Category Archives: Publishing

Doll God is a Finalist!

Yesterday I opened an email listing the Finalists for the New Mexico-Arizona Book Awards and dismally scrolled through it, sure that Doll God was overlooked.

But it WASN’T! It’s a Finalist! That was really wonderful news to get at the end of the week. Buy it here haha:

 

castle promotional cover

A week that has been a little rough. Remember my dear Nakana I brought home from the shelter two months ago? Suddenly her liver values have jumped dramatically. That apparently is BAD in cats. More tests on Monday . . . .  Please send prayers or good vibes for her, if you are willing.

My sweet cat

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Filed under Arizona, Book Award, Book promotion, Doll God, Dolls, poems about dolls, Poetry, Poetry book, Poetry Collection, Publishing

Adding Fiction to My Poetry and Memoir Resume

You know how I’m always yammering about poetry and memoir? Well, darned if I didn’t get a short story (fiction!) published today in Crack the Spine. Called “Small Solace,” it’s a little bit weird. I hope you enjoy it. If you do, please go to one of the magazine’s sites and post a comment of some sort about it. That’s because they use feedback to determine what pieces go into a print issue and which writers they do a Wordsmith interview on (they only choose one author each issue).

Here is the issue–look for page 27:  Crack the Spine Issue 163

I did warn you that it’s a little weird. Yes, the wallet image here is a clue as to the subject.

Here are some places to leave feedback:

Comment form below issue link

Facebook

Twitter

Crack the Spine website

Or email them at contact@crackthespine.com

Thanks so much, peeps!

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Filed under #AmWriting, Fiction, Literary Journals, Publishing, Reading, Writing

Cat Heroes

Two weeks ago, I finished reading two memoirs about cats: Homer’s Odyssey, by Gwen Cooper, and A Street Cat Named Bob, by James Bowen (and Garry Jenkins). They are similar to a book I read a few years ago, Dewey: The Small-Town Library Cat Who Touched the World, by Vicki Myron (and Bret Witter).

All three books feature special pet cats (that happen to be male) and were written by the pet owners. Two of the books were either ghost written or written along with the cat owner. Only Gwen Cooper is a writer, and her book shows it as it’s the most well written of the three.

In Homer’s Odyssey, the reader meets Homer, a tiny blind kitten when Cooper first took him home. I think Homer’s narrative is perhaps innately the “weakest” for memoir structure, based as it is only on Homer’s disability and his life with Cooper, but Cooper’s beautiful writing shapes a well-crafted story that begins when Cooper herself was young and underemployed. Later, when Homer and his two sister cats were home alone during the 911 tower attack and Cooper couldn’t get home to them for days, my heart was thudding for the poor cats because I’d fallen in love with Homer, as well as Scarlett and Vashti, thanks to Cooper’s writing.

In A Street Cat Named Bob, Bob is a street cat who lives with a street musician in London and becomes famous online for sitting very calmly while Bowen plays his guitar or, later, sells magazines. Bowen was a recovering drug addict who was able to pull his life together when he began to focus on making a better life for Bob. Although Bowen claims not to follow a 12 step program, it’s clear that Bob becomes Bowen’s “higher power.” The story is engaging because Bob is such a larger than life figure as seen through Bowen’s eyes. Although the book was written with a professional writer, the book is the least well written of the three and needs editing. I even found at least one run-together sentence. The story didn’t move quickly enough in a few places, but I enjoyed it and would love to meet Bob and James. Most important, it’s rewarding to see a man turn his life around because of his love for an animal.

Dewey is a library cat who saves the town library. In Dewey: The Small-Town Library Cat Who Touched the World, Vicki the librarian meets Dewey when she finds the kitten who had been thrown into a frozen book chute overnight. Because the book begins with the tiny kitten saved from a horrific fate, I am immediately drawn in and engaged with the story. This is also true of Homer whose original owners wanted to euthanize him because he was blind. Bowen met Bob when Bob was already an adult cat, out on the street, so he’s never an adorable kitten in the story. But Bowen’s growing attachment to Bob is what hooks the reader.

Are these books about cats or about humans? Are they memoirs of the humans or biographies of the cats?

All three books have been successful.

Nevertheless, a few of the reviews on Goodreads didn’t like the feel good nature of the books–i.e., that a stray becomes an important part of keeping the library alive in small town America. I say those reviewers have hard hearts.

Some reviewers criticize these books for being memoirs about the writers’ lives.  Ahem. All three books are memoirs about the pet owners, although the focus is on the cat and the owner’s relationship with the cat. Well, a memoir by its definition is written by a human being about an aspect or time period of his or her life. When we write about someone else’s life and not our own, it’s a biography.

