Tag Archives: book review

by | April 10, 2026 · 11:38 am

The “Cottage” in Scrap

This week, Ashley at Cozy Home Delight reviewed Scrap: Salvaging a Family. 

[The book] brings up that complicated space where grief, resentment, anger, love, and even forgiveness all exist at the same time. The book does not try to simplify those feelings or resolve them neatly. It allows them to exist together, which felt very honest.

I thought I’d share a photo related to my memoir. I write about the cottage my father bought for us to reburbish. This is what it looked like near the beginning, although you really can’t see some of the details I describe in the book. But it gives you what I saw when we first pulled up outside it.

This cottage came with a dirt floor which had been applied over the old linoleum. And yet somehow my father supposedly found a pair of pristine white ice skates with red pompoms in my size in the dirt crawl space (Michigan cellar) underneath.

Tour Schedule:

March 21: Joy Neal Kidney (review)

March 23: Liz Gauffreau, (review)

March 24: Marie Ann Bailey, (review)

March 25: John W. Howell, (excerpt)

March 30: Miriam Hurdle, (companion story)

March 31: Review Tales (review)

April 2: the bookworm (review)

April 9: Ashley’s Books, Cozy Home Delight (review)

April 13: What’s That Book About (guest post)

April 15: Tabi’s Thoughts (review)

April 23: Lavender Orchids (review)

April 27: The Reading Bud (review)

May 4: Chelsea’s Books (review)

Mary 4: Smorgasbord (excerpt)

May 7: The Reading Bud (interview)

May 14: True Book Addict (guest post)

May 19: True Book Addict (review)

May 21: The Book Connection (review)

Follow the tour with the hashtag #ScrapSalvagingFamily

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by | March 6, 2026 · 6:20 am

Family in All Its Human Pain, Mystery, and Love

The official release for Scrap: Salvaging a Family (ELJ Editions) is in two weeks, but you can read about it now. The journal Your Impossible Voice has published an amazing review by Wilma J. Kahn. What a blessing to my eighteen-year project!

A memoir in flash, Scrap focuses on three discrete parts of Castle’s life in relation to her parents, especially her father. “Scrap” is a multivalent word around whose every meaning and nuance Castle fashions poignant—and sometimes horrifying—flash prose and poetry to reveal her family in all its human pain, mystery, and love.

REVIEW OF SCRAP BY WILMA J KAHN

On a related note, the journal Fictive Dream published my flash story, “The Nice Girls.”

THE NICE GIRLS

LatinosUSA has put Kin Types on its Bookshelf! And MasticadoresUSA has published a poem from that collection: What Lies Inside

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The Sweet Acacias have blossomed! I have such a love-hate relationship with these guys. They are so sweet smelling, but gosh, everybody is “allergic” to them! They bloom at least twice a year.

I’ve mentioned here that I haven’t had time to write in the last few months, but I am trying to write a few tiny drafts now. If I can accomplish first drafts of flash or poems, a few a week, for a few weeks I will feel better. I don’t feel as well when I’m not writing. I feel distinctly WEIRD.

Lately, I’m reading a mystery series by Kate Ellis–the Wesley Peterson books–which feature contemporary murder mysteries with archeology stories. I learned about the Plague Maiden. Have you ever heard of her? She appeared before a community was hit by the Bubonic Plague or Black Death. She was a woman, sometimes a skeleton, dressed in white and carrying a rake or a broom to sweep away all the dead. In the book, she sometimes wears a red scarf.

Do a quick Google search if you want to be creeped out by the variety of depictions of this scary folk character.

I feel like she needs to show up in a story I write, but I have no idea how or when. Maybe you would like to write a story about her? If so, post it so I can read it!

 

 

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by | January 7, 2026 · 6:36 pm

Review of Candice M. Kelsey’s New Poetry Collection, Another Place Altogether

Candice M. Kelsey’s new poetry collection, Another Place Altogether (Kelsay Books 2025), is a brilliant exploration of a woman’s relationship with her mother, with her children, and with a world both beautiful and intensely dangerous. The book also explores her relationship with the two places she lives between: Los Angeles and Augusta, Georgia.

