Tag Archives: Book Writing

Get It Now! (Pretty Please with Sugar On Top)

It’s time!!!

It’s time to preorder Kin Types from Finishing Line Press.

Press here to order my book of poetry and flash nonfiction. Why Kin Types?

  • Wide variety of creative poetic styles
  • Insight into the lives of the women who have come before us
  • Flash nonfiction–what is life like for these men after their wives have died?
  • Quick but indepth glimpses from the history of women: infant mortality, vanity and housewife skills, divorce in the 19th century, secret abortion, artist versus mother, mysterious death, wife beating, and my favorite: a brave hero(ine) saving a family’s home
  • Much more, but you get the idea

Why preorder?

  • You won’t miss out when you’re busy
  • You want the book to go to press
  • Only way to ensure getting a copy!
  • You are supporting the arts
  • The press run of Kin Types is completely dependent on the preorders
  • You don’t want to hear me whining every week
  • I will love you forever ❤️

 

ORDER HERE

Unidentified ancestor from Cadzand, Netherlands

WHAT IS SHE REALLY THINKING?

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Filed under #AmWriting, Book promotion, Books, Creative Nonfiction, Family history, Flash Nonfiction, History, Poetry, Poetry book, Poetry Collection, Publishing, Research and prep for writing, Writing

Find Poems Here!

Two copies of the new issue of CopperNickel arrived in my mailbox. This beautiful journal is housed at the University of Colorado, Denver.

I have a prose poem in it about a woman getting a divorce in 1895. It is based on, among other information, two newspaper articles. The woman was my great-great-grandfather’s sister.

 

A feature of this journal that is particularly special is that they ask all contributors to recommend other books of poetry. I recommended Marci Calabretta Cancio-Bello’s book Hour of the Ox. Her collection won the prestigious Donald Hall Prize for Poetry in 2015–a well-deserved honor. Her book seems to me to be an excavation into what was, what would have been, what could be and could have been, and what isn’t. Marci, who in the past has published a poem called “Origin / Adoption,”  is a Korean-American poet who might be inventing a family in her first book. I find that all interesting because of my sympathies for adoptees and for anybody searching for their origins.

Here is a little taste of her lines:

Counting the breaths in the dark, my fingers crept lightly

across the floor and against my father’s calloused palm,

willing his lifeline to grow long as a stream

of tea poured green and steaming and smelling of herbs.

(from “The Last Supper”)

I’ve also recently read other books of poetry I want to recommend.

Nandini Dhar’s Lullabies Are Barbed Wire Nations is packed with lively and vivid prose poems. I found their form to be a great choice because of the narrative energy of the book. Lots of stories in here!

The Well Speaks of its Own Poison, by Maggie Smith, follows in the path of poets like Anne Sexton who explore the dark shadows of the fairy tale world to create magical poems.

I fell in love with Wendy Barker’s One Blackbird at a Time because every poem is about teaching literature. They re-created a world for me that I once knew so well. Anybody who has ever taught English or anybody who majored in English will probably feel the same way. You have to have a little familiarity with some of the more well-known texts read in the classroom: Whitman, Thoreau, Dickinson, Williams, Stevens, and Elizabeth Bishop, are a few of those mentioned. These are the opening lines of a poem that is a tribute to Bishop and her poem “One Art” (the formatting is completely off here; I can’t get WordPress to do it properly!!!):

It’s a perfect poem, I say, and though no one

In the class is over twenty-five, everybody

nods. They ‘ve all lost: the Madame

Alexander doll fallen into the toilet, silky

hair never the same, the friend who

moved away to Dallas, a brother once again

in juvie. So many schools—thirteen in

a dozen years—I lost each friend I made

till grad school.

 Notice the doll, too. That leads me back to–wait for it–Doll God ;).

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Coming Soon from Finishing Line Press

Maybe you thought I am only interested in cats and books and writing and wine food, but my love of local history was fueled by the vintage photographs (that are now antiques) and glass negatives my grandfather gave me. Many of them are interesting shots of locations and people in actions, but more of them are portraits and Grandpa assigned names for every person he knew. Another thing that reinforced my history interest was that my father was a “collector” of old buildings, especially downtown. He would buy old unloved commercial properties and rent them out, usually to young people who wanted a start in business. Since my mother’s great-grandfather had built some of the old buildings in our city, I came to believe that I was meant to coordinate the family photos and documents and to see where the family fit into our hometown.  I’ve documented some of the information I’ve uncovered on my other blog.

