poem the focus is on a plain description or a simple point or philosophy.

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Filed under #amwriting, #poetrycommunity, #TankaTuesday, #writingcommunity, Arizona, Cats and Other Animals, Poetry, Writing, Writing prompt

Arizona Wildlife, California Beach: #TankaTuesday

This week’s #TankaTuesday is at the bottom of the post.

This past week we had two new animals show up in our yard. The first was an adolescent javelina. These are not pigs, but peccaries. Because they are very destructive to flowers and cacti, we eventually had to get permission to fence them off our property. But now this little one showed up alone. They travel in herds, called squadrons, and the babies are always twins. I think this one became separated from his people after the @#&*s had to have their fireworks.

Then we were visited by the king snake two days in a row. The first time the snake was climbing a wall. The next day he was near the pool. We love king snakes because they keep rattlesnakes away!

Today’s #TankaTuesday prompt by Colleen is to write a poem with imagery that incorporates the phrase Sun, Sand, & Sea and uses this photograph for inspiration.

This photo taken in San Diego is a far cry from my desert world, but I did used to live in California, not that far from San Diego. At one time, the gardener and I thought we would move to San Diego, but we changed our minds. I wrote a haibun about a different San Diego beach and something that happened not long after we moved to California.

How I Became a Californian

That first year in California, on a sunny late October day, we skipped our grad classes and pulled the kids out of school. The four of us lay on beach towels, mesmerized by the push and pull, the rhythmic crashing, of the waves as they broke upon the beach. My chin rested between my forearms, and the smell of my own warmed skin pleased me. The sun, sand, & sea of California, even enjoyed this late in the season, seemed unreal in comparison with all my Michigan winters. The flowers were so different, I thought, as I spied spiky orange bird-of-paradise flowers along the restroom building. A whistle sounded, and we all looked toward the road. There we saw a train rushing toward us. I only noticed then that the tracks were laid in the sand along the sidewalk. The train slid in to a stop right in front of us. Only three people alighted: young men in board shorts, each carrying a surfboard. They ran past us and straight into the ocean as we watched with our mouths hanging open. The train departed and with it my midwestern innocence.

The foamy surf swelled

just past the sloping shoreline

on this grand fall day.

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