Category Archives: #writerslife

Five Things You Never Knew About Me

I started writing this blog over 12 years ago. Some of you might remember me back then. But the blog has new readers and even with 12 years I think there are things I’ve never talked about. So here are FIVE THINGS YOU NEVER KNEW ABOUT ME.

  1. When I was ten, my brownies won a blue ribbon at the county fair.

  2. I’m not that great at sports, but I used to love water skiing and cross-country skiing.

  3. I don’t drink coffee, and that seems to be a genetic anomaly because my aunt and my uncle are the same.

  4. When my kids were young, I got them to clean the kitchen floor by letting them slide across the floor with a bucket and rags.

  5. My favorite movie is Babe. My second favorite is Beetlejuice (the original one). #3 is Sitting Pretty (1948). #4 is Mr. Blandings Builds His Dream House (1948). I love the Batman movies. Lots of Bs there!

Seriously, if you’ve never seen those two 1948 movies you are really missing some hysterical comedy.

Tag, you’re it. What are five things I don’t know about you?

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Sixteen Years and Done

I had some really exciting news recently. Some of you might know that I started writing a memoir about my father (my story, how it relates to him) in 2008. Some of you might be sick of hearing about this mythical project haha. It took many many shapes over the years, but I ended up with a hybrid form of memoir-in-flash called Scrap: Salvaging a Family. I wrote at least 400,000 words over the past sixteen years, although the final manuscript has about 10% of that amount.

My book is finally being published by ELJ Editions in 2026. So grateful to ELJ and editor Ariana D. Den Bleyker and to the many readers who have lent their skills to help shape this story. It really is worth it to just keep on keeping on, in case you needed to hear that today.

 

Coincidentally, yesterday the stunning journal Your Impossible Voice published a new flash story by me—thanks to Managing Editor Keith J. Powell—inspired by my father.

https://www.yourimpossiblevoice.com/when-you-were-still-too-young-for-school/

This story is a sort of introduction to my memoir.

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I have had some publications I forgot to share here, including two collages by Raw Lit.

https://rawlit.weebly.com/5_5.html

https://rawlit.weebly.com/5_7.html

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Filed under #amwriting, #writerlife, #writerslife, #writingcommunity, Books, Creative Nonfiction, Flash Fiction, Flash Nonfiction, Memoir, Writing

Prose Garden Reading on June 29

Curious or passionate about Flash Prose and Prose Poetry? Join us on zoom this Saturday, June 29 at 2PM Eastern time to hear some engaging and very brief stories. I’ll be reading two or three of my own. A big thanks to Meg Pokrass and Francine Witte for hosting these Prose Garden readings. Hope to see you there!

Here’s the zoom link: 

https://us02web.zoom.us/meeting/register/tZ0lcuGqpz0jH903sZlmZbuON6MxM6uv8eEy?fbclid=IwZXh0bgNhZW0CMTAAAR3zUiFbHpI2ENtwraaEgaKUJaSzOfRNC6qpUxP8sWcqNHsz-xbzxtLCMvQ_aem_vNZzafOYRve1oNjboNPUxg#/registration

 

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“Tuesday Afternoon at Magpie’s Grill”

This post was originally published when I was thrilled to have a new poem up at Nine Muses Poetry. This poem was written about my occasional time spent writing poetry at Magpie’s and named, appropriately, “Tuesday Afternoon at Magpie’s Grill.” The journal is long-since out of business, but before that happened the editor, Annest Gwilym, nominated this poem for Best of the Net.

I decided to open my book Rooted and Winged with the poem because it fit so well my theme of the tension between the metaphorical desire to fly and our earth-bound lives.

Since the poem can no longer be found at the site of the journal, here it is:

Tuesday Afternoon at Magpie’s Grill

Flickering afternoon light slatted and parsed.

At 3PM, the booths empty except for me

and my notebook.

Would I notice if not for my companion,

my need to recognize and remember?

Without a record, will I hear the ice crashing

into the sink, the Dodger talk at the bar

at the end of the room under the Miller Lite

neon confident and beckoning?

My mother used to say about me,

In one ear and out the other, as if the words

flowed through me without stopping,

without truly entering me, leaving little

effect, as if I had no memory

of all the little parental transgressions.

Why am I not under the sycamore I spot

through the blinds in this Tuesday sunshine

listening to the very song with the shady tree?

What have I done with my life? When

I should have written a poem, I didn’t.

When I did, I didn’t get it quite right.

How can a poem do so many things:

wishing for the shade and thirsty for a beer,

feeling an urge to move my pen and noting

the tiny feet and brush of cuticle,

the solitary fly on my bare arm, while

imagining the chattering of the birds that swoop

from sycamore to jacaranda as if the parking lot

and dumpsters and broken bottles don’t exist.

No matter what I notice,

no matter what I record, I will never

capture the ease of wind-filled wings,

tail feathers a translucent backlit fan,

as my hollow bones jettison the detritus

to fly upward against the source.

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Filed under #AmWriting, #writerslife, Poetry, Publishing, Writing

Synonym Haiga #TankaTuesday

This week’s #TankaTuesday by Colleen Chesebro is to write a syllabic poem using synonyms of the words “quiet” and “seek.” I decided to try a haiga, although that is a little dangerous.