But you know I’m also a poet and writer of the more lyrical sort. So it wasn’t enough for me to write blog posts about people long dead. Where the more typical family history research left off, I wanted to add the power of imaginative research. That’s when I started writing my Kin Types poems. These poems are meant to uncover and reveal the lives of women in my family who are long gone. But they could be women in anybody’s family. That’s what family history really should be: the history of the world as seen through the lives of “regular” individuals. The women in these poems endure difficulties and tragedies: the death of an infant, waiting to hear about the fate of a soldier brother, a clandestine abortion, emotional illness, inability to pursue art, a mysterious death, a horrific fire, and more.

My chapbook also contains two prose pieces–flash nonfiction–and, strangely since all the poems are about women, the viewpoint of both these stories is from two men in my family. They are men who, in some ways, lived the male American immigrant story of the late 19th century. But they also had their own troubles and tragedies, and they too cried out (in my head, at least) to have their stories told.

So it’s super exciting to announce that Finishing Line Press is publishing my book, and the stories of the people who have come before us will be available in poems and lyrical prose. Kin Types will be available for pre-order soon, so stay tuned!

My great-grandmother with Grandpa

circa 1910

(yes, she’s in the book)

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A Matter of Taste

When I was in 3rd grade, my father built us a new house across town. At the time we lived in a small bungaranch (or it is ranchalow?) with a bomb shelter in the basement. In 2014 I wrote a post telling a bit about that bomb shelter.

But this post is about our next house, sort of. My parents pored over architectural plans and made changes so that the house would be exactly what they wanted. It was a very well-constructed white aluminum siding and pink brick ranch with a full basement. My bedroom had a built-in desk, vanity, and bookshelves. We had a wood-paneled family room with fire place, and the living room had a wall of glass looking out to the woods behind. The house was 1,787 square feet (thanks, Trulia), which seemed of castle-like dimensions to me, particularly since I had most of that big basement to play in.

My father had some help from subcontractors, but all the framing, the masonry, and extras like concrete walks and patio were done by my father. With me watching and fetching.

When the house was almost completed, my father said my mother could choose the finishing touch. She could select the color of the front door.

This is where I wish I could put a little cardboard swinging door over the answer so that you would have to guess first. Then you’d pull open the door (like on a page of a child’s cardbook book) and look in shock at the color.

I remembered this story because I read Joey’s red door post on Thursday.

But our door wasn’t red (which is always striking on white or gray houses). Our door was turquoise. Yup. Gulp.

Maybe you love blue for decorating (I generally don’t as I prefer warmer colors). Or even turquoise. Or think it’s teal.

But it’s not. Turquoise is turquoise, and I’m sorry but it is not an appropriate color for a door, even if the rest of the house is lovely.

Flash forward. I moved into my house in Phoenix with its gold-tan stucco walls and dark brown trim–both in a sort of mottled faux finish. The colors suit the landscape here. And they are “house colors.”

After we moved in, I noticed that the faux brown around my windows and doors had started to peel. I went up to the door and pulled at a paint shred that was just hanging. As I ripped it up, I saw the color underneath.

It was turquoise. I am NOT kidding. The whole dang house is trimmed in store-bought turquoise trim. It’s not painted, but permanently coated with turquoise. And it defies paint on the top of it, which is why it peels all the time.

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When the gardener and I visited Michigan just before my father got sick, we went to see our old houses, schools, and haunts. This is a pic of the pretty house that no longer has a turquoise door. The only thing is, the house was more distinctive looking with the turquoise door. So maybe it’s all a matter of taste–not good or bad–but individual. Sadly, we only lived here for a year and a half because, even after all my father’s work on the house, we couldn’t afford to keep it.

house

I’ve been really busy preparing everything the publisher needs for my chapbook, as well as doing a little work on the memoir. Fingers crossed on how all this goes . . . .

I hope your Valentine’s Day is lovely even if you don’t have a special love. Find someone who would be warmed by a valentine–and deliver. Word of warning if you plan on a bouquet: if they have cats, try to stay away from lilies and carnations, which are toxic to cats. Roses and orchids are safe. And the fewer greens the better because nobody ever seems to know which ones are toxic and which ones aren’t.