The book is divided between the first section, called “Endings,” and the second, called “Beginnings.” In the first poem of the second section, the poet arrives in Georgia from Los Angeles. In Georgia, the California poet experiences discomfort with remnants of the Old South she sees in Georgia. At the end of the poem, “Because Your Husband’s Shirt is Ironed,” Kelsey well demonstrates this culture clash. At the beginning of the poem, a coach assumes her husband’s wife ironed his shirt. Later, she mentions to the other “homecoming moms” that the dads don’t have a group chat, the women ignore her. She says, “O how the South hates a wrinkle.” I love how she moves from misogyny to that ending.

The poems in this book are threaded with or even end on darkness. Some of the most stunning of these dark poems are about her treatment by her mother. In “Flesh and Bone,” she writes that her mother is “declaring me her own / flesh and blood. Nailing me to her.” Contrasted with her mother in this poem is her dead mother-in-law who offers supportive advice (emails from the beyond) and inspires her.

I found the introduction of this “found mother” very powerful and relate it to another aspect of this collection. Kelsey’s poetry here is inspired by other poets, especially women poets. “Menopause: A Cento from Female Poets Laureate” is the most obvious example of this. The homage is very welcome as a hopeful note that balances darker scenes, such as the friend’s brother who molests her when she’s 12-year-old and the friend’s father who abused his wife over her weight. In fact, the gender norm dictating a woman’s slimness is a theme that pops up several times. The poet’s mother was complicit in this emotional torture.

Most hopeful are the poems about the poet’s children. Love and pride shine through even the challenging times. And although sometimes she might want to act like her mother, she does not. In “Mothers & Daughters,” she would have good reason to send a nasty text (because she feels bad herself and her daughter is being selfish, a typical teen), but she does not, whereas her own mother would not have held back.

Near the end, even with the sound of her mother’s critical voice in her mind, she overcomes so that she can love herself: “Whispering Candice, I touch my ear / and hear self-love with these lips.” Read Another Place Altogether and you too will love Candice Kelsey and her powerful words.

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You can find Candice on Instagram at feed_me_poetry

 

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by | January 1, 2026 · 1:54 pm

It’s a New Year!

Welcome to 2026! I’m not asking for amazing things for the year; I’d just like it to be gentle with me.

2025 was difficult, although I did have some writing successes in journals, have been working with the small press, ELJ Editions, that will be publishing my flash memoir, and had my manuscript inspired by painter Remedios Varo accepted by Shanti Arts.

*Scrap: Salvaging a Family, a hybrid flash memoir, will be out March 20, 2026

*Hunting the Cosmos, flash fiction and poetry for Remedios Varo, will be out fall 2026

I should have a cover reveal soon for Scrap. Can’t wait to share it with you!!!

The problem with the new year, though, is it springs from the old and all the unresolved issues of 2025 will go on in 2026. My mother’s dementia is one of those things. Taking over her affairs is very stressful and time-consuming, but worse is the dilemmas of communication with my mother. I can still have good conversations with her if I ignore the little idiosyncracies (the “critters” that have taken up residence in her apartment, but can only be seen by her), hearing about her going to a service two hours early and waiting for others to show up, etc.

Both Perry and Meesker have serious health issues. As you may remember, Perry was diagnosed with issues two years ago, but I don’t like to talk about it. All I can say is I am constantly feeding sick cats who need food all day long and cleaning up diarrhea, pee outside the box, and dramatically hurled vomit. And Lily still hates Sloopy Anne. Last night she threw herself violently against the gate we have up to keep them apart, trying to get to Sloops.

2025 was productive for me for writing, up to a point. I haven’t written anything for weeks now. Between grandbaby duty, my mom’s stuff, and these cats (on top of regular work and business), I’ve been too busy and very tired.

I read some good mystery series this year, though, as that’s a good way for me to unwind. Actually, I read far more than I usually do, but then I did have hip replacement surgery in May, so mysteries helped out a lot when I was suffering before the surgery and then during the recovery. Here are the series: Yorkshire Murder Mysteries by J.R. Ellis; Dark Yorkshire, Misty Isle, and Hidden Norfolk by J.M. Dalgliesh; Rev. Clare Fergusson and Russ Van Alstyne Mysteries by Julia Spencer-Fleming; Duncan Kincaid and Gemma James Mysteries by Deborah Crombie; China Thrillers, Lewis Trilogy, and Enzo Macleod by Peter May; DCI Craig Gillard Mysteries by Nick Louth. (To give you a clue, I am a fan of Louise Penny, Ann Cleeves, and Elly Griffiths, and the series I’ve listed here are more like the Griffiths and possibly the Cleeves than the Penny books. The Spencer-Fleming series is a lot like the Elly Griffiths’ Ruth Galloway books, notably because of the hot love affair in the middle of the mysteries.