Why are these books not just biographies of cats? Why are they also memoirs by and about the humans? I feel that this is the way these books work best and someone who wants a pure story of an  animal should go read Bambi, which is an amazing orphan tale about a wild animal who doesn’t live with a human (although the original and non-Disney version does show what happens when one deer is taken in by humans).

Adult animal lovers enjoy memoirs such as the three I read because of the relationship between the animal and the human. It’s the human (sometimes humans) who grows and learns during the course of each story. The cats are amazing catalysts (sorry for the pun), muses, inspirations, and higher powers. But their ability to inspire the reader is innate to the animals. The story has to come from what the human learns from the cat. This is what makes a memoir like these more than merely a children’s story about a child thinly disguised as an animal, such as the Olivia (the pig) books. More than a biography of an animal, such as Smokey the Bear.

Or am I wrong? Is there a successful adult story about a real life animal where the plot is completely focused on the animal and not a human? I don’t mean a political satire like Animal Farm. 

The success of these books stems, in part, from the marriage of memoirs and feel-good animal stories.

One last thought about the reviews of these books. The reviewers who criticize these books for being about the lives of the pet owners tend to be very judgmental about the writers. They find them to be whiny or self-absorbed or boring–or a combination. I suspect that these complaints are because they don’t want the human intruding on the story of the animal or because they only see the story through their own narrow, darkly filtered lenses (their own self-image and their own lives). These reviews are more revealing of the reviewers than of the books or the writers, to my way of thinking. They also don’t understand that the books are structured this way because that is the way you tell a story and sell a book. There has to be conflict and resolution. There has to be suspense and pacing. I found myself getting angry at these reviewers.

What does that reveal about me ;)?

***

On a completely unrelated note, I am bummed about Doll God sales, but for a weird reason. The number of people who have told me that they have bought it (including multiple quantities) is in no way reflected by the actual total the publisher tells me that have been sold. Maybe half? So are half the people who have said they bought it not telling the truth? Is Amazon not sending correct reports to the publisher? The publisher provided me with a royalty update, so the problem isn’t with her. Any thoughts?

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Filed under Book Review, Cats and Other Animals, Children's Literature, Doll God, Memoir, Memoir writing theory, Poetry book, Publishing, Reading, Writing

Excerpt: Luanne Castle

A big thank you to Jenn Monroe, editor of Extract(s), for publishing a 3 poem excerpt from Doll God this first day of May.

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Filed under Doll God, Dolls, Literary Journals, poems about dolls, Poetry, Poetry book, Poetry Collection, Publishing, Writing

I Dish about Dolls and Doll God

Today is the last day of National Poetry Month. I haven’t done a fraction of what I had intended to do in celebration, but just because the month ends doesn’t mean I leave poetry behind. (And there is still time to purchase that copy of Doll God, hint hint 😉 ).

Serena over at Savvy Verse & Wit interviewed me for her blog today. She asked me some interesting questions about my relationship to dolls and, of course, about Doll God.

Click here to check out the interview.

Thanks so much, Serena, for the blog tour and for this interview. Your support of poetry is inspirational.

Mid-century  Snow White doll heads

Mid-century Snow White doll heads

Snow makes a couple of appearances in Doll God!

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Filed under Books, Doll God, Dolls, Interview, poems about dolls, Poetry, Poetry book, Publishing, Writing

My Fiction Reading During National Poetry Month

Although it’s poetry month, I’ve been reading fiction lately as a little break from poetry and memoir.

I chose well because I enjoyed all three books. These are the reviews I posted (pretty much word for word) at both Amazon and Goodreads.

My favorite of the three was It’s In His Kiss, written by Vickie Lester who blogs over at Beguiling Hollywood. This contemporary murder mystery is set in present-day Palm Springs and Los Angeles. I know the time period because the characters own cell phones, but the ambiance, shenanigans, and secrets come from a long-time Hollywood tradition that features real life mysteries such as the Black Dahlia murder, George Reeves (Superman), Bob Crane (Hogan’s Heroes), and maybe even Natalie Wood and Marilyn Monroe.

I was hooked very early on–in part because of the compelling story and in part because after a whirlwind romance (hook-up? you decide–I don’t want to give anything away) the reader is slammed with a shock. Lester keeps shaking the reader up as one Hollywood secret after another is divulged. She’s a master at creating believable southern California characters (main character Anne’s father Bob stepped off the page and into my kitchen), but even better at her precise and breathtaking descriptions of the city. She knows the roads, the landmarks, and how it all fits (and doesn’t fit) together better than anybody I’ve read in a long time.