Muah!!! xo <3

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Filed under #AmWriting, #writerlife, Arizona, Family history, Memoir, Nonfiction, Poetry Collection, Writing

Who Can Put Humpty Together Again? (Hint: We Can)

When I was a teen, it was popular to believe that nurture was far superior to nature–and that almost anything in nature could be overcome. I took that with me into parenting when we adopted our children as babies from Korea. Even if my kids were to come with problems, my love and care and brains would allow them to thrive. (Don’t judge me–it was the 80s).

Hahahaha. My kids are wonderful people, both because of their upbringing (I hope) and most definitely because of their genes. But this isn’t actually about them.

I was so stupid  naive.

One reason I was naive is that I didn’t realize that my own genes were so flawed. After obtaining 23andme medical information for my daughter and me, I can tell you that my daughter’s genes are far less saddled with disease than mine. That goes for physical and mental diseases.

Another reason for my  naïveté lay in my supposition that nature and nurture can be taken apart.  Is behavior caused by nature or nurture? It’s caused by both and they are more closely tied together than you can imagine.

The experimental field of science that deals with this stuff is called behavioral epigenetics. What behaviorial epigeneticists have discovered is that our genes have been altered and coded by the experiences of our parents, grandparents, great-grandparents, and so on. WOWSA. This is so cool. Sometimes science blows my mind.

If your grandfather was ignored left to his own devices by his parents, as I suspect mine was, it not only had an effect on his personality, but it probably changed his DNA–and he passed those altered genes on to my mother who then passed them on to me!!!

So experiences in pogrom-ravaged shtetls, potato famines, slavery, and alcoholic families have encoded our genes for anxiety, depression, and a whole host of other problems.

Don’t think this only works in the negative. Positive adventures in life and strong support and love experienced in childhood encode genes in good ways, as well.

From a writer’s perspective, the new field validates the work I’m doing in Kin Types, my poetry chapbook based on family history research.  All the experiences of my ancestors have influenced (or have had the opportunity to influence) who I am today.  I always felt this was true, but had no idea how it worked and no proof that my hunch was correct. I had a hard time even assuring myself that my studies into my ancestors had any importance other than how it brought details of history alive to me.  But family history done right (it shouldn’t be a study in dates and places) actually teaches a person about him or herself.

Does any of my family history have meaning for my kids? Or my brother (who was also adopted) and his children? The meaning it has is that the people who have made me who I am have contributed to their lives. They don’t have genes encoded with the same adventures and tragedies that mine are, but they have reaped the benefits and drawbacks of being raised by or with someone who has.

Think of the power of this knowledge. New ways of treating mental illness can be developed. And we can take negatively encoded genes and, over generations, change them for the future as we provide positive NURTURING, support, and love to others. It’s not true about Humpty Dumpty. All the pieces can be put back together because genes can be improved — and not through Frankenstein-type science, but through our actions in this world.

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Filed under #AmWriting, Essay, Family history, History, Inspiration, Nonfiction, Poetry, Poetry Collection, Writing

The Dilemma of Writing Competition Protocol

I started reading over the guidelines for a few writing competitions and was once again annoyed by a dilemma that they provoke.

Most of the contests tell you all the wonderful stuff they can think of about the poet/writer who is judging. Then they slam you with this one.

Poets/writers are not eligible to submit a manuscript if they know the judge or the [insert name of press here] personally.

What does this mean regarding the judge? If you’re her father or sister or niece? I get that. If you’re her best friend? If you took three courses in an MFA program from her? That all makes sense.

But what if you took a workshop a zillion years ago and that workshop was a total of less than six hours and she has absolutely no idea who you are?

Does that count?

###

Pear says Hi!

 

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Filed under #AmWriting, Book contest, Writing, Writing contest, Writing Talk, Writing Tips and Habits

Poetry Potpourri

the museum of americana is a literary magazine with a mission close to my heart:

the museum of americana is an online literary review dedicated to fiction, poetry, nonfiction, photography, and artwork that revives or repurposes the old, the dying, the forgotten, or the almost entirely unknown aspects of Americana. It is published purely out of fascination with the big, weird, wildly contradictory collage that is our nation’s cultural history.

They’ve published two of the poems I intend for my chapbook of poems based on my family history. You can read them here.

Two poems by Luanne Castle

I love how my interest in family history and genealogy and research connects with my partnership with poetry in these poems.

On another note, if you bought a copy of Doll Godsend me your address and I will mail you a sticker to complete your book cover.

If you haven’t bought a copy, please consider it if your finances allow–either for yourself or if you think you’ll hate it (gotta allow for that) as a gift for someone you think will enjoy it. Amazon says it will arrive before Christmas.