In addition, I read some wonderful stand-alone novels and poetry collections. I reviewed just a few of them for this blog. If I reviewed your book in 2025 and didn’t list it, please let me know!

POETRY

Review of Robert Okaji’s Our Loveliest Bruises

A Gorgeous Collection Combining Genres of Poetry, Genealogy, and History

Review of Merril D. Smith’s HELD INSIDE THE FOLDS OF TIME

FICTION

Book Tour Stop: Book Review of Deborah Brasket’s When Things Go Missing

Elizabeth Gauffreau’s Masterful New Novel, A Review

Christmas Magic

Just got a call from my son. He miscalculated the days this week and asked if I could watch Hudson again tomorrow. Sure! (Good thing I fell asleep on New Year’s Eve at 8PM). The other night the Gardener put together a tricycle for Hudson. He’s almost two, and his feet barely reach the pedals, but we can work on learning to pedal a bike again tomorrow. 🙂

Let’s work on making 2026 a tender, playful, happy year! If we all puts our heads and hearts together .  . . .

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by | December 19, 2025 · 8:47 pm

Christmas Magic

Looking for a happy holiday romance? Check out Eden Dow Robins’s new Christmas release available in paperback and kindle versions. And inside find a little Easter egg in the form of my book Rooted and Winged!

https://www.amazon.com/Frost-Happily-Forever-After-Holiday/dp/B0G64ZSWC7

There’s more, too, but I don’t want to share it before you have read Frost!

Summary

“A small town, two frozen hearts, and a little Christmas magic…

Esme Gerard decided spending the holidays at her favorite place on earth was just what she needed. Once known as the most wicked wild west town in America, Jericho Ridge had been her asylum for more than a decade and was the perfect respite when her heart couldn’t risk taking one more hit.

Until Jack.

Their first encounter left her craving more. Something about him drew her closer. No matter how much she tried to tell herself she wasn’t ready, her heart told a different story.

Jack De Vine had priorities. As a single dad, his daughter was at the top of the list. Second was a secret legacy he had a sworn duty to protect. Third was the winery he and his family ran. Dating was at the very bottom. Ever since his ex-wife left him and their child years ago without a backward glance, he’d kept his heart stored in ice.

Until Esme.

From the first moment he saw her, he was drawn to her. That sent alarm bells off in his head. He knew he should steer clear of her, yet he kept looking for excuses to get closer.”

I hope your holidays are joyful!

 

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by | November 10, 2025 · 6:20 am

Review of Merril D. Smith’s HELD INSIDE THE FOLDS OF TIME

Here is my book review of Merril D. Smith‘s beautiful new poetry collection. I hope it makes you want to order a copy!

Merril D. Smith’s new poetry collection, Held Inside the Folds of Time, is a testament to Smith’s background as a historian. But what is more important is Smith’s sensitivity to previous generations. She opens the collection with a poem about a cave painting. By doing so, he connects us with all who have come before.

She recognizes what she’s learned from her ancestors, who–in “How I Learned”–“showed me that I have my own wings– / unfold them, fly. This, too, is part of the pattern.” The poet can’t or won’t get away from them: “My dead follow me through every timeline” (“Suspended, Surrounded”).

Smith’s ancestors who immigrated to the United States, her own family of origin, even the soldiers who died in a Revolutionary War battle are all subjects of the book. “In Memorium: For the Unknown Soldiers at Red Bank Battlefield” asserts “their ghosts roam the battlefield / settling their bones, unsettled in time.”

Nature features prominently in Smith’s poetry, and this is where the lyrical beauty of her writing is best displayed. She uses many poetic techniques, particularly variations of rhyme, such as off rhyme, end rhyme, and internal rhyme. These lines are from “Cross-Quarter Days”:

The blooms have browned,

blossoms scattered to the wind

now snow veils the ground,

there above, one bony root unpinned.”