A haiga, in its original form, is a Japanese painting with a haiku in it. The text and image work together. The reason I think it’s “dangerous” for me to try this form is that my mixed media fun leans more abstract, so some people might not think this is a haiga. However, I am experimenting here because I like the idea of blending text and image.

I used “silence” for quiet (as a noun) and “pursued” for seek.

There’s a lot of truth in this haiga: we never really had a monsoon season this year, and yet it’s now September. How will we get to fall if we don’t have monsoons to shift the balance? We have to actively pursue fall by decorating with pumpkins and eating pumpkin ice cream.

pile of pumpkin
Photo by Ylanite Koppens on Pexels.com

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Impressionistic #TankaTuesday

This week’s #TankaTuesday by Colleen Chesebro is to write an ekphrastic syllabic poem inspired by a Berthe Morisot painting shared by Rebecca Budd on her blog Chasing Art. The painting is https://en.wikipedia.org/wiki/Eug%C3%A8ne_Manet_on_the_Isle_of_Wight.

This Impressionist painting is in a French museum. I grew up going to the Art Institute in Chicago several times a year. While I’ve seen amazing Impressionist paintings at the Louvre and at the Courtauld in London, the Art Institute also has a gorgeous collection. My favorite painting there is by Caillebotte. Impressionism used to be my favorite style. Now my taste leans more toward Surrealism and Symbolism. Since I have been immersing myself in Surrealism by writing ekphrastic stories inspired by Remedios Varo, I really needed to zap myself into a different mentality first. So I ate some Ruffles and French onion dip. Get it? French chip dip, French painting.

I decided to write a tanka about the man in the painting who is the husband of the painter. I discovered that he was a painter himself, and the brother of the more famous Manet. He apparently was very supportive of his wife’s career as well as that of his brother. I found that to be very inspiring, especially since I am reading a novel about Varo’s life and how the male Surrealists treated the female painters. Not as colleagues.

Topic: Supportive Husband

My view is lovely

from our holiday quarters.

Better is this man

who places his career last

after his brother and moi.

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Summer Daisies #TankaTuesday

It’s been a long time since I wrote posts based on Dawn Raffel’s memoir, The Secret Life of Objects. The idea is to write about an object that evokes memories. 

I’ve blogged a couple of times about the vacation trip I went on with my parents when I wasn’t even four years old yet. We drove from Michigan south and visited Louisiana and Texas, among other states. Some of my most vivid memories from the time period were in New Orleans. I will always associate the city with sidewalk painters seated at their easels, the brushes that were extensions of their hands, and of course their fascinating canvases.

When I visited my mother in April to help her pack up some items before her move into the apartment building at her retirement village, I discovered this painting, long forgotten and gathering dust in Mom’s basement. My parents purchased it on that trip to New Orleans, and it hung for years in their living room. I shipped it home to myself, and now it hangs in my living room, reminding me of that vacation and the colorful, exciting world that existed outside Kalamazoo.

Colleen Chesebro’s prompt for #TankaTuesday is to use at least one kigo word in a syllabic poem for the current season, which in Arizona is summer. Colleen explains a kigo: 👉🏻 What is a KIGO? A kigo is a season word used in haiku and haibun (the haiku portion).

She provides a possible list of kigos. Daisies are not on the list, perhaps because many think of them as spring flowers. However, daisies are also summer flowers! So many types: Chrysanthemum*, Marguerite, English, Gloriosa, Shasta, Cape, Oxeye, and Gerbera. I prefer Gerbera because unlike the other varieties they are completely non-toxic to cats! *this variety is on Colleen’s list

Here is my haiku:

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Robbie Cheadle’s Guest on Treasuring Poetry

I’m excited to be author and blogger Robbie Cheadle’s May guest for her monthly Treasuring Poetry article on Writing to be Read. She had some wonderful questions for me about writing, and I enjoyed answering them! You can find the publication here: https://writingtoberead.com/2023/05/17/treasuring-poetry-meet-poet-and-blogger-luanne-castle-and-a-review-poetry-poetrycommunity-bookreview/. Robbie has also posted a beautiful review of both Rooted and Winged and Our Wolves.

With son and DIL living here, we have their dog Theo here as well. He’s such a little goofy guy, and I get to let him out when his mom and dad are both gone for three hours or more. I can’t physically handle walking him on a leash, although in a pinch I can take him on the driveway on a leash because he’s very good for me. But I like to let him roam the backyard, which is fenced. He’s very loved and what’s rewarding for me is that he loves his Grandma! In his photo you can see a very typical expression he gets on his face as he is always trying to figure out what’s going on.

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Review of Ken Gierke’s Glass Awash

The new poetry collection of poet Ken Gierke, who blogs at https://rivrvlogr.com/, is called Glass Awash. I wrote a review of it and hope it inspires you to buy a copy!