Have I ever told you what book existed before Doll God? It’s a scrapbook my daughter made for me two years ago. In it, she hand wrote many of my poems and she included posts from the adoption blog, Don’t We Look Alike, that we worked on together.

In the slideshow you can see a sample of the scrapbook. Note the subtle cat-themed touches. And if you see a pic of a high school couple just remember that it’s easy to find stock pix online (big winky face).

This slideshow requires JavaScript.

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Filed under Book Award, Book contest, Book promotion, Books, Doll God, Family history, Literary Journals, poems about dolls, Poetry, Poetry book, Poetry Collection, Publishing, Research and prep for writing, Vintage American culture, Writing

A Group Journey Out of Homelessness: A Book Review

I was born with the desire to know what it’s like to live more than one life. If you’re a reader, you understand what I mean. That’s why we read. For the time it takes to read a novel or memoir, we can get inside someone else and look through his or her eyes at the world around us. Better yet, we can hear that writer or character’s heartbeat.

When I choose a book I tend to choose a memoir or fiction that is closely tied to one protagonist. But I just finished a book that is a compilation of memoirs by a group of writers.

These writers are bound together by a writing class and a commonality: they have all experienced being homeless. Writing Our Way Home is subtitled “A group journey out of homelessness.” Edited by southern writer and blogger Ellen Morris Prewitt, whose touch is so light her name is not on the cover or title page, this book weaves together the stories of fifteen writers and organizes them thematically.

I began reading slowly because I wanted to isolate and listen to individual voices in the group and not confuse them with each other. I needn’t have worried. Very early on, I began to “hear” who was “speaking” within the first sentence or two of each brief entry. I listened to Leroy Scott’s straightforward prose, Cynthia Crawford’s engrossing storytelling, Tommy Payne’s brilliant and varied writing style, Latasha Jackson’s pattern of detailed imagery (sipping peach wine in the bath, the lost doll collection), and other unique voices. As Tommy himself says, “It is easy to tell a book written by James Michener from a book written by Ian Fleming. An Ernest Hemingway novel from a play written by Shakespeare.” And so it is with these writers.

Most importantly, I learned what these fifteen people had to say about their own lives and about the condition of being without a home.

The book developed from a writing class that Ellen teaches in Memphis. The class and the Door of Hope organization that runs the class seem to be based in Christian teachings, although I don’t find much about religion on their website other than that they offer contemplative prayer classes, as well as creative writing.

If you have ever—even once–looked at a homeless person and forgot that he or she has a whole history of living, relations, emotions, and past belongings, as well as current needs, hop over to Amazon and pick up a copy of this book! If you want to find out if you should give a handout to someone who asks, you will find eleven answers.

Now that I’ve read Writing our Way Home and had time to let it settle into my bones, I feel it’s permanently changed me. A big thanks to Roderick Baldwin, Donna Connie, Cynthia Crawford, Jacqueline Crowder, Veyshon Hall, Tamara Hendrix, William L. Hogan, Jr., Latasha Jackson, Anthony Johnston, Robbin K., Rhonda Lay, Jockluss Thomas Payne, Leroy Scott, WJS, and Master Major Joshua Williams for inviting me into your lives.

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Book Promoting ;)

I took my car to the dealer for service yesterday. My dealer, like many, hires seniors to drive customers to and fro in company shuttles. (No, I’m not in that senior group yet. Maybe we should have Sr. Seniors and Jr. Seniors).

My shuttle driver was an elderly man with gray hair in need of a cut. After the initial silence (of about 45 seconds), we began to talk at the same time. He won that battle.

He told me his story the whole way home. At one point, I inserted a comment, but he glanced at me as if he’d seen a tree speak, so I shut up.

He told me the story of how he, an ambitionless twenty-something, had become a successful Flying Tiger and commercial airline pilot. He’d had no college, was deaf in one ear, and was approaching 30 years old when he started learning to fly.

Pretty interesting story. Then he explained that although he didn’t have any college (a requirement for being a commercial pilot), he had learned on his own by way of his family’s encyclopedia.

By the time I was 20 I’d read all the books of the encyclopedia, only skipping medicine, music, and poetry.  I hate the pus and blood of medicine, I’m lousy at music, and poetry–well, I think poetry is for dreamers, not doers.

Oh man. In my mind, I was envisioning Doll God

floating off into the clouds.