While the poems contain examples of the beauty of life, the overall tone of the book is a lovely mournfulness. As Smith writes in “Winter Birches,” “there is no happily ever, only after.”

Held Inside the Folds of Time demonstrates the potential gorgeousness of language as it mourns and celebrates the poet’s world.

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by | October 27, 2025 · 5:20 am

Elizabeth Gauffreau’s Masterful New Novel, A Review

Liz Gauffreau is a master of historical fiction. And rather than creating a series (so far), she has written completely different books with different historical settings. I loved Telling Sonny, and now I love The Weight of Snow and Regret.

Here is my review of the latter. At the end I’ll share with you how you can purchase the book!

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Elizabeth Gauffreau’s new novel, The Weight of Snow and Regret, is a tribute to the residents of the Sheldon Poor Farm in Sheldon Springs, Vermont, as well as testament to the harsh lives of society’s disadvantaged. The novel takes place in 1967-68, the last year of the tenure of the poorhouse. But the plight of the poor and culture-rocking events of that year resonate with familiarity with contemporary readers.

The first part of the story weaves in the life of Louisianian Claire and how she falls from her place in middle-class society to living in the poorhouse far from home. In this way, the reader is drawn into the novel through the perspective of this mysterious woman, then the reader is delivered into the capable hands of Hazel, a sympathetic foster child grown into a compassionate woman who now runs the home itself while her husband manages the associated farm. Through Hazel’s kindness and perspective, we meet the other residents of the poorhouse.

The place hasn’t always been run as Hazel manages it. Before her hard work, dedication, and home management skills, the neglect was extreme. Every surface was filthy, with trash strewn about. The residents’ clothing was in desperate need of laundering. In fact, Hazel believes that the men’s underwear had never been cleaned. Hazel cleans the home immaculately, creates wholesome meals with a tiny budget, and gives the residents the care and understanding that they need.

These residents range from the forgotten elderly to the mentally ill to those with intellectual disabilities. Although they respond differently to events, and their interactions with each other can be fraught, Gauffreau’s exploration of their behavior and treatment rings true. One twist is that Hazel herself lived in this poorhouse at one time. A couple of the residents from her childhood time at the shelter are still living there when Hazel takes over. This feels like a gut punch to her to think of them still living in the conditions she and her family had undergone.

Gauffreau meticulously researched the history of the home, poor farm life in the sixties and before, the blues music that spoke to Claire’s troubled and depressed soul, the national and world headlines of the time, and local history. Her painstaking implementation of her research with her compassionate feel for the characters, and her excellent storytelling senses makes this an engrossing read. I read far into the night, without being able to put down the book.

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Purchase from your preferred book seller.

Help Meals on Wheels!

Purchase the paperback from the publisher, and $5.00 of the purchase price will be donated to AgeWell Meals on wheels of Franklin County, Vermont.

Purchase paperback from Paul Stream Press.

 

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by | September 21, 2025 · 5:20 am

Book Tour Stop: Book Review of Deborah Brasket’s When Things Go Missing

I’m thrilled to be part of the blog tour for the new novel written by Deborah Brasket whose blog Writing on the Edge of the Wild  I’ve been reading almost as long as I have been blogging.  I’ve reviewed this very special book, and I’d love for you to read the review, hoping that will motivate you to pick it up for yourself.

EBOOK GIVEAWAY The top 3 people who leave the most likes and comments on the participating blogs will be emailed a free eBook of When Things Go Missing (epub or mobi) PLUS two extra chapters (pdf or doc file)

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REVIEW

As I began reading Deborah Brasket’s debut novel, When Things Go Missing, I was expecting a smart and well-written story since I had been reading Brasket’s thoughtful blog for at least ten years. What I didn’t expect was such gorgeous writing, significant and densely woven themes and images, or how strongly the book would make me feel.

This novel is the story of a traditionally structured family of four and how the pieces that are the individuals fit together—smoothly, imperfectly, and jaggedly. The mother leaves one day without saying goodbye or providing a destination. At that point, daughter, son, and husband all respond differently, depending on their relationship with Mom/Frannie. As might be expected, they feel as if the center of the family is gone, leaving them with only tenuous connections to each other.