Ken Gierke’s debut poetry collection, Glass Awash (Spartan Press 2022), is about making art, connections between inhabitants of the planet, and the voices that attach and sustain us. These inhabitants can be human, animal, plant, or mineral. In the poem that titles the book, “Glass Awash,” a piece of glass is tumbled in the waves at the shore where it dries under the sun. Then, “From swaying reeds, / a red-wing remarks on / its beauty, soon consumed / / by a frost, a reminder / of each kiss found / in grains of sand.” In this case the connections seem to be between animal (bird), plant (reeds), and mineral (glass and sand). However, the human is implicit as it is the human who records the event.

These free verse poems are spare with a minimum of words so that the images are not cluttered with less important language. The poems protest against “[o]ur growing world of disconnect,” but notice the “invisible connections” within the natural world (“The Intent of Moonlight and Ethereal Synapses”). Although poems are titled “Words without Voice” and “Thoughts without Voice,” the struggle seems to be to bring voices into being. In “Other Voices,” the persona tries to find a stone at the water’s edge “that speaks to you,” and then the stone with other stones will also speak. These stones, much like the tumbled glass, speak to us only if we listen carefully.

Some of the poems within this collection are elegies for the poet’s mother during her final illness and after she is gone. These are beautiful and while still sparely constructed vibrate with love and loss. These are a few of my favorite lines: “Hidden / in the pockets of my mother’s dreams, / surrounded / by the accumulated lint / of a faded lifetime, are dusty memories / sharper / than this morning’s breakfast.” Gierke uses the uneven line lengths to give emphasis to certain words.

Because the poems are short and not great in number, you can read this book very quickly. But you will want to read it again and again to really explore meaning in this lovely collection.

You can purchase the book on Amazon. Here for the U.S.: https://www.amazon.com/Glass-Awash-Ken-Gierke/dp/1958182222/

Here for the UK: Glass Awash: Amazon.co.uk: Gierke, Ken: 9781958182222/

I presume it’s also available in Canada and other countries.

Ken Gierke is retired and has lived in Missouri since 2012, when he moved from Western New York, where the Niagara River fostered a love for nature. He writes primarily in free verse and haiku, often inspired by hiking and kayaking, while his fondness for love poetry may be explained by the fact that he moved to Missouri to be with the woman he eventually married. His poetry has been published or is forthcoming both in print and online in such places as Ekphrastic Review, Amethyst Review, Silver Birch Press, Trailer Park Quarterly and The Gasconade Review, and it has appeared in several print anthologies, including three from Vita Brevis Press and easing the edges, edited by d. ellis phelps. His first collection of poetry, Glass Awash, has been published by Spartan Press. His website: https://rivrvlogr.com/

Ken can be reached on Facebook. Ken Gierke | Facebook

He has video poetry at https://www.youtube.com/@kengierke

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Irony, Heartbreak, Depression

I’ve become obsessed with a 1966 hit by The Statler Brothers: “Flowers on the Wall.” A bluegrassy-sounding song, it won a Grammy that year, and yet it’s weird and chockful of irony. I can’t stop listening to it. See if you think it’s one of the most ironic and sad songs you’ve ever heard:

(Take a look at those Mad Men outfits!)

Anyway, do you know the song or did you just listen? Here are the lyrics:

I keep hearin’ you’re concerned about my happiness
But all that thought you’re givin’ me is conscience I guess
If I were walkin’ in your shoes, I wouldn’t worry none
While you and your friends are worried about me, I’m havin’ lots of fun

Countin’ flowers on the wall
That don’t bother me at all
Playin’ solitaire ’til dawn with a deck of 51
Smokin’ cigarettes and watchin’ Captain Kangaroo
Now don’t tell me, I’ve nothin’ to do

Last night I dressed in tails, pretended I was on the town
As long as I can dream it’s hard to slow this swinger down
So please don’t give a thought to me, I’m really doin’ fine
You can always find me here, I’m havin’ quite a time

Countin’ flowers on the wall
That don’t bother me at all
Playin’ solitaire ’til dawn with a deck of 51
Smokin’ cigarettes and watchin’ Captain Kangaroo
Now don’t tell me, I’ve nothin’ to do

It’s good to see you, I must go, I know I look a fright
Anyway my eyes are not accustomed to this light
And my shoes are not accustomed to this hard concrete
So I must go back to my room and make my day complete

Countin’ flowers on the wall
That don’t bother me at all
Playin’ solitaire ’til dawn with a deck of 51
Smokin’ cigarettes and watchin’ Captain Kangaroo
Now don’t tell me, I’ve nothin’ to do

Don’t tell me, I’ve nothin’ to do

Source: Musixmatch

Songwriters: Lewis Dewitt

Flowers On the Wall lyrics © Unichappell Music Inc.

The song was written by Statler Brothers tenor Lew DeWitt. The lyrics are astonishing with irony (and the sound of a ripping heart) just dripping out of every line. What an amazing description of deep depression.

Do you think the irony makes the story even more tragic?

Can you think of other songs that are equally ironic and yet heartbreaking?

Irony works the same way in poetry (of course). My top choice of an ironic poem is probably Elizabeth Bishop’s “One Art,” a villanelle that is one of my favorites.

One Art

The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.

—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.
playing card deck
Photo by Israel Garcia on Pexels.com

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