Where do people get the idea that poetry is from Dreamland? It’s grounded in absolute reality. In fact, it has more reality to it than real life. By that I mean that in real life we ignore a lot around us as we struggle just to live our lives day by day. But poetry can’t ignore that stuff. It has to dig right in.

Back to Joe. As I was unfolding myself from the van, he told me about his book on Amazon and that I ought to look it up.

I almost said, “My poetry book is on Amazon, too.”

But I didn’t. Either it was because I’m too kind and didn’t want to embarrass him or it was because I’m a coward and didn’t want to get the trees-have-voices! stare again. Maybe it was a little of both.

Do you agree with me about poetry or do you like to think of it as a dreamer’s refuge?

P.S. I did look up his book and it looks good. If you’re interested in a true adventure (and to find out how he was accepted with all those negatives against him), email me for the book title. I’d like this post to remain a bit anonymous ;).

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Filed under Arizona, Books, Creative Nonfiction, Doll God, Memoir, Nonfiction, Poetry, Poetry book, Poetry Collection, Writing

New Poems and Old Ancestors

Although I haven’t been writing this spring–on purpose, I might add–when I started my new poetry project last fall I focused on creating poems out of the genealogical research that I do for my family history blog The Family Kalamazoo. It makes sense to narrow in this way, as I am always spreading out in too many directions. However, it’s difficult to write poems about a subject that is so personal to my family. It makes sense to write a poem about a maple tree or a new baby because these subjects are universal, but what makes someone else’s dead ancestors interesting to readers? That is a difficulty.

So far I’ve had one poem from this small grouping published, and that was in December. It was in the online journal Blast Furnacebut here is the poem, a prose poem:

When Your Grandfather Shows You Photographs of His Mother

You identify yourself in the antique image. Long slender neck, narrow torso, your face tipped to avoid the light. Your hands rest in the valley between your thighs sharp under yards of stiff calico. Your face long, well-sculpted by a lean diet and youth, nearly but not ascetic. Blue veins clutch the temples under translucent skin, a milky film that just contains you. In the next photograph your black dog Carlo poses at your side.

But Carlo isn’t your dog. Three degrees separate you across the time dimension. You never beat a man with his horse-whip for using it on his horse, though you wish you had that sort of courage and that sort of hands-on life, or burned all the books except the family Bible, praise her lord. And yet you hold your bodies as both shields and thresholds.

Because a face never reflects the same, every photo sees something else. You’re your father under the red star and your mother’s grandmother in the morning sun. But not your mother who is the image of her aunt. You never did let her kiss you. You see Carlo and his mistress in another photograph, and her smile is so familiar. Now the gauzy mask of your mother’s face floats across her-your features. Another light source and hour. Another shift of the hologram that is you.

If you happen to be one of the three people who read this blog from the first post you might find the subject recognizable. I rewrote that first blog post into this prose poem. I am fascinated with how we look like our ancestors and relatives, but in some lights, various shadows, or on different days, we might look like a completely different person–or share his features. It’s as if our general counteance is always shifting.

This is the great-grandmother I wrote about in the poem. Even I find our resemblance (when I was younger, of course) astonishing. The black dog in the one photo is Carlo.

My idea with the poems is to create a chapbook–a publishable collection that is smaller than a full-length poetry collection. Maybe around 20-25 poems. And I want to focus on my female ancestors. These are the people difficult to research because they don’t show up in old documents and newspapers as shopkeepers, dog breeders, or politicians. What was the day-to-day of their lives really like? I am trying to find out by researching and then allowing the material to develop into poems. At the moment a poem is completed, I feel that I have brought to life the experience of one woman.

It’s difficult to find literary magazines to send individual poems to because the subject matter is not contemporary and only universal in the notion of the project as excavating the lives of generations of women. In other words, I need to find places that specialize in or are sensitive to the intersection of history and poetry.

Are you interested in two unrelated subjects that you have been able to connect in your own life?

In case you are wondering why I am not writing on purpose, it’s because I was writing so much for so long that I knew I needed a period where I don’t take on any old or new projects. I’m resting my brain. Except for blogging, of course, dear peeps.

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I have a DOLL GOD Giveaway going on at Goodreads right now. Hop on over there and sign up if you want to win a free copy!

CLICK HERE TO SIGN UP FOR A FREE COPY OF DOLL GOD

 

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Filed under Book Giveaway, Memoir, Photographs, Poetry, Poetry Collection, Research and prep for writing, Vintage American culture, Writing, Writing goals