Lester’s witty approach fits the subject and the culture well. I appreciated the occasional nod to pop culture. For instance, she calls a scary pseudo-religion “Clientology.” These touches give the book the feeling of a roman à clef which heightens the illusion of reality. And when it came time to reveal the mystery, I was shocked, but thrilled to discover a satisfying conclusion. If I were you, I would jump through the book image to Amazon to order It’s In His Kiss.

Next up is Ape House, written by Water for Elephants novelist Sara Gruen.  I have been captivated by nonfiction stories of animals learning to communicate on human terms since I was in high school. I used to teach Koko’s Kitten to future teachers because I hoped they would share the importance of interspecies communication with their own students one day.

This book takes the real story of Gruen’s experiences with bonobos who can sign and adds lots of excitement. It’s a fast-paced mystery, adventure, and love story. That’s a good thing because it ought to bring home to readers the story of primate communication with humans to readers who don’t know anything about it. It’s a quick read and even if your life is chaotic you can get “into” the book immediately. This was a 4 star book, although I can understand why some people would give it a 5. I think it tried to be a little more serious than it really was, which is why I give it a 4.

Finally, I wanted a light historical mystery, so I chose The Anatomist’s Wife by Anna Lee Huber. This book turned out to also be a romance, in a Gothic sense. I’m looking forward to the second book in the series. Lady Darby is an artist which makes her very appealing. A few times I felt annoyed at the contemporary perspective on women’s issues taking me out of the scene and setting. Lady Darby has enough clothing for a much wealthier woman, too, but the dress descriptions make for delicious reading. One gripe I had was that the frequent mention of the green cloak was belied by the red one on the woman on the cover of the book. Why can’t a cover truly represent what lies within? I gave the book a 4 star rating based on the quality for its genre. I don’t expect it to be something that it isn’t. But if you judge it against the two books above, it’s a 3 star.

I’ve ordered more books to add to my to-be-read stack, not because I have a lot of spare time ahead, but because it’s very comforting to have plenty of books to read.

How about you? Does a stack of unread books comfort you or stress you out?

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Filed under Book Review, Books, Fiction, Novel, Publishing

What I Do and Don’t Know about Amazon Reviews and Rankings

Way back I said I would share some stuff I learned about publishing a book. A lot has gone on in my life in the past couple of months, so I got a little behind in my spring plans. Nevertheless, I will share the little I’ve learned about the subject of Amazon reviews and rankings with you. I was so ignorant that I didn’t realize how important reviews are to book sales.

Actually, this post is more about what I don’t know about Amazon.

But I used to know even less. To those of you I had to be asked to write an Amazon review for, I’m sorry you even had to ask. If I read your book, and particularly if I reviewed it on here, I should have known to go write a review on Amazon. All it really takes is one or two sentences and a star rating. Mea culpa. Or maybe it’s my bad today.

I’ve heard–and so far this is merely rumor because how Amazon really operates is a mystery even to those who purport to have figured out the formula–that one has to have 25 reviews on Amazon for one’s book to attract any attention from Amazon and perhaps be moved up where a stranger might type in, say, “turtles as pets,” and see the link for your book that rhapsodizes on turtles as pets.

I’ve also heard that it’s important for people to click that “why, YES, this review was extremely helpful to me” (or whatever it’s called) button on Amazon after each positive review.

I have seen many books without any reviews. How can that be? After a writer puts all that effort into writing a book, not one person can write a review of it? I’m having a hard time getting my mind around this phenomenon.

A writer is also supposed to create an Author Page at Author Central on Amazon. Do you know how many writers don’t bother to do this? I guess the idea behind this feature is that someone can use the information on that page to help decide if they want to purchase your book. It’s also helpful for when you publish your second book–and I would imagine that a book in a different genre might make it even more important. As readers, we want to know what makes a writer the right person to write that book.

Here is my Author Page. What else, if anything, should I share on this page?

When Doll God first came out it was on the list of Hot New Releases in Poetry for a few weeks. It was kind of exciting, but what did it really mean? I wonder if I sold even one book because of that list. And how would I know? Here’s the rub about Amazon: if you’re not self-published you’re not necessarily privy to much behind-the-scenes information. What I get is a graph that gives me an idea of the up and down of sales, with the ranking among 8,000,000 books. I’ve checked it out exactly three times. I just looked again and mine right now is 246,886 365,098 (changes fast). But then you know that because this is information that is available to all Amazon readers. You can see it on the page for Doll God under product details. By the way, that number doesn’t seem that terrible to me, especially for a poetry book (although I’d love it to be lower), but if my book was a novel or memoir I would like a much lower number/higher ranking. And besides, it’s a number that will continue to change. One day, when I am no longer doing anything to promote the book it could wind up at 7,999,999.