When Franny leaves town, her son, Cal, is a heroin addict who relies on the help of a rotating roster of enablers—including his mother—to give him money or a place to stay. The younger child, Kay, is a graduate student in archaeology, focused on finding a place for herself in her field. They both rely on their mother emotionally, but with the maternal tenderness spigot suddenly all but closed tight, they struggle to discover who they are and how they can succeed in life whether their mother is a part of their day-to-day lives or not.

The character portraits are carefully drawn. Brasket captures not only Cal’s addictive personality, but his sister’s love wrapped in resentment for the way he siphons attention for negative reasons. Even if the characters and their fascinating evolution throughout the book were all When Things Go Missing has to offer, it would be enough. I couldn’t look away for an instant. Every moment was a surprise and yet each new action made absolute sense for these people and their troubles and their conflicted emotions for each other.

Anyone who has an addict in their lives will be able to relate to this book at a profound level. Anyone who is part of a dysfunctional family group will be compelled to learn from the psychology at work here. And, finally, any parent who ever wanted to just get away from everyone and everything to search for peace and to find themselves, will feel a connection with the character who is missing throughout the novel—Franny herself. Where Franny finds herself will surprise and please you. The character her husband and children find within themselves will gratify you. I promise.

When Things Go Missing made me cry. I could not stop thinking about it when I finished reading. Frankly, I was stunned by the beauty and the brilliance.

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Following you will find the book information, description, and author bio–as well as the blog tour schedule.

PUBLISHER: Sea Stone Press
PUB DATE: September 22, 2025
PAGE COUNT: 352
FORMAT: E-book $8.99, paperback $14,95, hardback $21.95
AVAILABLE NOW at Amazon, Bookshop, Barnes & Noble, and all major retailers.

ABOUT WHEN THINGS GO MISSING
When Fran Albright turns fifty, she heads to the grocery store and keeps going until she reached the tip of South America, leaving behind an empty hole in the lives of her bewildered family. Her daughter Kay scrambles to finish her master’s degree while trying to glue the family back together. Her son Cal is torn between grief and rage as he fights his own addictions and demons without her there to help. And Walter tracks his wife’s journey southward with her credit card purchases, continuing to care for her as he always has, before heading north to Alaska. Adding to the mystery of the mother’s disappearance are the elated messages she leaves on Kay’s phone and the strange photos she sends Cal, who studies them like hieroglyphs he must decipher to save her and save himself.

When Things Go Missing is a masterful exploration of loss, loyalty, and self-renewal. Told through the viewpoints of Kay, Cal, and Walter, this emotionally rich, mystery-driven family drama is wrapped up in a propulsive page-turner you cannot help getting swept up in.

GENRES: Book Club Fiction, Literary Fiction, Family Saga, Women’s Fiction, Sibling
Fiction, Addiction Fiction, Introspective Family Drama, Healing and Self-Renewal

 

ABOUT THE AUTHOR

After sailing around the world with her husband and children, teaching literature to college students, and fighting for affordable housing as the leader of a nonprofit, Deborah J Brasket finally settled down among the golden hills and vineyards of California’s central coast to write the kinds of novels she loves to read.
http://www.deborahjbrasket.com
seastonepress@gmail.com

WEBSITES AND SOCIAL MEDIA
Author website and blog, Deborah J. Brasket, Author ~ Writing on the Edge of the Wild –

Novels

Substack Newsletter, https://deborahbrasket.substack.com/

Facebook, Deborah J. Brasket, Writer –  https://www.facebook.com/DeborahJBrasket/

Goodreads, https://www.goodreads.com/author/show/55448191.Deborah_J_Brasket

Instagram, https://www.instagram.com/dbrasket/

LinkedIn, https://www.linkedin.com/in/deborah-brasket-39384370/

 

BOOK BLOG PARTICIPANTS

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by | February 24, 2025 · 4:21 pm

Review of Robert Okaji’s Our Loveliest Bruises

Robert Okaji’s new poetry collection Our Loveliest Bruises can be considered his greatest work, truly a magnum opus. The spare language belies the beautiful compelling imagery as it probes the depths of emotion.

Some of the poems have been published in various literary journals and anthologies, but the book is a tightly woven project of loss and grief. Okaji uses the Japanese bamboo flute shakuhachi as a metaphor for these emotions. Throughout the book, in various poems, the poet breathes his life force into the holes of the instrument, producing notes which are akin to his poems. The holes represent the absences of loss. Eventually, in “Self-Portrait as Shakuhachi,” the poet becomes the flute: “How easy to let air / slide through oneself.”