I would like to hear from people who are self-published. What does your information about sales, etc. look like? How detailed is it? Do you know what motivates a sale?

Do you have any other information about Amazon that you can share?

Lost MaryGold

 Lost MaryGold

 

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Filed under Book promotion, Book Review, Books, Doll God, Poetry, Poetry book, Poetry Collection, Publishing, Writing Tips and Habits

Doll God Makes an Appearance on AZTV

I’m still trying to crank out a revision for Stanford, but I thought I’d give you a snicker of enjoyment today. I want to remind you that the night before my TV interview I did not sleep AT ALL. Therefore, I don’t feel I should be responsible for the baggy, wrinkled state of affairs in this video. I’ll be back Monday!

***

castle promotional cover

 

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Filed under Arizona, Book promotion, Doll God, Dolls, Interview, poems about dolls, Poetry, Poetry book, Poetry Collection, Publishing, Vintage American culture

Author of the Week, Luanne Castle! ~ #AuthorTag @writersitetweet

Thanks to Cate Artios for her sharing community of and for writers.

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Filed under Blogging, Book promotion, Publishing, Writing

Journaling Grief: A Novel Review

Some (ahem) years ago, I applied to our local university’s MFA program. Imagine my surprise when I was accepted. The only downside was that my undergraduate majors were marketing and history, and I didn’t have the fundamentals of literature I needed to study writing. Actually, I had more “fundamentals” than appeared because as an undergrad I’d blown off too many classes to count, spending my time at the library reading the contemporary masters like Philip Roth, Chaim Potok, and Isaac Bashevis Singer. I probably could have gotten a degree in Jewish literature by taking a test ;). But I was sorely lacking in a lot of other areas. Shakespeare? Who?

A few years had passed since I’d graduated college, so when I went back as a grad student, I not only was going to study something I was passionate about, but my study habits had vastly improved. The department decided that to make up for not having an undergraduate major in English, I would need to take two undergrad courses in English, an American literature course and a poetry survey course. With a great deal of luck and a little “research” (OK, gossiping about which were the best professors with other students) I took the poetry course with a dynamic poetry expert, Dr. Russell Goldfarb, and the American literature course with Dr. Clare Goldfarb, who happened to be his wife. My friends and I came to call them Mr. Dr. G. and Mrs. Dr. G. Maybe not as a form of address, but when we talked about them. They were two of my best teachers.

The Goldfarbs retired not long after I moved to California and started my new California-then-Arizona life. Imagine my delight when I recently learned that Clare Goldfarb had written and published a book that is available on Amazon. The book is available only on Kindle, and you know me–I refuse to fire up a Kindle because I love paper books and because I don’t want to add yet another screen to the lot of my migrainatious eyesight. I’m resourceful, though, I will say. I asked the author if I could read a .pdf version of her novel. I’m so glad I did!

In She Blinked, the reader is caught up in the tide of Ruth Burrows’ life as she learns that her mother has had another stroke–possibly a fatal one this time. She must fly to New York City to see her mother in the hospital and to stay with her father, a difficult man and ex-physician. As Ruth re-enters the remnants of the world she grew up in and navigates hospital culture and the death watch on her mother, she first begins to examine the face of mortality. When she returns home to her husband and children and the life she has created in Michigan, she finds herself blindsided by grief. Her usual over-achieving approach to life is threatened by the emotions she wants to analyze but doesn’t know how to handle.

The story doesn’t end with an easy resolution or a one year work-through of mourning. Instead, Ruth must continue on with her life. Her grief threads through the following years and rears up again when events trigger it. She also comes to face her own mortality through the events she lives through. Grief, mortality, illness (physical and mental), and memory are all a part of Ruth’s life. An important way that Ruth learns to deal with grief and mortality is through journaling, writing entries to her therapist. I wouldn’t call Ruth’s journey one of acceptance of these aspects of life so much as her recognition that they are part of the fabric of life, that all these experiences are intertwined, universal to us all.

Ruth Burrows has written a book about Henry James, a writer characterized by his psychological insights and complex prose. In She Blinked, the psychological insights are as astute as in James, but Goldfarb’s elegant, sparse prose never calls attention to itself and, instead, the reader is welcomed into Ruth’s experience.

Head on over to Amazon: She Blinked is available for Kindle at only $.99!!!

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Filed under Book Review, Books, Fiction, Publishing, Writing