The poet’s mother’s ghost is a recurring character. She does not communicate, but there is a sense of competition between the two. The imagery in these poems is rough and realistic. There is a sense of profound regret, but also of love. From “Ghost, with a Line from Porchia”:

Your battle with language, with silence, invoked.
I stretch the word and weave this dirge for you.

Some poems address a “you,” and I believe in many cases this person is his mother’s ghost. But it could mean the poet himself. There are instances in some poems that point out the brief nature of life itself or are a merging of mother and self and perhaps even a universal human message. “Each day lived is one less to live,” Okaji writes in “Mother’s Day.”

Robert Okaji has written an extraordinary account of the “loveliest bruises” we experience from the love we have for loved ones, of self, of life itself.

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Bob Okaji blogs at O at the Edges. If you haven’t read his blog you might not realize that Bob was diagnosed with late stage metastatic lung cancer. He has posted a couple of times on his blog about his illness. He continues to do well, although he doesn’t always feel that great.

Bob is the person who first introduced me to the Tupelo 30/30 poem challenge. I think that challenge really motivated me into writing more and more poetry.

Click the link to Bob’s blog so you can send him some good vibes. And then, if you can, click the link to his gorgeous book.

Our Loveliest Bruises

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by | August 26, 2024 · 12:21 pm

Simple Pleasures: My Review of the New Elizabeth Gauffreau Poetry Collection

 

What a pleasure to open Elizabeth Gauffreau’s new book, Simple Pleasures: Haiku from the Place Just Right. Every page features a beautiful nature photo with an accompanying haiku. Combining poem with image creates a new art genre, one where each component gives more meaning to the other.

The first page displays a peaceful dirt road surrounded by evergreens. The poet invites the reader to accompany her on this trip through the natural beauty of the northeastern United States:

dirt road adventure

washboard, slapping branches, ruts

GPS turned off

I love that the GPS is turned off so that instead of following technology, we—poet and reader—are opening ourselves to the adventure.

Gauffreau directs us to majestic vistas, but she also points out the small or almost unnoticeable, such as a dappled woods image where you must look carefully or be directed by the poem:

new-growth pines, maples

farmer’s forgotten stone wall

a forest reclaimed

I learned things from the poems, which should not be surprising as Gauffreau seems so at home in the region.

stand of white birches

roots entwined canopy shared

indigenous trees

I hadn’t thought of birches as being Indigenous, so that was a bit of defamiliarizing the familiar, I suppose, as it made me take note. And it reminded me of the Robert Frost (another New England poet) poem, “Birches.”

The book is organized by the seasons of the year and makes a full cycle of the beauty of the area. Simple Pleasures: Haiku from the Place Just Right makes a gorgeous addition to my collection of Elizabeth Gauffreau books, Telling Sonny and Grief Songs. Heads up, though, I would recommend purchasing the paperback version because you will want to flip open the book often.

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 Author Biography

Elizabeth Gauffreau writes fiction and poetry with a strong connection to family and place. Her work has been widely published in literary magazines, as well as several themed anthologies. Her short story “Henrietta’s Saving Grace” was awarded the 2022 Ben Nyberg  prize for fiction by Choeofpleirn Press.

She has published a novel, Telling Sonny, and a collection of photopoetry, Grief Songs: Poems of Love & Remembrance. She is currently working on a novel, The Weight of Snow and Regret, based on the closing of the last poor farm in Vermont in 1968.

Liz’s professional background is in nontraditional higher education, including academic advising, classroom and online teaching, curriculum development, and program administration. She received the Granite State College Distinguished Faculty Award for Excellence in Teaching in 2018. Liz lives in Nottingham, New Hampshire with her husband. Find her online at https://lizgauffreau.com.

Book2Read Purchase Link: https://books2read.com/SimplePleasures

Print & Fixed EPUB for tablets and Kindle Fire

BookFunnel PDF Purchase Link: https://buy.bookfunnel.com/gef1ili6qd

For any device.

Blog Tour Host Links: https://lizgauffreau.com/simple-pleasures-blog-tour-links/

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